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    The Wandering Hill: The Berrybender Narratives, Book 2
    The Wandering Hill: The Berrybender Narratives, Book 2
    The Wandering Hill: The Berrybender Narratives, Book 2
    Ebook393 pages7 hours

    The Wandering Hill: The Berrybender Narratives, Book 2

    By Larry McMurtry

    3.5/5

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    About this ebook

    The second volume in Larry McMurtry's four-part historical epic featuring the Berrybender family as they continue their journey through the West during the 1830s.

    In The Wandering Hill, Larry McMurtry continues the story of Tasmin Berrybender and her eccentric family in the still unexplored Wild West of the 1830s. Their journey is one of exploration, beset by difficulties, tragedies, the desertion of trusted servants, and the increasing hardships of day-to-day survival in a land where nothing can be taken for granted. By now, Tasmin is married to the elusive young mountain man Jim Snow (the "Sin Killer").

    On his part, Jim is about to discover that in taking the outspoken, tough-minded, stubbornly practical young aristocratic woman into his teepee he has bitten off more than he can chew. Still, theirs is a great love affair and dominates this volume of Larry McMurtry's The Berrybender Narratives, in which Tasmin gradually takes center stage as her father loses his strength and powers of concentration, and her family goes to pieces stranded in the hostile wilderness.

    The Wandering Hill (which refers to a powerful and threatening legend in local Indian folklore) is at once literature on a grand scale and riveting entertainment by a master storyteller.
    LanguageEnglish
    PublisherSimon & Schuster
    Release dateJun 1, 2010
    ISBN9781439141472
    The Wandering Hill: The Berrybender Narratives, Book 2
    Author

    Larry McMurtry

    Larry McMurtry (1936–2021) was the author of twenty-nine novels, including the Pulitzer Prize–winning Lonesome Dove, three memoirs, two collections of essays, and more than thirty screenplays. He lived in Archer City, Texas.

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    3.5/5

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    • 4/5
      Volume two of the Berrybinder narratives. Not up to the originality or the first volume, but a decent read nonetheless. The story becomes increasingly tiresome with each succeeding volume.
    • 3/5
      I'm a little worried that I'll run out of McMurtry novels to read, after I read recently in one of his memoirs that he thinks Rhino Ranch may well be his last. So I went back to the Berrybender series that I missed when it came out originally. Not his best, but enjoyable and I have no doubt that I'll finish the series (this is the second of four). I am struck by the way McMurtry, at his best (and there are little glimmers here) uniquely and unpretentiously captures the thoughts of people who are refusing--or attempting and failing--to understand another person.
    • 3/5
      Part 2 of Sin Killer series as Berrybenders depart their boat and head for a trading post. Babies are born, adventures and names of many real mountain men are interweaved with the fictional family.
    • 5/5
      The story is compelling. Good job writer! if you have some great stories like this one you can publish it on Novel Star, just submit your story to [email protected] or [email protected]

    Book preview

    The Wandering Hill - Larry McMurtry

     1 

    … tall, gaunt, furious, snow in his hair and beard, and murder in his eyes…

    THE old mountain man—tall, gaunt, furious, snow in his hair and beard, and murder in his eyes—burst into the big room of Pierre Boisdeffre’s trading post just as the English party was sitting down to table—the table being only a long trestle of rough planks near the big fireplace, where a great haunch of elk dripped on its spit. Cook had just begun to slice off generous cuts when out of the winter night the wild man stormed. Tom Fitzpatrick, called the Broken Hand, had just been filling a pipe. Before he could fully turn, the tall intruder dealt him a blow that sent him spinning into a barrel of traps—man and barrel fell over with a loud clatter.

    Good Lord, it’s old Hugh Glass, Pomp Charbonneau said, turning, Tasmin thought, rather white, a surprising thing to see. Pomp Charbonneau, educated in Germany, as correct with knife and fork as any European, was a man not easily discommoded.

    Hugh Glass he may be, but why has he struck down the Broken Hand? Mary Berrybender piped, in excited surprise.

