Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-10 of 10
- Modern creatives must retrofit their skills to program a new game for a 30 year old game console.
- AJ LOVES the world of comic books. Started collecting when he was 14 and started working in comics in 1994. Being a 20+ years comic book artist, He is doing his first appearance in public in years after having a deciding that he simply hates doing conventions/appearances/signings years ago due to Dealing with all the stereotypical fans and such associated with the comic book industry. He loves to read, write, and create art for comics and has done it consistently. He has finally came out with his own project and had to bite the bullet to help promote the book to boost sales from the publisher. He has to do a signing. We will go thru the day of the event, from him getting ready for it, going to it and not killing himself, his reputation and everyone else.
- When Larry "Gunman" Lorenzo unravels a conspiracy in the police department, there's no telling how far up the DNA strand it will lead. Director Austin McKinley re-cuts his 8mm childhood short film from 1987 into a side-splitting slice of silent cinema.
- Marco Polo knows they're coming to get him, but his police protectors are more interested in late night snacks than in watching his back. He isn't testifying to name names, he just wants to come clean. But his former employers aren't convinced, and they send his protégé to rub him out. Marco used to be a hit man, one of the best. He hasn't exactly found God, but he knows 'thou shalt not kill' is a good place to start. He hopes a confession will buy him mercy. He'll have to convince his would-be killer that he not only plans to change, but deserves the chance. Unfortunately, his first lesson was the inviolability of a contract.
- Aliens visited this world. Some crashed, some got sick, some we shot down. Some we experimented on. Some experimented on us, but that's ancient history. It's all buried here... at the mall. Mall's built on an Alien Graveyard, atop secrets of every kind, from the sci-fi to the supernatural, usually both. Ghosts from beyond our galaxy, inter-dimensional portals, technology so advanced it's indistinguishable from magic. Thought they cleaned it up before they paved it flat, but they were wrong. We're here to catch the things they missed. We're the Mop-up Crew. Disguised as janitors, we are in reality a wildfire handcrew - the office is a Fire camp. Our job is to create a fireline, to eliminate dangerous leftover alien technologies that unchecked would climb into the outside world and do untold damage. Call 'em ladder fuels. You know how a limb gets gangrene? You can't fight it, you can't fix it. Only thing to save the rest of you is to cut it off. That's what we do when something at the mall goes green.
- Ray Caster has no idea how to talk to girls. He coasts through life in Sarasota, Florida, writing his blog about beer, pizza and Star Trek. So when he meets Shadoe Beaupre, quite possibly the coolest, most perfect girl he can imagine, he's completely unprepared. Now Caster needs a crash course in romance, so he enlists the advice of his online followers to man up and get her attention before she surfs away for good.
- By the Numbers is a feature-length experimental animated film created in less than 24 hours. It explores cinematic structure through changing color, shape and sound - illustrating the pacing and building blocks of film from sequence to scene, from dramatic turns to individual shots. Permuting the simplest of initial assets - a single color matte and a 440 hz tone - over the course of its 90 minute runtime, it utilizes no plot or objective storytelling but nevertheless contains all the basic components required to discuss it as a minimalist narrative experience in critical vernacular. This is cinema in its most elemental form, the tools and craft of screenwriting and editing reduced to a mesmerizing abstract composition that evolves through every beat of motion picture syntax "By the Numbers."
- A high-strung call center salesman struggles to get rid of his loan-shark's body.
- A deep space miner, left for dead on an alien world, struggles to make it home before his air runs out - only to discover he has no home to return to.