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Falling in Love with a Buddha
Falling in Love with a Buddha
Falling in Love with a Buddha
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Falling in Love with a Buddha

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Frank Berliner came of age in the turbulent and exciting era of 1960s America, and met the authentic spiritual master Chogyam Trungpa Rinpoche just as the Western cultural door opened to receive the ancient wisdom of Tibetan Buddhism. In Falling in Love with a Buddha, Frank recalls the world of Rinpoche's life and teachings. In vivid and often humorous first-person accounts of the founding and evolution of Shambhala, he evokes the powerful and enigmatic presence of this unique teacher.

At the same time, Frank tells the moving personal story of a father and son. Their relationship is marked by great tenderness, by conflict, and by strokes of mutual insight as Frank's father encounters the inscrutable force-field of Chogyam Trungpa. As the cycles of life and death inevitably ripen, the passing of each of these men marks Frank indelibly with their abiding presences in his own life.

This book brings to life again a potent moment in cultural history, and helps us more fully appreciate this revolutionary teacher and his profound impact on the lives of his students. Finally, it deepens our understanding of a genuine, heartfelt spiritual path by revealing the intimate ways our personal awakening can touch those closest to us.

LanguageEnglish
Release dateMar 29, 2012
ISBN9780985179014
Falling in Love with a Buddha
Author

Frank Berliner

Frank Berliner became a student of the Vidyadhara, Chögyam Trungpa Rinpoche, during the first summer of the Naropa Institute in 1974, and served him over the next eighteen years as national director of Shambhala Training and ambassador to the Berkeley Dharmadhatu. Frank now teaches contemplative and existential psychology at Naropa University, and maintains a private practice as a life coach and psychotherapist.

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    Falling in Love with a Buddha - Frank Berliner

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    Falling in Love with a Buddha

    A Spiritual Recollection

    Frank W. Berliner

    Praise for Falling in Love with a Buddha

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    Frank Berliner’s spiritual memoir is beautifully crafted and written. It is a tale about love, and the great longing that springs from there—to learn, to grow, to be real, and to forge a genuine connection with oneself and others, with life, and with death. I highly recommend it.

    —John Welwood, author of Toward a Psychology of Awakening

    With sensibilities at once romantic and coolly analytic, Frank Berliner trains his considerable powers of observation, recollection, and composition on three principal topics: his spiritual father Trungpa Rinpoche, his biological father, and himself. The book swells with wry humor, sex, death, and other compulsively readable stories of a real spiritual encounter. It is a profoundly moving volume on what will be the shelf full of books recalling Chögyam Trungpa Rinpoche. This one also looks, without embarrassment, at the work that men must do to love.

    —Acharya David Schneider, author of Street Zen

    Frank has written an exquisite and heartfelt memoir, full of the experience of dharma woven together with the Western literary stream—the ivy league meets crazy wisdom—and Frank eloquently teaches throughout, creating a work that is a transmission in itself.

    It is also the quintessential and lively portrayal of Buddhism coming to America, seen through the eyes of a young man falling in love with a Buddha and taking him to meet the parents, literally and figuratively, with always unpredictable and surprising results.

    The pages radiate with what Chögyam Trungpa described as the experience of nowness—living fully in and for the present moment but thoroughly appreciative of one’s own lineage and heritage. In that way it is a gift for the lonely American practitioner on a path of devotion and self-awareness.

    —John W. Cobb, president of Naropa University and author of Footnotes to the Inexplicable

    FALLING IN LOVE WITH A BUDDHA

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    A Spiritual Recollection

    Frank W. Berliner

    ALL MY RELATIONS, LLC

    Boulder, CO

    On the cover: Chögyam Trungpa Rinpoche’s teaching chair, with the TigerLionGarudaDragon emblem of Shambhala.

    Copyright 2012 by Frank W. Berliner

    Published by All My Relations, LLC

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission.

    First Edition

    Cover design by Alex Musat

    E-Book design by Gail M. Nelson, e-book-design.com

    ISBN 978-0-9851790-1-4

    Smashwords Edition

    Licensing Notes

    This e-book is licensed for your personal use and enjoyment only. This e-book may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you are reading this book and did not purchase it, or if it was not purchased for your use only, please visit Smashwords.com and purchase a copy for yourself. Thank you for respecting this author’s work.

