Paramount+ is preparing to air a fascinating six-part psychological drama called “Little Disasters,” based on Sarah Vaughan’s bestselling novel. Diane Kruger leads a star-studded cast in the series, which looks at the fragile relationships of friendship and the enormous pressures of parenting.
The story revolves around Jess, played by Kruger, a mother whose life spirals after her baby suffers a strange head injury. Her best friend Liz, an emergency room doctor, faces a difficult professional decision: whether to report Jess to social services. This watershed moment sparks a dramatic exploration of trust, devotion, and the hidden struggles of parenthood.
Director Eva Sigurdardottir described Kruger’s performance as “intelligent and dynamic.” She said that Kruger contributed “unexpected depth” to the character, creating a “warmly relatable and hauntingly thrilling representation.”
The drama features a strong ensemble cast, including Stephen Campbell Moore, Jo Joyner, Shelley Conn, Emily Taaffe, JJ Feild, and Ben Bailey Smith.
The story revolves around Jess, played by Kruger, a mother whose life spirals after her baby suffers a strange head injury. Her best friend Liz, an emergency room doctor, faces a difficult professional decision: whether to report Jess to social services. This watershed moment sparks a dramatic exploration of trust, devotion, and the hidden struggles of parenthood.
Director Eva Sigurdardottir described Kruger’s performance as “intelligent and dynamic.” She said that Kruger contributed “unexpected depth” to the character, creating a “warmly relatable and hauntingly thrilling representation.”
The drama features a strong ensemble cast, including Stephen Campbell Moore, Jo Joyner, Shelley Conn, Emily Taaffe, JJ Feild, and Ben Bailey Smith.
- 12/3/2024
- by Naser Nahandian
- Gazettely
Exclusive: Here are a couple of exclusive images of Inglourious Basterds star Diane Kruger in buzzy Paramount+ series Little Disasters.
Cannes Award-winning actor Kruger plays Jess in the adaptation of the Sarah Vaughan novel. When she takes her baby daughter to hospital with a head injury that she can’t explain, her close friend and on-duty A&e doctor Liz must make the excruciating decision of whether to call social services on her longtime friend. This decision sets in motion a chain of events that show how one moment can fracture and nearly destroy entire families and friendships. The show also stars Jo Joyner, Patrick Baladi (Ted Lasso), Shelley Conn, Emily Taaffe, JJ Feild, Ben Bailey Smith and Stephen Campbell Moore.
Diane Kruger and JJ Field in Little Disasters. Image: Roughcut / Paramount Global / Kristóf Galgóczi Németh
Kruger has had far more movie roles than TV but she did play Detective Sonya Cross in FX’s version of The Bridge last decade. The German actor, who broke out in 2004’s epic war film Troy, was described as an “intelligent and dynamic actress, whose sheer presence brings with it a unique quality that leaves you inspired” by Little Disasters director Eva Sigurdardottir.
“Attaching Diane allowed me to explore sides of Jess’ character in deeper ways than I had anticipated,” she added. “Little Disasters is a story of a warm and loving mother who is hiding a dark secret, and Diane navigated that character so elegantly, with relatable and warm performances, as well as truly haunting and thrilling moments.”
That relatability attracted Sigurdardottir to Little Disasters, she told us, along with a “tension and thriller engine rooted in very relatable and familiar domestic settings.”
“I am a filmmaker who is drawn to brutally real and gritty stories, and here we had a glamorous and aspirational setting, yet with a terrifying central conflict – a hurt child,” she added.
Marianna Abbotts is exec producing for Big Boys producer Roughcut TV, which has recently moved into drama. She said she “fell in love with” Vaughan’s novels after reading Anatomy of a Scandal. “Sarah often writes about professional women who are forced to make impossible decisions. At the heart of Little Disasters is a really difficult moral dilemma when one friend is forced to call social services on another,” she added.
To aid with tackling these sensitive topics, the Roughcut team worked closely with Vaughan along with multiple advisors. “We wanted to portray the issues in the book accurately and it was extremely important to get that right,” said Abbotts. “We consulted medical, police and social service advisers who guided us with accuracy and sensitivity while understanding the need to tell a dramatic story.”
Little Disasters is a six-part series for Paramount+ UK and Ireland. Ruth Fowler and Amanda Duke adapted the series for the screen with Roughcut Television EPs Ash Atalla, Alex Smith and Abbotts on board alongside Vaughan. Simon Judd EPs for Fremantle, Sigurdardottir is the director and Myf Hopkins serves as the producer. The series was commissioned by Sebastian Cardwell and Paul Testar and will premiere next year. Fremantle is handling global sales.
Cannes Award-winning actor Kruger plays Jess in the adaptation of the Sarah Vaughan novel. When she takes her baby daughter to hospital with a head injury that she can’t explain, her close friend and on-duty A&e doctor Liz must make the excruciating decision of whether to call social services on her longtime friend. This decision sets in motion a chain of events that show how one moment can fracture and nearly destroy entire families and friendships. The show also stars Jo Joyner, Patrick Baladi (Ted Lasso), Shelley Conn, Emily Taaffe, JJ Feild, Ben Bailey Smith and Stephen Campbell Moore.
Diane Kruger and JJ Field in Little Disasters. Image: Roughcut / Paramount Global / Kristóf Galgóczi Németh
Kruger has had far more movie roles than TV but she did play Detective Sonya Cross in FX’s version of The Bridge last decade. The German actor, who broke out in 2004’s epic war film Troy, was described as an “intelligent and dynamic actress, whose sheer presence brings with it a unique quality that leaves you inspired” by Little Disasters director Eva Sigurdardottir.
“Attaching Diane allowed me to explore sides of Jess’ character in deeper ways than I had anticipated,” she added. “Little Disasters is a story of a warm and loving mother who is hiding a dark secret, and Diane navigated that character so elegantly, with relatable and warm performances, as well as truly haunting and thrilling moments.”
