Address Unknown: A Novel
5/5
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Friendship
Fear
Communication
International Communication
Family
Fish Out of Water
Power of Friendship
Long-Distance Communication
Love Triangle
Loyal Friend
Banality of Evil
Rags to Riches
Damsel in Distress
Prodigal Son
Fall From Grace
Art Galleries
Success
Authorship
World War Ii
Political Unrest
About this ebook
A rediscovered classic and international bestseller that recounts the gripping tale of a friendship destroyed at the hands of Nazi Germany
In this searing novel, Kathrine Kressmann Taylor brings vividly to life the insidious spread of Nazism through a series of letters between Max, a Jewish art dealer in San Francisco, and Martin, his friend and former business partner who has returned to Germany in 1932, just as Hitler is coming to power.
Originally published in Story magazine in 1938, Address Unknown became an international sensation. Credited with exposing the dangers of Nazism to American readers early on, it is also a scathing indictment of fascist movements around the world and a harrowing exposé of the power of the pen as a weapon.
A powerful and eloquent tale about the consequences of a friendship—and society—poisoned by extremism, Address Unknown remains hauntingly and painfully relevant today.
Kathrine Kressmann Taylor
Kathrinek Ressmannt Taylor was an American author best remembered for Address Unknown, originally published in Story magazine in 1938. She was also the author of Day of No Return, and a professor of creative writing and journalism at Gettysburg College in Pennsylvania for nineteen years. Kressmann Taylor died in Minnesota in 1996.
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Book preview
Address Unknown - Kathrine Kressmann Taylor
Contents
Cover
Title Page
Introduction
Schulse-Eisenstein Galleries
Schloss Rantzenburg
Schulse-Eisenstein Galleries
Schloss Rantzenburg
Schulse-Eisenstein Galleries
Deutsch-Bölkische Bank und Handelsgesellschaft
Schulse-Eisenstein Galleries
Deutsch-Bölkische Bank und Handelsgesellschaft
Eisenstein Galleries
Eisenstein Galleries
Eisenstein Galleries
Deutsch-Bölkische Bank und Handelsgesellschaft
Cablegram
Eisenstein Galleries
Eisenstein Galleries
Eisenstein Galleries
Schloss Rantzenburg
Eisenstein Galleries
Eisenstein Galleries
Afterword
About the Author
Also by Kathrine Kressmann Taylor
Copyright
About the Publisher
Introduction
When I was growing up in Scotland, World War II still cast a long shadow. Sugar rationing did not end until 1953, meat rationing until 1954. The comic I read every week carried a story about Biggles, the intrepid pilot, flying lone missions, while Remembrance Day, when we had two minutes of silence at school and everyone wore poppies, was a deeply solemn occasion. After hearing about the prisoners of Colditz, I tried with two friends to dig an escape tunnel in the woods. I no longer remember what we were escaping from – only that we gave up after a few feet. Did we know about anti-Semitism? Very vaguely. My adoptive mother, who grew up in London during the 1930s, told me that everyone knew about the anti-Semitism in Germany – after Kristallnacht the Kindertransport brought nearly 10,000 Jewish children to London – but she didn’t learn about the concentration camps until after the war ended. Her impression was that the adults around her knew nothing about them either.
Despite many subsequent wars, World War II still has a strong hold on our collective memories and imaginations; it is not only a part of history but also a part of our communal mythology, as the many books, fiction and nonfiction, published every year testify. Novelists can count on readers to know, in some detail, the main facts of the war and can shine a light on some new aspect of the struggle, as happens in Mamta Chaudhry’s Haunting Paris, Kazuo Ishiguro’s The Remains of the Day, Walter Kempowski’s All for Nothing, Ian McEwan’s Atonement and Jim Shepard’s The Book of Aron, to name a few. These novelists are looking back, fully aware of the dramatic ironies. But Kathrine Kressmann Taylor’s Address Unknown is not a historical novel. She was born in 1903 in Portland, Oregon, and she was writing about the present, about what she observed and understood in the world around her. The rapturous reception the novel received when it was published in 1938, under the name Kressmann Taylor, suggests that she was not alone in her awareness of what was happening in Europe, but few, if any, American novelists were writing about Hitler’s rise to power. I read Address Unknown in November 2020, and I have been thinking about it ever since.
There are certain novels that have the remarkable quality of being both timely and prophetic. Think of Kafka’s The Trial, Orwell’s 1984, Ellison’s Invisible Man and Atwood’s The Handmaid’s Tale. Each creates a very particular world that simultaneously holds up a mirror to the present