What do you think?
Rate this book
Suicide Squad (1987) (Collected Editions)
Suicide Squad, Volume 2: The Nightshade Odyssey
When super-villains get caught, it's up to the government to keep the bad guys in captivity. Amanda Waller, a tough-as-nails federal agent, has other plans. She's heading up the Suicide Squad as an ultimatum to the world's biggest villains.
264 pages, Paperback
First published October 25, 2011
About the author
John Ostrander
2,030 books164 followersJohn Ostrander is an American writer of comic books. He is best known for his work on Suicide Squad, Grimjack and Star Wars: Legacy, series he helped create.
Originally an actor in a Chicago theatre company, Ostrander moved into writing comics in 1983. His first published works were stories about the character "Sargon, Mistress of War", who appeared the First Comics series Warp!, based on a series of plays by that same Chicago theatre company. He is co-creator of the character Grimjack with Timothy Truman, who originally appeared in a back up story in the First Comics title, Starslayer, before going on to appear in his own book, again published by First Comics in the mid 1980s. First Comics ceased publication in 1991, by which time Ostrander was already doing work for other comics companies (his first scripts for DC Comics were published in 1986).
Prior to his career in comic books, Ostrander studied theology with the intent of becoming a Catholic priest, but now describes himself as an agnostic. His in-depth explorations of morality were later used in his work writing The Spectre, a DC Comics series about the manifestation of the wrath of God. His focus on the character's human aspect, a dead police detective from the 1930s named Jim Corrigan, and his exploration of moral and theological themes brought new life to a character often thought of as impossible to write. He has also worked on Firestorm, Justice League, Martian Manhunter, Manhunter, Suicide Squad, and Wasteland for DC.
Originally an actor in a Chicago theatre company, Ostrander moved into writing comics in 1983. His first published works were stories about the character "Sargon, Mistress of War", who appeared the First Comics series Warp!, based on a series of plays by that same Chicago theatre company. He is co-creator of the character Grimjack with Timothy Truman, who originally appeared in a back up story in the First Comics title, Starslayer, before going on to appear in his own book, again published by First Comics in the mid 1980s. First Comics ceased publication in 1991, by which time Ostrander was already doing work for other comics companies (his first scripts for DC Comics were published in 1986).
Prior to his career in comic books, Ostrander studied theology with the intent of becoming a Catholic priest, but now describes himself as an agnostic. His in-depth explorations of morality were later used in his work writing The Spectre, a DC Comics series about the manifestation of the wrath of God. His focus on the character's human aspect, a dead police detective from the 1930s named Jim Corrigan, and his exploration of moral and theological themes brought new life to a character often thought of as impossible to write. He has also worked on Firestorm, Justice League, Martian Manhunter, Manhunter, Suicide Squad, and Wasteland for DC.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 66 reviews
January 21, 2019
Another solid set of stories from John Ostrander and Luke McDonnell. The Millenium tie-in was good. I'd love to see Millenium released as an omnibus. There's a couple of great appearances by Batman, including the crossover with JLI, which I loved. Vixen is a great addition to the team. I really like how the team changes according to each mission. The Nightshade Odyssey is a very surreal and messed up story for Suicide Squad. And it allows for Shade, the Changing Man to join the team. All in all, a great book.
September 28, 2020
I'm having a lot of fun with this Ostrander run. It's a great example of that late '80s stuff where they were sometimes mixing more serious political topics with full on superhero silliness so Ronald Reagan is a supporting character as the Suicide Squad gets missions like trying to kill the leader of a South American drug cartel, but then there's another story that involves going to another dimension and battling weird demonic creatures.
Captain Boomerang continues to be both the most ridiculous and annoying character. I'm pretty sure that Amanda Waller just keeps sending him out on every mission hoping that he'll be killed someday. Fingers crossed.
There's also a couple of appearances by Batman, and the way he's portrayed here reminded me that DC was in the middle of that phase where he had to be an absolute asshole to everybody. Because it's gritty and mature!
Captain Boomerang continues to be both the most ridiculous and annoying character. I'm pretty sure that Amanda Waller just keeps sending him out on every mission hoping that he'll be killed someday. Fingers crossed.
There's also a couple of appearances by Batman, and the way he's portrayed here reminded me that DC was in the middle of that phase where he had to be an absolute asshole to everybody. Because it's gritty and mature!
May 17, 2024
Suicide Squad vol 2 contains Suicide Squad #9-16, Justice League International #13, Doom Patrol/Suicide Squad #1, and Secret Origins #28.
This was a fun blast from the past, as I'd read these comics as a kid. Ostarnder's writing is still quite good and I enjoyed his dark humor. This volume follows the Squad as it does various missions for Amanda Waller. From rescuing an American spy to fighting the Manhunters to the story of Nightshade, and even runs into conflict with Batman.
Of the various issues, the JLI/SS team-up was the best one filled with excellent dry humor and par for the course for Suicide Squad. The artwork is a bit dated but still holds up. In many ways, this original Suicide Squad run was one of the best ones.
This was a fun blast from the past, as I'd read these comics as a kid. Ostarnder's writing is still quite good and I enjoyed his dark humor. This volume follows the Squad as it does various missions for Amanda Waller. From rescuing an American spy to fighting the Manhunters to the story of Nightshade, and even runs into conflict with Batman.