    Before Pomp could answer, the furious stranger rushed past Tom Fitzpatrick and leapt at young Jim Bridger, who, with his partner, Kit Carson, had been nodding on a pile of blankets—both youngsters, tired from a day of trapping, came unwillingly awake.

    Why, Hugh! Jim Bridger said—he leapt up just in time to keep the invader from grabbing him by his throat. Pomp Charbonneau half rose from his chair, but then settled back. Several of the mountain men—bald Eulalie Bonneville, Bill Sublette and his brother, Milt, Joe Walker, all of them as shaggy in their tattered buckskins as bears—stumbled hastily out of the way of the combatants. Kit Carson, who managed with difficulty to get his eyes open, soon opened them wider when he saw that his friend Jim Bridger was locked in mortal combat with Hugh Glass.

    Kit immediately jumped into the fray, as did Tom Fitzpatrick, once he got free of the traps. Soon several mountain men were clinging to old Hugh’s back; they smashed into a shelf, pots fell, crockery broke, and the old parrot Prince Talleyrand, a great favorite with the mountain men, flew up into the rafters to escape the commotion. Pierre Boisdeffre, the proprietor and landlord, rushed out of a storeroom and began to declaim indignantly in French; he surveyed the spreading carnage with dismay. For a moment it seemed to the startled spectators that the old man, in his terrible anger, might defeat them all. Five mountain men clung to his back; soon all of them crashed to the floor and rolled around in confusion, scratching, biting, kicking, as Monsieur Boisdeffre continued his futile protests.

    Hugh Glass is supposed to be dead, killed by a grizzly bear, Pomp explained. Several mountain men now contented themselves with sitting on the old fellow, waiting for his fury to subside.

    If that disputatious gentleman’s dead, then he’s pretty active for a ghost, Tasmin remarked, indicating to Cook that it was time to serve the cabbage—cabbage was the only thing in the way of a vegetable that the Berrybenders had been able to bring with them on their hard trek overland from the steamer Rocky Mount, though a happy consequence of unloading the cabbages was the discovery of their missing sister, Ten, aged four years; little Ten had evidently been living happily amid the cabbages for some weeks, missed by no one.

    Some vittles, of course, had to be left with stout Captain Aitken, who had stayed behind to defend his icebound vessel during the chill months ahead. Marooned with him were seven engagés, the old Hairy Horn, Toussaint Charbonneau and his young wife, Coal, Master Jeremy Thaw—too damaged from his clubbing at the hands of the late Fraulein Pfretzskaner to survive a hard trek in deep chill—and the Danish painter Holger Sten, who argued that if he came ashore his paints would surely freeze, a consideration that had not deterred the American painter George Catlin from disembarking with the English party. Throughout the lengthy packing and departing the Hairy Horn, half naked, had annoyed them all by repeatedly singing his death song, though everyone had long since stopped expecting the old chieftain to die.

    Tell us, Pomp—why is Mr. Glass so very angry with Jim Bridger and the Broken Hand? the ever-curious Mary piped.

    Pomp was about to attempt an answer, but Tasmin, out of patience with her inquisitive sister, picked up her fork and warned him off.

    We’re eating, Mary—no interrogations, Tasmin said. It’s hardly to be considered surprising when mountain men fight—I can think of one I wouldn’t mind fighting with myself, if only he’d show himself.

    She meant her husband, Jim Snow, known to some as the Sin Killer, who refused absolutely to take his meals at the trading post, or to sleep under its roof, either; a life spent almost entirely outdoors on the raw Western frontier had unfitted Jim Snow for life of an indoor, or civilized, sort. Walls and roofs made him feel so close that he got headaches; he quite refused, despite Tasmin’s pregnancy, to contemplate an indoor life, a fact that Tasmin found decidely vexing. Jim cooked his meals at their modest camp overlooking the Yellowstone River, more than a mile away from Pierre Boisdeffre’s well-chinked log trading post. Though Tasmin would have preferred to dine with her husband, she was not about to forgo Cook’s excellent victuals when she could get them; nonetheless, the fact that her husband refused even to consider coming up the snowy slope to dine with her put Tasmin in a testy mood—a fact of which everyone in the post was by then well aware.