That relatability attracted Sigurdardottir to Little Disasters, she told us, along with a “tension and thriller engine rooted in very relatable and familiar domestic settings.”
“I am a filmmaker who is drawn to brutally real and gritty stories, and here we had a glamorous and aspirational setting, yet with a terrifying central conflict – a hurt child,” she added.
Marianna Abbotts is exec producing for Big Boys producer Roughcut TV, which has recently moved into drama. She said she “fell in love with” Vaughan’s novels after reading Anatomy of a Scandal. “Sarah often writes about professional women who are forced to make impossible decisions. At the heart of Little Disasters is a really difficult moral dilemma when one friend is forced to call social services on another,” she added.
To aid with tackling these sensitive topics, the Roughcut team worked closely with Vaughan along with multiple advisors. “We wanted to portray the issues in the book accurately and it was extremely important to get that right,” said Abbotts. “We consulted medical, police and social service advisers who guided us with accuracy and sensitivity while understanding the need to tell a dramatic story.”
Little Disasters is a six-part series for Paramount+ UK and Ireland. Ruth Fowler and Amanda Duke adapted the series for the screen with Roughcut Television EPs Ash Atalla, Alex Smith and Abbotts on board alongside Vaughan. Simon Judd EPs for Fremantle, Sigurdardottir is the director and Myf Hopkins serves as the producer. The series was commissioned by Sebastian Cardwell and Paul Testar and will premiere next year. Fremantle is handling global sales.
- 12/3/2024
- by Max Goldbart
- Deadline Film + TV
“Domino Day: Lone Witch”, set in Manchester England, is a new six-part live-action supernatural drama TV series, directed by Eva Sigurdardottir, starring Siena Kelly, airing June 27, 2024 on Sundance Now and AMC+:
“…’Domino Day’, is a young woman on all the dating apps, but Domino isn't swiping to find her soulmate - she's swiping to hunt, as a powerful young witch with a dark secret - she has to feed on the energy of humans to survive.
“But what she doesn't know is that a coven of witches is already tracking her every move…
“…convinced they have to stop her before her powers destroy everyone and everything around her.
“When a dangerous figure from Domino's past comes back to haunt her, will it be a fresh start for them all ... or a final showdown?…”
Click the images to enlarge…...
“…’Domino Day’, is a young woman on all the dating apps, but Domino isn't swiping to find her soulmate - she's swiping to hunt, as a powerful young witch with a dark secret - she has to feed on the energy of humans to survive.
“But what she doesn't know is that a coven of witches is already tracking her every move…
“…convinced they have to stop her before her powers destroy everyone and everything around her.
“When a dangerous figure from Domino's past comes back to haunt her, will it be a fresh start for them all ... or a final showdown?…”
Click the images to enlarge…...
- 6/11/2024
- by Unknown
- SneakPeek
Diane Kruger and Jo Joyner will lead Paramount+ UK & Ireland’s latest drama series, Little Disasters.
The pair will play friends Jess and Liz in the “tense and compelling” six-part psychological thriller, which also stars Shelley Conn and Emily Taaffe. It is adapted from Anatomy of a Scandal writer Sarah Vaughan’s novel of the same name and billed as an exploration of female friendships and motherhood.
The four actresses play four friends who were thrown together while expectant mothers with little in common apart from their due dates. When Jess takes her baby daughter to hospital with a head injury she can’t explain, close friend and on-duty A&e doctor Liz is forced to make the excruciating decision as to whether to call social services on her friend. The decision sets...
The pair will play friends Jess and Liz in the “tense and compelling” six-part psychological thriller, which also stars Shelley Conn and Emily Taaffe. It is adapted from Anatomy of a Scandal writer Sarah Vaughan’s novel of the same name and billed as an exploration of female friendships and motherhood.
The four actresses play four friends who were thrown together while expectant mothers with little in common apart from their due dates. When Jess takes her baby daughter to hospital with a head injury she can’t explain, close friend and on-duty A&e doctor Liz is forced to make the excruciating decision as to whether to call social services on her friend. The decision sets...
- 6/10/2024
- by Jesse Whittock
- Deadline Film + TV
Sundance Now has picked up Domino Day, the BBC YA drama about a young witch with extraordinary powers in modern-day England.
Following its UK launch on BBC Three earlier this year and a strong critical showing, Domino Day will premiere in the U.S. this summer on Sundance Now and AMC+.
Set and filmed in Manchester, UK, the supernatural six-parter stars the BAFTA–nominated Siena Kelly (Adult Material, Hit & Run) as Domino Day, a young woman on all the dating apps. A young witch with extraordinary powers, Domino is desperately seeking a community who can help her understand who she is, but she doesn’t need to look far as a coven of witches is already tracking her every move, convinced they have to stop her before her powers destroy everyone and everything around her.
“Domino Day was destined for Sundance Now,” said Shannon Cooper, VP, Programming, Sundance Now. “With...
Following its UK launch on BBC Three earlier this year and a strong critical showing, Domino Day will premiere in the U.S. this summer on Sundance Now and AMC+.
Set and filmed in Manchester, UK, the supernatural six-parter stars the BAFTA–nominated Siena Kelly (Adult Material, Hit & Run) as Domino Day, a young woman on all the dating apps. A young witch with extraordinary powers, Domino is desperately seeking a community who can help her understand who she is, but she doesn’t need to look far as a coven of witches is already tracking her every move, convinced they have to stop her before her powers destroy everyone and everything around her.
“Domino Day was destined for Sundance Now,” said Shannon Cooper, VP, Programming, Sundance Now. “With...
- 5/15/2024
- by Max Goldbart
- Deadline Film + TV
A beautiful young Black woman sits alone at a bar, waiting for her date to show. When he does, he orders for her, brays about his job in finance, objectifies her “caramel” skin, and later, tries to secretly film her – and worse.
