Historia de Hungría

In 1849, the liberation war against the Habsburg Empire is close to its end in Hungary. Having hidden from military draft, Barnabás leaves his hometown and walks across the country to find and save his wounded brother who has been hiding with a guerilla group deep in the forest. Despite their exhaustion, lack of food or information, they are still fighting for their cause. Barnabás finds his brother alienated and distrustful. The tension between the boys further increases when they turn out to be attracted to the same nurse in the camp. Hoping he can earn his brother's trust and take him home, Barnabás decides to stay and lie about his past. In the meantime, he has to face the cruelty of war.

The fate of a Hungarian Jewish family throughout the 20th century.

Margarita is a beautiful girl with all her faculty fellows as pretenders, although none of them stole her heart...

Andras Pulac, a young pianist, refuses to perform a concert in honor of a senior Soviet leader, as a sign of rebellion against the 1956 invasion of Hungary. His refusal, although he does not know it, harms the organizers of a demonstration against the communist cruelty, since his concert had been chosen like slogan. When Pulac finds out, he agrees to give the concert. Andras and Maria Kondor, the daughter of a communist journalist, are in love and decide to get married before the concert. Meanwhile, communist repression in the streets provokes the anger of the Hungarian people and gives rise to a real revolution.

Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in-which they face harsh reprisals and the reality of revolt, oppression, morality and violence.

The real story of Giorgio Perlasca (Luca Zingaretti). During the 1920s he was an Italian Fascist supporter, fighting in Africa and in the Spanish Civil War where he received safe conduct credential for Spanish embassies. After some years, disillusioned by fascism, he became a supplier for the Italian army. During the war he was in business in Budapest. He lives an easy life there, well introduced into the Hungarian high society, without any problems being caused by the war. When the Germans occupied Hungary, in 1944, he escaped to the Spanish embassy in Budapest using his old safe conduct credential and becoming a Spanish citizen, changing his name to Jorge Perlasca. He starts working as a diplomat there. When Sanz Briz (Geza Tordy), the Spanish consul, is removed, Perlasca immediately substitutes him, like if he was officially appointed from Spanish authorities. All the Germans and the Hungarian authorities believe him. In his new fake assignment, he starts immediately to hide, shield, and feed thousands of Jews issuing fake Spanish safe conducts for the Jews of Sephardic origin. He is in contact with Raoul Wallenberg, another hero of that time. The two, together with other volunteers, running incredible risks had saved thousands of Hungarian Jews from a tragic death. Incredibly, Perlasca succeeded to save two boys directly from the hands of Adolf Eichmann at the train station. This hero, after the war, was completely forgotten, and his story comes out just in the 1980s because some of the Hungarian Jews wanted to meet him again.

The real story of Angel Sanz-Briz, the Spanish Embassy diplomat in Budapest, who in 1944 acting on their own saved more than 5,000 Jews from the Holocaust. To get it granted them passports and visas stating that Sephardic Jews were entitled to Spanish nationality to be descendants of Sephardic Jews expelled by the Catholic Monarchs, although the 5,200 Jews whose life he saved, only about 200 were of Sephardic origin.

A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.

Football player Kubala is pressed by Hungarian agents to become a spy. He will finally find a home in Barcelona.

A Jewish-Hungarian concentration camp prisoner sets out to give a child he mistook for his son a proper burial.

1957, Budapest. A young defense officer's loyalty is tested by his mentor in a highly deceptive spy game.

A British woman trying to escape Hungary with her freedom fighter lover and a group of Westerners, as the Soviet Union moves to crush the Hungarian Revolution of 1956, finds herself the obsession of an enigmatic Communist officer.

A young man, separated from his family in World War II, disguises himself as a Nazi S.S. Officer and uncovers more than just his family whereabouts.

12 August 1945, 11 AM. Two mysterious strangers dressed in black appear at the railway station of a Hungarian village. Within a few hours, everything changes.

14-year-old György's life is torn apart in WWII Hungary, as he is deported first to Auschwitz and then to Buchenwald, where he is forced to become a man in the midst of hatred, and what it really means to be Jewish.