    At the far end of the great table the other members of the party—George Catlin, Lord Berrybender, Bobbety, Buffum, Father Geoffrin, Señor Yanez, Signor Claricia, Venetia Kennet, and their nominal host, the tall Scotsman William Drummond Stewart, watched the ongoing struggle of mountain men against mountain man with varying degrees of interest. Lord Berrybender, sitting just across the table from Drum Stewart—as the tall sportsman preferred to be called—took only a momentary interest in the fight, though he did take care to keep his one leg and his good hand under the table, in case knives were drawn. Lord B. had lately become wary of knives—fortunately the struggle seemed to be moderating with no one having recourse to edged weapons as yet. The several trappers now sitting on Hugh Glass were talking to him soothingly, as if to reassure him of their friendship. Even Pierre Boisdeffre had managed to rise above the loss of his crockery—he too spoke to the fallen warrior in mild tones.

    Glad there’s no slicing tonight, Lord B. remarked pleasantly. Every time there’s slicing I seem to lose an appendage—how many is it now, Vicky?

    One leg, seven toes, three fingers, Venetia Kennet reported, without enthusiasm. Venetia had not adjusted well to her young pregnancy; the trip across the frozen wastes had been, for her, a horror. Her cheeks were hollow, her eyes dark-rimmed, her smile now only the mockery of a smile. And yet Lord Berrybender casually assumed that she would be pleased to keep up with his ever diminishing number of fingers and toes.

    Hear that, Stewart? His Lordship asked. I find myself rather whittled down, although fortunately there’s been no threat to the principal—perhaps I should say the indispensable—appendage.

    Which would that be, Papa? Tasmin inquired. In her testy mood she saw no reason to spare her tablemates whatever grossness her father chose to come forth with.

    Why, the organ of generation—you know what I mean, Tasmin, Lord Berrybender insisted. My favorite appendage by a long shot, I can tell you that.

    I hardly see why you should be so proud of a mere prick, Tasmin told him coolly. All it’s got you is a collection of violent brats and bitches. I’m sure you know how our sainted mother used to refer to it, within the confines of the nursery, of course.

    Er … no . . . why would my dear Constance call it anything? Lord B. inquired, growing rather red in the face. Tasmin’s shocking impertinence often took him by surprise.

    ‘Papa’s big nasty,’ that’s what she called it! Mary yelled, before her sister Buffum could drive her off with a few sharp slaps.

    Thank you, Mary—you’re precise for once, Tasmin said.

    I don’t thank her, Buffum said. How painful to hear obscenity out of the mouth of a child, here on the Yellowstone in the year of our Lord 1833, she intoned.

    My daughter Tasmin has a tongue like an asp, Lord B. observed, under his breath, to Drum Stewart. Don’t argue with her, Stewart—just slap her if she annoys.

    Drum Stewart made no reply—he was happy, at such time, to take refuge in Scots taciturnity. Though he was soon to be the seventh baronet of Murthly, the vast family seat in Perthshire, Drum walked with the trappers, slept with the trappers, waded in icy streams with the trappers, ate what the trappers ate, and starved when the trappers starved. He did nothing to set himself apart from the hardy group of mountain men—Bridger, Carson, Fitzpatrick, Bonneville, Walker, and the Sublettes—with whom he had traveled north. Most of them were now sitting on Hugh Glass, trying to persuade him to let bygones be bygones where Jim Bridger and the Broken Hand were concerned. His own understanding was that Hugh Glass—oldest and, by some accounts, wildest of the mountain trappers—had been killed by an enraged mother grizzly some years before, while trapping with Major Henry’s men; clearly this was a misjudgment, since the man was alive and kicking—literally kicking, whenever he could get a leg free. Neither Bridger nor Fitzpatrick was any longer engaged in the struggle—both stood by a table, looking somewhat stunned, as would only be natural in the light of the violent return of a man they had supposed to be dead.

