works which “explore the synthesis of time and form as Keyser asks how we can propagate new beauty, new language, new structures, and new tools using the elastic language of painting”

over twenty early works by the American Abstract Expressionist painter - “the works themselves reveal how Kline’s considerable talents for drawing and painting culminate in the architectonic calligraphies of his mature style” - Roberta Smith

the inaugural exhibition at the gallery’s new space 47 W 28th St presents some of Fini’s crucial lesser-known small-scale drawings - “complex, unsettling, and utterly hypnotic”

recent paintings and a site specific drawing and painting installation - “an exploration of mark making as language. Shrines, to-do lists, snippets of conversations, and old photos act as an evolving manifesto of observation” - D’Arcy

the gallery’s first solo exhibition with Nauman presents sculptures, installations, sound works, videos, works on paper, and editions to explore the prolific decade that established him as one of the most important contemporary artists of our time

in partnership with Paloma Picasso, over fifty rarely seen - or in some cases never previously exhibited - paintings, sculptures, and drawings from the full span of Picasso’s career

painting and sculpture in the abstract artist’s first solo exhibition with the gallery

in the Cuban-born, Madrid-based artist’s first solo exhibition in New York, new large-scale paintings of abstracted glyph-like forms in earthen hues

the gallery’s first exhibition of the pioneering sculptor, curator, and feminist includes in its entirety for the first time in NYC, her monumental magnum opus “Across the Bering Strait”

five different series exploring the South African artist and visual activist’s overarching project of empowering the Black LGTBQIA+ community in South Africa, including the first gallery exhibition outside Africa of their early work

“I had the whole fall free to paint dahlias as they slowly came into bloom ... I was in heaven, haunting the flower sellers at our nearby farmers market, looking for new colors and forms and then trying to capture their individual personalities” - Kushner

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

in collaboration with Timothy Baum, a significant collection of collages by leading Surrealist artists including André Breton, Joseph Cornell, Marcel Duchamp, Nusch Éluard, Paul Éluard, Max Ernst, Georges Hugnet, Valentine Hugo, René Magritte, Man Ray,...

to celebrate its anniversary, an exhibition surveying the history from 1975 to now of one of the longest-established contemporary art galleries on the West Coast

new paintings and a freestanding sculpture alongside earlier assemblages and photography as Youngblood explores the complexities of American material culture

Edward Sullivan curates the first exhibition of Chervin’s prints in New York - “in the current exhibition we are deeply interested in suggesting the “universalist” significance of her compelling visual language”

starting with a choice - whether to enter the exhibition or play a video game - Rosler’s installation spreads throughout the gallery to explore political consciousness and mass media

recently rediscovered early sixties photographs by McCartney - including some previously unseen - which provide an inside snapshot of Beatlemania just as it was becoming a global phenomenon

two decades of self-portraits by one of the most important artists of post-war Germany

new works by the Los Angeles-based artist, honoring the intimacy of the everyday - “I capture the appearance of people that I paint. I love their spontaneous image”

early surrealist drawings and mixed-media “Congregations” assemblages in this first-of-its-kind exhibition exploring the impact of the Hungarian psychoanalyst on Ossorio’s art

conceived by Saara Pritchard, this exhibition is the first to focus on the three artists, who worked in New York City during the 1960s, 1970s, and 1980s, often portraying mutual sitters, exhibiting together, and participating in public discussions

presented for the first time since its celebrated 2002 debut, this is another chance to catch Hammons’ acclaimed installation work

eight standing wooden structures, encasing delicate tapestries in the French artist’s first US exhibition - “Peroi is not interested in revelation, but rather in uncovering something fundamental about how art is conceived” - Dr. Rebecca Birrell

landscape and seascape paintings by six international artists showing their various methods of immortalizing the natural world around them

all new works in the British artist’s first US solo exhibition with the gallery - together with the US premiere of a collaborative creation with the acclaimed choreographer Sharon Eyal

an exhibition of vibrant photographs by the Malian artist - including some not previously exhibited - in a celebration of Sidibé’s role as a pioneer who sculpted the visual identity of the African diaspora, offering a window into a Malian nation

new Plexiglas works and watercolors by the pioneering conceptual artist in his first LA solo exhibition since 2019