On a different night out, a man tells the woman that she could be a model – not runway, but print – and that while he doesn’t usually go for Black girls, she’s the prettiest one there. She witnesses another man, whose mates are bellowing about taking girls “to pound town”, taking upskirt photos in a club. She makes a beeline for them all, and not because her dickhead radar is faulty but because it’s fully operational and when she gets these men into a dark corner… well, that would be telling.
Domino Day, the debut series from Gangs of London and Kiss Me First screenwriter Lauren Sequeira...
On a different night out, a man tells the woman that she could be a model – not runway, but print – and that while he doesn’t usually go for Black girls, she’s the prettiest one there. She witnesses another man, whose mates are bellowing about taking girls “to pound town”, taking upskirt photos in a club. She makes a beeline for them all, and not because her dickhead radar is faulty but because it’s fully operational and when she gets these men into a dark corner… well, that would be telling.
Domino Day, the debut series from Gangs of London and Kiss Me First screenwriter Lauren Sequeira...
- 1/31/2024
- by Louisa Mellor
- Den of Geek
Supernatural BBC drama Domino Day lands on BBC Three and iPlayer this month, here’s the trailer.
The BBC has made a wide variety of shows about witchcraft, from Tim Key and Daisy May Cooper sitcom The Witchfinder to Cbbc comedies like The Worst Witch and the long forgotten Belfry Witches. The latest foray into the genre is the supernatural drama Domino Day, which is set and filmed in Manchester.
The synopsis reads as follows:
Domino Day, a young woman on all the dating apps. But Domino isn’t swiping to find her soulmate – she’s swiping to hunt. A young witch with extraordinary powers, Domino is desperately seeking a community who can help her understand who she is, but she doesn’t need to look far, as a coven of witches is already tracking her every move, convinced they have to stop her before her powers destroy everyone and everything around her.
The BBC has made a wide variety of shows about witchcraft, from Tim Key and Daisy May Cooper sitcom The Witchfinder to Cbbc comedies like The Worst Witch and the long forgotten Belfry Witches. The latest foray into the genre is the supernatural drama Domino Day, which is set and filmed in Manchester.
The synopsis reads as follows:
Domino Day, a young woman on all the dating apps. But Domino isn’t swiping to find her soulmate – she’s swiping to hunt. A young witch with extraordinary powers, Domino is desperately seeking a community who can help her understand who she is, but she doesn’t need to look far, as a coven of witches is already tracking her every move, convinced they have to stop her before her powers destroy everyone and everything around her.
- 1/19/2024
- by Jake Godfrey
- Film Stories
The BBC has launched the electrifying first trailer and striking new images for the upcoming modern-day witchcraft drama ‘Domino Day,’ created and written by the BAFTA-nominated Lauren Sequeira.
The 6 episode new series is set and filmed in Manchester and stars the BAFTA-nominated Siena Kelly (Adult Material, Hit & Run) as Domino Day, a young woman on all the dating apps. But Domino isn’t swiping to find her soulmate – she’s swiping to hunt.
A young witch with extraordinary powers, Domino is desperately seeking a community that can help her understand who she is. Still, she doesn’t need to look far, as a coven of witches is already tracking her every move, convinced they have to stop her before her powers destroy everyone and everything around her.
When a dangerous figure from Domino’s past comes back to haunt her, will it be a fresh start for them all, or a final showdown?...
The 6 episode new series is set and filmed in Manchester and stars the BAFTA-nominated Siena Kelly (Adult Material, Hit & Run) as Domino Day, a young woman on all the dating apps. But Domino isn’t swiping to find her soulmate – she’s swiping to hunt.
A young witch with extraordinary powers, Domino is desperately seeking a community that can help her understand who she is. Still, she doesn’t need to look far, as a coven of witches is already tracking her every move, convinced they have to stop her before her powers destroy everyone and everything around her.
When a dangerous figure from Domino’s past comes back to haunt her, will it be a fresh start for them all, or a final showdown?...
- 1/18/2024
- by Zehra Phelan
- HeyUGuys.co.uk
GÖTEBORG, Sweden All3Media is to handle international rights on Icelandic crime series “Black Sands” which, currently in development, is to be pitched at the Göteborg Festival’s TV Drama Vision confab on Thursday.
“Black Sands” marks the first crime thriller to be created by Icelandic helmer Baldvin Z (“Trapped”) since the hit series “Case.” Commissioned by Iceland’s Channel 2, the eight-part series is co-penned by Baldvin Z (aka Baldvin Zophoníasson) with Ragnar Jonsson and “Valhalla Murders”’ actor Aldís Hamilton, who has cornered the title role. Co-stars include Baldvin Z regular collaborator Thorsteinn Bachmann and New York The Julliard School alumnus Thorvaldur Kristjansson (“Dracula Untold”). Production is slated to start next year.
“Black Sands” is produced by Baldvin Z’s own shingle Glassriver, which he set up in the wake of “Case”’s success in 2016, along with writer/creator Andri Óttarson seasoned producer Abby Haflidadóttir, and producer/CEO Hörður Rúnarsson.
“Black Sands” marks the first crime thriller to be created by Icelandic helmer Baldvin Z (“Trapped”) since the hit series “Case.” Commissioned by Iceland’s Channel 2, the eight-part series is co-penned by Baldvin Z (aka Baldvin Zophoníasson) with Ragnar Jonsson and “Valhalla Murders”’ actor Aldís Hamilton, who has cornered the title role. Co-stars include Baldvin Z regular collaborator Thorsteinn Bachmann and New York The Julliard School alumnus Thorvaldur Kristjansson (“Dracula Untold”). Production is slated to start next year.
“Black Sands” is produced by Baldvin Z’s own shingle Glassriver, which he set up in the wake of “Case”’s success in 2016, along with writer/creator Andri Óttarson seasoned producer Abby Haflidadóttir, and producer/CEO Hörður Rúnarsson.
- 1/25/2020
- by Annika Pham
- Variety Film + TV
An email mishap has spawned an online group dedicated to supporting women in film.
