istoria filmului romanesc an2, sem2

Tudor Vladimirescu fights against the Ottoman Turkish domination of Romania and the social agitation ,his story includes the war between Russia and Turkey from 18o6 to 1812,for which he was decorated by the Russians.

The Dacian kingdom lies at the eastern border of the Roman Empire.Only the river Danube separates the two mortal enemies.The Dacian king Decebalus knows that soon the vastly superior Roman legions will cross the river and attack Dacia.

At the end of the 16th century Wallachian ruler Prince Michael the Brave overcame the adversity of the Ottoman and Austrian Empires to unite Wallachia, Moldavia and Transylvania into one country.

Ruxandra fails her audition at the acting university for having too much charm, so she decides to find other things to do.

The teenager Lucian is at a critical moment in his life. He finished high school and has to enter college. A period of choices, but also of the first thrills of love, awaits him.

A genius architect is losing both professionally and when it comes to matters of the heart. A film about internal turmoils surfacing, about freedom of thought and action, originality, non-conformism and everything that opposes these things.

In 1970s Romania a rebellious and erratic teenager is vying for his older step brother's love and attention while envying his fame and lifestyle.

The incident occurred in the 1960s on the Black Sea coast of Romania between two young men-a Romanian soldier on leave and a Russian tourist who traveled to the area in search of her father, who had perished in the war.

In 1916 as an officer in the Habsburg Army ethnic Romanian Apostol Bologa is torn between remaining loyal to the Habsburgs or deserting to the Romanian Army across enemy lines.

A prosecutor, policemen and teacher bring the students Vuica and Nicu to a restaurant to re-enact their drunken brawl there, and have it filmed to show the effects of alcoholism.

Two bleak stories about absent love. In the first, a widow is working hard in a desperate attempt to save her dying daughter. The second tells the story of two wandering singers who kidnap a bride from her wedding.

In a gold settlement in the Apuseni Mountains, the characters of the two parts of the film - "Marza" and "Lada" - fall victim to the gold fever, which condemns them to losing their minds or even their lives.

A documentary about the catastrophic floods of 1970.

The discovery of a drowned young girl's body makes the local authorities start an investigation.

One woman taxi driver in Bucharest is hoping for a conventional relationship.

A television reporter and her cameraman find themselves in the middle of intertwined professional and personal dilemma.

The best workers from various factories in the communist system are rewarded a cruise on the Danube. The people in charge fight for bureaucratic reasons while the young ones are looking for adventure.

A small world of bourgeois intrigues and frivolities lived with intensity by its own protagonists: Pampon's lover, Didina is in love with the barber Nae, who is Mitza's lover, while she is Cracanel's lover. One letter starts the ball rolling and ugly characters start revealing themselves in a burlesque-like fashion.

The plot confronts an influential surgeon and a carpenter accused to have stolen the doctor's personal belongings from the beach. The neurotic doctor involves himself in the inquiry, ultimately directing the interrogation. The burglary victim, Theodor Hristea, a surgeon at the peak of his career and social life, self-confident and well connected, his girlfriend, Cristina and their common friend, Stefan - find themselves on holiday near the summer resort of Mamaia. The doctor has a detective passion and accuses - just on account of a physical resemblance with the real thief - a young carpenter who happens to come at the same beach the day following the burglary. The police is summoned and The Kid is sent to trial. The doctor plays an active part in the investigation. Although the doctor's girlfriend and his friend doubt the identity of the accused, the surgeon insists in being right and succeeds in sending the innocent young man to prison.

In this film three sequences, which could have formed separate stories, are linked together, like cars on a train, to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work on two different jobs. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery's owner, through no fault of his own, is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he's sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her sister, an agent of this Securitate, and lives with her father. After he died, she leaves Bucarest, and ends up in a little town, where she meets Mitica, a surgeon, another herself, laughing of everything.

In post-Ceausescu Bucharest, everybody is struggling to make a living. Vasile Potop, a movie theatre manager, tries to find money for an abortion for his wife Carolina, because he cannot afford to raise three kids. He tries to borrow from his attractive ticket seller Stela, but she quits the theatre and becomes a hooker. He then tries to sell his copy of Ceausescu's book that was not destroyed in the revolution, but that leads him into all kinds of trouble.

In an allegorical tale, a luxurious hotel is ruled like a communist country. The ignorant views of leaders and the social stratification are the main focus.

It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?