Poems New and Old
By John Freeman
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About this ebook
John Freeman
John Freeman is a highly experienced professional photographer and the author of several books on photography, including Collins Digital SLR Handbook and Need to Know? Digital SLR Photography. John has a regular column in What Digital Camera? and Digital Camera magazines, and his work can be viewed at his frequent exhibitions and on his website.
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Poems New and Old - John Freeman
John Freeman
Poems New and Old
EAN 8596547335177
DigiCat, 2022
Contact: [email protected]
Table of Contents
PART I
THE EVENING SKY
BEECHWOOD
THY HILL LEAVE NOT
THE CAVES
I WILL ASK
IN THOSE OLD DAYS
THE ASH
IMAGINATION
NO MORE ADIEU
THE VISIT
TRAVELLING
THE SONG OF THE FOREST
OUT OF THE EAST
PART II
THE WAKERS
MEMORIES OF CHILDHOOD
THE SHOCK
THE UNLOOSENING
WILD HEART
THE BODY
THE TOSSING MOUNTAINS
THE POND
TEN O'CLOCK NO MORE
FROM WEAR TO THAMES
TIME FROM HIS GRAVE
WILDER MUSIC
GRASSES
FAIR AND BRIEF
NIGHTFALL
THE SLAVES
THE FUGITIVE
THE UNTHRIFT
THE WREN
THE WINDS
THE WANDERER
MERRILL'S GARDEN
THE LIME TREE
DARK CHESTNUT
LONELY AIRS
THE CREEPER
SMOKE
QUEENS
THE RED HOUSE
THE BEAM
LAST HOURS
THE WISH
NOWHERE, EVERYWHERE
TAKE CARE, TAKE CARE
NEARNESS
THE SECOND FLOOD
THE GLASS
BUT MOST THY LIGHT
IN THAT DARK SILENT HOUR
ONCE THERE WAS TIME
SCATTER THE SILVER ASH LIKE SNOW
JUSTIFICATION
I HAVE NEVER LOVED YOU YET
THE PIGEONS
AND THESE FOR YOU
JUDGMENT DAY
LIGHTING THE FIRE
RECOVERY
EYES
FULFILMENT
BRING YOUR BEAUTY
MEMORIAL
THE HUMAN MUSIC
THE CANDLE
OLD FIRES
THE CROWNS
THE BRIGHT RIDER
TO THE HEAVENLY POWER
SNOWS
THE THORN
CHANGE
BEYOND THE BARN
LET HONOUR SPEAK
TALK
THE UNDYING
THE NATIVE COUNTRY
PART III
STONE TREES
IT WAS THE LOVELY MOON
THE HOUNDS
HECTOR
LISTENING
STONES
THE ENEMIES
THE SILVERY ONE
THE FLUTE
STARS
TEN O'CLOCK AND FOUR O'CLOCK
THE YEW
NOVEMBER SKIES
DELIGHT
CHANGE
SLEEPING SEA
THE WEAVER OF MAGIC
THE DARKSOME NIGHTINGALE
UNDER THE LINDEN BRANCHES
STRIFE
FOREBODING
DISCOVERY
MORE THAN SWEET
THE BRIGHTNESS
THE HOLY MOUNTAINS
RAPTURE
MUSIC COMES
THE IDIOT
THE MOUSE
HAPPINESS
COMFORTABLE LIGHT
HALLO!
FEAR
WAKING
THE FALL
STAY
SHADOWS
WALKING AT EVE
THE PHYSICIAN
VISION AND ECHO
REVISITATION
UNPARDONED
SOME HURT THING
THE WAITS
IN THE LANE
THE LAST TIME
YOU THAT WERE
THE LIGHT THAT NEVER WAS ON SEA OR LAND
AT EVENING'S HUSH
HAPPY DEATH
WISDOM AND A MOTHER
THE THRUSH SINGS
TO MY MOTHER
THE UNUTTERED
FAIR EVE
THE SNARE
O HIDE ME IN THY LOVE
PRAYER TO MY LORD
THE TREE
EARTH TO EARTH
ON A PIECE OF SILVER
THE ESCAPE
WONDER
LAMBOURN TOWN
THE LAMP
WHO IS IT THAT ANSWERS?
WAITING
ABSENCE
SLEEP
YOUR SHADOW
THE FULL TIDE
HANDS
THE NIGHT WATCH
THE HAUNTED SHADOW
ALONE AND COLD
INEVITABLE CHANGE
LONELINESS
I HEARD A VOICE UPON THE WINDOW BEAT
FIRST LOVE
THE CALL
THE SHADE
HAPPY IS ENGLAND NOW
THE STARS IN THEIR COURSES
SWEET ENGLAND
PRESAGE OF VICTORY
THE RETURN
ENGLISH HILLS
HOMECOMING
ENGLAND'S ENEMY
FROM PICCADILLY IN AUGUST
EVENING BEAUTY: BLACKFRIARS
SAILING OF THE GLORY
AT THE DOCK
THE MEN WHO LOVED THE CAUSE THAT NEVER DIES
PART I
Table of Contents
THE EVENING SKY
Table of Contents
Rose-bosom'd and rose-limb'd
With eyes of dazzling bright
Shakes Venus mid the twinèd boughs of the night;
Rose-limb'd, soft-stepping
From low bough to bough
Shaking the wide-hung starry fruitage—dimmed
Its bloom of snow
By that sole planetary glow.