    You know, Stewart, it’s a goddamned nuisance, having to drink whiskey with my meals, Lord Berrybender complained. I miss my leg, of course, but the plain fact is that I miss my claret more. Never thought I’d be reduced to a life without claret—when we fought together on the Peninsula I distinctly remember that you were a man who drank claret—no small amount of claret, either. You wouldn’t have a few bottles hidden away, now, would you? For your private use? Come on, man, confess. …

    Oh, do shut up about that claret, Papa, Tasmin said sharply. It’s gone, and good riddance. You’ve drunk more than enough claret for one lifetime, in any case—overconsumption explains why you’re such a gouty old brute.

    Didn’t ask you, asked Drum Stewart, Lord Berrybender insisted. A man who’s fond of claret doesn’t change. I expect you’ve got a few bottles secreted away here somewhere … now haven’t you, Drum?

    "I walked here, Albany, Drum said bluntly. We had a few ponies, but we needed them to bring out the pelts. Can’t clatter around with a lot of bottles, in country like this."

    Drum Stewart did warm to the way Lady Tasmin’s color rose when she heaped abuse on old Albany Berrybender; and he was hardly the only man in the post who liked to hear her heap it. When Lady Tasmin spoke in her spirited and witty way, all the mountain men fell silent and became shy. The purity of her diction, the flash of her wit, the bite of her scorn all fell so naturally from her lips that no one would have dared interrupt, particularly since her fulminations were often accompanied by a heaving of her young bosom. Young Carson, young Bridger, and the Sublette brothers were so smitten that they scarcely dared breathe, when Lady Tasmin spoke.

    Despite his admiration for Lady Tasmin’s looks, and those of Vicky Kennet’s as well, Drum Stewart could not but be vexed that the English party was there. When he came to the Yellowstone valley with the Sublettes and the other trappers, he had supposed himself to be in a wilderness so remote that it would be years before the English rich arrived—getting clear of the English rich was one reason he plunged so eagerly into the Western wild. But then, before he had been at the post even ten days, who should arrive but Albany Berrybender himself, a man whose high title alone had kept him from being cashiered in Portugal for grand disregard of even the most elemental military discipline. No sooner had he settled in at the trading post than here the Berrybenders came, with Lady Tasmin herself driving a wagonful of servants and attendants. Old Albany—his left leg having been recently removed—bounced up in a buggy driven by an Italian of some sort. To Drum Stewart’s dismay a Little England was immediately established at Pierre Boisdeffre’s trading post, where, to the astonishment of the mountain men, a callow American named Catlin set up his easel and began to paint the various Indians who wandered in to trade; lordly Piegans, squat Minatarees, wild Assiniboines from the northland, all virtually jostling for positions in line in order to allow the American to render their likenesses.

    It seemed to Drum that everything he had traveled six thousand miles to escape had caught up with him before he could even draw his breath in the high West. Far though he had traveled, he had only beaten the English by little more than a week—already the one-footed old lord had taken to racing across the prairies in his buggy, with the Italian applying the whip to two fine mares. Albany, of course—in the normal way of English sportsmen—shot at everything that moved. Already the buffalo and elk had learned to avoid the vicinity of the post; the pot hunters had to forage farther afield every day, in order to find game.

    That Lady Tasmin had already managed to locate and marry a frontiersman judged to be wild and untamable even by the loose standards that prevailed among mountain trappers did not greatly surprise the worldly Scot. English ladies could always be counted on to seek out wild meat; there was little left in the East that could qualify, when it came to wildness. He had to admit that he did still admire the white throats and long legs of the Englishwomen, two of whom, graceful as swans, sat at that very table: the voluble Lady Tasmin and the somber cellist, Venetia Kennet. In Drum Stewart’s view there was no escaping a certain moral equation: with beauty came difficulty, and with great beauty came great difficulty. Thus he looked aside from Lady Tasmin and let his gaze linger now and then on the admirably long-legged cellist—she was said to be with child but hardly showed it yet. Lady Tasmin would keep talking, whereas the silent cellist spoke only when required to. Drum Stewart was, after all, a Scot of the Scots, taciturn by nature. Ten minutes of Albany Berrybender’s selfish ramblings made him want to cut the old brute’s throat.