Of the various issues, the JLI/SS team-up was the best one filled with excellent dry humor and par for the course for Suicide Squad. The artwork is a bit dated but still holds up. In many ways, this original Suicide Squad run was one of the best ones.
February 2, 2016
Boy this volume starts off with a lot of crossovers; introducing DC readers to the Squad, I suppose. Fortunately, Ostrander is able to craft good stories that also continue the progress of the (largely character-based) Squad story.
Millennium (9). This is a neat story because the Squad's actions so artfully dances through the crossovers of Captain Atom, Firestorm, and Spectre. (I'd love to see the whole crossover in an Omnibus!) Beyond that it's a fun Squad story with serious consequences [7+/10].
Batman (10). This was Batman when he was super-cool: the mysterious, aloof, and ultra-competent detective. Ostrander portrays that and his interactions with the Squad well [8/10].
Doom Patrol (Special). The weakest of the initial crossovers, probably because it wasn't all by Ostrander's hand. The creation of a totally expendable Squad is nice for shock value, but otherwise this is a forgettable story [5/10].
Blood & Snow (11-12). I'm often not as fond of the "real-life" adventures, such as this assault on a cocaine distributor. With that said, it's got Ostrander's great characterization, and a slow advancement of the character arcs, so it continues to be a joy to read. The guest appearance of Vixen and Speedy and the integration with the Doom Patrol special are all very nice as well [7+/10].
JLI (13+JLI). The encounter with the JLI is a good turning point for the Squad and a nice confrontation, but like the Doom Patrol crossover before it, it's weakened by the other author (and perhaps by the structure too; the first part really drags because it's all setup). Still, this is a nice follow-up for Nemesis and a nice bit of characterization for a few members of the Squad [6/10].
Nightshade Origin (SO28). This Nightshade has a great origin, and it's wonderful to see her post-Crisis integration into the DC universe, but the story is a bit slow [6/10].
Nightshade Odyssey (14-16). I love this story because it's so unusual for the Squad. We so frequently get real-world politics, and instead this is a full-blown fantasy. Add on a tight character focus and some unexpected twists, and it's a top Squad story. [8/10] The Shade story that ends the arc is much weaker, primarily because it comes out of nowhere and climaxes in a few pages. Still, I love having Shade around. [6+/10]
Overall, this volume continues with the Squad's strengths: great characters and great character stories.
Millennium (9). This is a neat story because the Squad's actions so artfully dances through the crossovers of Captain Atom, Firestorm, and Spectre. (I'd love to see the whole crossover in an Omnibus!) Beyond that it's a fun Squad story with serious consequences [7+/10].
Batman (10). This was Batman when he was super-cool: the mysterious, aloof, and ultra-competent detective. Ostrander portrays that and his interactions with the Squad well [8/10].
Doom Patrol (Special). The weakest of the initial crossovers, probably because it wasn't all by Ostrander's hand. The creation of a totally expendable Squad is nice for shock value, but otherwise this is a forgettable story [5/10].
Blood & Snow (11-12). I'm often not as fond of the "real-life" adventures, such as this assault on a cocaine distributor. With that said, it's got Ostrander's great characterization, and a slow advancement of the character arcs, so it continues to be a joy to read. The guest appearance of Vixen and Speedy and the integration with the Doom Patrol special are all very nice as well [7+/10].
JLI (13+JLI). The encounter with the JLI is a good turning point for the Squad and a nice confrontation, but like the Doom Patrol crossover before it, it's weakened by the other author (and perhaps by the structure too; the first part really drags because it's all setup). Still, this is a nice follow-up for Nemesis and a nice bit of characterization for a few members of the Squad [6/10].
Nightshade Origin (SO28). This Nightshade has a great origin, and it's wonderful to see her post-Crisis integration into the DC universe, but the story is a bit slow [6/10].
Nightshade Odyssey (14-16). I love this story because it's so unusual for the Squad. We so frequently get real-world politics, and instead this is a full-blown fantasy. Add on a tight character focus and some unexpected twists, and it's a top Squad story. [8/10] The Shade story that ends the arc is much weaker, primarily because it comes out of nowhere and climaxes in a few pages. Still, I love having Shade around. [6+/10]
Overall, this volume continues with the Squad's strengths: great characters and great character stories.
March 6, 2016
I'm putting this at 4 stars but it was more like 3 1/2. This collection starts a bit roughly with a Millennium crossover that makes little sense outside of the context of that long ago forgettable line-wide event and then a SS/Doom Patrol crossover that's only notable for early Erik Larsen art. The two-parter that brings Vixen to the team (and includes Speedy), the two-part JLI crossover, and the titular three-part Nightshade Odyssey are all really good, though. Luke McDonnell's pencils are always a welcome sight and John Ostrander really starts building his characters as well as putting political obstacles in their way (to be dealt with in future volumes, of course). It was around this time I started writing letters to the comic too, though I can no longer remember which issues. Anyway, I'm happy the upcoming movie has this series seeing print again.
March 9, 2020
🦇This league is a joke!
The first half of the story feels like an action/suspense movie. 🍿 I LOVE THE ARTWORK!!!
