Werewolves
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This book explores the myths and the legends of this fantastical creature and questions the many realities behind the fantasies. Was it easier for society to blame serial murders on a demonic hairy beast with ravaging fangs than to admit a human being could commit such atrocities? Whatever the case, werewolves continue to live on and have been the stars of literature and film for decades. They are the sensitive bad boys of the monster world. Alone among those who rip, the werewolf has remorse and no control over his actions. He wakes up after a night of lunacy covered in blood and gore, appalled at what he’s done.
Contents includes: The ‘animal’ in all of us; folk tales and ancient beliefs; physical attributes of the werewolf, appearance, the process of metamorphosis, how to recognize and ward off werewolves; werewolf panic: accounts of werewolf attacks, cannibalism and insanity, vampirism, serial killer werewolves: Andrei Chikatilo, Albert Fish, The Full Moon Killer; werewolf culture:literature, films, TV, music: including Steppenwolf, Teen Wolf, The Strange Case of Dr Jekyll and Mr Hyde, Dog Soldiers, New Moon, American Werewolf in London, The Howling, The Wolf Man, True Blood
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Werewolves - Zachary Graves
Introduction
The werewolf is a dark and mysterious creature. Folklore from all over the globe tells stories of massive wolves stalking the countryside for prey, terrorizing and mutilating victims. These stories have given much to popular fiction writers, who have built on the legend, adding rules and dimensions to this ancient beast. In medieval folklore, there are numerous tales of remote villages being torn apart by werewolves with an uncontrollable bloodlust and an insatiable appetite for human flesh. By day, however, these creatures are nowhere to be seen. The only evidence of their existence being the discovery of dead bodies apparently torn apart by something with claws, and bloody paw prints marking the perpetrator’s last movements.
Craving for Human Meat
Often, the man behind the werewolf committed such heinous acts of violence that were so sickening to society, that he was deemed to be working for the devil himself. A cannibal killer displays the same cravings for human meat and blood as the midnight predator, the werewolf. It is not surprising that murderers got dubbed werewolves, and were usually executed in a truly torturous way. Some people, however, did believe absolutely in the werewolf legend. Wolves were hunted and slaughtered as a result, for fear that they may metamorphose into a much more dangerous beast at night.
By day, detecting a potential werewolf was a matter of looking for clues. People with eyebrows that met over the bridge of their nose were often suspected, as were those with hair inside their legs, an affliction difficult to prove until the suspect was dead, sadly. Through the werewolf panic that took place in medieval Europe, people learnt to avoid areas where the beasts were believed to congregate. Precautions were taken against becoming a werewolf oneself; people were told not to drink from ‘enchanted’ streams or accept unusual ointments or salves from strangers. The seventh child born into a family would often be killed at birth or given away, in the belief that one day it would be answering the call of the wild. Donning a belt made of wolfskin was believed to transform you instantly into a werewolf, as was wearing a lycanthropic flower or eating the flesh of a werewolf’s victim. There was a lot to remember in these deeply superstitious and suspicious times.
Man’s Alter Ego
As time passed and advances in psychology and medicine were made, mental illness soon was blamed for man’s alter ego bursting out uninvited. A werewolf is, of course, a perfect metaphor for the ‘duality of man’. There is a raw, wild power within each of us and when we are crossed, we feel a strong urge to retaliate. The rage can escalate until we can contain it no longer. For most of us, we can tame this inner beast through rational thought. But for some, it is impossible to suppress and when the monster inside takes control, the results can be devastating. Andrei Chikatilo, the notorious Russian serial killer, was so consumed by his bestial urges that he literally consumed parts of his victims. Someone who acts this way is alien to most of society, and it is easy to see why such animalistic behaviour was attributed to supernatural forces in times past. Perhaps this was easier than admitting that humans have the ability to tear each other open and feast on the exposed body parts.
Werewolf fiction finds its foundation in folklore, and the werewolf is part of the horror pantheon which grows ever more popular. The werewolf is the savage creature alongside the recently romanticized vampire and the slightly comedic zombie. The werewolf has a pulse, giving it an immediate advantage over its supernatural colleagues, and also has the benefit of being able to enjoy the daytime, something the others have to miss out on – unless you’re the rather sparkly Edward Cullen, that is. Red blood runs through a werewolf’s veins along with primal instincts that make them more than a match for the vampire or zombie.