    Dedication

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    For my mother, Esther Ann, and my wife, Nan.

    Thank You

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    With special thanks to Gregg Campbell, whose encouragement and generosity made the writing of this book possible.

    Who will remember you when I have gone,

    My darling ones, or who remember me?

    Only in our wild hearts the dead live on.

    —May Sarton, Death and the Turtle

    Contents

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    Author’s Note

    Prologue

    Part One: Lost Horizons

    Part Two: Falling in Love with a Buddha

    Part Three: Farewell to the Fathers

    Epilogue

    Acknowledgements

    Author’s Note

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    This book has come into existence as the result of my meeting an authentic spiritual master when I was twenty-eight years old, and resolving from then on to dedicate my life to studying with him and serving him.

    This memoir is inspired by the simple reality that I was fortunate enough to be alive when he was alive; that in every interaction with him, he seemed in some utterly uncanny way to embody the raw truth at the very heart of life; and that, at very rare and always unexpected times, I seemed to have been paying attention when he did.

    My teacher was a wild holy man. He changed my life and the lives of many, many others in ways that we are only just beginning to fathom. In that sense, this book presents the story of my life as only one reflection in the radiant mirror of his life. It is certainly not the story of his life in any complete way, since none of us who knew him could ever write about more than the few reflections each of us saw in entering his world. Like the blind men touching the elephant in the Buddha’s parable, each of us encountered only one facet of his enormous life, and we each interpreted that encounter according to the particular limitations of our own consciousness.

    This is also a book about a father and son. It recounts my history with my own father, whose impact on my life was powerful and profound, both painful and inspiring.

    Finally, it is about how my encounters with my teacher clarified and healed my relationship with my father, even if that was never his real agenda or intention. Indeed, beyond communicating the urgency for each of us to wake up fully in our own lives, I have no idea what his real agenda or intention was. In that sense he was, and will always remain, unfathomable.

    Now both are gone from this world, and the finality of death compels me to say farewell to them both, as all sons must inevitably say to their fathers. Yet the blessings of each are more and more vividly present in my own life as I grow older. For this, my gratitude to each of them is endless, and Farewell! becomes Hello again! every day—even every moment.

    Prologue

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    How late?

    My father is at the wheel, as always. We are driving to Boston so that he and my mother can hear my Tibetan Buddhist teacher, Chögyam Trungpa, for the first time. I have just given them fair warning that Rinpoche, as his students call him (it’s a traditional honorific for high lamas, literally precious one), is often late, even for his public talks.

    Nearly sixty years old, my father drives as fast as he did when I was a boy, but his reflexes are no longer quite what they were. Though he still loves being at the wheel, I no longer love being in the car with him when he drives.

    When I was a boy, I found the experience quite wonderful. As a young pediatrician in the 1950s, he made house calls to tend to the sick children and worried mothers of the town where I grew up, less than twenty miles from New York City. At times he would allow me to go with him. I would sit happily in the car while he went inside these houses, his scuffed leather doctor’s bag in his right hand. I was old enough that my pride in traveling with him outweighed my jealousy that he was devoting so much of his time and energy to other people’s children.

    Being in the car with him was always a great adventure, especially on longer outings when we would visit his older brother’s family in far-off Washington, DC each spring. The cherry trees all over the capital were in bloom and their vibrant pink clouds of blossom ornamented those pristine white marble memorials to all the venerable, long-dead fathers of our country. Daffodils bloomed in every garden. We hunted for colorful Easter eggs that our aunt had hidden in their backyard. I fell in love with my pretty cousin at first sight and at age seven experienced for the first time the pain of unrequited affection.

    Returning home from those family pilgrimages on Sunday afternoons, as we approached New York City along the crowded main route through New Jersey, my father would bypass the long, stalled lines of traffic by driving brazenly along the wide-open shoulder of the highway for miles at a time.

    Oh Ben, don’t do this! my mother would plead, almost in tears from her anxiety and embarrassment. You’re setting such a terrible example for your sons!

    Do you want to get home today or tomorrow? he would reply. He asked with such sincerity and conviction that you couldn’t help but believe he was posing a choice to her that was actually real.

    Why can’t you be like everyone else on this road? begged my mother. Look at these hundreds of cars. None of them are doing what you’re doing.