•I mistook this graphic novel as Vixen’s first appearance, then realized she was introduced back in 1981. 🙄
•I liked Nightshade’s origin story. 🏳️🌈Is she gay?! She put on a wig years before Batwoman joined DC Comics! 🤓
July 11, 2023
A solid SS book, with some really cool moments including Batman trying to find out what Amanda is up to with the Squad. I will say though the ending was zanny and not in a good way, I like SS gritty and dark IMO.
August 29, 2024
The Suicide Squad gets a lot weirder real fast!
While the first collection was extremely grounded, this one is fueled by sci fi and fantasy!
Nightshade is the star of the show this collection and made quite fascinating!
There is a nice balancing of who everyone really is on the team that is very settled by this point, only to throw some wild shake em ups other characters in the mix!
Overall art and story of the mainline stays really good, even the Doom Patrol crossover keeps the characters fully in focus of who they each are!
While the first collection was extremely grounded, this one is fueled by sci fi and fantasy!
Nightshade is the star of the show this collection and made quite fascinating!
There is a nice balancing of who everyone really is on the team that is very settled by this point, only to throw some wild shake em ups other characters in the mix!
Overall art and story of the mainline stays really good, even the Doom Patrol crossover keeps the characters fully in focus of who they each are!
January 4, 2020
Some OG fans may view my next words as sacrilege, but I think I prefer the newer incarnations of the Suicide Squad. I found this book kind of dense and hard to get into. I honestly do prefer the current style of art and paneling than the Bronze Age era comics. The half-tones and the super-bright but one note colors don't work for me as well as the beautifully diverse artwork featured in contemporary comics. I can be completely honest and state that I read comics for the art, and the writing is important, but if the art doesn't hook me, I don't pay attention to the story. I feel that the newer Suicide Squad stories are more engaging. I'm not saying I won't give this series further reading. I will. I just didn't get into this volume to the degree that I would have liked.
Read
September 13, 2016Some of this is outright terrible - the crossover with a pre-Morrison Doom Patrol which brings in a bunch of overpowered new team members then instantly kills them off, or the Millennium tie-in with a plug for a different other comic every third panel. And I still find it hilarious seeing Gorbachev used as standard Evil Commie Ranter In Chief, before anyone knew (though the portrayal of a ditzy Reagan is spot on). But the title story is nicely creepy (at least until derailed by a pre-Milligan Shade the Changing Man), and 30 years on you still wouldn't get many superhero books which put this many black characters - and particularly black women - in lead roles without remotely making a big deal of it.
November 7, 2015
Nice older DC series, not your normal Superhero comic. Good read. recommended
March 14, 2024
Luke Mc Donnell is such a great artist, I enjoy very much his way of narrating graphically. John Ostrander also does a great work with really interesting characters as Nightshade, Captain Flag and others.
A good time reading this comic book
A good time reading this comic book
May 27, 2011
writing even better, art even worse (?)
June 5, 2016
A rough mix but a good read for NIGHTSHADE fans. The character has a lot of potential. Call me, DC!
June 7, 2023
In The Suicide Squad Vol. 2 'The Nightshade Odyssey,' we are shown a variety of crossover events that bring together an array of iconic characters from the DC universe.
With appearances, featuring heroes such as Batman, Captain Atom, Speedy, Vixen, Justice League International, and the Doom Patrol. These collaborations inject an interesting dynamic into the narrative, showcasing the interaction between the Suicide Squad and these established heroes.
Among the Squad members, Captain Boomerang, Rick Flag, Weasel, Duchess, and Nightshade emerge as the standout characters in this volume. Each character brings a unique flair to the story, but it is Captain Boomerang who consistently steals the spotlight with his humorous and irreverent remarks, providing a light-hearted touch to the team dynamics.
Let's not forget Amanda Waller, who deserves a special mention despite not being part of the Squad but rather the Leader. Her unwavering determination and vulnerability showcased in this volume add depth to her character, revealing the many layers that make her so compelling.
One of the enjoyable aspects of the volume is John Ostrander's portrayal of Batman. Whether it's in Suicide Squad #10 "Up against the Wall" or Justice League International #10 "Collision Course," Ostrander captures Batman's no-nonsense approach to situations, creating a perfect dynamic with the other characters involved. You can't help but appreciate the way Batman's presence elevates the storytelling.
While the volume introduces compelling characters and engaging stories, the complete understanding of some of the narratives is hindered by the exclusion of some crossover appearances. This omission poses a challenge for readers seeking a comprehensive understanding of the overarching story, as the full context may be elusive without prior knowledge of the individual series involved. In one example, Firestorm shows up for 2 panels and proceeds to be chased off by another guest appearing hero with an Editor Note that tells you to find out more in a completely different comic.
The standout story in this volume is the 'Doom Patrol vs Suicide Squad'. It combines thrilling action sequences with entertaining dialogue, showcasing the intricate dynamics between the teams and the overarching mission. Such stories epitomize the essence of the Suicide Squad concept and provide a glimpse into the team's (and comic's) exceptional potential.
'The Nightshade Odyssey', the primary story arc in this volume, offers Nightshade the opportunity to shine and reveal her true character. However, the complex nature of this story may prove daunting for some readers, making it harder to fully grasp and follow the intricate plotlines.
Visually, the artwork in The Suicide Squad Vol. 2 is commendable, boasting vibrant colors and capturing the essence of the late '80s era, which adds a nostalgic touch to the reading experience.