Autumn 1944. Yellow star, ghettos, Arrow Cross terror. The inhabitants of Hungary's capital, Budapest, await the tragic fulfilment of their fate with helpless resignation. However, above one of the city's villas, once a week in the evening the stars of hope sparkle, if only for a few minutes. This short time gives fresh heart to those hiding here and kindles hope in their tortured souls to live for another day. This mysterious power is none other than a beautiful song that can be heard at such times from the villa's tower room. Géza Halász, the villa's always jovial caretaker, believes no Jew has reason to fear while the owner of the voice, Imre Rose, the world-famous opera singer and a Jew himself, remains in Budapest and does not flee from the country in spite of his American, British, Swiss, Swedish and Vatican connections. Halász visits the singer every Friday to dine with him. After a while the marvellous, hope-inspiring concert starts, which is listened to by the hiding inhabitants of the house with enraptured faces through the villa's open dumb waiter. Already in the "palmy years of peacetime" Rose had competed with Csortos, the famous actor, for the title of "Budapest's Greatest Misanthrope". Thus it does not surprise anybody that the eccentric singer never, not even once, tries to make contact with his fellow Jews who took refuge in his house. And when Halász recounts that the singer swore within an hour of the Arrow Cross's seizing power that he would not utter a single word nor cross the threshold of his tower room until "Andrássy Avenue has been purged of this Arrow Cross scum", even the slightest suspicion about Rose's "invisibility" vanishes. Only a fourteen-year-old boy, Tommy, the caretaker's son, listens to the weekly song with curiosity combined with suspicion, and tries to find out about the secret of the tower room. As a result of the adolescent's persistent and undaunted inquiries, the opera singer's mystery is unveiled. Meanwhile, however, almost unnoticed, the events of the calamitous days, filled with excitement and cheerfulness, turn the boy into a truly adult man. The story of THE SONGS OF RÓZSA is based on true events.

At the 1956 Olympic Games in Melbourne, the Hungarian water polo team faces off against the Russians in what will become known as one of the bloodiest matches in the sport's history.

A teenager boy has to grow up in the shifting political and moral landscape of post-1956 Hungary.

A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.

In 1849 the Hungarian revolution is beaten down by the Russian Army. Ferenc Majláth, who was an officer in the army of the revolution, has to choose between imprisonment or getting enlisted in the Austrian army. He chooses enlisting but this decision is weighing on his conscience.

Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.

It is 1947; the Communist Party has just taken power in Hungary. In Jancsó's first color film, young students at a People's College have a debate with seminary students, but worry it will escalate into a fight.

Miklós Jancsó's Silence and Cry is set during a turbulent era of disquiet, fear, persecution and terror, which permeates every corner of post-WWI Hungarian society. In 1919, after just a few months of communist rule the Hungarian Republic of Councils falls victim to a nationalist counter-revolution. Admiral Horthy, leader of the nationalist far right movement, becomes the self-proclaimed regent of Hungary, and assumes power as the legal Head of State. Soldiers of the short-lived Hungarian Red Army are now on the run from relentless secret policemen and patrol units of the nationalist Royal Gendarme. If caught, ex-Red Army soldiers are executed without mercy or proper trial. István Cserzi, a former soldier of the Red Army has fled to the Great Hungarian Plains and has taken refuge on a farm, which is run by two sympathetic women. Due to the generosity of these women and a former childhood pal, who is now a commandant of the local Royal Gendarme outfit, István is safely hidden from the ever-prying eyes of the secret policemen, who relentlessly roam the countryside searching for ex-Red Army men and their sympathisers. However, upon discovering that the women are secretly poisoning the mother-in-law and the husband, the legal owners of the farm, István must make the most difficult decision of his life. As a personal war is waging within his own consciousness over morality and self-preservation, István must decide whether to remain silent about the women's devious secret and preserve his own life, or to report their heinous crime to the Royal Gendarme, which would also mean certain death for him.

In Hungary, the national movement led by Kossuth has been crushed and the Austrian hegemony re-established, but partisans carry on with violent actions. In order to root out the guerilla, the army rounds up suspects and jails them in an isolated fort. The authorities do not have the identity of the guerilla leaders, who are supposed to be present among the prisoners. However, they know enough about some of the suspects to apply perfidious forms of coercion effectively.