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20 4 420: Irie Edition

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The following playlist is humbly submitted for your listening pleasure from Full Stop, your full service literary journal. In

Call for Pitches

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This special issue of the FULL STOP QUARTERLY will aim to hold folklore as a prism through which to view connection, the self, and the future. . . . It will explore folklore in and as literature, as process, and as performance.

Call for Pitches

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In times like ours, times of fracture, depravity and upheaval—times which are really not that different than any other time on earth, except for the speed and scale at which violence is exercised—what is the value of art?

Dis(-)appearing Cities or: How I Learned to Stop Walking and Love the Empire

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Read the introduction to our latest issue of the Full Stop Quarterly, “Literary Dis(-)appearances in (Post)colonial Cities.”

Introducing the Full Stop Editorial Fellows

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Get to know our 2024 Full Stop Editorial Fellows, Keely Shinners and Annalise Peters!

Call for Applications: 2024 Full Stop Editorial Fellows

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Full Stop invites applications for two Full Stop Editorial Fellows. These six-month fellowships invite early career writers or editors to independently envision, commission, and edit an issue of the Full Stop Quarterly.

No One Knows Their Blood Type (Excerpt)

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Lately I’ve stopped looking at my father; his body is just another part of the room now, like the bed, the chair, and the window onto the maternity ward.

20 4 420: Irie Edition

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The following playlist is humbly submitted for your listening pleasure from Full Stop, your full service literary journal. We used to invoke the immortal and ominous words of Prince Buster, “Enjoy yourself, it’s later than you think,” but having recently moved to Scotland I’ll invoke the immortal and precise words of Linton Kwesi Johnson, “Inglan is a bitch, […]

Full Stop and PACBI

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Full Stop stands proudly in solidarity with the people of occupied Palestine in committing to the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) guidelines.

Call for Pitches

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[This issue aims] to explore how the intersection of language, queerness, and shifting dynamics of racialization and belonging can help generate language to define oneself and to approach literary and arts criticism without centering Global North, white, male, cis-hetero standpoints.