on the release of William J. Canning second album, an exhibition of his video, photography, and sculptural works that “spring forth from the album’s visual world”

photographs of Monet’s iconic gardens in France, in the debut exhibition by the American photographer - “her work reflects a deep and intimate knowledge of the site and its particularities, which only a lifetime of passionate study could allow”

five towering figurative bronze sculptures and a large-scale photographic work in Price’s first major solo exhibition with the gallery in New York

an exhibition exploring the careers of the two artists, who worked alongside each other and were briefly married, presenting how their vitality, freedom, and innovative practices impacted the community of artists recognized during Abstract Expressionism

following his pavilion at the 60th Venice Biennale, the first exhibition in America of the rising star of the African art scene presents a cross-examination of the artist’s home country and the US

paintings by the Paris-based artist - sailing boats adrift on vast, limitless seas provide an immersive journey into a world where light and form merge in a poetic interplay of colour and emotion

significant and recently discovered erotic drawings by key Bloomsbury group member Duncan Grant, alongside works by contemporary queer artists including Soufiane Ababri, Leilah Babirye, Anthony Cudahy, Kyle Dunn, Alex Foxton, Jonathan Lyndon Chase …

bringing together two generations of abstraction, an exhibition which juxtaposes the bold, gestural work of Briggs with the introspective, process-driven paintings of Bonner

new paintings and drawings by the British artist, exploring and drawn from the eponymous activity-led, family-friendly setting

to announce their representation of the Nancy Graves Foundation, an exhibition of work by the prominent twentieth-century American who “translated scientific information into an abstract gestural language by reducing sources to their essential forms”

a special survey exhibition of almost twenty years of work “link[ing] crucial previous bodies of work with new interventions that offer tender protest to the bombast of the world around” - Melanie Kress

Doring Baez’s first exhibition with the gallery is inspired by the 1975 film “The Night Porter” and her late brother's photography, to explore “her desire to know her brother more deeply than anyone can ever know another person”

over twenty pioneering artists from across the last century whose interrogations of the human form and its fleeting presence have pushed boundaries of representation

an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned”

turning the gallery into a spiritual sanctuary, fourteen of Kongi’s recent paintings in the Estonian artist’s first solo exhibition in the US

exceptional works by the quintessential “Mediterranean artist” Aïzpiri, and the master colorist Gorriti

Pekünlü’s first solo exhibition in the US centers on a video, alongside a sound installation and works on paper to examine the vicious cycles encountered in everyday life

works by artist including David Hockney, Jasper Johns, Cy Twombly, Ed Ruscha, and Bruce Nauman in this exhibition exploring the role of the written word in postwar printmaking

presented by Deanna Evans with works by Kerri Ammirata, Lisha Bai, Tess Bilhartz, Fiona Buchanan, Erica Mao, Lauren Portada, Marisol Ruiz, Aparna Sarkar, Polly Shindler

four artists who take their cue from “Self Portrait in a Convex Mirror” - “each be seen to respond to Parmigianino’s legacy, his entwining of sight and doubt, his exploration of the tensions between image and reality” - Dr. Rebecca Birrell

Karetzky produces a hybrid of oil painting, clay sculpture, woodcut, and sgraffito, carving paint into relief surfaces, applying ceramic glazes to render illusionistic space, and pushing the boundaries of the rectangular canvas

with works by Yuji Agematsu, Gilles Aillaud, Cecilia Bjartmar Hylta, Prunella Clough, Curtis Cuffie, Dominick Di Meo, Trisha Donnelly, Claudette Gacuti, Solomon Garçon, Alex Harsley, Henrik Olesen, Patrick Procktor, and Katsuhiro Yamaguchi

