Myths: Decode Vol. 1
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About this ebook
Myths is important as it approaches the theme in various ways but also includes interviews with artists who have been inspired by myths in some way – furthering our understanding and appreciation for myths within an artistic context. The book should appeal to an audience who value aesthetics both in design terms and creative content. The area of myths is one of interest to most people but the originality and wide investigation of the theme in this book should offer further insights to readers. The book also benefits from its eclectic international content and strong sense of creative community.
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Myths - Gabriel Solomons
Such images, Ms Wolf argues, were responsible not only for women’s dissatisfaction with their own bodies, but also for the prevalence of eating disorders, unnecessary cosmetic surgery, and a violent cultural backlash against feminism. Despite unprecedented access to education, and freedom from the constraints of domestic drudgery and fear of unwanted pregnancy, modern women have failed to achieve parity with men. This, according to Wolf, is because the beauty myth has become the new shackles. Women, no matter how well-educated and capable, are judged on their failure to live up to an unattainable standard of beauty. ‘The Beauty Myth’ is an entertaining rant, full of often shocking facts and figures. Wolf can get a little bit dramatic at times: after stating that it would be wrong to compare anorexia with the Holocaust, she goes on to do just that. Similarly, Amnesty International would probably find her comparison of people who have undergone plastic surgery with victims of torture a little bit glib. These occasional flights of fancy aside, it’s a compelling read about the control that the beauty and advertising industries have on our lives.
But, fifteen years on, is the book still relevant? Pick up any glossy magazine and it would appear so. Exceptionally thin teenage models are still used for every fashion shoot and advert. The photographs are then retouched to remove every blemish, line and pore. Pictures of celebrities are routinely doctored in the same way. Kate Winslett ruffled a few feathers when she complained that a GQ photo shoot had been altered so drastically that she barely recognised herself. But for the most part, celebs remain complicit.
Fashion models have always been slim, but they are getting skinnier. Wolf quotes a statistic that has become familiar – models are 23% below normal body weight. The ‘city shorts’ which feature in plenty of fashion magazines at time of writing showcases this rather well. The spindly, knock-kneed legs of the models bear little resemblance to the thighs of even the slimmest normal woman. When these girls are held up as paragons of beauty, it’s hardly surprising that the vast majority of women are unhappy with their appearance. And this discontent is setting in at a younger and younger age - a recent survey by Bliss magazine found that only 8% of teenage girls were happy with the way they looked. But if, as Wolf claims, it’s all part of a bigger conspiracy, who benefits? Well, the diet industry for a start. Despite overwhelming evidence that diets simply don’t work, they continue to entice unhappy women with seductive promises. From Atkins and Hay to old favourite Weightwatchers; they all have their own books, DVDs and branded food to buy. So when each diet fails, there’s a new one to try; and the whole cycle of denial, misery and failure starts again while the profits of the diet industry keep on rising.
At the extreme end of the dieting scale are eating disorders. Like many of her schoolmates Wolf was anorexic in her teens and gives the topic plenty of space in ‘The Beauty Myth’. Indeed, anorexia was the cause of the moment in the late 80s. Movies such as Catherine, as well as two different biopics of Karen Carpenter were required viewing for teenage girls. But it’s unusual to hear anything on the subject these days, even though, according to the British Eating Disorder Association, levels of anorexia have remained stable while bulimia is actually increasing. It’s fairly common knowledge that fertility and libido are affected by extreme thinness, but it’s a less well-known fact that the chronic psychological disruption associated with semi-starvation sets in at a body weight loss of 25%. That’s only marginally thinner than the average model. Could this mean, as Wolf suggests, that anorexia and bulimia (long acknowledged as mental illnesses) are directly triggered by dieting? While media attention has abated, pro-ana and mia sites continue to proliferate on the Internet.
‘the chronic psychological disruption associated with semi-starvation sets in at a body weight loss of 25%. That’s only marginally thinner than the average model.’
Also profiting are the cosmetic surgeons. In 1991, Naomi Wolf was horrified by the practice, calling women who have gone under the knife hybrid non-women
. But in the past 15 years the increase in numbers has been even more dramatic – there was a 50% rise in operations by British plastic surgeons in 2004 alone. And it has all been with the help of the beauty and fashion magazines. ‘Plastic Surgery Gone Wrong’ shocker articles do appear occasionally, generally accompanied by gruesome photographs of angry scars and mis-shapen breast implants, but for the most part magazines have been supportive. A recent survey by glossy-but-cheap mag Grazia claimed that over 50% of British women expect that they will have cosmetic surgery. Even more startling, two-thirds of the under-25 wanted to have surgery because of the influence of celebrities
. Grazia’s editor was bullish in response to the outcry:
We see beauty products and surgery as basically the same now
, she told The Guardian. A tad disingenuous – what sort of beauty product involves general anaesthetic, scarring, a long and painful recovery period, and a risk of death? Editors claim that features on surgery are simply a reflection of women’s interests. But, as Naomi Wolf points out, magazines do not make their profits from their cover price. An average magazine contains pages of advertisements for cosmetic surgery clinics, and you’d have to be wilfully naive not to see the connection with positive editorial coverage.
For the minority of women who aren’t considering going under the knife, there are still plenty of lotions and potions offering miracles backed up by pseudo-scientific jargon. They promise ‘rejuvenation’ and ‘radiance’ – quasi-religious terms which, handily, are impossible to measure. All of the ‘flaws’ that women spend so much time worrying about can be cured if you buy the right product: they will smooth wrinkles, shrink pores, firm up ‘contours’ and reduce cellulite. Such claims are far-fetched at best, yet women continue to invest in these eye-wateringly expensive snake oils.
Anita Roddick, Body Shop doyenne, caused plenty of controversy when she stated these claims were absolute nonsense. As quoted by Wolf in ‘The Beauty Myth’, she said: There is no application, no topical application, that will get rid of grief or stress or heavy lines. There’s nothing, but nothing, that’s going to make you look younger. Nothing.
Pretty clear then. But The Body Shop has just been bought out by L’Oreal (responsible for those unbearable ‘Here comes the science bit’ adverts) so expect Ms Roddick to become rather quiet in the future. But why do women continue to believe in the beauty myth? In the UK, there is no culture of women seeing one another naked. Gym and swimming pool changing rooms often have cubicles. So the only semi-clad women they see are the airbrushed beauties staring down from the news-stands and billboards. Perhaps if this wasn’t the case, women would realise that virtually all females have curved bellies and wobbling thighs, and that a touch of cellulite is not a disease that needs to be cured.