Overall, The Suicide Squad Vol. 2 'The Nightshade Odyssey' presents readers with multiple action-packed crossovers that introduce beloved characters from the DC universe. While some omissions and complex storylines may pose challenges, the engaging character interactions and standout moments make this volume a solid read for fans of the Suicide Squad and lovers of superhero storytelling.
With appearances, featuring heroes such as Batman, Captain Atom, Speedy, Vixen, Justice League International, and the Doom Patrol. These collaborations inject an interesting dynamic into the narrative, showcasing the interaction between the Suicide Squad and these established heroes.
Among the Squad members, Captain Boomerang, Rick Flag, Weasel, Duchess, and Nightshade emerge as the standout characters in this volume. Each character brings a unique flair to the story, but it is Captain Boomerang who consistently steals the spotlight with his humorous and irreverent remarks, providing a light-hearted touch to the team dynamics.
Let's not forget Amanda Waller, who deserves a special mention despite not being part of the Squad but rather the Leader. Her unwavering determination and vulnerability showcased in this volume add depth to her character, revealing the many layers that make her so compelling.
One of the enjoyable aspects of the volume is John Ostrander's portrayal of Batman. Whether it's in Suicide Squad #10 "Up against the Wall" or Justice League International #10 "Collision Course," Ostrander captures Batman's no-nonsense approach to situations, creating a perfect dynamic with the other characters involved. You can't help but appreciate the way Batman's presence elevates the storytelling.
While the volume introduces compelling characters and engaging stories, the complete understanding of some of the narratives is hindered by the exclusion of some crossover appearances. This omission poses a challenge for readers seeking a comprehensive understanding of the overarching story, as the full context may be elusive without prior knowledge of the individual series involved. In one example, Firestorm shows up for 2 panels and proceeds to be chased off by another guest appearing hero with an Editor Note that tells you to find out more in a completely different comic.
The standout story in this volume is the 'Doom Patrol vs Suicide Squad'. It combines thrilling action sequences with entertaining dialogue, showcasing the intricate dynamics between the teams and the overarching mission. Such stories epitomize the essence of the Suicide Squad concept and provide a glimpse into the team's (and comic's) exceptional potential.
'The Nightshade Odyssey', the primary story arc in this volume, offers Nightshade the opportunity to shine and reveal her true character. However, the complex nature of this story may prove daunting for some readers, making it harder to fully grasp and follow the intricate plotlines.
Visually, the artwork in The Suicide Squad Vol. 2 is commendable, boasting vibrant colors and capturing the essence of the late '80s era, which adds a nostalgic touch to the reading experience.
Overall, The Suicide Squad Vol. 2 'The Nightshade Odyssey' presents readers with multiple action-packed crossovers that introduce beloved characters from the DC universe. While some omissions and complex storylines may pose challenges, the engaging character interactions and standout moments make this volume a solid read for fans of the Suicide Squad and lovers of superhero storytelling.
April 1, 2018
The 1980's Suicide Squad continues in this compilation of issues 9-16 plus the Doom Patrol/Suicide Squad special and a crossover issue of Justice League International.
As Amanda Waller struggles to maintain her unit's secrecy with bureaucrats galore meddling in her business, the beat goes on and more villains rotate through the team, along with other guest stars. They fought Manhunters in the swamp (alongside The Privateer), and Slipknot learned the hard way about the explosive bracelets used to keep villains in line.
Waller stood down Batman when he infiltrated Belle Reve to get information about the Squad.Speedy, Vixen and The Black Orchid joined them for a mission to Medellin to take down a major drug dealer. Nightshade led that mission while Rick Flag took Mr 104, Psi, the Thinker and the Weasel to Nicaragua to liberate a captive Hawk. Nobody died on Nightshade's watch, but Flag lost his entire team, thanks to a random bureaucrat sending the Doom Patrol in to compete with the Squad and thanks to Russia sending a fleet of Rocket Reds to beat both of them to the punch.
There was good character development as well. A huge, powerful woman known only as Duchess joined the team and proved to be a worthy addition. Enchantress became more and more erratic, forcing Bronze Tiger to try supernatural means of keeping her in check (via Madame Xanadu). The Vixen chose to stay with the team, and Boomerang decided to screw around in his spare time by committing robberies as Mirror Master. Father Richard Craemer signed on as team chaplain, and the psychiatric team continued to have no luck getting to the root of Deadshot's issues. We also saw Nightshade's backstory (repinted from her appearance in Secret Origins).
The title storyline was Nightshade finally getting the team for her mission. Flag was unavailable, but she brought along Bronze Tiger, Vixen, Deadshot, Duchess, Captain Boomerang and the Enchantress to avenge her mother's death and rescue or avenge her brother. They got more than they bargained for- they found Enchantress' origins tied to the land of Nightshades. The entity that merged with June Moone originated there, and the Incubus (in possession of Nightshade's brother's body) reclaimed his "sister," leaving June Moone powerless. They took the Incubus down and escaped via Nightshade's power to traverse dimensions, only to find themselves trapped in a dimensional void with Shade the Changing Man. They combined powers to get back to Earth, and Shade joined the team in exchange for their help in eventually returning home to clear his name.
