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The Careful Craft of Writing Female Subjectivity

<em>Territory of Light</em>,<em> </em>Yuko Tsushima’s story of a single mother navigating ’70s Japan, exploded notions of autofiction by women as simply memoiristic.
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What sort of mother loses her child in the park? Or goes out drinking and leaves her child unsupervised at home? Or lets her child stroke the back of a drunk stranger? The mother in Yuko Tsushima’s Territory of Light does all of these things. And yet she dearly loves her daughter. Together they throw leaves at a “dazzling blue” sky and play on a flooded roof that through her daughter’s eyes becomes “the sea.” When the girl has a bad dream, the mother recites “magic words” to soothe her: “Nightmares, leave this child alone … Let her dream she’s dancing.”

was published from 1978 to 1979 as a series of 12 stories in the Japanese literary magazine that, once finished, were collected into a novel. Geraldine Harcourt’s English translation has recently been published in the United States. The novel follows a young mother and her 3-year-old daughter. At the

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