    Are you fond of cabbage, Miss Kennet? Drum asked politely.

    Not the least of the woman’s attractions was a soft, full lower lip—on the long trek north from Kansas, Drum had largely held aloof from native women, put off by their short stature and the grease with which they liked to anoint themselves. To a man not naturally celibate, Vicky Kennet’s full lower lip suggested the possibility of quickening passions and tangled bedclothes.

    She better like it, it’s the only vegetable we’re likely to have through this long winter, Tasmin said—she was quite aware of how frequently the tall Scot’s gaze sought out Vicky.

    It’ll do, sir, when there’s naught else, Vicky said, allowing, just for a moment, her full lips to curve in a smile.

    Well, if there’s no claret we’ll have to make do with brandy, I suppose, Drum, Lord Berrybender said.

     2 

    … a wife, wanted—simply a wife, wanted.

    POMP Charbonneau had formed the pleasant habit of walking Tasmin back to her camp at night, a courtesy Tasmin found both reassuring and yet obscurely irritating.

    Pomp, you needn’t—Pomp, it’s quite unnecessary—Pomp, don’t bother, she protested, though never with much force. Not once did she strictly forbid this polished, friendly, very polite young man to take this trouble on her behalf. Tasmin liked Pomp very much, and yet why was it Pomp, rather than her husband, Jim Snow, who felt she needed protection on the easy walk from the trading post to the modest camp by the Yellowstone? Why—besides that—were she and Jim, in the coldest months of a northern winter, living in a tent on a riverbank? Because Jim found indoor lodgings close?

    You’ve now bewitched our good Pomp, Tasmin, Buffum said, once the elk and cabbage had been consumed. Pomp himself had hurried over to join the conclave of mountain men around Jim Bridger, Tom Fitzpatrick, and Hugh Glass—evidently some long-held grudge on the part of the latter was being adjudicated by a kind of trappers’ jury.

    Shut up, Buffum, I’ve done nothing of the kind, Tasmin retorted. Why would it matter to you if I have? Last I heard you were entering a nunnery, as I recall.

    The fact was that, with the passage of time, Bess Berrybender had begun to feel considerably less nunlike; she would happily have allowed Pomp to pay her a good deal more attention, and Tasmin a good deal less.

    That’s right, Tasmin—not fair to hog Pomp, Bobbety said. When spring comes he has promised to take Father Geoff and me to some excellent fossil beds.

    Bobbety and Father Geoffrin had become an inseparable pair, constantly babbling on about geology, vestments, or licentious French literature, over which they were prone to giggle and smirk.

    Tasmin found the two of them increasingly hard to tolerate, though the rest of the company was not much more to her liking—always excepting Cook, who followed the progress of Tasmin’s pregnancy with the attentiveness of the seasoned midwife that she was.

    Tasmin had spoken sharply to George Catlin so many times that the disappointed painter seldom uttered a word while in her presence—why give the woman a target?

    Mary Berrybender, her young breasts just budding, was not so easily squelched.

    I fear you may commit adultery with Pomp, if you aren’t careful, Tassie, Mary said. Indeed, I fear it very much.

    Hush, you minx! Tasmin said. I have no improper feelings for Pomp.

    Mary turned aside and began to kiss and stroke the gloomy botanist, Piet Van Wely, her special friend. Numbed by the cold and depressed by the short winter days, the Dutchman had fallen into a deep melancholy. Now and then Mary could coax a sentence or two out of the sad fellow, but no one else could persuade him to speak a word.

    Seeing that Pomp Charbonneau was deep in conversation with Eulalie Bonneville and Tom Fitzpatrick, Tasmin left the table and strode briskly out of the trading post into the cold Montana night—she had scarcely passed beyond the gates of the stockade when the ever-watchful Pomp appeared at her elbow, which irritated her. She liked the young man very much; but she didn’t like him coddling her. Coddling was her husband’s job, though one he entirely refused to do.

    What was all that stir? she asked.