Venus, avers the astronomer,
Not thus idly dancing goes
Flushing the eternal orchard with wild rose.
She through ether burns
Outpacing planetary earth,
And ere two years triumphantly returns,
And again wave-like swelling flows,
And again her flashing apparition comes and goes.
This we have not seen,
No heavenly courses set,
No flight unpausing through a void serene:
But when eve clears,
Arises Venus as she first uprose
Stepping the shaken boughs among,
And in her bosom glows
The warm light hidden in sunny snows.
She shakes the clustered stars
Lightly, as she goes
Amid the unseen branches of the night,
Rose-limb'd, rose-bosom'd bright.
She leaps: they shake and pale; she glows—
And who but knows
How the rejoiced heart aches
When Venus all his starry vision shakes;
When through his mind
Tossing with random airs of an unearthly wind,
Rose-bosom'd, rose-limb'd,
The mistress of his starry vision arises,
And the boughs glittering sway
And the stars pale away,
And the enlarging heaven glows
As Venus light-foot mid the twinèd branches goes.
BEECHWOOD
Table of Contents
Hear me, O beeches! You
That have with ageless anguish slowly risen
From earth's still secret prison
Into the ampler prison of aery blue.
Your voice I hear, flowing the valleys through
After the wind that tramples from the west.
After the wind your boughs in new unrest
Shake, and your voice—one voice uniting voices
A thousand or a thousand thousand—flows
Like the wind's moody; glad when he rejoices
In swift-succeeding and diminishing blows,
And drooping when declines death's ardour in his breast;
Then over him exhausted weaving the soft fan-like noises
Of gentlest creaking stems and soothing leaves
Until he rest,
And silent too your easied bosom heaves.
That high and noble wind is rootless nor
From stable earth sucks nurture, but roams on
Childless as fatherless, wild, unconfined,
So that men say, As homeless as the wind!
Rising and falling and rising evermore
With years like ticks, æons as centuries gone;
Only within impalpable ether bound
And blindly with the green globe spinning round.
He, noble wind,
Most ancient creature of imprisoned Time,
From high to low may fall, and low to high may climb,
Andean peak to deep-caved southern sea,
With lifted hand and voice of gathered sound,
And echoes in his tossing quiver bound
And loosed from height into immensity;
Yet of his freedom tires, remaining free.
—Moulding and remoulding imponderable cloud,
Uplifting skiey archipelagian isles
Sunnier than ocean's, blue seas and white isles
Aflush with blossom where late sunlight glowed;—
Still of his freedom tiring yet still free,
Homelessly roaming between sky, earth and sea.
But you, O beeches, even as men, have root
Deep in apparent and substantial things—
Earth, sun, air, water, and the chemic fruit
Wise Time of these has made. What laughing Springs
Your branches sprinkle young leaf-shadows o'er
That wanting the leaf-shadows were no Springs
Of seasonable sweet and freshness! nor
If Summer of your murmur gathered not
Increase of music as your leaves grow dense,
Might even kine and birds and general noise of wings
Of summer make full Summer, but the hot
Slow moons would pass and leave unsatisfied the sense.
Nor Autumn's waste were dear if your gold snow
Of leaves whirled not upon the gold below;
Nor Winter's snow were loveliness complete
Wanting the white drifts round your breasts and feet.
To hills how many has your tossed green given
Likeness of an inverted cloudy heaven;
How many English hills enlarge their pride
Of shape and solitude
By beechwoods darkening the steepest side!
I know a Mount—let there my longing brood
Again, as oft my eyes—a Mount I know
Where beeches stand arrested in the throe
Of that last onslaught when the gods swept low
Against the gods inhabiting the wood.
Gods into trees did pass and disappear,
Then closing, body and huge members heaved
With energy and agony and fear.
See how the thighs were strained, how tortured here.
See, limb from limb sprung, pain too sore to bear.
Eyes once looked from those sockets that no eyes
Have worn since—oh, with what desperate surprise!
These arms, uplifted still, were raised in vain
Against alien triumph and the inward pain.
Unlock your arms, and be no more distressed,
Let the wind glide over you easily again.
It is a dream you fight, a memory
Of battle lost. And how should dreaming be
Still a renewed agony?
But O, when that wind comes up out of the west
New-winged with Autumn from the distant sea
And springs upon you, how should not dreaming be
A remembered and renewing agony?
Then are your breasts, O unleaved beeches, again
Torn, and your thighs and arms with the old strain
Stretched past endurance; and your groans I hear
Low bent beneath the hoofs by that fierce charioteer
Driven clashing over; till even dreaming is
Less of a present agony than this.
Fall gentler sleep upon you now, while soft
Airs circle swallow-like from hedge to croft
Below your lowest naked-rooted troop.
Let evening slowly droop
Into the middle of your boughs and stoop
Quiet breathing down to your scarce-quivering side
And rest there satisfied.