As Amanda Waller struggles to maintain her unit's secrecy with bureaucrats galore meddling in her business, the beat goes on and more villains rotate through the team, along with other guest stars. They fought Manhunters in the swamp (alongside The Privateer), and Slipknot learned the hard way about the explosive bracelets used to keep villains in line.
Waller stood down Batman when he infiltrated Belle Reve to get information about the Squad.Speedy, Vixen and The Black Orchid joined them for a mission to Medellin to take down a major drug dealer. Nightshade led that mission while Rick Flag took Mr 104, Psi, the Thinker and the Weasel to Nicaragua to liberate a captive Hawk. Nobody died on Nightshade's watch, but Flag lost his entire team, thanks to a random bureaucrat sending the Doom Patrol in to compete with the Squad and thanks to Russia sending a fleet of Rocket Reds to beat both of them to the punch.
There was good character development as well. A huge, powerful woman known only as Duchess joined the team and proved to be a worthy addition. Enchantress became more and more erratic, forcing Bronze Tiger to try supernatural means of keeping her in check (via Madame Xanadu). The Vixen chose to stay with the team, and Boomerang decided to screw around in his spare time by committing robberies as Mirror Master. Father Richard Craemer signed on as team chaplain, and the psychiatric team continued to have no luck getting to the root of Deadshot's issues. We also saw Nightshade's backstory (repinted from her appearance in Secret Origins).
The title storyline was Nightshade finally getting the team for her mission. Flag was unavailable, but she brought along Bronze Tiger, Vixen, Deadshot, Duchess, Captain Boomerang and the Enchantress to avenge her mother's death and rescue or avenge her brother. They got more than they bargained for- they found Enchantress' origins tied to the land of Nightshades. The entity that merged with June Moone originated there, and the Incubus (in possession of Nightshade's brother's body) reclaimed his "sister," leaving June Moone powerless. They took the Incubus down and escaped via Nightshade's power to traverse dimensions, only to find themselves trapped in a dimensional void with Shade the Changing Man. They combined powers to get back to Earth, and Shade joined the team in exchange for their help in eventually returning home to clear his name.
This entire review has been hidden because of spoilers.
May 31, 2018
Volume 1 of this group of DC supervillains and non-villain loners who like living in lockdown with the federal government for some reason who do the government's dirty work (basically being a superhero and killing your foes), Volume 1 of this was surprisingly dull, bogged down in meetings with Amanda Waller and pretty easily executed espionage missions.
Volume 2 takes out a lot of the convoluted board room meetings and instead has the Suicide Squad show up and kill things. It's like walking in a straight line, shooting everything, and then it's done.
What it DEFINITELY lacks in memorability or character building it at least plateaus in flashy gun pops and stuff.
Like in "Suicide Squad #9", they have to go attack the Manhunters in their temple. So do that for 23 ish pages.
It's closer to what a comic book should be, but having like seven protagonists in your comic and to throw them into stuff like this over and over devalues their value as a brand.
Character confusion hits its peak with "Suicide Squad/Doom Patrol #1". Doom Patrol is awesome on its own, like X-Men but with even more tortured characters and bad luck (and some good writing).
But in this book, what's supposed to be a story about an anti-hero trapped behind Nicaraguan lines becomes action spot after action spot with like 12-15 different heroes. It looks pretty sometimes, but man good luck remembering that.
It probably would've helped if the two issue Justice League International crossover stuck and gave Suicide Squad characters more chance to grow and do different things.
As it is, we're stuck with things like "Suicide Squad #16", where the most confusing backstory ever, the hero from a slightly different dimension Changing Man meets the Suicide Squad in a weird dimension (promising) and then recruits them to kill some baddies (generic).
Luke McDonell's art work carries this whole thing, as he manages to at least make all the protagonists slightly memorable, and at times has a fun mix of vibrant colors and dark shadows.
But the writing lets the piece down. I can't say it was dull, but it seemed so desperate to keep my attention in the most shallow violence way that it all feels the same.
2/5
Volume 2 takes out a lot of the convoluted board room meetings and instead has the Suicide Squad show up and kill things. It's like walking in a straight line, shooting everything, and then it's done.
What it DEFINITELY lacks in memorability or character building it at least plateaus in flashy gun pops and stuff.
Like in "Suicide Squad #9", they have to go attack the Manhunters in their temple. So do that for 23 ish pages.
It's closer to what a comic book should be, but having like seven protagonists in your comic and to throw them into stuff like this over and over devalues their value as a brand.
Character confusion hits its peak with "Suicide Squad/Doom Patrol #1". Doom Patrol is awesome on its own, like X-Men but with even more tortured characters and bad luck (and some good writing).
But in this book, what's supposed to be a story about an anti-hero trapped behind Nicaraguan lines becomes action spot after action spot with like 12-15 different heroes. It looks pretty sometimes, but man good luck remembering that.
It probably would've helped if the two issue Justice League International crossover stuck and gave Suicide Squad characters more chance to grow and do different things.
As it is, we're stuck with things like "Suicide Squad #16", where the most confusing backstory ever, the hero from a slightly different dimension Changing Man meets the Suicide Squad in a weird dimension (promising) and then recruits them to kill some baddies (generic).
Luke McDonell's art work carries this whole thing, as he manages to at least make all the protagonists slightly memorable, and at times has a fun mix of vibrant colors and dark shadows.
But the writing lets the piece down. I can't say it was dull, but it seemed so desperate to keep my attention in the most shallow violence way that it all feels the same.