Thanks to folklore inspiring popular fiction, the werewolf myth has been presented to us in literature, film, television and music. Scottish author Robert Louis Stevenson wrote The Strange Case of Dr Jekyll and Mr Hyde in 1886. It is a portrait of a man with a divided self, a double consciousness – an allegory for the good and evil within everyone. Jekyll describes his evil double Mr Hyde as ‘the animal within me’ and a ‘caged creature that cannot be denied’. This may not be a werewolf story, but it remains the archetype for all the werewolf and transformation stories that followed. In the same way that Frankenstein spawned the re-animated zombie and Dracula gave life to the vampire, Jekyll and Hyde taught us about the ‘wolf within’ exposed by drinking a potion of drugs. Other means of transforming in werewolf fiction can be through a magical amulet, a curse or hex, or simply through bad genes. Scott Howard, in Teen Wolf, becomes a werewolf as puberty kicks in, a concept also used in Ginger Snaps, albeit tackled completely differently. One of the most famous werewolf movies, 1941’s The Wolf Man, introduced us to Larry Talbot (played by Lon Chaney Jnr) and many of the werewolf rules with which we are are now so familiar. It taught us that transformation from man to werewolf takes place under the glare of the full moon and that silver (a bullet or simply an object) is the most effective weapon against the wolfman.
Remorse and Regret
The human form of a werewolf, in fiction, is often a decent character during daytime. After a savage night out, the werewolf will wake in human form, full of remorse. The werewolves of Being Human and Buffy the Vampire Slayer, are so concerned for their condition that they lock themselves up when they know the transformation is coming. Remus Lupin, in Harry Potter and the Prisoner of Azkaban, is so disturbed by his affliction that he takes a daily Wolfsbane potion to control his inner beast. The werewolves of Stephenie Meyer’s Twilight series have a more protective nature, and ‘phase’ when they need to protect others or defend themselves. The representation of Jacob Black in his werewolf state is much more cuddly than the werewolves of Dog Soldiers. The werewolf is constantly battling with the two sides of his character. By day, the human-wolf is deeply ashamed of its deadly night-time excursions, but under darkness their werewolf conscience is clear and they have no qualms about ripping innocent flesh.
The 16th-century physician, botanist, alchemist, astrologer, and occultist, Paracelsus, believed that a person has two spirits – an animal spirit and a human spirit. The more dominant side of a person’s earthly character forms their spirit in the afterlife. Carnal and bestial human cravings on earth doom the phantom of the afterlife to roam eternity in the shape of a wild animal such as a wolf, wreaking havoc and retribution on earthly beings.
Silver Bullets
It is no wonder that our imagination and culture is so filled with lupine imagery and legend. Recent studies have shown just how ordered and hierarchical the wolf’s society is. Man and wolves have a lot in common. Man lives in a kind of pack – the family – like the wolf, and is also one of the great survivors in the story of evolution. Indeed, the wolf can be said to have been a rival to mankind in the struggle for dominance. Through the ages, we have fought for the same food, especially when it was in short supply. It was kill or be killed. A man, unarmed, is no match for the wolf, but man invented weapons. Once, of course, it was spears and bows; now it is guns. Remember to load those silver bullets though – just to be sure.
MYTH OF THE WEREWOLF
Generally speaking, in myth and folklore, a werewolf is a human who has the ability to transform itself - shapeshift - into an anthropomorphic wolf-like creature. It achieves this state in a variety of ways and the transformation, as noted by Petronius in his writing and by numerous other writers, is often associated with the appearance of the full moon.
Superhuman Strength
Werewolves are often described as possessing superhuman strength and enhanced senses that are more powerful than mere wolves and certainly greater than those of humans. It possesses all the attributes of a wolf – powerful jaws lined with sharp teeth and large paws that are capable of doing a great deal of damage to another creature. However, in some stories, werewolves are also said to have killed with daggers or knives.
In their human, unaltered form, werewolves are reputed to display obvious signs of their alternative form. The eyebrows, for instance, of a human who transforms into a werewolf, are often said to meet at the bridge of the nose. They have curved fingernails, ears set low on the side of the head and they walk with a loping, swinging stride. They are reputed to be listless, lacking in energy and anxious to avoid direct sunlight. They also find cooked meat repellent. It is often said that the only part of the body that does not change when a human transforms into a werewolf are the eyes. They remain human – although they may, when the creature is enraged, appear to be on fire. They are also unable to shed any tears; werewolves, unsurprisingly, cannot cry.
It is said that if you cut the flesh of a werewolf in human form, beneath the flesh you will see its fur. The Russians, meanwhile, maintain that someone can be proved to be a werewolf by the bristles under his tongue. The appearance of werewolves varies from culture to culture, but they are generally shown as not possessing a tail, much like their supernatural counterparts; witches, who never have tails when they take on the form of an animal.
In the part of Scandinavia known as Fennoscandia, werewolves were traditionally old women with claws that were coated in poison. They had the power of being able to paralyze cattle and children with their gaze. Meanwhile, in Serbia, vulkodlaks (used in Serbian folklore for both werewolves and vampires) were believed to gather together during winter. They would strip off their wolfskins and hang them from trees. Whenever they gathered together, they would take one wolfskin and throw it on the fire, thereby releasing its possessor from the curse that had transformed it into a vampire or werewolf.