A group of UK female filmmakers have set up a Facebook group to support women in the industry following an email admin error involving a Bafta initiative.
The Twitter hashtag #BAFTAsLucky225 has already spawned almost 400 posts that have reached 220,156 people since it was instigated at 2pm today (April 4), according to a Twitter analytics tool.
Diane Jessie Miller, director of the Rik Mayall-starring drama One By One, kicked off the social media discussion:
Some days we get good news, some days we get bad news... and some days bad news turns to good news... #BAFTAsLUCKY225
— Diane Jessie Miller (@DianeJMiller) April 4, 2017
Kat Wood, writer-director of the Maggie Gyllenhaal-starring short Home, added her two cents:
Never has rejection come with such a silver lining #baftaslucky225
— Kat Wood (@katruthwood) April 4, 2017
As did Eva Sigurdardottir, a line producer on Rams:
Proud to be one of the...
A group of UK female filmmakers have set up a Facebook group to support women in the industry following an email admin error involving a Bafta initiative.
The Twitter hashtag #BAFTAsLucky225 has already spawned almost 400 posts that have reached 220,156 people since it was instigated at 2pm today (April 4), according to a Twitter analytics tool.
Diane Jessie Miller, director of the Rik Mayall-starring drama One By One, kicked off the social media discussion:
Some days we get good news, some days we get bad news... and some days bad news turns to good news... #BAFTAsLUCKY225
— Diane Jessie Miller (@DianeJMiller) April 4, 2017
Kat Wood, writer-director of the Maggie Gyllenhaal-starring short Home, added her two cents:
Never has rejection come with such a silver lining #baftaslucky225
— Kat Wood (@katruthwood) April 4, 2017
As did Eva Sigurdardottir, a line producer on Rams:
Proud to be one of the...
- 4/4/2017
- by [email protected] (Tom Grater)
- ScreenDaily
Seven films selected for scheme, which awards projects a $24,000 development fund.
Nordisk Film & TV Fond has confirmed the seven genre film projects selected for its popular Nordic Genre Boost scheme.
Scroll down for a full list of projects
Selections include the second feature from When Animals Dream (pictured) director Jonas Arnby of Denmark; the third feature from Finnish director Ulrika Bengts (The Disciple) and the directorial debut feature of Swedish producer Olivier Guerpillon, whose producing credits include Sound of Noise.
A total of 61 projects applied for the third and final round of Nordic Genre Boost development support.
Each project receives a $24,000 (NOK200,00) development grant, and access to two residential workshops: one held in collaboration with Night Visions International Festival in Helsinki (April 5-9), and a second during New Nordic Films’ Co-Production and Finance Market in Haugesund (Aug 22-25).
Guest tutors at the workshops include Jinga Films’ Julian Richards, Xyz Films’ Todd Brown, Lindsay Peters...
Nordisk Film & TV Fond has confirmed the seven genre film projects selected for its popular Nordic Genre Boost scheme.
Scroll down for a full list of projects
Selections include the second feature from When Animals Dream (pictured) director Jonas Arnby of Denmark; the third feature from Finnish director Ulrika Bengts (The Disciple) and the directorial debut feature of Swedish producer Olivier Guerpillon, whose producing credits include Sound of Noise.
A total of 61 projects applied for the third and final round of Nordic Genre Boost development support.
Each project receives a $24,000 (NOK200,00) development grant, and access to two residential workshops: one held in collaboration with Night Visions International Festival in Helsinki (April 5-9), and a second during New Nordic Films’ Co-Production and Finance Market in Haugesund (Aug 22-25).
Guest tutors at the workshops include Jinga Films’ Julian Richards, Xyz Films’ Todd Brown, Lindsay Peters...
- 2/17/2017
- by [email protected] (Wendy Mitchell)
- ScreenDaily
Lucy Gaffy with her.Canon Award for Best Direction in an Australian Short Film for 'Dream Baby'.
The 26th annual Flickerfest closed last night with an awards ceremony at Bondi Pavilion, celebrating both international and Australian films..
The award for Best Australian Short Film went to Christopher Sferrazza.s Beast, which had its world premiere at the festival.
Lucy Gaffy took out the award for Best Direction in an Australian Short Film for Dream Baby, following on from the short.s recent Aacta Award.
The award for Best International Short Film went to the Icelandic film.Ungar (Cubs), from writer-director Nanna Kristín Magnúsdóttir..
Flickerfest.s Academy-accredited awards include the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Virgin Australia Award for Best Australian Short Film and the Flickerfest Award for Best Documentary Short Film..
.We are thrilled that the 2017 festival...
The 26th annual Flickerfest closed last night with an awards ceremony at Bondi Pavilion, celebrating both international and Australian films..
The award for Best Australian Short Film went to Christopher Sferrazza.s Beast, which had its world premiere at the festival.
Lucy Gaffy took out the award for Best Direction in an Australian Short Film for Dream Baby, following on from the short.s recent Aacta Award.
The award for Best International Short Film went to the Icelandic film.Ungar (Cubs), from writer-director Nanna Kristín Magnúsdóttir..
Flickerfest.s Academy-accredited awards include the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Virgin Australia Award for Best Australian Short Film and the Flickerfest Award for Best Documentary Short Film..
.We are thrilled that the 2017 festival...
- 1/15/2017
- by Staff Writer
- IF.com.au
More than 20 filmmaking teams recieve London Calling and London Calling Plus commissions.Scroll down for full list
Film London has awarded 21 filmmaking teams across the capital with funds to make short films through its London Calling and London Calling Plus initiatives. A record 620 applications were received this year.
The scheme invests more than $300,000 (£200,000) in London’s short filmmakers with production funding, training and a platform to showcase the films to the industry.
Last year’s slate included Riz Ahmad’s Daytimer, which premiered at Sundance; the BAFTA-nominated Three Brothers; and Loco Award-winning Two Dosas.
This year’s slate includes Chick or Treat from rising internet stars Mandem On The Wall; The Monster, which will star Richard Glover (A Field In England, Sightseers); Rainbow Party, which marks the directorial debut of BAFTA-nominated producer Eva Sigurdardottir; and Above, which was scripted by award-winning playwright Michael Bhim.
Chick or Treat is one of the projects selected by London Calling Plus, now...
Film London has awarded 21 filmmaking teams across the capital with funds to make short films through its London Calling and London Calling Plus initiatives. A record 620 applications were received this year.
The scheme invests more than $300,000 (£200,000) in London’s short filmmakers with production funding, training and a platform to showcase the films to the industry.
Last year’s slate included Riz Ahmad’s Daytimer, which premiered at Sundance; the BAFTA-nominated Three Brothers; and Loco Award-winning Two Dosas.
This year’s slate includes Chick or Treat from rising internet stars Mandem On The Wall; The Monster, which will star Richard Glover (A Field In England, Sightseers); Rainbow Party, which marks the directorial debut of BAFTA-nominated producer Eva Sigurdardottir; and Above, which was scripted by award-winning playwright Michael Bhim.
Chick or Treat is one of the projects selected by London Calling Plus, now...
- 3/5/2015
- by [email protected] (Michael Rosser)
- ScreenDaily
On Sunday the Ee British Academy Film Awards were held at London’s Royal Opera House and hosted by the always delightful Stephen Fry. The show was televised here in the States on BBC America. In a continuation of what Awards watchers have witnessed over the past weeks, Argo was named Best Film, Ben Affleck won the Director BAFTA and the film also took the Editing award.
Les Misérables did win four BAFTAs for Production Design, Sound, Make Up & Hair and Supporting Actress for Anne Hathaway.
Amour won the award for Film Not in the English Language and Emmanuelle Riva won Leading Actress. Leading Actor was awarded to Daniel Day-Lewis for Lincoln. Christoph Waltz won Supporting Actor for his performance in Django Unchained and the film’s writer/director Quentin Tarantino won the Original Screenplay BAFTA.
Outstanding British Film and Original Music were awarded to Skyfall. Life of Pi won...
Les Misérables did win four BAFTAs for Production Design, Sound, Make Up & Hair and Supporting Actress for Anne Hathaway.
Amour won the award for Film Not in the English Language and Emmanuelle Riva won Leading Actress. Leading Actor was awarded to Daniel Day-Lewis for Lincoln. Christoph Waltz won Supporting Actor for his performance in Django Unchained and the film’s writer/director Quentin Tarantino won the Original Screenplay BAFTA.
Outstanding British Film and Original Music were awarded to Skyfall. Life of Pi won...
- 2/11/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Honoring the best in the biz, the 2013 Orange British Academy Film Awards (BAFTA) took place in London, England earlier this evening (February 10).
During the event held inside the historic Royal Opera House, many stars walked home with big trophies including the cast and producers of "Argo" who took home the award for Best Film.
Meanwhile, Emmanuelle Riva was names Best Actress for her role in "Amour", while Daniel Dawy-Lewis took home Best Actor for his work in "Lincoln."
Other winners included "Skyfall" taking home Best British Film and Anne Hathaway taking home the award for Best Supporting Actress, while Juno Temple took home the Rising Star Award and Ben Affleck took home the prize for Best Director.
See below for the complete list of 2013 BAFTA winners:
Best Film
Winner Argo Grant Heslov, Ben Affleck, George Clooney
Les MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life Of Pi Gil Netter,...
During the event held inside the historic Royal Opera House, many stars walked home with big trophies including the cast and producers of "Argo" who took home the award for Best Film.
Meanwhile, Emmanuelle Riva was names Best Actress for her role in "Amour", while Daniel Dawy-Lewis took home Best Actor for his work in "Lincoln."
Other winners included "Skyfall" taking home Best British Film and Anne Hathaway taking home the award for Best Supporting Actress, while Juno Temple took home the Rising Star Award and Ben Affleck took home the prize for Best Director.
See below for the complete list of 2013 BAFTA winners:
Best Film
Winner Argo Grant Heslov, Ben Affleck, George Clooney
Les MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life Of Pi Gil Netter,...
- 2/11/2013
- GossipCenter
The ceremony is over here in London, bringing together some of the finest and most talented people in the film industry under the same roof for one night. The BAFTAs are this country’s highest honour in film, and they have handed out their awards for the 66th time to those whom they deem the most deserving in the past year in film.
And since Ben Affleck is one of my favourite filmmakers of all time, I have been in a brilliant mood tonight, because he’s won (and very much earned) Best Director for Argo, and taken home the Best Film prize alongside his co-producers George Clooney and Grant Heslov. If you haven’t yet seen Argo, I can’t recommend enough how much you should see it as soon as possible.
If you were following Jon’s liveblog, or if you watched the BBC’s almost-live coverage of tonight’s proceedings,...
And since Ben Affleck is one of my favourite filmmakers of all time, I have been in a brilliant mood tonight, because he’s won (and very much earned) Best Director for Argo, and taken home the Best Film prize alongside his co-producers George Clooney and Grant Heslov. If you haven’t yet seen Argo, I can’t recommend enough how much you should see it as soon as possible.
If you were following Jon’s liveblog, or if you watched the BBC’s almost-live coverage of tonight’s proceedings,...
- 2/10/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
'Skyfall' has taken the first Award of the evening at the 2013 Baftas, currently taking place at London's Royal Opera House.
This caps a thrilling year for the James Bond franchise, celebrating its 50th year, with a record-breaking box office taking for 'Skyfall', which has become the most successful British film ever.
All The Winners Below... As Soon As They're Announced!
But the evening's big winner remains very much undecided, with awards being shared out between 'Argo', 'Life of Pi' and 'Les Miserables' - and nothing yet for the nominations leader 'Lincoln'.
Pictures just in from the press room at the Royal Opera House, where the winners go straight after collecting their gongs..
Sam Mendes' 007 film beat Tom Hooper's 'Les Miserables' to take the first gong of the night. And 'Skyfall' has just taken another award, for Best Original Music.
But...
This caps a thrilling year for the James Bond franchise, celebrating its 50th year, with a record-breaking box office taking for 'Skyfall', which has become the most successful British film ever.
All The Winners Below... As Soon As They're Announced!
But the evening's big winner remains very much undecided, with awards being shared out between 'Argo', 'Life of Pi' and 'Les Miserables' - and nothing yet for the nominations leader 'Lincoln'.
Pictures just in from the press room at the Royal Opera House, where the winners go straight after collecting their gongs..
Sam Mendes' 007 film beat Tom Hooper's 'Les Miserables' to take the first gong of the night. And 'Skyfall' has just taken another award, for Best Original Music.
But...
- 2/10/2013
- by The Huffington Post UK
- Huffington Post
The Guardian film team predict who will win what at this year's ceremony
On Friday Xan Brooks assessed the field of this year's Bafta contenders and found it "a hazy huddle of frontrunners, all seemingly bobbing back and forth in front of the finish line".
Lincoln is first among equals with 10 nominations. Les Misérables, Life of Pi, Skyfall and Argo all crowd in behind.
The awards momentum has swung from Life of Pi to Lincoln to Argo over the past few weeks. In a competition this close there could be upsets. There should be tears. There must be winners.
So here's what we think will take home scary award masks this year. We've listed all the nominees. Our predicted winners are in bold.
Best picture
Argo
Les Misérables
Life of Pi
Lincoln
Zero Dark Thirty
Best British film
Anna Karenina
The Best Exotic Marigold Hotel
Les Misérables
Seven Psychopaths
Skyfall
Best director
Ben Affleck,...
On Friday Xan Brooks assessed the field of this year's Bafta contenders and found it "a hazy huddle of frontrunners, all seemingly bobbing back and forth in front of the finish line".
Lincoln is first among equals with 10 nominations. Les Misérables, Life of Pi, Skyfall and Argo all crowd in behind.
The awards momentum has swung from Life of Pi to Lincoln to Argo over the past few weeks. In a competition this close there could be upsets. There should be tears. There must be winners.
So here's what we think will take home scary award masks this year. We've listed all the nominees. Our predicted winners are in bold.
Best picture
Argo
Les Misérables
Life of Pi
Lincoln
Zero Dark Thirty
Best British film
Anna Karenina
The Best Exotic Marigold Hotel
Les Misérables
Seven Psychopaths
Skyfall
Best director
Ben Affleck,...
- 2/10/2013
- The Guardian - Film News
The 66th annual British Academy Film Awards are here! And there was much rejoicing.
We’re here at the Royal Opera House in London to bring you all the up to the minute news on who won, who looked really annoyed when they lost, and who knows what else will be in store for us tonight?
Lord Stephen of Fry is leading proceedings once again and I’ll be updating you fine people with the winners as they are announced.
The full list of awards and nominees can be found here, and as the awards are announced I’ll update the liveblog below with the nominees and the winners.
The ceremony is due to start at around 7pm and if you’re hungry for all the red carpeting then head over here to see the arrivals from around 5pm.
Updates will be added at the top…But not anymore as we’ve finished.
We’re here at the Royal Opera House in London to bring you all the up to the minute news on who won, who looked really annoyed when they lost, and who knows what else will be in store for us tonight?
Lord Stephen of Fry is leading proceedings once again and I’ll be updating you fine people with the winners as they are announced.
The full list of awards and nominees can be found here, and as the awards are announced I’ll update the liveblog below with the nominees and the winners.
The ceremony is due to start at around 7pm and if you’re hungry for all the red carpeting then head over here to see the arrivals from around 5pm.
Updates will be added at the top…But not anymore as we’ve finished.
- 2/10/2013
- by Jon Lyus
- HeyUGuys.co.uk
Vol. I Issue 6
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 1/17/2013
- by Mitchell Block
- Sydney's Buzz
A full list of nominations for this year's Baftas, which saw Lincoln lead the pack with ten
Best picture
Argo
Les Miserables
Life of Pi
Lincoln
Zero Dark Thirty
Best British film
Anna Karenina
The Best Exotic Marigold Hotel
Les Miserables
Seven Psychopaths
Skyfall
Best director
Ben Affleck, Argo
Kathryn Bigelow, Zero Dark Thirty
Michael Haneke, Amour
Ang Lee, Life of Pi
Quentin Tarantino, Django Unchained
Best actor
Ben Affleck, Argo
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Best actress
Jessica Chastain, Zero Dark Thirty
Marion Cotillard, Rust and Bone
Jennifer Lawrence, Silver Linings Playbook
Helen Mirren, Hitchcock
Emmanuelle Riva, Amour
Best supporting actor
Alan Arkin, Argo
Javier Bardem, Skyfall
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained
Best supporting actress
Amy Adams, The Master
Judi Dench, Skyfall
Sally Field, Lincoln
Anne Hathaway, Les Miserables
Helen Hunt,...
Best picture
Argo
Les Miserables
Life of Pi
Lincoln
Zero Dark Thirty
Best British film
Anna Karenina
The Best Exotic Marigold Hotel
Les Miserables
Seven Psychopaths
Skyfall
Best director
Ben Affleck, Argo
Kathryn Bigelow, Zero Dark Thirty
Michael Haneke, Amour
Ang Lee, Life of Pi
Quentin Tarantino, Django Unchained
Best actor
Ben Affleck, Argo
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Best actress
Jessica Chastain, Zero Dark Thirty
Marion Cotillard, Rust and Bone
Jennifer Lawrence, Silver Linings Playbook
Helen Mirren, Hitchcock
Emmanuelle Riva, Amour
Best supporting actor
Alan Arkin, Argo
Javier Bardem, Skyfall
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained
Best supporting actress
Amy Adams, The Master
Judi Dench, Skyfall
Sally Field, Lincoln
Anne Hathaway, Les Miserables
Helen Hunt,...
- 1/10/2013
- The Guardian - Film News
Australian effects house Fuel VFX has added a British Academy Film Awards nomination for its work on Ridley Scott.s Prometheus following its recent nod from the Visual Effects Society.
Fuel co-founder Paul Butterworth was nominated alongside non-Fuel nominees Richard Stammers, Charley Henley, and Trevor Wood. Fuel, one of the three lead visual effects vendors on the latest installment in the Aliens franchise, delivered more than 200 visual effects shots. The company, which is now part of Animal Logic after facing a near-catastrophic cash-crunch last year, created the .Orrery. (an interactive 3-dimensional map of the known universe), the holographic 'Engineer' characters, and the 'Holotable' on the Prometheus' bridge.
Its work also received two nominations in the peer-reviewed Visual Effects Society Awards. Fuel.s BAFTA and Ves nominations mean it is likely to also receive an Academy Award nomination, which will be announced January 10 (Us time). The Oscar shortlist for visual effects includes: The Amazing Spider-Man,...
Fuel co-founder Paul Butterworth was nominated alongside non-Fuel nominees Richard Stammers, Charley Henley, and Trevor Wood. Fuel, one of the three lead visual effects vendors on the latest installment in the Aliens franchise, delivered more than 200 visual effects shots. The company, which is now part of Animal Logic after facing a near-catastrophic cash-crunch last year, created the .Orrery. (an interactive 3-dimensional map of the known universe), the holographic 'Engineer' characters, and the 'Holotable' on the Prometheus' bridge.
Its work also received two nominations in the peer-reviewed Visual Effects Society Awards. Fuel.s BAFTA and Ves nominations mean it is likely to also receive an Academy Award nomination, which will be announced January 10 (Us time). The Oscar shortlist for visual effects includes: The Amazing Spider-Man,...
- 1/9/2013
- by Brendan Swift
- IF.com.au
The 2013 British Academy Film Award announced this morning its nominations which were dominated by acclaimed U.S. movies.
BAFTA honors historical biopic Lincoln with 10 nominations, though Steven Spielberg wasn’t nominated for best director.
Boy-meets-tiger saga Life of Pi and epic musical Les Misérables received nine nominations each, while James Bond adventure Skyfall had eight nods and Iran hostage thriller Argo seven. Tom Hooper also was dismissed on the direction front.
Other mulitple nominations include a period film based on the famous Tolstoy novel, Anna Karenina with six and the riveting, powerhouse thriller Zero Dark Thirty and western directed by Quentin Tarantino, Django Unchained have 5 nominations each.
The British awards have helped underdog films including Slumdog Millionaire, The King’s Speech and The Artist gain momentum for Oscars gold, so many Brits hoping to see nods for Skyfall.
The winners of the 2013 Bafta film awards will be announced at...
BAFTA honors historical biopic Lincoln with 10 nominations, though Steven Spielberg wasn’t nominated for best director.
Boy-meets-tiger saga Life of Pi and epic musical Les Misérables received nine nominations each, while James Bond adventure Skyfall had eight nods and Iran hostage thriller Argo seven. Tom Hooper also was dismissed on the direction front.
Other mulitple nominations include a period film based on the famous Tolstoy novel, Anna Karenina with six and the riveting, powerhouse thriller Zero Dark Thirty and western directed by Quentin Tarantino, Django Unchained have 5 nominations each.
The British awards have helped underdog films including Slumdog Millionaire, The King’s Speech and The Artist gain momentum for Oscars gold, so many Brits hoping to see nods for Skyfall.
The winners of the 2013 Bafta film awards will be announced at...
- 1/9/2013
- by Nick Martin
- Filmofilia
The British Academy of Film and Television Awards have released their full list of nominees for 2013, with ‘Lincoln’ & ‘Les Misérables’ leading the pack!
Awards season is here once again, and Les Misérables, Lincoln, Li of Pi, Django Unchained and Zero Dark Thirty are some of the many films that have been nominated for the 2013 BAFTA Awards. Actresses of the moment Anne Hathway and Jennifer Lawrence have both been nominated — Anne for Best Supporting Actress for Les Mis and Jennifer for Best Actress for Silver Linings Playbook. You go girls!
Lincoln leads the nominations with a whopping 10, with stars Daniel Day Lewis (he is so going to win!), Tommy Lee Jones and Sally Field all receiving recognition. Director Steven Spielberg, however, got totally snubbed!
From Les Mis, the only actors nominated are Anne and Hugh Jackman. Argo and Life of Pi also received also nine nominations, while Skyfall recieved eight. And Ben Affleck got not one,...
Awards season is here once again, and Les Misérables, Lincoln, Li of Pi, Django Unchained and Zero Dark Thirty are some of the many films that have been nominated for the 2013 BAFTA Awards. Actresses of the moment Anne Hathway and Jennifer Lawrence have both been nominated — Anne for Best Supporting Actress for Les Mis and Jennifer for Best Actress for Silver Linings Playbook. You go girls!
Lincoln leads the nominations with a whopping 10, with stars Daniel Day Lewis (he is so going to win!), Tommy Lee Jones and Sally Field all receiving recognition. Director Steven Spielberg, however, got totally snubbed!
From Les Mis, the only actors nominated are Anne and Hugh Jackman. Argo and Life of Pi also received also nine nominations, while Skyfall recieved eight. And Ben Affleck got not one,...