2/5
June 17, 2021
The titular Nightshade Odyssey is about 60-ish pages out of 240!
I was a bit apprehensive that this collection started out with a crossover with the MILLENNIUM event which I'd actually read about in a Batman comic previously but fuck me if I remembered anything about it. Fucking LOL Karin from the Silver Age Squad DIES IN IT and I am just completely left wondering "ok lol why"
BUT the collection picks up a lot with missions into Colombia and the Soviet Union, there's even a crossover with the Doom Patrol (a team I know fuck-all about) that was pretty entertaining, which shows a deft storytelling hand: I picked up on their deal pretty quick.
The Nightshade arc is kiiiinda what the 2016 movie is based on, but with Nightshade herself hilariously written out. Maybe they didn't want a "practicing Catholic" as a heroine in a cinematic universe building movie? Lol seriously Ostrander, way to be a fucking American here by just randomly plugging a religion into a character background because of your naive idea that "general spirituality" is an inherently noble trait. What does this add to Nightshade? We never learn! I mean lol "practicing Catholic" in 1988 proooobably means she was anti-choice and thought the gays were a lifestyle she didn't agree with. Oh, Americans!
Anyway, the book remains a very fun balancing act between colorful superhero nonsense (lmao the Shade the Changing Man reintroduction to a post-Crisis universe is the final issue of this collection) and 80s spycraft ops shit.
Dope!
I was a bit apprehensive that this collection started out with a crossover with the MILLENNIUM event which I'd actually read about in a Batman comic previously but fuck me if I remembered anything about it. Fucking LOL Karin from the Silver Age Squad DIES IN IT and I am just completely left wondering "ok lol why"
BUT the collection picks up a lot with missions into Colombia and the Soviet Union, there's even a crossover with the Doom Patrol (a team I know fuck-all about) that was pretty entertaining, which shows a deft storytelling hand: I picked up on their deal pretty quick.
The Nightshade arc is kiiiinda what the 2016 movie is based on, but with Nightshade herself hilariously written out. Maybe they didn't want a "practicing Catholic" as a heroine in a cinematic universe building movie? Lol seriously Ostrander, way to be a fucking American here by just randomly plugging a religion into a character background because of your naive idea that "general spirituality" is an inherently noble trait. What does this add to Nightshade? We never learn! I mean lol "practicing Catholic" in 1988 proooobably means she was anti-choice and thought the gays were a lifestyle she didn't agree with. Oh, Americans!
Anyway, the book remains a very fun balancing act between colorful superhero nonsense (lmao the Shade the Changing Man reintroduction to a post-Crisis universe is the final issue of this collection) and 80s spycraft ops shit.
Dope!
June 3, 2023
While still enjoyable overall, this volume is much more mired in crossovers following the success of the team introduction to post-Crisis DC Comics. Batman, the Doom Patrol, and the JLI make prominent appearances in Ostrander's and McDonnell's Suicide Squad run in this period, and they're okay. The book lacks the charm of the earlier issues where the Suicide Squad really felt like a team outside of the mainstream, dealing only with clandestine operations. But now the Squad has more infamy, and thus have to deal with conflicts involving real superheroes. The JLI crossover was pretty entertaining to read though.
The latter portion of the volume contains "The Nightshade Odyssey", a three issue arc that kicks off following the Secret Origins issue about Nightshade. The Suicide Squad go looking for Nightshade's brother in the nightshade dimension, only to find that he has set a trap for them. The story feels highly reminscent of something from Grant Morrison's groundbreaking Doom Patrol run, with fun team dynamics amidst a psychedelic trip through alternate dimensions. This arc really keeps the run afloat, and it's largely because it just allows the Suicide Squad to exist in their own space. It's tough enough balancing character arcs for multiple team members, so adding in crossovers have an annoying way of messing with the fine balance Ostrander has thus far been maintaining.
Overall, a solid collection of issues here, but a notable step down from the first eight issues.
The latter portion of the volume contains "The Nightshade Odyssey", a three issue arc that kicks off following the Secret Origins issue about Nightshade. The Suicide Squad go looking for Nightshade's brother in the nightshade dimension, only to find that he has set a trap for them. The story feels highly reminscent of something from Grant Morrison's groundbreaking Doom Patrol run, with fun team dynamics amidst a psychedelic trip through alternate dimensions. This arc really keeps the run afloat, and it's largely because it just allows the Suicide Squad to exist in their own space. It's tough enough balancing character arcs for multiple team members, so adding in crossovers have an annoying way of messing with the fine balance Ostrander has thus far been maintaining.
Overall, a solid collection of issues here, but a notable step down from the first eight issues.
September 17, 2017
I am at a crossroads in my comic book reading. I have gotten very tired of the current comic storytelling method. Every arc must be five or six issues and tell a story that will be collected. They often end up being watered down, stretched out and not as much fun.
So I am very glad to read the second volume of the Suicide Squad. It brings me back to a simpler time. I am not saying that they do not have interconnected stories or that their stories are not complex but they are streamlined, not dragged out and still pack a good story. This collection has no less than three little arcs. We get the Suicide Squad/ JLI crossover completing a story started in the first volume. It is two issues long and wonderful reading. It highlights both teams very well and they complete their mission. The second arc is to one-shot stories featuring different aspects of the team. The last arc is the Nightshade Odyssey and features the old Charlton character, Nightshade. The editors wisely have added her origin story from the old Secret Origins book and it helps answer some questions about this character. It was a good story.
