The Mind Inside Yang Tai Chi: Lao Liu Lu 22-Posture Short Form
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About this ebook
This is the anticipated follow-up to the author's previous work, The Mind Inside Tai Chi (YMAA, 2015). In this edition he turns his attention to Yang style, guiding you through the 22-step form with an eye for detail and a love of nuance.
“Tai chi is born from wuji, a state of emptiness,” Zhuang writes. “Empty the mind.There is no yin or yang, no you or others.”
From this state of balance and grace, the author leads you through the Yang form,one step at a time. Illustrations with motion arrows guide your physical movements, while Zhuang's “mind approach” helps you appreciate the subtleties of each posture. Rich descriptions and vivid imagery bring the art to life.
- Begin with “nothing” by stilling the body and mind.
- Channel your intent to stimulate the flow of chi.
- Learn the entire 22-step Yang form.
- Explore the “mind approach,” discovering a deeper understanding of each posture.
The author instructs you on correct physical posture, footwork, weight distribution, and tempo. He also describes subtle aspects of the form,including vision, relaxation, and the flow of chi.
This book includes:
- The history and lineage ofYang style.
- Photographs of the author performing each posture.
- Motion arrows depicting the movements of the entire form.
If you are unfamiliar with Yang style, The Mind Inside Yang Style Tai Chi is the perfect place to begin. If you are a longtime practitioner, Henry Zhuang's insight will deepen your appreciation for this art.
Henry Yinghao Zhuang
Henry (Yinghao) Zhuang has been involved with tai chi for over thirty years. Starting as self-taught, and then seeking formal instruction, the author is in a unique position to help others on this rewarding, but sometimes solo journey of seeking health and happiness through tai chi practice. Henry Zhaung is a chief real estate appraiser, and resides in Shanghai, China.
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The Mind Inside Yang Tai Chi - Henry Yinghao Zhuang
Chapter 1
Introduction of Yang-Style Lao Liu Lu Taijiquan
1-1. Origin and Inheritance
In the time of Qing dynasty, taijiquan was quite popular in the royal palace due to Prince Pu Lun Bei Zi, a man of great power and wealth, who appreciated the fighting technique of Yang-style taijiquan. He recognized the martial applications disguised in the slow, graceful movements, as if there were needles hidden, wrapped in cotton. He invited Yang Jian Hou (third son of Yang Lu Chan—creating master of Yang-style taijiquan) into his mansion to teach and offered generous reward and favor, which influenced the Yang family to share their secrets of gongfu and taijiquan and to teach the traditional internal power that is usually called Lao Liu Lu
or Old Six Routines.
However, it was Wang Chong Lu, a housekeeper and servant of Prince Lun, and his son who actually went into deep study and developed the deep understanding needed to inherit the internal power and technique. This became the bloodline thriving in the capital for the internal power and mind approach.
It is said, Wang Chong Lu, when formally acknowledging Yang as master, was instructed by Yang, What I teach you [the mind approach of the internal power] shall not be released outside, except to your son. That is the Yangs’ livelihood, and you do not want to ruin [it].
Wang and his son kept their word and never released any of the secrets of the mind approach of internal power. It was not until the 1990s, the third anniversary of Wang Yong Quan’s passing, that True Essence of Yang Style Taijiquan was released to the public. In it he described, in detail, the essence of Yang-style Lao Liu Lu. It is a true classic of Yang style, which is the great achievement and contribution of Wang Yong Quan in his later years.
In 1982 Wei Shu Ren was formally accepted as a disciple of Wang Yong Quan. Wei was an adept student and gained favor from Wang, and took the instruction left by Wang to write books and accept disciples to promote Yang style. True Essence of Yang Style Taijiquan and Yang Jian Hou’s Private Teaching of Authentic Internal Power were published in 1999 and 2000 respectively. They revealed the true essence of Yang-style Lao Liu Lu, for which we are fortunate, as the art was endangered due to the veil of secrecy kept by the masters of previous generations. It is a great contribution for human health.
Key Representatives
Yang Jian—The Second-Generation Master, Creating Master of Lao Liu Lu
Yang Jian (1839–1918), style name Jian Hou and also known as Jinghu, was called Gentleman Three by people, and Old Gentleman in his later years. A style name was given to imply a particular virtue. Yang Jian Hou was born with a subtle tranquility, a nature recognized by his father, Yang Lu. This subtle tranquility is an ability to abide or rest in the natural mind, or in Buddhism, in the Buddha nature. Persons born with this subtle tranquility are prime material for Dao cultivation and practicing internal boxing. He believed it would be Yang Jian Hou who would take the lead in the Yang family.