Haft-Candell “we could call the show reach/grasp? Interlocking hands is a recurring theme in my work too” - Feng “Yes. That describes that painting–and the show”

a survey exhibition announcing their global representation of the Estate of Ahn - “I painted and painted and could not stop … no matter how many water ideas I manage to express on canvas, more water ideas continue to surge” - Ahn

an immersive multi-media installation forms the centrepiece of the first solo exhibition in Los Angeles of works by one of the boldest and most influential artists of the twentieth and early twenty-first centuries

large works on paper, intimately-scaled drawings, ceramic sculptures and a monumental hanging drawing in Fried’s first solo exhibition in Los Angeles

celebrating the work of the late architect, sculptor, designer, and leading figure in Brazilian modernism, known both for his sculptural style and ecological awareness

deeply personal paintings exploring portraiture and mythology, as Adams reimagines himself within landscapes and interiors that merge past and present

a groundbreaking pop-up exhibition integrating visual art, artisanal craftsmanship, and sensory engagement into an immersive experience exploring culture, identity, and materiality

the contemporary Australian artist’s works “express the internal meditative quality evoked by the landscape, illuminating these impressions in wondrous and imaginative paintings”

a two-person exhibition of Terrick Gutierrez and Ayobami Ogungbe, who both explore the relationships between memory, architecture, and the emotional resonance of place

an exhibition of the Chilean artist’s “portrayals of a dream-like jungle, where various animals coexist in harmony”

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

a grab-bag of works looking at desire, excess, and the fluctuating value of objects - “like any good sale rack: a little messy, a little magic”

the Brooklyn-based artist’s first solo exhibition with the gallery - “scientists tell you that in nature, light makes the color. But a painter will tell you that colors make light” - Evertz

works by artists including Jean Arp, Dan Basen, Rudolf Bauer, Sándor Bortnyik, Georges Braque, Marc Chagall, Sonia Delaunay, Richard Diebenkorn, Jean Dubuffet, Lyonel Feininger, Matalia Goncharova, František Kupka, Wifredo Lam, ...

“drawing inspiration from nature and the intricate science of cells, membranes, and drifting bodies, Subercaseaux’s paintings become vessels—echoing the very structures they evoke” - Vittoria Beltrame

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

a dynamic group exhibition exploring the expressive power of the line across painting, sculpture, and conceptual art from the early 1950s to the present day

new stone paintings alongside oil on panel paintings and handmade paper works by Moyer, merging abstraction and materiality and redefining conventional sculptural forms through innovative use of natural materials

in Castillo’s first solo exhibition in New York, recent sculptures and works on paper exploring Cuba’s modernization in the 1960s and 1970s and reflecting on politics and design, function and form, history, art, and decoration

the most comprehensive presentation of Herrera’s post-war Paris years to date “examines a young artist deep in experimentation, subsuming the seismic influences of many colliding midcentury art movements”

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

anthropomorphic serveware, cartoon busts, moon jars, and signature Mongmong Lassie vessels alongside a video installation and a Risograph flip-book by the Brooklyn-based South Korean sculptor known for her hand-built and 3D-printed ceramic figures

an eclectic group of twenty-four women artists from across nearly 100 years of artistic production, united by a kaleidoscope of influence

an exhibition of drawings by Shaw - “I’m drawn towards things that are weird - that show you something about America”
- Shaw

the US premiere of works from Huyghe’s groundbreaking exhibition in Venice last year at Punta della Dogana - Pinault Collection

the tenth edition of this flagship annual exhibition presenting the finest works by Australia’s preeminent First Nations artists

in Pillay’s US debut and first solo exhibition at the gallery’s New York location, new paintings inspired by a visit to Réunion Island explore cultural hybridity, resilience and the ways landscapes serve as silent witnesses to history

curated by Oscar Murillo with artworks by Wifredo Lam, Arshile Gorky, and Roberto Matta

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

a wide range of works in media from paintings in tempera to bronze figures and glass forms in Ikemura’s first exhibition with the gallery “an impressive act of world building and longevity”

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

curated by Beverley Calté and Arnauld Pierre, over forty post-war works by the French avant-garde artist in the first major solo exhibition exclusively exploring his unique final period

over forty works from Picasso’s own collection - including pieces never seen in public before - shown together for the first time, together with rarely exhibited objects from his studios

curated by Robert Zeller, an exhibition exploring the enduring influence of Surrealism, with contemporary artists placed in conversation with works by historic artists Giorgio di Chirico, Leonor Fini, Yves Tanguy, and Leonora Carrington

Cotton’s first exhibition at the gallery introduces his monumental paintings of a new American mythology with sugary treats, pink unicorns, hypermasculine cowboys, and mermaids

LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects. The museum exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage.