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You can’t beat pre-Code Barbara Stanwyck, who glows as a knockout thieves’ accomplice, tough prison convict and deceitful lover of an incorruptible revivalist preacher-politician. She’s matched by the sassy, naughty Lillian Roth. In this Warner crime-tale-duel between piety and sin, darned if Stanwyck and Roth don’t make the crooked path seem cozy. There’s a girl-girl punch-out and an ill-fated prison break, but just watching Barbara ooze attitude as she saunters through the prison is worth the price of admission. Even more eye-opening is a positively lewd cartoon extra, also from the pre-Code halls of joyful infamy.

Ladies They Talk About

Blu-ray

Warner Archive Collection

1933 / B&w / 1:37 Academy / 69 min. / Available at Amazon.com / Street Date , 2021 / 21.99

Starring: Barbara Stanwyck, Preston Foster, Lyle Talbot, Dorothy Burgess, Lillian Roth, Maude Eburne, Ruth Donnelly, Harold Huber, Mary Gordon, Madame Sul-Te-Wan, Robert Warwick, Etta Moten, Helen Ware.

Cinematography: John F. Seitz

Production Designer:...

This January, NBCUniversal is offering fans the chance to dive into some of Universal Pictures’ most gruesome classic films ever made on one of the world’s biggest horror YouTube channels, ‘Fear: The Home of Horror.’

Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).

Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!

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By John M. Whalen

There’s an old axiom often quoted by writers that once you find a winning formula for putting stories together, stick with it. That certainly must have been the case back in the 1940s when the films collected together by Kino Lorber for its “Western Classics I” three disc box set were made. “When the Daltons Rode” (1940), “The Virginian” (1946), and “Whispering Smith” (1948) are all different movies, made by different writers and directors, with different settings, characters and plots, but when all is said and done they all basically tell the same story. Two guys who are pals have their friendship strained when they both fall in love with the same woman. It’s obviously a formula that worked.

In “When the Dalton’s Rode,” Tod Jackson (Randolph Scott) is a lawyer who comes west to set up his practice in Oklahoma,...

The Impatient Maiden (1932) is an almost entirely overlooked film, and it's easy to see why, falling as it does between Frankenstein (1931) and The Old Dark House (1932) in director James Whale's Universal career. Those two films are important classics of the horror field, whereas Maiden is a modest romantic comedy that probably nobody had any particular hopes for. Still, as some of Whale's other, lesser-known movies are getting more attention (The Road Back has been restored, and Whale's own favorite film, By Candlelight, has had recent revivals; I'd like to see more attention paid to The Great Garrick and The Man in the Iron Mask) this one might reward attention—or at least I supposed so.How it came into the world: Universal had bought the novel The Impatient Virgin as a vehicle for fading star Clara Bow, who promptly rejected it. The censors mandated a change of title, despite...

Norma Shearer: The Boss' wife was cast in 'The Divorcee.' Norma Shearer movies on TCM: Early talkies and Best Actress Oscar Note: This Norma Shearer article is currently being revised and expanded. Please Check back later. Norma Shearer, one of the top stars in Hollywood history and known as the Queen of MGM back in the 1930s, is Turner Classic Movies' Star of the Month of Nov. 2015. That's the good news. The not-so-good news is that even though its parent company, Time Warner, owns most of Shearer's movies, TCM isn't airing any premieres. So, if you were expecting to check out a very young Norma Shearer in The Devil's Circus, Upstage, or After Midnight, you're out of luck. (I've seen all three; they're all worth a look.) It's a crime that, music score or no, restored print or no, TCM/Time Warner don't make available for viewing the...

Virginia Bruce: MGM actress ca. 1935. Virginia Bruce movies on TCM: Actress was the cherry on 'The Great Ziegfeld' wedding cake Unfortunately, Turner Classic Movies has chosen not to feature any non-Hollywood stars – or any out-and-out silent film stars – in its 2015 “Summer Under the Stars” series.* On the other hand, TCM has come up with several unusual inclusions, e.g., Lee J. Cobb, Warren Oates, Mae Clarke, and today, Aug. 25, Virginia Bruce. A second-rank MGM leading lady in the 1930s, the Minneapolis-born Virginia Bruce is little remembered today despite her more than 70 feature films in a career that spanned two decades, from the dawn of the talkie era to the dawn of the TV era, in addition to a handful of comebacks going all the way to 1981 – the dawn of the personal computer era. Career highlights were few and not all that bright. Examples range from playing the...

Joan Crawford Movie Star Joan Crawford movies on TCM: Underrated actress, top star in several of her greatest roles If there was ever a professional who was utterly, completely, wholeheartedly dedicated to her work, Joan Crawford was it. Ambitious, driven, talented, smart, obsessive, calculating, she had whatever it took – and more – to reach the top and stay there. Nearly four decades after her death, Crawford, the star to end all stars, remains one of the iconic performers of the 20th century. Deservedly so, once you choose to bypass the Mommie Dearest inanity and focus on her film work. From the get-go, she was a capable actress; look for the hard-to-find silents The Understanding Heart (1927) and The Taxi Dancer (1927), and check her out in the more easily accessible The Unknown (1927) and Our Dancing Daughters (1928). By the early '30s, Joan Crawford had become a first-rate film actress, far more naturalistic than...

Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...

Why am I reviewing a novelization for a movie? Good question. This isn't normally my thing and in case you were wondering, the studio releasing the movie in question isn't paying me to do it either, that's for sure. Being an online journalist for a major movie news website is not as lucrative as it sounds. I still need to supplement my income with additional work. For about, oh, I guess five years now, I've been working weekends at Barnard College/Columbia University here in New York. Basically I work in an all girls dorm and I collect the ID's of their boyfriends as I sign them in and out of the log book. My job's pretty simple and it pays pretty well, but it also gives me the opportunity to meet new an interesting people. Sarah Blakley-Cartwright is one of those people whom I happened to meet during the 2009-10 school year,...