I really enjoy John Ostrander's writing here as well as Luke McDonnell's art. Both were under-rated creators during this period. I highly recommend this collections. I find them a very enjoyable read.
So I am very glad to read the second volume of the Suicide Squad. It brings me back to a simpler time. I am not saying that they do not have interconnected stories or that their stories are not complex but they are streamlined, not dragged out and still pack a good story. This collection has no less than three little arcs. We get the Suicide Squad/ JLI crossover completing a story started in the first volume. It is two issues long and wonderful reading. It highlights both teams very well and they complete their mission. The second arc is to one-shot stories featuring different aspects of the team. The last arc is the Nightshade Odyssey and features the old Charlton character, Nightshade. The editors wisely have added her origin story from the old Secret Origins book and it helps answer some questions about this character. It was a good story.
I really enjoy John Ostrander's writing here as well as Luke McDonnell's art. Both were under-rated creators during this period. I highly recommend this collections. I find them a very enjoyable read.
February 26, 2022
"DON'T KNOW WHERE YOU WERE PLANNING TO GO, BATMAN. PLACE'S SEALED TIGHTER THAN A DRUM."
"SHALL I TELL YOU HOW MANY SEALED DRUMS I'VE ESCAPED FROM, MRS. WALLER?"
- Amanda Waller and Batman inside Belle Reve prison.
While it started a little slow with a partial tie-in to the Millenium limited series, it closed with a bang though. I read the first volume, but don't remember it (attention span of a duck and all). But, I do love me some Ostrander and his superhero stuff is just as good as his Star Wars stories.
Manhunters, Hawk (no dove), Doom Patrol, Justice League International, Rocket Reds and Ronald Reagan. There is little I enjoy about the late-80's more than Ostrander's run on Suicide Squad. All I missed was someone rockin' out to Bon Jovi on a Walkman.
I was pleasantly surprised to notice the Secret Origins issue was drawn by Rob Liefeld before he became obsessed with grossly disproportionate anatomy.
I got this at Ollie's for $3.99 and was just gonna read and sell it, but it's such a keeper.
Four stars.
"SHALL I TELL YOU HOW MANY SEALED DRUMS I'VE ESCAPED FROM, MRS. WALLER?"
- Amanda Waller and Batman inside Belle Reve prison.
While it started a little slow with a partial tie-in to the Millenium limited series, it closed with a bang though. I read the first volume, but don't remember it (attention span of a duck and all). But, I do love me some Ostrander and his superhero stuff is just as good as his Star Wars stories.
Manhunters, Hawk (no dove), Doom Patrol, Justice League International, Rocket Reds and Ronald Reagan. There is little I enjoy about the late-80's more than Ostrander's run on Suicide Squad. All I missed was someone rockin' out to Bon Jovi on a Walkman.
I was pleasantly surprised to notice the Secret Origins issue was drawn by Rob Liefeld before he became obsessed with grossly disproportionate anatomy.
I got this at Ollie's for $3.99 and was just gonna read and sell it, but it's such a keeper.
Four stars.
June 19, 2022
The action continues in the second volume of Suicide Squad, opening with a tie-in to DC's latest crossover, Millennium. Batman is causing trouble for Task Force X and Waller does not like that much. This feud evolves over a couple of cat and mouse games involving The Doom Patrol and finally culminating with a knock-down, drag-out with the JLI. All of this causes Batman to walk away from it all, taking his broken ear away in his back pocket. We are also re-introduced to Mari McCabe's Vixen who was MIA since the end of her disastrous run as a member of the Justice League Detroit, having a run in with her old team mate, Martian Manhunter. We also get Nightshade's origin and the Enchantress's origin is revealed as well. We get singular stories featuring the art of Image creators Rob Liefeld and Erik Larsen, as well as the legendary Keith Giffen.
September 20, 2017
Another nice foray into the original Suicide Squad. I got to say these stories aren't as flashy as the new movie but can definitely tell a great story.
It begins with the Squad under fire literally and figuratively when a mission in the USSR turns into a diplomatic incident that involves soviet superheroes out to get them. Another one involving Batman attempting to discredit the Squad. Then a mission that involves the Squad against Justice League of America.
But what really makes this story great is a... I don't know what to say. An epic revolving around Eve Eden/Nightshade and Enchantress. My goodness, if the former doesn't get a chance to shine on TV or movies, I'll be very disappointed because Nightshade is such an amazing character with a great story.
Nice. B
It begins with the Squad under fire literally and figuratively when a mission in the USSR turns into a diplomatic incident that involves soviet superheroes out to get them. Another one involving Batman attempting to discredit the Squad. Then a mission that involves the Squad against Justice League of America.
But what really makes this story great is a... I don't know what to say. An epic revolving around Eve Eden/Nightshade and Enchantress. My goodness, if the former doesn't get a chance to shine on TV or movies, I'll be very disappointed because Nightshade is such an amazing character with a great story.
