gulbenkian 1980

It is a sincere and naive film that combines the themes of nature-man, modernism-man in Rilke's poets with a local narrative.

The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.

An essay on the military revolutionary movement of April 25, 1974, based on first-person retrospective of events the coup leader, Otelo Saraiva de Carvalho, until the end to the revolutionaries leadership in November 25, 1975; the memories have a counterpoint analysis in excerpts of texts read by the author, the philosopher Eduardo Lourenço, and end in a brief dialogue between the two. The essay is interspersed with reflections and fictional conversations with friends by Robert Kramer, playing himself as an American journalist in Lisbon in 1981, and is followed by the historic speeches of two military leaders, on July 13, 1974.

Alvaro, a divorced journalist with a complicated love life, watches someone he doesn't know killing himself after a fight with a woman who he gave a lift. Intrigued by that mysterious sensual woman, he decides not to tell the police about the lift he gave her and investigates her by himself. He gets involved with her, but she remains too mysterious about her personal life. He ends up tangled in a web of murder, mystery and sex because of that woman, who he barely gets to know.

The dates of the exhibit have been set. Bernd Hoffmann is in Lisbon, which he had already visited in 1974, when he met the young artist Hanna Brauer. The exhibit will present paintings by both artists. Bernd is waiting for Hanna, but neither she nor her paintings seem to have arrived in Portugal. And yet he knows that the woman is in Lisbon. He looks for her among his old revolutionary friends, then turns to the police for help. He discovers that Hanna is dead. A natural death? Suicide?

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.

Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She takes him home, and, after he is revived, learns his story. As they talk, their mutual attraction grows, until a group of armed men suddenly arrives looking for Robert.

At the time Portugal presented a strange spectacle to the rest of Europe. D. Afonso VI, son of the fortunate D. João de Bragança, was in possession of the throne and was an insane imbecile. His wife, daughter of the Duke of Nemours and cousin of Louis XIV, dared hatch a plot to oust her husband from the throne. The king's stupidity justified the queen's bravado. Despite being master of unusual strength and having slept with his wife for a long time, she accused him of being impotent. Marie Françoise had acquired through artfulness what Afonso had lost in anger in the kingdom. She had him imprisoned ( November 1667 ) and quickly obtained a papal bull from Rome to confirm her virginity and bless her marriage to her brother-in-law Pedro.

Four versions of the same story, first in the perspective of a theatre play, second in the perspective of a silent film, third in the perspective of a film of the 50s and finally in a biblical philosophical perspective.

João is the spiritual heir (the term he prefers to bastard) of Manuel Brandão, his dying godfather, and at the same time the political leader of a small party of a disintegrating governmental coalition.

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the great regulative Governor Gungunhana, who had rebelled against Portuguese government and sovereignty

Lisbon by night, through the eyes of a young woman who lives freely, and a neighbour who follows her everywhere, from a distance.

Isabel, a girl in her late teens, is unable to determine herself and understand herself - lost in the memory of her late mother, living with her father and sister, and discovering love with Diogo. Emptiness and somber perspectives of the future seem to encircle them, despite of moments of loud music in a nightclub or a sunny day at the beach.

Cordeiro's most abstract, conceptual and literary work. The film's collage structure gathers texts from multiple sources - including Kafka and Montaigne.

A 47 year old man who immigrated illegally to France, returns to his village and faces the changes that took place there, even the bride he had left is involved with another man. At that moment, and while the village prepares for a religious ceremony, he plans his revenge.