- 1/9/2013
- by Eleanore Hutch
- HollywoodLife
At this point in awards season, it’s pretty hard to surprise us. The Oscar nods are going to be announced tomorrow morning, and we’re pretty sure the top of the list will look like this: Lincoln, Silver Linings Playbook, Les Miserables, Argo, Zero Dark Thirty, Django Unchained, Life of Pi … So anyway, we could be inclined to yawn when looking at the nominations for the British Academy Film Awards (a.k.a. the BAFTAs), as the L films — Lincokn, Les Miz and Life of Pi — are in the lead. That’s why we like looking at the details, like the Outstanding British Film category, which gives Skyfall, Anna Karenina and Seven Psychopaths a chance to shine. There’s also the Rising Star award, nominated by a panel but voted on by the public. This year Elizabeth Olsen, Suraj Sharma (Pi), Andrea Riseborough (W.E.), Juno Temple (Dark Knight Rises...
- 1/9/2013
- by Sabrina Rojas Weiss
- TheFabLife - Movies
Lincoln led all films with 10 BAFTA nominations, but director Steven Spielberg was not among the five directors recognized by the British Academy of Film and Television Arts. Daniel Day-Lewis, Tommy Lee Jones, Sally Field, cinematographer Janusz Kaminski, screenwriter Tony Kushner, and composer John Williams were among the Lincoln landslide, but the British Academy opted to reward Amour director Michael Hanake and Django Unchained auteur Quentin Tarantino, even though neither of those films were mentioned for Best Film.
Spielberg isn’t alone; Les Misérables director Tom Hooper was also overlooked. Both directors’ films joined Oscar contenders Argo, Life of Pi, and...
Spielberg isn’t alone; Les Misérables director Tom Hooper was also overlooked. Both directors’ films joined Oscar contenders Argo, Life of Pi, and...
- 1/9/2013
- by Jeff Labrecque
- EW - Inside Movies
On Wednesday January 9th, actors Alice Eve and Jeremy Irvine joined BAFTA.s Chairman John Willis to announce the nominations for the Ee British Academy Film Awards in 2013.
Lincoln led the field with ten nominations. Les Misérables and Life of Pi were nominated in nine categories; Skyfall has eight, Argo has seven nominations and Anna Karenina has six. Django Unchained and Zero Dark Thirty saw five nominations. The Master and Amour have four nominations. The Hobbit: An Unexpected Journey and Silver Linings Playbook were nominated for three. Hitchcock, Rust and Bone, The Imposter and McCullin have two nominations apiece. Yesterday’s DGA nominees Steven Spielberg and Tom Hooper did not make the BAFTA list for Best Director.
Lincoln was nominated in the following categories: Best Film, Adapted Screenplay, Original Music, Cinematography, Production Design, Costume Design and Make Up & Hair. Daniel Day-Lewis was nominated for Leading Actor, Tommy Lee Jones is...
Lincoln led the field with ten nominations. Les Misérables and Life of Pi were nominated in nine categories; Skyfall has eight, Argo has seven nominations and Anna Karenina has six. Django Unchained and Zero Dark Thirty saw five nominations. The Master and Amour have four nominations. The Hobbit: An Unexpected Journey and Silver Linings Playbook were nominated for three. Hitchcock, Rust and Bone, The Imposter and McCullin have two nominations apiece. Yesterday’s DGA nominees Steven Spielberg and Tom Hooper did not make the BAFTA list for Best Director.
Lincoln was nominated in the following categories: Best Film, Adapted Screenplay, Original Music, Cinematography, Production Design, Costume Design and Make Up & Hair. Daniel Day-Lewis was nominated for Leading Actor, Tommy Lee Jones is...
- 1/9/2013
- by Michelle McCue
- WeAreMovieGeeks.com
News Ryan Lambie Jan 9, 2013
The BAFTA film nominations are in. You can read the list of nominees in full here...
We are now well into awards list season. We've already had the list of Razzie nominees, and the actors and filmmakers up for an Oscar nod will be revealed tomorrow. In the meantime, here's the British Academy's list of nominees, which features a strong showing from Lincoln, Les Mis and even Skyfall - a surprising inclusion, given that Bond movies are usually overlooked at these sorts of things.
Make what you will of the list that follows, but we're more than a little disappointed to see The Pirates: In An Adventure With Scientists missed out of the animation category, and we're pretty sure Ben Wheatley's Sightseers deserved some sort of mention, too.
The BAFTA awards ceremony will take place on Sunday 10th February, after which there'll be face painting and a meat raffle.
The BAFTA film nominations are in. You can read the list of nominees in full here...
We are now well into awards list season. We've already had the list of Razzie nominees, and the actors and filmmakers up for an Oscar nod will be revealed tomorrow. In the meantime, here's the British Academy's list of nominees, which features a strong showing from Lincoln, Les Mis and even Skyfall - a surprising inclusion, given that Bond movies are usually overlooked at these sorts of things.
Make what you will of the list that follows, but we're more than a little disappointed to see The Pirates: In An Adventure With Scientists missed out of the animation category, and we're pretty sure Ben Wheatley's Sightseers deserved some sort of mention, too.
The BAFTA awards ceremony will take place on Sunday 10th February, after which there'll be face painting and a meat raffle.
- 1/9/2013
- by ryanlambie
- Den of Geek
A couple of days ago we were told the nominees for the Ee BAFTA Rising Star Award 2013 and bright and early this morning, Alice Eve (who is to star in Star Trek into Darkness) and Jeremy Irvine (who recently starred in War Horse and Great Expectations) were tasked with sharing the full list of nominees with the world. The full list of movies that have made it onto the shortlist for the 65th 2013 British Academy of Film and Television Arts are all listed below.
If all goes to plan, we’ll be joining some of the biggest movie stars in the world on Sunday 10th February and if you haven’t already, click here to vote for your favourite of the rising star.
Without further ado, here’s the list of movies that will be vying for the biggest award in the British movie awards calendar. Let us know who...
If all goes to plan, we’ll be joining some of the biggest movie stars in the world on Sunday 10th February and if you haven’t already, click here to vote for your favourite of the rising star.
Without further ado, here’s the list of movies that will be vying for the biggest award in the British movie awards calendar. Let us know who...
- 1/9/2013
- by David Sztypuljak
- HeyUGuys.co.uk
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