One Step from Glory: Tottenham's 2018/19 Champions League
By Alex Fynn and Martin Cloake
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One Step from Glory - Alex Fynn
book.
Introduction:
Memories are made of this
IN 1961 to commemorate Spurs’ Double-winning season, Ralph L. Finn wrote Spurs Supreme, modestly sub-titled, ‘A review of soccer’s greatest ever side 1960-61’. It became former Spurs chairman Irving Scholar’s favourite book. As he explained, ‘it recorded every game played that season by way of re-printing at least one newspaper report. I must have read it at least 50 times over, never tiring of its content.’
Back then, very few matches were broadcast on black and white television (Match of the Day’s highlights first began in the London area on BBC2 in 1964). So match reports in the daily and Sunday newspapers supplemented by the occasional second half radio commentary and Sports Report on the BBC Light programme were the chief means of finding out in detail how your team fared. Today of course, all major matches are available instantly on pay television, internet and your phone, giving rise to immediate debate on Twitter, Instagram and radio phone-ins. The omnipresence of information notwithstanding, newspaper reports still provide an essential service for the football supporter: articulate, sometimes eloquent reporting and analysis viewed through an expert eye providing an authoritative and objective permanent record of key events.
Match reports taken from the Telegraph, Guardian, Times and Independent provide the narrative thread for One Step from Glory; a comprehensive account of Spurs’ most successful season in European football’s premier club competition.
‘If we are not in Europe, we are nothing’, said Bill Nicholson, the club’s most successful manager. Spurs and Europe is an ongoing love affair encapsulated by those glory, glory nights at White Hart Lane under floodlights against continental opposition which has defined Spurs. And that love affair has been rekindled in earnest in 2019.
Of course, the last chapter could so easily have had a Hollywood ending but as Danny Blanchflower, the captain of Spurs’ Double-winning side, memorably said, ‘Football is not really about winning or goals or saves or supporters… it’s about glory. It’s about doing things in style, doing them with a flourish; it’s about going out to beat the other lot, not waiting for them to die of boredom; it’s about dreaming of the glory that the Double brought.’ This is why the Spurs 2018/19 Champions League campaign – so unexpected, so unimaginable, the most improbable of dreams – touched the heart of every Tottenham Hotspur supporter and gave so much pleasure to the many millions of followers of the glory game.
1
The Spurs Way
THE SPURS Way is not the name of a road leading to the new stadium, but it is a route that will run through this story. It is central to the identity of Tottenham Hotspur FC and understanding it is the key to achieving any kind of success at Spurs.
One of the enduring attractions of the game is that, despite the increasing application of science, outcomes often defy rational analysis. The Spurs Way is a romantic concept in a hard-headed world and is part of what enables football to stay a sport, rather than a manifestation of statistics. As Danny Blanchflower, the captain of Tottenham Hotspur’s 1961 Double-winning team, once said when asked who would win a match he was co-commentating on: ‘I don’t know, that’s why they’re playing the game.’ If we know who is going to win, what is the attraction of watching? If the club that has the most money, that pays the highest wages, that accumulates what are statistically proven to be the best players is guaranteed victory, football is no longer a sport.
In the football business of 2018/19, Tottenham Hotspur’s appearance in the Champions League Final was not meant to happen. And it caught the imagination for precisely that reason. It was the product of a remarkable revival in fortune, and of a rediscovery and redeployment of the Spurs Way. It signalled that, as the Spurs went marching on, the soul of football was not a-mouldering in the grave.
If you think there is a danger of overplaying the importance of character and identity to a football club, set Spurs aside for a moment and consider the fortunes of Manchester United under José Mourinho. One of the most successful managers of the modern era – the only one who has won the Champions League with three different clubs – Mourinho ultimately failed at Old Trafford for a number of reasons, among them, perhaps, because he did not understand or value the club’s character. Manchester United lost their way, supporters and club lost their connection, players lost that extra bit of heart that comes from drawing on characteristics rooted deep in a club’s DNA. Fanciful nonsense? In the end, it’s a subjective judgement, but Spurs’ European adventure in 2018/19 is the tale of a club rediscovering its sense of identity, reconnecting with a past – one which it is often criticised for clutching too closely to its heart – in order to create a new present and, maybe, a glorious future.
At Tottenham Hotspur, the demand for football played in a particular way runs deep. The Spurs Way is football played for the most part on the ground, with intelligence, where the creation of the end result is valued as much as the end result itself. It is often misinterpreted, most frequently by those who quote Blanchflower’s famous maxim without fully understanding what the great man said. The game was about glory, for sure, but he went on pointedly to say, ‘it’s about going out to beat the other lot, not waiting for them to die of boredom’. Winning was as important a part of Danny’s vision as style, and he came to Tottenham Hotspur because he saw in the club’s modality an echo of his own.
Tottenham Hotspur’s daring can be traced right back to the club’s establishment by a group of schoolboys in 1882. They were in search of a sport to play during the winter months when the cricket season for their club was over. Enthralled by the tales of the knight who spurred his horse onto the battlefield in advance of the men he commanded and perhaps inspired by lines such as ‘And if we live, we live to tread on kings’, the boys named the club Hotspur after Sir Harry Hotspur, the real-life Sir Henry Percy who was turned into an iconic swashbuckling character by Shakespeare.
