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1-23 of 23
- The story of the twilight years of tobacco billionairess Doris Duke who develops an unlikely friendship with her butler, Bernard Lafferty.
- Shortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.
- In this irreverent parody, the British court and war government consist mainly of idiots and/or traitors. Hitler moves into Buckingham palace and plans to marry into the Windsors. A US Army officer claims the cigar-smoking iconic PM was an actor, Ray Bubbles, impersonating his own father, USMC lieutenant Winston Churchill, a genius spy who stole an enigma code machine and almost single-handedly won a very alternative battle for Britain.
- A disillusioned war journalist's return home is blighted when he becomes implicated in the mysterious disappearance of a teenage girl he has befriended.
- A drama based on the Irish bloodbank scandal of the 1990s, where it was discovered that women treated with the blood product Anti D in the Seventies had been contaminated with Hepatitis C.
- The skilled pilot Denis Hopkins lives with his pregnant wife Valerie and has a comfortable lifestyle. When the gang of criminals headed by the sadistic Ricky Barnes breaks in his seaside house, Denis offers whatever the criminals want to protect his beloved wife but the evil Ricky kills Valerie. The baby is saved, and later the murderer is arrested and sent to the maximum security prison of Sullen Voe. Denis, moved by the purpose of avenging the death of Valerie, gives the baby and his house to his sister-in-law Christine. Then Denis breaks into a police car and is arrested, but he does not reveal his true name and is called John "What" by the prisoners and guards. Denis attempts to escape, forcing his transfer to Sullen Voe. When he reaches the prison, Ricky sets up a confrontation, but things do not happen the way Denis expected.
- TV series about a GAA club in a fictional Irish small town. The team is hoping to finally win the country championship, a title which has eluded them so far.
- The Key is a very human story. It's about three generations of a family struggling to make the best of their lives in very difficult circumstances. The drama recounts the story of the last century through the eyes of one family. It draws upon many of the key moments of British political history during the 20th century, ranging from Bloody Friday in 1919, when thousands of workers gathered in Glasgow to demand a 40-hour week and were set upon by mounted police, to the brutal chaos of the miners' strike demonstraion at Orgreave in 1984.
- After killing his English partner, a Canadian businessman (Scarfe) assumes his identity. Things begin to fall apart for him when the murdered man's body is found.
- An international group of young, idealistic aid workers are caught in a Sudanese war zone. In the midst of the difficulties of their inter personal relations they have to contend with mounting external tensions and difficulties they increasingly face to provide basic care.
- Kirsty pulls up beetroots alone, and shallots she grew with her granddad. It's his cremation tomorrow and everything's wrong. It's time to take things in hand. A short film about a young girl's grief for her grandfather.
- A history of fabled Erin comes alive through stunning imagery, original music, and timeless stories in this vivid portrait of the island nation's remarkable past and enduring impact on Western Civilization. This 3-part documentary spans the centuries, from 3,000 BC to 1170 AD.
- An elegant, elegiac film on Thomas Lynch. Three generations of Lynches work in the chain of Michigan funeral homes set up by Lynch's father. But Thomas stands out from the rest of the brood because he is also a renowned poet and essayist whose work has won the prestigious American Book Award and been in the final shortlist for the National Book Award, one of the most eminent literary prizes in the United States. Lynch's writing is noted for its thoughtfulness and dark humour, and this film is shot through with the same acumen combined with a sharp sense of the absurd. The film is part manifesto, part memoir. Lynch narrates the documentary in his soft melodic baritone, expounding on what death and the business of dying can teach the living. His approach to mortality is never sentimental and far from clinical. He sees a history in each individual he buries--a friend who died too early, a suicide which shouldn't have happened, a burial which took place decades after the death. This is interspersed with a history of the Lynch clan itself. Thomas describes his own life, starting from the moment at age 10 that he saw his first dead body when his father took him into work one Saturday: 'I wasn't frightened, but I was changed.' He also goes beyond his own generation to his grandfather's ancestral village on the west coast of Ireland. There are stories galore: how his Aunt Nora sang all the way home from hospital to certain death; the woman who secured a seatbelt across her dead sister's ashes in the front seat of the car; the friend who died in his sleep with a pearl-handled revolver under his pillow. The documentary is atmospherically shot, combining family photographs and home movies with reconstructions and actuality footage, and adds up to a lucid, entertaining, and ultimately life-affirming take on death and what comes before and after.