Als Woody von einem Spielzeugsammler gestohlen wird, geloben Buzz und seine Freunde, ihn zu retten, aber Woody findet die Idee der Unsterblichkeit in einem Museum verlockend.Als Woody von einem Spielzeugsammler gestohlen wird, geloben Buzz und seine Freunde, ihn zu retten, aber Woody findet die Idee der Unsterblichkeit in einem Museum verlockend.Als Woody von einem Spielzeugsammler gestohlen wird, geloben Buzz und seine Freunde, ihn zu retten, aber Woody findet die Idee der Unsterblichkeit in einem Museum verlockend.
- Für 1 Oscar nominiert
- 21 Gewinne & 27 Nominierungen insgesamt
Tim Allen
- Buzz Lightyear
- (Synchronisation)
Joan Cusack
- Jessie
- (Synchronisation)
Kelsey Grammer
- Prospector
- (Synchronisation)
Don Rickles
- Mr. Potato Head
- (Synchronisation)
Jim Varney
- Slinky Dog
- (Synchronisation)
Wallace Shawn
- Rex
- (Synchronisation)
John Ratzenberger
- Hamm
- (Synchronisation)
Annie Potts
- Bo Peep
- (Synchronisation)
Wayne Knight
- Al McWhiggin
- (Synchronisation)
John Morris
- Andy
- (Synchronisation)
Laurie Metcalf
- Andy's Mom
- (Synchronisation)
Estelle Harris
- Mrs. Potato Head
- (Synchronisation)
R. Lee Ermey
- Sarge
- (Synchronisation)
Jodi Benson
- Tour Guide Barbie
- (Synchronisation)
- …
Jonathan Harris
- The Cleaner
- (Synchronisation)
Andrew Stanton
- Emperor Zurg
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFor the scene where Woody looks at the merchandise from "Woody's Roundup", mock-ups of the toys were shown to Tom Hanks in the recording booth. Hanks' spontaneous reactions to the toys were recorded and used for Woody's dialogue.
- PatzerIn the first film, Sid burned a dot into Woody's head with a magnifying glass, but now the dot is gone. Since Andy adeptly sews up Woody's arm, it is possible that Andy (or his mother) touched up Woody's burn mark.
- Zitate
Emperor Zurg: Surrender, Buzz Lightyear. *I* have won.
Buzz Lightyear #2: I'll never give in. You killed my father!
Emperor Zurg: No, Buzz. I *am* your father!
Buzz Lightyear #2: NOOOOOOOOOOOOOO!
- Crazy CreditsHeimlich and Flik from A Bug's Life make a cameo appearance in one of the outtakes of the film.
- Alternative VersionenThe 2019 UHD release and the Disney+ print removes the clip of Prospector chatting with the Barbies in his box. It was also removed from the versions available digitally.
- SoundtracksAlso Sprach Zarathustra
Written by Richard Strauss
Ausgewählte Rezension
In every toy's life there comes a time where damage and fading interest will take its toll. For Woody this comes when a ripped arm sees him left behind on the shelf awaiting repair while Andy goes off to summer camp. When another toy is taken for a yard sale, Woody goes to rescue him only to find himself trapped at the sale and picked up by a collector who recognises the worth of the rare dolls. The gang set out to rescue Woody but, with his value as a collector's item and his new friends around him, will Woody want to be rescued?
Pixar are going to have a flop sooner or later either they will misfire or the usual mix of material will start to feel stale. However this has not happened yet and it certainly did not happen with this sequel to their great Toy Story. Keeping similar themes the film delivers a plot that is quite moving at points and has plenty of thought for adults to ponder while the kids laugh at Buzz falling over. In fact this mix of adult material and kiddie material is, as ever, the film's appeal as it does cater so well to both extremes of the market.
The plot is great too and is well supported by great characters in the main who really draw us into the story considering how often computer effects can just be 'effects' and nothing more, it is to Pixar's credit that so often you just forget these are effects and see them as characters in their own right. The plot gives them plenty to do but their delivery is also spot on actors can have off days and get their body language wrong, but here the computer characters can be manipulated just how the director wants them to be this really helps the delivery of the character as body language and movement is a big part of it. The voice work also really helps and, as before, everyone is spot on whether they be just delivering jokes, playing comic bad guys or dealing with more emotional stuff. Hanks is really good, Allen is much better than his TV work and other films would suggest and the support cast is very good with great turns from new voices such as Knight, Cusack and Grammer but also the regulars of Shawn, Ratzenberger, Varney and Rickles.
The laughs are consistent and great. I'm sure kids love it but for me the adults get the best deal getting the universal laughs as well as the adult stuff and the loads of movie references. I won't start listing best bits or references but suffice to say that the film gets it right enough straight laughs and enough general references to make sure the film lasts and is not tied to the period in the way that, say, the Scary Movie films are (by spoofing recent films).
Overall this is a very funny, very enjoyable film that has a great plot, great characters and the cast to back them up. The laughs are good for all ages but the adults will get the majority while the kids miss most of the better stuff. I don't like gushing, so I'd like to counter my praise with some critical observations but, to be honest, I don't really have anything bad to really say about it. A great film to see with the kids.
Pixar are going to have a flop sooner or later either they will misfire or the usual mix of material will start to feel stale. However this has not happened yet and it certainly did not happen with this sequel to their great Toy Story. Keeping similar themes the film delivers a plot that is quite moving at points and has plenty of thought for adults to ponder while the kids laugh at Buzz falling over. In fact this mix of adult material and kiddie material is, as ever, the film's appeal as it does cater so well to both extremes of the market.
The plot is great too and is well supported by great characters in the main who really draw us into the story considering how often computer effects can just be 'effects' and nothing more, it is to Pixar's credit that so often you just forget these are effects and see them as characters in their own right. The plot gives them plenty to do but their delivery is also spot on actors can have off days and get their body language wrong, but here the computer characters can be manipulated just how the director wants them to be this really helps the delivery of the character as body language and movement is a big part of it. The voice work also really helps and, as before, everyone is spot on whether they be just delivering jokes, playing comic bad guys or dealing with more emotional stuff. Hanks is really good, Allen is much better than his TV work and other films would suggest and the support cast is very good with great turns from new voices such as Knight, Cusack and Grammer but also the regulars of Shawn, Ratzenberger, Varney and Rickles.
The laughs are consistent and great. I'm sure kids love it but for me the adults get the best deal getting the universal laughs as well as the adult stuff and the loads of movie references. I won't start listing best bits or references but suffice to say that the film gets it right enough straight laughs and enough general references to make sure the film lasts and is not tied to the period in the way that, say, the Scary Movie films are (by spoofing recent films).
Overall this is a very funny, very enjoyable film that has a great plot, great characters and the cast to back them up. The laughs are good for all ages but the adults will get the majority while the kids miss most of the better stuff. I don't like gushing, so I'd like to counter my praise with some critical observations but, to be honest, I don't really have anything bad to really say about it. A great film to see with the kids.
- bob the moo
- 8. Sept. 2004
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Toy Story 2 in 3-D
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 90.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 245.852.179 $
- Eröffnungswochenende in den USA und in Kanada
- 300.163 $
- 21. Nov. 1999
- Weltweiter Bruttoertrag
- 497.375.381 $
- Laufzeit1 Stunde 32 Minuten
- Sound-Mix
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