In Haiti, there are werewolf-like creatures known as jé-rouges who try to steal children from their mothers in the night, waking them and while they are still in a drowsy state, asking them for permission to take their child. Disorientated mothers sometimes say yes and live to regret that one word for the remainder of their lives.
From Werewolf to Human
The return to human form is a devastating experience for the werewolf. He is often shown at this stage to be fragile and weak and is likely to be severely depressed. The magnitude of the crimes committed while in animal form renders the werewolf remorseful, suffering from melancholia and terrible pangs of guilt. Amongst the terrible crimes committed in medieval Europe was the werewolf’s horrific habit of eating recently buried corpses.
BECOMING A WEREWOLF
Legend and folklore describe a wide variety of ways to become a werewolf. The simplest of all, and possibly the most common in historical legend, is to remove all clothing and don a belt made of wolfskin or, sometimes, human skin removed from the body of an executed criminal. The belt, or girdle, as it is sometimes called, should be three fingers wide.
Of course, movie depictions demonstrate that another common way to acquire the power of being transformed from man to wolf is to be bitten by a werewolf, the creature’s saliva entering its victim’s bloodstream and creating the power. This, however, is scorned by some who would say that if someone is bitten by a werewolf, he or she very rarely survives the encounter and would not, therefore, be alive to become a werewolf.
Full Moon
In Italy, France and Germany, it was said that a man could turn into a werewolf if he slept outside on a certain Wednesday or Friday night in summer, with the full moon shining directly on his face.
Drinking water from the tracks of wolves is recommended if you have the desire to become a werewolf, or even drinking from certain streams which are either enchanted or where wolves drink. Eating the flesh – in particular the heart – of a wolf or something killed by a wolf is said to be another way to become a werewolf. In fact, Egbert, Archbishop of York, who died in 766, proclaimed that the flesh of animals that had been attacked and killed by wolves should not be eaten as a precaution against the people who consumed it becoming werewolves.
However, some sources also say that eating the flesh of a wolf or its victim has the opposite effect, that it actually strengthens the person who consumes the wolf’s or its victim’s flesh against a range of magical enchantments. Eating human flesh is also a means of becoming a werewolf, especially the flesh of violent criminals.
Enchanted Waters
Elliot O’Donnell, in his classic book on the subject, Werewolves, goes into some detail as to how to become a werewolf in Sweden or Norway.
He writes that the supplicant should find a lycanthropous stream. Lycanthropous water differs subtly from ordinary water and it takes a trained eye to spot it. It emits a faint odour unlike any other and it has a ‘lurid sparkle’ to it that seems to suggest some internal life. As it flows, the sound it makes is reminiscent of the sound – or, at least, mutterings and whispers – of human voices. At night, terrifying screams and groans come from it and animals avoid it and if brought close to it, cower and howl in fear.
Kneeling by the side of the stream, the person should chant the following:
Tis night! ëtis night! and the moon shines white
Over pine and snow-capped hill;
The shadows stray through burn and brae
And dance in the sparkling rill.
Tis night! ëtis night! and the devilís light
Casts glimmering beams around.
The maras dance, the nisses prance
On the flower-enamelled ground.
Tis night! ëtis night! and the werwolfís might
Makes man and nature shiver.
Yet its fierce grey head and stealthy tread
Are nought to thee, oh river!
River, river, river.
Oh water strong, that swirls along,
I prithee a werwolf make me.
Of all things dear, my soul, I swear,
In death shall not forsake thee.
He should then strike the banks of the stream three times with his forehead and dip his head into the river three times, each time swallowing a mouthful of the enchanted water. With that, he or she has become a werewolf internally and 24 hours later, the first metamorphosis will begin.
Lycanthropous Flowers
To become a werewolf, Swedish and Norwegian supplicants might also pluck a lycanthropous flower and wear it after sunset on a night when the moon is full. Lycanthropous flowers, like lycanthropous water, possess qualities that are peculiar to them. Their scent is said to be reminiscent of death and their sap is white and sticky, although they look much the same as other flowers, normally white or yellow.
The lycanthropous flower crops up in a number of different cultures. There is a story told about the Kloska family who lived in the village of Kerovitch on the Romanian side of the Transylvanian Alps. Ivan and Olga Kloska were the children of a shopkeeper. One morning, out with their mother who was washing clothes in a stream behind their house, the two children wandered off. They started to pick flowers but suddenly Ivan heard a scream. Turning round, he discovered that his sister had fallen into a pit that had been covered up by weeds and brambles. He climbed down to make sure she was not hurt. She was fine, but pointed out to him a strange flower growing down there. It was a vivid white flower, a little like a sunflower but soft and pulpy and emitting a sweet, sickly