Hollywood Records is launching a new podcast series titled “The Big Score.”
Each episode of the original series will offer first-person audio and video vignettes that delve deep into the creation of film and television music for influential and award-winning movies and shows from Searchlight Pictures, 20th Century Studios, Hulu, Freeform, FX, National Geographic, Onyx Collective and more.
“The Big Score” gives audiences a chance to gain personal perspectives, stories and insights from some of today’s most innovative composers and artists, plus exclusive behind-the-scenes access into the recording process and creation of their scores.
Emmy-nominated composer Siddhartha Khosla kicks off the series. Kholsa, who worked on NBC’s “This is Us” and Hulu’s “Only Murders in the Building,” will share insight into the latter show’s process.
A further two episodes featuring Pearl Jam’s Jeff Ament (“Under the Banner of Heaven”) and Pierre-Phillipe Côté a.k.a.
Each episode of the original series will offer first-person audio and video vignettes that delve deep into the creation of film and television music for influential and award-winning movies and shows from Searchlight Pictures, 20th Century Studios, Hulu, Freeform, FX, National Geographic, Onyx Collective and more.
“The Big Score” gives audiences a chance to gain personal perspectives, stories and insights from some of today’s most innovative composers and artists, plus exclusive behind-the-scenes access into the recording process and creation of their scores.
Emmy-nominated composer Siddhartha Khosla kicks off the series. Kholsa, who worked on NBC’s “This is Us” and Hulu’s “Only Murders in the Building,” will share insight into the latter show’s process.
A further two episodes featuring Pearl Jam’s Jeff Ament (“Under the Banner of Heaven”) and Pierre-Phillipe Côté a.k.a.
- 10/5/2022
- by Jazz Tangcay
- Variety Film + TV
Aspiring journalist Danni Sanders (Zoey Deutch), the insecure villain at the center of writer-director Quinn Shephard’s scattershot comedy “Not Okay,” dresses the part of a contemporary Gloria Steinem, poaching the activist’s oversized glasses and face-framing blond streaks while adding her own modern accessories: rainbow-colored nails and jewelry, with a decked-out smartphone glued to her hand. The look screams for attention. The problem is, even if Danni could manage to get noticed at her hyper-cool and competitive magazine, she’s got nothing valuable to say.
When Steinem was at this age in her career, she hustled to write an exposé of the inner workings of the Playboy Club. Danni believes, somewhat accurately, that today’s readers are more interested in writers who expose their own traumas. Alas, she doesn’t have any. The upper-middle-class Manhattanite whines to her editor (Negin Farsad) that she even had the lousy luck to...
When Steinem was at this age in her career, she hustled to write an exposé of the inner workings of the Playboy Club. Danni believes, somewhat accurately, that today’s readers are more interested in writers who expose their own traumas. Alas, she doesn’t have any. The upper-middle-class Manhattanite whines to her editor (Negin Farsad) that she even had the lousy luck to...
- 7/20/2022
- by Amy Nicholson
- Variety Film + TV
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