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    The Fourth Orange and Other Fairy Tales You've Never Even Heard Of: a full length fairy tale comedy play [Theatre Script]
    The Fourth Orange and Other Fairy Tales You've Never Even Heard Of: a full length fairy tale comedy play [Theatre Script]
    The Fourth Orange and Other Fairy Tales You've Never Even Heard Of: a full length fairy tale comedy play [Theatre Script]
    Ebook182 pages2 hours

    The Fourth Orange and Other Fairy Tales You've Never Even Heard Of: a full length fairy tale comedy play [Theatre Script]

    By Hillary DePiano, Giambattista Basile and TBD

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    About this ebook

    A funny, flexible fairy tale comedy with something for everyone!

    It’s bedtime bedlam when a washed up clown tries to sell three unruly princesses on something other than their fairy tale favorites. Cinderella, Rapunzel, Sleeping Beauty... these are just a few beloved classics that Truffaldino will NOT be reading toni

    LanguageEnglish
    PublisherHillaryDePiano.com
    Release dateApr 3, 2020
    ISBN9781944909093
    The Fourth Orange and Other Fairy Tales You've Never Even Heard Of: a full length fairy tale comedy play [Theatre Script]

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      Book preview

      The Fourth Orange and Other Fairy Tales You've Never Even Heard Of - Hillary DePiano

      Introduction

      Believe it or not, this whole thing started because I was trying to put myself to sleep. I've got awful insomnia, which only got worse after I became a parent, and I was beyond exhausted and desperate for a way to actually fall asleep at night. By the time my doctor recommended reading something very boring before bed, I was ready to try anything!

      So I tried the dictionary, tax forms, a vintage science textbook, just the most boring lines of text I could find. But, as Truffaldino says in the play, it turns out that reading something truly boring doesn't make you sleepy, it just makes you antsy which has the exact opposite effect. I needed something else. Something I'd been meaning to read for a while anyway.

      I first stumbled onto Giambattista Basile's The Tale of Tales when I was in college. I was writing and directing an adaptation of Carlo Gozzi's The Love of Three Oranges as part of my honors thesis and wanted to read the original fairy tale Gozzi based it on. As soon as I started reading, it was immediately apparently that The Love of Three Oranges is not an adaptation of Basile's The Three Citrons as most people think but rather a mash-up of bits of several of the fairy tales from that collection, including the frame tale. If I really wanted to read the original inspiration for Gozzi's work, I would have to read the whole dang thing.

      While that sounded interesting, I did not have time for that right then. I was already in over my head with school work and production woes while preparing to graduate. So I moved ahead with my Gozzi adaptation without ever reading The Tale of Tales because there just wasn't enough time.

      But, over a decade later, I suddenly had time to read it since my evenings were so long and sleepless! And, hey, a bunch of weird old fairy tales would probably be just the right amount of boring to finally put me to sleep, right? But then they did the opposite. The tales sparked my imagination until, whoops!, I had a list of dozens I wanted to adapt. As often happens with writing, these collided with some half-formed ideas I'd had floating around my head about the grandchildren of Tartaglia and Ninetta from The Love of Three Oranges (which would be the children of Renzo and Barbarina from The Green Bird, another Carlo Gozzi play I’ve adapted) and the story of how Truffaldino met his wife and, before I knew it, The Fourth Orange and Other Fairy Tales You've Never Even Heard Of was born!

      Writing this play was a true labor of love and the most involved project I have ever attempted. Beyond the historical research and multiple translations (Why, oh, why didn't I take Italian in high school?), I had three separate versions of each of the six fairy tales I adapted for this project and two different frame stories all housed in the same monster Scrivener file. In the almost six years this project took from idea to finished product, I spent a lot of time tearing my hair out while trying to figure out what I changed in which version, messing everything up, and begging my family and friends to please please please never let me write anything this complicated ever again. 

      But when I watched it all come to life at Rutgers Prep in November of 2017 where the cast and crew just absolutely knocked it out of the park, I knew it was all worth it. It was fantastical and funny and like watching these fairy tales step out of the shadows for the first time in centuries for another chance in the spotlight. I may not have figured out how to get to sleep but I did wake up something magical when I entered this fairy tale world that I can't wait to share with everyone.

      About The Tale of Tales project

      Giambattista Basile (1566–1632) wrote and compiled the 60 fairy tales within The Pentamerone (Lo cunto de li cunti in Neapolitan or The Tale of Tales in English) in Naples, Italy in the early 1600s. His sister, Adriana, published it in two volumes in 1634 and 1636 after his death. While not widely known, it's important historically because the Brothers Grimm later used it as the source for their far more famous fairy tale collection. The Tale of Tales contains the earliest known versions of fairy tales such as Sleeping Beauty, Cinderella, Rapunzel, Puss in Boots, Hansel and Gretel and more.

      But I'm not interested in the stories everyone has heard of. I like the obscure ones, the weird ones lost to time. Why do we obsessively retell the same dozen fairy tales when there are plenty of other great ones we ignore?

      It bothers me. So, since early 2013, I've been adapting these lesser-known tales for modern audiences to bring these stories back into circulation. I've modernized them with today's audiences in mind while still staying true to the spirit of the originals. Wherever possible, I also preserved the names from the original fairy tale and, where characters were unnamed, I've named them within the historical context and often with names from elsewhere in the Tales themselves.

      This project is still ongoing. For the latest list of all the tales I've adapted from The Tale of Tales and what I'm working on next, visit HillaryDePiano.com.

      Bibliography

      Basile, Giambattista (2007). Giambattista Basile's The Tale of Tales, or Entertainment for Little Ones. Translated by Nancy L. Canepa, illustrated by Carmelo Lettere, foreword by Jack Zipes. Detroit, MI: Wayne State University Press. ISBN 978-0-8143-2866-8.

      Standalone One-Acts

      Want to perform the individual fairy tales separately? There are standalone one-act versions of every fairy tale I've adapted from The Tale of Tales.

      The Myrtle

      30-40 minutes, 5 m 8 f (6-20+ performers possible)

      A prince discovers his myrtle tree turns into a fairy maiden at sundown.

      Goosed!

      (based on The Goose)

      25-35 minutes, 2 m 6 f 8 any (11-20+ performers possible)

      Two poor sisters rescue a goose that gives them gold but their sneaky neighbors want if for themselves.

      Arm Candy

      (based on Pintosmalto)

      35-45 minutes, 2 m, 4 f (5-7+ performers possible)

      When a brilliant inventor builds herself the perfect husband out of sugar, he's stolen by a queen who wants him for herself.

      The Fourth Orange

      (based on The Merchant with characters from Carlo Gozzi's The Love of Three Oranges)

      20-30 minutes, 4 m, 6 f, 5 any (7-20+ actors possible)

      There were only supposed to be three oranges but Franceschina had to stick her nose where it didn't belong.

      The She Bear

      25-35 minutes, 2 m 2 f (4-10+ performers possible)

      Is the prince losing his mind or has he really fallen in love with a bear?

      Vardiello

      10-15 minutes, 1 m, 1 f, 2 any

      How much damage can one half-wit do before his mother gives him the boot?

      Looking for something even more flexible?

      Mix and match the tales above to create an evening's entertainment and I'll provide interstitial material

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