Nice. B
June 28, 2019
3.5 as this is a very mixed bag. The titular arc in which the Squad tries to liberate Nightshade's home dimension is good, but there's a rather stock anti-drug, let's go shoot up some cartels two parter and a dismal story pitting the Suicide Squad against the Doom Patrol (probably the team's least interesting lineup). The Batman story is good, except at the end: I have trouble believing Batman would be dumb enough to leave his fingerprints where Waller could get hold of them.
Part of why I like this anyway is that it shows the high price and stress these jobs take on Amanda Waller and top-kick Rick Flagg. Waller's a lot more interesting as someone who struggles with her mission than she would be in other hands.
Part of why I like this anyway is that it shows the high price and stress these jobs take on Amanda Waller and top-kick Rick Flagg. Waller's a lot more interesting as someone who struggles with her mission than she would be in other hands.
January 19, 2022
Probably not 5 stars, but I thought it was better than Trial by Fire, so I rated this one higher. This is where the Suicide Squad really lives up to its name, most of the missions that the squad goes on in this issue result in death or injury. The Nightshade storyline was so whack, and was definitely something that could have killed any of the squad members. The reason I am making such a big deal out of this is because in the first collection, only one squad member died if I am correct but the characters are all like “hope we can make it because this is The Suicide Squad”. And it really didn’t mean anything since all the missions had proven otherwise, that survivability was likely. This book was better than the first and the stories were ranged from decent to really good.
This entire review has been hidden because of spoilers.
August 1, 2022
Bueno... el dibujo apesta. Lo siento muchísimo por McDonnell, pero es la verdad. Creo que intentó hacer algo similar a los dibujos de Ditko (20 años después) y la verdad es que el resultado es bastante lamentable.
En fin... no me voy a poner demasiado en hater. Simplemente decir que si no fuera por Waller, la historia tendría una sola estrella. Ella y Flag son el corazón de este cómic. Las historias son muy innecesarias y descontextualizadas, los personajes carecen de desarrollo o caracterización, los dibujos son malísimos... en fin. De no ser por lo carismático que resultan esos dos personajes, el cómic sería inaguantable.
Aunque por momentos parece que Ostrander intenta elevar un poco el nivel narrativo, lo cierto es que parece chocar con sus propias carencias.
En fin... no me voy a poner demasiado en hater. Simplemente decir que si no fuera por Waller, la historia tendría una sola estrella. Ella y Flag son el corazón de este cómic. Las historias son muy innecesarias y descontextualizadas, los personajes carecen de desarrollo o caracterización, los dibujos son malísimos... en fin. De no ser por lo carismático que resultan esos dos personajes, el cómic sería inaguantable.
Aunque por momentos parece que Ostrander intenta elevar un poco el nivel narrativo, lo cierto es que parece chocar con sus propias carencias.
February 3, 2019
John Ostrander can really tell a story. He doesn't have the finest ear for dialogue, but the plot gins along at a brisk clip, and the action is never less than exciting. I have to admit, I'm not a huge fan of the art in this book, but it serves the story well. I like the addition of Vixen to the team, and I really admire Mr. Ostrander's ability to breathe new life into previously obscure and/or generic characters. Captain Boomerang continues to amuse, and even in a crossover-heavy storyline like this one (Doom Patrol, JLI, and the whole Millenium thing) there was still time for quieter character development for Bronze Tiger and Deadshot. A solid offering.
October 31, 2019
This is, overall, a solid book, but it could've been better. The Millennium crossover chapter is a mess, as crossover chapters often are, and the Doom Patrol/Suicide Squad one-off felt tossed off. The JLI meeting worked well, and the cartel chapter that brought Vixen to the team was pretty well done. Waller's struggle to retain control of the team is enjoyable, although the book's culmination - The Nightshade Odyssey arc - was a bit underwhelming, too much narration and backstory, very little action or personal struggle, and the Shade, the Changing Man capper was lifeless and completely bogged down in exposition.
June 1, 2020
The second volume of Suicide Squad contains Suicide Squad #9-16, Justice League International #13, Doom Patrol/Suicide Squad #1, and Secret Origins #28
This volume contained a lot of crossovers including an issue with the Millenium event. My favorite arc this volume dealt with Batman learning about the Suicide Squad and the JLI/SS cross over. There is a large story arc that deals with Enchantress and Nightshade that I had some difficulty getting into.
Overall the series has been fun but I think it takes itself a bit too serious. I loved the crossover with JLI because of Keith Giffen’s humor and it really fits the Suicide Squad.
This volume contained a lot of crossovers including an issue with the Millenium event. My favorite arc this volume dealt with Batman learning about the Suicide Squad and the JLI/SS cross over. There is a large story arc that deals with Enchantress and Nightshade that I had some difficulty getting into.
Overall the series has been fun but I think it takes itself a bit too serious. I loved the crossover with JLI because of Keith Giffen’s humor and it really fits the Suicide Squad.
January 7, 2018
I have fond memories of the Suicide Squad comics, but I had never read this particular storyline as a complete unit. It's ... a bit rough and raw. The writing is a bit less sophisticated than I remember and the art is a lot more underwhelming. (And that's not even getting into one tie-in story penciled by Rob Liefeld where, at one point, he has two characters facing each other, profiles to the audience, and they shake hands, and each one is using the arm closest to the audience. Which is not how human beings shake hands. Gah.) Still better than the Suicide Squad movie, though.
Displaying 1 - 30 of 66 reviews