Tottenham Hotspur quickly developed an identity, as a team that carried the standard for the emerging suburbs of the age, for the largely amateur south against the professional might of the industrial north, and for playing entertaining football at odds with the traditional English game. Towards the end of the 19th century, the English game had relied on power and brawn to batter the opposition into submission. The pass and move method was regarded with some suspicion. Jonathan Wilson, in his history of football tactics, Inverting the Pyramid, talks of ‘Englishmen convinced that anything other than charging directly at a target was suspiciously subtle and unmanly’. It was in Scotland, most notably at Queen’s Park, that what was termed the combination game was honed, the forerunner of what would become push and run. One of the club’s players, inside forward John Cameron, fetched up in North London in 1898 and his style of play fitted in with the ideas of Spurs’ founding members who were keen for their team to play fast, attacking, entertaining football.
They certainly made people sit up and take notice. In 1901, as player-manager, Cameron led Spurs to victory in the FA Cup Final against Sheffield United in a contest that so captivated the public’s imagination that over 100,000 people flocked to the Crystal Palace in South-East London. And to this day Spurs remain the only non-league side to win the FA Cup. The seeds of glory had been sown.
The work of the early pioneers such as Cameron earned Spurs the nickname ‘the Flower of the South’, and was advanced from 1912 onwards by Peter McWilliam. McWilliam was hugely influential, managing the club for 19 years in two periods between 1912 and 1942 and establishing a youth development system that sought to embed the Spurs style of play throughout the club.
McWilliam’s system spawned two influential figures, Arthur Rowe and Bill Nicholson, who stayed at Spurs and made history. In 1949, Rowe, a Tottenham lad, returned to the club he had played for before the war to take charge after a long fallow period. He immediately restored character and purpose through deploying a modernised version of the passing game, reprising the tactics that had been developed in central Europe between the wars. This style of play emphasised short passing, forwards dropping deep to collect the ball, a fluidity that saw the switching of positions and a willingness to let the ball, rather than the physical strength of the players, do the work.
Rowe modestly denied he was a revolutionary; his inspiration was much more workaday. ‘I merely evolved the idea after watching kids running down the street, flicking a tennis ball against a wall and collecting the instant rebound in full stride,’ he said. ‘The wall-pass, one-two touch play, push and run, call it what you will, we developed it at Tottenham from the rear, from the goalkeeper up to the front right through the team.’ The tactics Rowe explained were based on ‘accuracy. We had two or three great performers [he probably had in mind Alf Ramsey, Ron Burgess and Eddie Bailey], and we had a lot who were not but they were all made to look great players because of the system we adopted, and because they played in a winning side.’ His axiom succinctly summed up his philosophy. ‘Make it simple, make it accurate, make it quick.’
Rowe’s team won the Second and First Division titles and finished runners-up in three successive seasons (1950–53), sending shock waves around an English game suffocating in its post-war insularity and arrogance. What is now recognised as the modern Spurs Way had been firmly established.
Push and run heralded a period of prowess unparalleled in Spurs’ history, unfortunately seemingly over almost as soon as it began. As the manager kept faith with his ageing team, Spurs dropped down the table to 16th place before ill health forced Rowe’s premature retirement in 1955. His assistant, Jimmy Anderson, replaced him.
Quality players such as Danny Blanchflower, Bobby Smith, Maurice Norman and Cliff Jones were added to the squad and Spurs’ fortunes turned the corner until ill health again forced a change in the managerial seat. However, the seamless succession was maintained when Anderson’s assistant, Bill Nicholson, replaced his boss in 1958. As with his two predecessors, Bill Nick was a Spurs man through and through, most notably as a tenacious wing-half member of Arthur Rowe’s championship sides. His first match in charge, an astounding 10-4 victory at home to Everton, proved a false dawn and Spurs ended the season languishing in 18th place. The quip forward Tommy Harmer made to Bill Nick as the players left the pitch after the Everton game seemed to have taken on the character of a prophecy – ‘It’s downhill all the way now,’ Harmer is reported to have said.
Bill Nick then made an unforeseen but ground-breaking decision: he built his hopes for the future around an ageing, attacking wing-half who had been dropped by Jimmy Anderson supposedly for taking the initiative and reorganising the team’s tactics during a game when he believed circumstances warranted it. ‘I told Danny’, explained Anderson, ‘it was no use my picking the team on Friday if he was going to change it on the field on Saturday.’ Far from feeling undermined, Bill Nick was emboldened by Danny Blanchflower’s singular approach. Asked how Northern Ireland reached the quarter-finals of the 1958 World Cup, Blanchflower explained their unexpected success was based on ‘our new tactics: we equalise before the others have scored’.
With the acquisition of Bill Brown, Les Allen and John White and with Dave Mackay restored to full fitness (he had arrived from Hearts carrying an injury) the missing pieces of the jigsaw were in place and Blanchflower began to believe that Spurs could do the Double. ‘I told some of the players that I thought we could do it. Oh yes
, they said, as if they did not believe it or maybe they didn’t know what I was talking about,’ said Blanchflower. ‘Then I mentioned it to Bill Nick. He looked at me cautiously, as if it was another of my fancy ideas. Then he surprised me. I was thinking about that myself,
he said. We agreed that we all had