Yet sleep herself may wake
And through your heavy unlit dome, O Mount of beeches, shake.
Then shall your massy columns yield
Again the company all day concealed....
Is it their shapes that sweep
Serene within the ambit of the Moon
Sentinel'd by shades slow-marching with moss-footed hours that creep
From dusk of night to dusk of day—slow-marching, yet too soon
Approaching morn? Are these their grave
Remembering ghosts?
... Already your full-foliaged branches wave,
And the thin failing hosts
Into your secrecies are swift withdrawn
Before the certain footsteps of the dawn.
But you, O beeches, even as men have root
Deep in apparent and substantial things.
Birds on your branches leap and shake their wings,
Long ere night falls the soft owl loosens her slow hoot
From the unfathomed fountains of your gloom.
Late western sunbeams on your broad trunks bloom,
Levelled from the low opposing hill, and fold
Your inmost conclave with a burning gold.
... Than those night-ghosts awhile more solid, men
Pass within your sharp shade that makes an arctic night
Of common light,
And pause, swift measuring tree by tree; and then
Paint their vivid mark,
Ciphering fatality on each unwrinkled bark
Across the sunken stain
That every season's gathered streaming rain
Has deepened to a darker grain.
You of this fatal sign unconscious lift
Your branches still, each tree her lofty tent;
Still light and twilight drift
Between, and lie in wan pools silver sprent.
But comes a day, a step, a voice, and now
The repeated stroke, the noosed and tethered bough,
The sundered trunk upon the enormous wain
Bound kinglike with chain over chain,
New wounded and exposed with each old stain.
And here small pools of doubtful light are lakes
Shadowless and no more that rude bough-music wakes.
So on men too the indifferent woodman, Time,
Servant of unseen Master, nearing sets
His unread symbol—or who reads forgets;
And suns and seasons fall and climb,
Leaves fall, snows fall, Spring flutters after Spring,
A generation a generation begets.
But comes a day—though dearly the tough roots cling
To common earth, branches with branches sing—
And that obscure sign's read, or swift misread,
By the indifferent woodman or his slave
Disease, night-wandered from a fever-dripping cave.
No chain's then needed for no fearful king,
But light earth-fall on foot and hand and head.
Now thick as stars leaves shake within the dome
Of faintly-glinting dusking monochrome;
And stars thick hung as leaves shake unseen in the round
Of darkening blue: the heavenly branches wave without a sound,
Only betrayed by fine vibration of thin air.
Gleam now the nearer stars and ghosts of farther stars that bare,
Trembling and gradual, brightness everywhere....
When leaves fall wildly and your beechen dome is thinned,
Showered glittering down under the sudden wind;
And when you, crowded stars, are shaken from your tree
In time's late season stripped, and each bough nakedly
Rocks in those gleamless shallows of infinity;
When star-fall follows leaf-fall, will long Winter pass away
And new stars as new leaves dance through their hasty May?
—But as a leaf falls so falls weightless thought
Eddying, and with a myriad dead leaves lies
Bewildered, or in a little air awhile is caught
Idly, then drops and dies.
Look at the stars, the stars! But in this wood
All I can understand is understood.
Gentler than stars your beeches speak; I hear
Syllables more simple and intimately clear
To earth-taught sense, than the heaven-singing word
Of that intemperate wisdom which the sky
Shakes down upon each unregarding century,
There lying like snow unstirred,
Unmelting, on the loftiest peak
Above our human and green valley ways.
Lowlier and friendlier your beechen branches speak
To men of mortal days
With hearts too fond, too weak
For solitude or converse with that starry race.
Their shaken lights,
Their lonely splendours and uncomprehended
Dream-distance and long circlings 'mid the heights
And deeps remotely neighboured and attended
By spheres that spill their fire through these estranging nights:—
Ah, were they less dismaying, or less splendid!
But as one deaf and mute sees the lips shape
And quiver as men talk, or marks the throat
Of rising song that he can never hear,
Though in the singer's eyes her joy may dimly peer,
And song and word his hopeless sense escape—
Sweet common word and lifted heavenly note—
So, beneath that bright rain,
While stars rise, soar and stoop,
Dazzled and dismayed I look and droop
And, blinded, look again.
Return, return!
O beeches sing you then.
I like a tree wave all my thoughts with you,
As your boughs wave to other tossed boughs when
First in the windy east the dawn looks through
Night's soon-dissolving bars.
Return, return? But I have never strayed:
Hush, thoughts, that for a moment played
In that enchanted forest of the stars
Where the mind grows numb.
Return, return?
Back, thoughts, from heights that freeze and deeps that burn,
Where sight fails and song's dumb.
And as, after long absence, a child stands
In each familiar room
And with fond hands
Touches the table, casement, bed,
Anon each sleeping, half-forgotten toy;
So I to your sharp light and friendly gloom
Returning, with first pale leaves round me shed,
Recover the old joy
Since here the long-acquainted hill-path lies,
Steeps I have clambered up, and spaces where
The Mount opens her bosom to the air
And all around gigantic beeches rise.