    Don’t worry about it, honey. They just don’t have any imagination, he said. I’ve got my MD plates, sweetie pie, and the police aren’t going to give us any problems. His tone, at once both arrogant and reassuring, foreclosed any further communication. As always, he had the last word.

    He leaned toward her and patted her cheek with infuriating charm and tenderness. Then, with his arm resting on the sill of his open window, he continued cruising along that narrow asphalt corridor without a care in the world.

    From the backseat, my little brothers and I cheered him on. It was thrilling! The steady breeze through my father’s window caressed our faces and spurred us to bold new heights. Riding shotgun, as it were, we imagined we were performing a vital service to my father by keeping a close eye out for cops. My mother turned away, gazing out her closed side window with a look of utter resignation …

    Nearly twenty-five years later, we’re in the car together once more. My father at the wheel, my mother in the front passenger seat, and I in the backseat, but without my brothers now on this spring evening in New England.

    I can’t tell you how late. I can’t even tell you for sure he will be late. But he often is, so I thought I should just give you a heads-up.

    Why is he late?

    Maybe it gives people a chance to practice patience, Dad. I don’t know.

    It sounds pretty rude to me.

    My father seems now to drive even faster. One might think he would slow down at the likely prospect of Rinpoche’s being late so that he won’t have to sit in the lecture hall quite so long to wait for his arrival. But on the contrary, it’s as if being on time is, for him, a matter of such supreme, personal honor that he wants to witness every moment of Rinpoche’s dishonorable lateness firsthand.

    Ben, please don’t drive so fast, my mother pleads. My father slows down ever so slightly, then gradually inches back up to his previous speed.

    At the hospital, I give medical students five minutes, he proclaims portentously. I give residents ten minutes and associate professors fifteen. He is now chief of pediatrics at an urban medical center. The days of humble house calls in the old neighborhood are long past. Their four children have all left the nest, and my parents have relocated from asphalt Long Island to leafy Connecticut.

    Then what? I ask.

    I leave.

    Oh, I see. The higher the rank, the more slack you cut them?

    You’ve got it.

    I try to imagine where Rinpoche falls in this hierarchy, but don’t pursue the matter any further. My father puts a well-worn recording of Beethoven’s Fifth Symphony into the tape deck of the car, turns up the volume, and continues speeding toward his rendezvous with my teacher in Boston.

    Ninety minutes later we sit in the lecture hall with several hundred others, waiting.

    Rinpoche is already half an hour late. My father looks at his watch incessantly and taps his feet impatiently. All around us people are talking to each other quite cheerfully. Obviously, many have been alerted to Rinpoche’s modus operandi and are adapting themselves to it without resentment. No solemn spiritual hush here! The hall is bubbling over with animated conversation.

    When you really think about it, says a woman directly behind us, Tibetan Buddhism is the mystical wing of American Judaism. My father overhears her and glances back over his shoulder. His natural curiosity gets the better of his irritation for a pivotal moment. What a fascinating thing this young lady has just uttered! And that she is quite attractive only compounds the interest as far as he is concerned. For the first moment since spotting a red-tailed hawk in a tree by the highway in Rhode Island two hours ago, he forgets all about the time.

    Excuse me, he says, using his sweetest tone and most charming smile. He turns around fully to explore the matter further with her. What exactly did you mean by that? Immediately they are engaged in an intense and wide-ranging conversation about the younger generation of American Jews. About how their disillusionment with their parents’ superficial and materialistic approach to their ancestral roots has led them, first to radical political activism, and then, disillusioned with that, to a spiritual practice that isn’t based on believing in God.

    My father, a Jewish doctor and trained evolutionary biologist who has never believed in God and who especially dislikes what he regards as the smug, childish certainties of organized religion of any kind, is intrigued.

    Are you a student of Rinpoche? he asks her at last.

    Yes, I am.

    And what does he believe in?

    He doesn’t seem to believe in anything, as far as I can tell.

    That doesn’t sound like spirituality. It sounds nihilistic.

    Not at all.

    Why not? He is riveted by her confidence and directness.

    Seeing things as they are isn’t based on belief.

    What the hell does that mean, ‘Seeing things as they are’?

    It means not having any preconceived ideas about what you’re experiencing, she replies. She is not even remotely intimidated by his blustery challenge—the one he habitually uses to disarm any potential adversary.