    Hugh had a grudge against Jimmy Bridger and Tom Fitzpatrick, Pomp informed her. "It was Jim and Tom who left him for dead, after the bear clawed him. His whole chest was ripped open—the boys thought he was dead, and the Sioux were close, so they took his gun and left, hoping to save their hair."

    Aha, but he lived to chase them down, Tasmin replied—Hugh Glass’s survival did not seem all that surprising. Even in her own short time in the West she had observed the sort of things human beings could survive, provided they had sufficient vigor. Her own father had roared like a bull while his leg was being sawed off, and yet, scarcely a week later, he was hobbling around on his crutch with considerable agility, shooting unwary buffalo from the boat and assailing Vicky Kennet, who was plenty wary but had no place to run. Vigor did seem to be the necessary factor. Tim, the stable boy, only lost two fingers and a toe to the bitter frost, and yet came near to dying, and even now looked like a haunt of some kind, a man not sure whether he belonged to life or death.

    Yes, Hugh chased them down, Pomp said. It’s lucky there was a bunch of the boys handy to jump on him—otherwise there might have been blood spilled. Jim and Tom convinced him they did their best—it’s not always easy to say when a man’s alive, not when the Sioux are in the neighborhood.

    They walked on. The winter stars were tiny pinpoints in the dark sky. Their feet crunched the crust of a light snow. Pomp Charbonneau’s manners were so easy, so nearly infallible, so European, that Tasmin found herself rather resenting them; it seemed to her that those manners masked a certain neutrality, a preference for standing apart, a trait she could not but disdain. Pomp had been educated in a castle near Stuttgart; perhaps the castle was the trouble, Tasmin reflected—when had she not disdained men raised in castles? Drum Stewart had also been raised in a castle; he too was eligible for her rich scorn. She had not liked the cool way the Scot had skipped past her in order to focus his charms on Vicky Kennet. Glances were not neutral acts, where grown men and women were concerned.

    Pomp, have you never lusted! Tasmin burst out suddenly. She could not tolerate neutrality and was determined to smash Pomp’s, if she could.

    Not strongly, I suppose, Pomp said, with a quick smile. The question did not seem to surprise him, a fact irritating in itself.

    Oh, hell—why not? Tasmin asked. Inconvenient as men’s lusts frequently are, there’s not much else a woman can trust about them.

    Tasmin picked up the pace of their walk, stung by Pomp’s refusal to be ruffled by her pique.

    "I don’t mean I want you lusting for me, she said. But I’d like you better if you lusted for someone—perhaps a wild Ute, of the sort my Jimmy once found so appealing."

    I did once care for an Italian girl, but she died on the Brenner Pass, Pomp said, a little sadly.

    Not good enough—you’re young and handsome—there are native beauties aplenty, she told him. Besides, it’s no good loving a dead woman—indeed, it’s quite unfair to those of us who remain alive. We might need you.

    You’re just annoyed that it’s me that’s walking you home, Pomp said. I expect you’d rather it was Jim.

    You’ve hit it! Tasmin exclaimed. "Only I’m more than annoyed—I’m furious. Why isn’t it Jimmy? After all, you are a very good-looking man. Unlikely as it seems, a sudden lust might overwhelm you—overwhelm us for that matter. I’m flesh and blood, after all: nothing I respect more than sudden lusts. Yet this possibility never occurs to Jim—does the fool believe he’s the only one subject to sudden lusts?"

    Jimmy and I have roamed together—I expect he just trusts me, Pomp said—whereupon Tasmin felt her fury burn even hotter.

    "You, certainly—he can quite clearly trust you, she said. But it’s me he’s married to, and I’m rather a more volatile animal! I won’t be taken for granted, not by Jimmy Snow or anyone else. He can’t just entertain me with a little conjugal sweat and assume I’ll be docile forever. Others are quite capable of working up similar sweats—wouldn’t a good husband know that?"

    Pomp gave a polite chuckle.

    Jim, he’s different, he said. I expect he’ll walk you home himself, once it warms up a little.

    Why would the weather matter—cold doesn’t affect him, Tasmin said.