When he was practicing gongfu with his father, he completed all of his father’s teachings, including more than ten complete forms, swords and spears, internal and external power training, concealed weapons, and shooting. The painstaking training was unbearable for most people, but was the key to Yang’s ultimate exquisite gongfu. His boxing style couples both strength and gentleness, which is truly the ultimate realm, with mastery of sword, saber, spear, and pole. Many martial artists from other schools, skilled at sword and saber, challenged Yang, and all were beaten as if they were flies brushed away with a fly whisk. He was also skilled at spear and pole, capable of applying all kinds of forces to the tip of the pole. Therefore, when other spear or pole martial artists confronted him, they were all thrown away. He was an expert in shooting as well, and accurate every time. With three or four stones at hand, he could shoot down birds of the same number. What was unbelievable was his skill of holding a bird in the open palm of his hand and through sensitivity to the bird’s motion prevented it from flying away.
The internal power is difficult to acquire. It must be practiced with both qi and spirit. Taijiquan inherently can function as dao yin, a practice to develop qi. At a novice level, after a person is able to relax and open the hips and shoulders, he is able to exert a holistic force. Only Yang was different, he started to throw people with the light and agile force. The relaxed and sinking force is holistic. It is triggered from the foot, reaching the touch point instantly; the light and agile force is a holistic one with internal force, making the touch point feel gentle, while the empty force gives almost no feeling at the touch point.
Yang Jian Hou, on the basis of the small form
of his father, Yang Lu Chan, considering the physical conditions of the learners and focusing on health first, revised the form into middle form,
with extended movement range and reserved battle technique, which meets the demand of health for old people. This is another advancing step for Yang-style taijiquan. Standing push-hands and si zheng shou (four cardinal directions) were created by Yang Jian Hou, who also set Yang-style da lu (big rollback) and moving si zheng shou.
Yang Jian Hou had three sons: first son, Yang Shaohou (also called Zhaoxiong or Meng Xiang); the second son, Yang Zhaoyuan, died an early death; the third son, Yang Chengfu (also called Yang Zhaoqing).
Wang Yongquan—Successor of Yang-Style Lao Liu Lu
Wang Yongquan (1904–1987), Zai Shan
(on the mountain), was the former vice chairman of Beijing Wushu Association.
Wang’s father, Wang Chonglu, was a disciple of Yang Jian Hou, who often taught Prince Pu Lun on Yang’s behalf. Wang started learning with Yang Jian Hou and Yang Shaohou when he was seven. He was liked by the Yangs due to his strength, cleverness, and willingness to work hard to learn. In 1917 Yang Jian Hou appointed Yang Chengfu (his third son) to teach Wang Yongquan. Yang Chengfu wanted to take Wang to Shanghai in 1928. However, the Wang children were still too young for him to leave. Wang was there for more than ten years, watching, learning, and gaining an understanding of both physical and mental aspects of the art. He acquired the true essence of the internal power and strength, and attained a high level in push-hands. He stuck to the original way of practicing Lao Liu Lu in his last decades, which is different than what Yang Chengfu taught in Shanghai or other places.
In 1957, Wang Yongquan, representing Yang-style taijiquan, was selected to the Beijing Wushu Team to participate in the First National Form Sports Contest, and was awarded second place in taijiquan ranking. He performed excellently in national contests afterward, which convinced many people to want to learn from him, but Wang turned down the requests because of his vow of not disclosing the Yang style to outsiders.
At the end of 1957, many well-known practitioners in the Beijing martial arts community gathered with the municipal sports committee for the Wushu Association Meeting. Among them were Cui Xiulin, Wang Xiachen, and Sun Jianyun. They asked Wang for the true essence of Yang style, but Wang refused to unveil the secret of Yang style publicly in the meeting. This demonstrated to the entire wushu world how he treasured the rare art of Yang style, and of his uprightness and honesty in refusing to disclose the secrets.
Fortunately, in the early eighties, when the true essence was disappearing, convinced by people he respected, Wang loosened the restrictions and started lecturing about taijiquan in the Chinese Academy of Social Sciences (CASS). He explained the theory