    But do you really think such a thing is possible?

    Of course.

    How?

    Meditate.

    Abruptly she stops talking to my father and looks beyond him, up to the stage. As if on cosmic cue, Rinpoche has materialized from behind a curtain. He is sitting in a big chair on the stage and smiling as broadly as the Cheshire cat. The audience quickly quiets down. The long-awaited talk begins …

    As we drive back to Connecticut an hour later, I ask my father whether he feels that Rinpoche was worth waiting for.

    Yes, he responds.

    In what way?

    I liked his sense of humor.

    When?

    Often. Especially when he said that enlightenment has to have ‘light’ in it—but light as opposed to heavy, not as opposed to dark, like the usual religious stuff. That was good. He considers for a moment, then adds, I’m not used to a talk on religion having a sense of humor. It was refreshing.

    But Buddhism is not a religion, remember? It’s spirituality.

    You know what I mean. Don’t be a wise guy.

    Was there anything else?

    What is he drinking up there? It’s not clear enough for water. White wine?

    Sake, probably.

    Why?

    I guess he likes it. I’ve heard this question often enough that I no longer attempt a more complex explanation than this.

    It seems strange for a Buddhist teacher to be drinking alcohol while he teaches.

    I agree that it’s unusual.

    My father pursues this no further. We drive in silence for a while.

    Anything else about your impressions of Rinpoche or his talk?

    Yes. The way he answers people’s questions, says my father with his characteristic decisiveness. He answers them, not just their question. He answers them behind their question, he continues. I marvel, once again, at my father’s unique blend of skepticism and genuine appreciation.

    As if he knows what you’re thinking even better than you do, adds my mother. It’s uncanny. It gave me chills.

    Did he persuade you to meditate, Dad?

    I wouldn’t go that far, he says with a chuckle and shoves the Fifth Symphony back into the tape deck once again.

    I think I’d like to try it, says my mother, just ahead of the wall of sound that now engulfs the car. This time Beethoven has the last word. We spend the rest of the drive in a familiar mode—a captive audience to my father’s undying enthusiasm for those majestic, pounding chords.

    Years later, I’m told that when Rinpoche was asked what he thought of Western classical music, he replied, Beethoven made aggression respectable.

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    PART ONE: LOST HORIZONS

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    Chapter 1

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    I come ashore as a single droplet within the tidal wave of births in the United States that has since come to be called the baby boom. It is six months after Hitler has taken poison, two months after the United States has dropped the first atomic bomb on Hiroshima, and five days after the United Nations charter is ratified.

    The war is over, America has won, and millions of young, horny soldiers and their eager wives are immediately getting down to the important business of reproducing themselves as often as possible. The pulsing lifeforce of a crude, blind optimism is everywhere. Lines of identical, mass-produced houses march over the helpless potato fields of Long Island, and the rural idyll of my father’s boyhood is bulldozed under in the process.

    My father was not a soldier. His childhood asthma disqualified him. On a healthier note, he is already a doctor—a young pediatrician whose work was considered in some way vital to the American cause. Though he was not at the front, he found a dignified form of alternative service in his medical role. The medical profession confers its privileges. And being a pacifist at heart, he was probably quite relieved not to have to go overseas and kill people.

    My uncle, his younger brother, is a pilot in the Far East. Though the war there ended in August, he remains in Asia for several months afterward. On the day of my birth, he sends my father a telegram from somewhere across the Pacific congratulating him on his first son’s arrival. I am told later that when he returns, he comes to live with my parents in their first house and shares a room with me for a few months.

    I always feel a strong bond with my uncle as a boy. Like my father, he is expressive and emotional. Even more than my father, he likes to give hugs, and he cries easily. I always feel that he saw things in the war that made him permanently sad, and that also made him feel life is precious and family very dear.

    As a boy I am affected by a photograph of my uncle in his military uniform, in my parents’ family album. This image of him is woven into other childhood experiences in my own idiosyncratic way. My parents love to listen to Puccini operas, especially Madama Butterfly. When the naval officer Pinkerton sings, I picture him as my Uncle Bill in his uniform. A few years later, when I see the young Marlon Brando in the film Sayonara, I feel he looks a lot like my uncle.

    My mother, too,

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