    No, but the grizzly bears will be coming out—Jimmy’s careful about bears—so am I, Pomp told her.

    Tasmin was in no mood to receive such vague assurances. That her husband would prefer that she not be eaten by a grizzly bear hardly checked her fury; Jim had always been alert in protecting her from Indian abduction and other local dangers—she granted him that normalcy, at least. But the notion that she might need to be protected from her own strong feelings was a notion her husband simply didn’t grasp. She was his wife—it was settled—and they would live where he chose. At the moment that meant a drafty tent by a frozen river. If Pomp chose to walk her home, that was fine—so there she was, being walked home, every night by a neutral, amiable chaperone, in this wintry wilderness.

    It made Tasmin furious, and yet, when they reached the camp and Jim turned his mild eyes up to her, and moved so as to make a place for her on the robe beside him, Tasmin failed, as she usually failed, to sustain her hot feelings, and quickly forgot all the things she had meant to thrash out with Jim once Pomp was gone.

    Hugh Glass came by, Jim said. That bear didn’t kill him after all—he’s mighty hot about the boys that left him, though.

    Oh, we noticed that, Tasmin said.

    He busted Tom in the jaw and tried to strangle Jimmy Bridger, Pomp said. It took about all of us to get him calm.

    Pomp chatted only a few more minutes, and then slipped off into the night. Tasmin sat on the robe her husband offered, her anger melting away like snow in a teapot. It was easy enough to be mad at her husband when she was away from him and could examine his actions coolly—and yet she could rarely manage to sustain her hot angers once she was with him. Instead of bursting out in fury, she leaned her head against his shoulder and all too meekly subsided, worn out from the turbulence of feeling she had just experienced.

    At the trading post it was easy enough to feel like a woman rather undervalued, or misunderstood, or not taken seriously. She might complain to Cook about the drafty tent or various other aspects of their domestic arrangements, and yet once Pomp was gone and she and Jim crept into the tent and turned to one another, beneath their warm robes, Tasmin forgot her complaints. In the tent, amid the furs, with her husband, she felt like a wife, wanted—simply a wife, wanted. In the nighttime, at least, that was enough.

     3 

    Otter Woman was old now, cranky and almost blind…

    IN the still night, once he had delivered Tasmin to her husband, Pomp could already hear sounds of the coming carouse at the trading post—naturally the trappers would want to welcome old Hugh Glass back to the land of the living. Pomp, not much of a carouser, did not immediately return, though he liked Hugh, a man who had seen much and was not loath to share his information. Hugh Glass had fought with William Ashley and Jedediah Smith in their great defeat at the Arikara villages a decade earlier—it had been that defeat that drove the trappers off the Missouri River and forced them to seek out beaver streams deep in the Rockies. It was at one such stream that the enraged mother grizzly left Hugh so torn and broken that Jim Bridger and Tom Fitzpatrick left him for dead.

    Even now, at the fort, Hugh was trying to convince the skeptical trappers that he had crawled and hobbled some two hundred miles before being rescued by friendly Cheyenne. Already, before Pomp left with Tasmin, he had seen Joe Walker and Eulalie Bonneville rolling their eyes and shaking their heads at old Hugh’s claim of a two-hundred-mile crawl. Some of the boys were so glad to see the old man that they pretended to believe him, while privately regarding the story as just another tall tale. No doubt the story of Hugh Glass, the bear, and the two-hundred-mile crawl would be told around Western campfires for years to come: the bear, the desertion, the crawl, and the search for revenge seemed to Pomp to have the makings of a play, or an opera even—he had seen plenty of the latter in Germany.

    Though glad, of course, that Hugh Glass was alive, Pomp felt no inclination to join in the party. Tasmin, in her annoyance, had stated an awkward truth about him: he was not often lustful, and he had rarely been able to join in the spirit of any group celebration. The English girl stated clearly what he himself had never quite articulated: he stood apart, not hostile or critical of the lusts or greeds of others; his gaze contained no stiff judgments, as her husband the Sin Killer’s fierce look was apt to do. Pomp would have liked to love

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