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The middle child between two sisters, Zachary Levi was born as Zachary Levi Pugh on September 29, 1980 in Lake Charles, Louisiana, to Susan (Hoctor) and Darrell Alton Pugh. He uses his middle name as his stage surname because his birth name, "Pugh", which is of Welsh origin, sounds too much like "Pew." His other ancestry includes Irish, English, French, German, Scottish, and Swiss. He grew up all over the country before his family put down roots in Ventura County, California. At the early age of six, Zachary began acting, singing and dancing in school and local theater productions.

After graduating from Buena High School he headed to Los Angeles to pursue his dream of acting. Zachary began acting in theater, performing roles in such regional productions like Grease, The Outsiders, Oliver, The Wizard of Oz, and Big River. It was his portrayal of Jesus in Ojai's Godspell that brought him to the attention of Hollywood.

He had a supporting role in the television movie Big Shot: Confessions of a Campus Bookie (2002) with David Krumholtz, Tory Kittles, Jennifer Morrison, and Nicholas Turturro. He then began acting as Kipp Steadman in the TV series Less Than Perfect (2002) with Sara Rue, Andrea Parker, Eric Roberts, Andy Dick, and Sherri Shepherd.

He was seen in the television movie See Jane Date (2003) on the WB with Charisma Carpenter, Holly Marie Combs, Linda Dano, and Rachelle Lefevre. In his spare time, Zachary enjoys skateboarding, snowboarding, skydiving, and participating in various other sports. After living in Los Angeles for the better part of a decade, he recently moved to Austin, Texas.

In 2019 he starred in the action-comedy film Shazam! (2019), playing the title superhero; a magic-created older version of teenager Billy Batson played by Asher Angel. The film and his comic-heroic performance received positive notices.

Nicholas Galitzine stars opposite Sofia Carson in the Netflix feature film Purple Hearts, directed by Elizabeth Allen Rosenbaum. Just after its release at the end of July, Purple Hearts went straight to Number One and has broken viewing records, making it Netflix's most successful film of 2022 and their seventh most popular film of all time.

He has just wrapped the leading role of Prince Henry in Matthew Lopez' forthcoming Amazon feature film Red, White & Royal Blue and earlier this year he filmed Bottoms, the new feature film from Shiva Baby director Emma Seligman, opposite Rachel Sennott.

Nicholas starred as Prince Robert in Amazon's Cinderella for director Kay Cannon, opposite Camila Cabello. Before that, he was the male lead role of Timmy in the Sony feature The Craft for director Zoe Lister-Jones opposite Cailee Spaeny and produced by Jason Blum, Douglas Wick and Lucy Fisher, which was nominated for a GLAAD award.

He can also be seen as the series regular role of Elliot in the Netflix series Chambers written by Leah Rachel and directed by Alfonso Gomez-Rejon, opposite Uma Thurman and Tony Goldwyn; as well as a supporting lead in the A24 feature Share for director Pippa Bianco, which premiered at Sundance 2019 and is based on Pippa's award winning short film.

Nick's previous leading film roles include Handsome Devil directed by John Butler opposite Andrew Scott, which won Best Film at the 2017 Dublin International Film Festival; The Beat Beneath My Feet which was nominated for a British Independent Film Award and a Crystal Bear at the Berlin Film Festival in 2015; The Changeover opposite Timothy Spall and The Watcher in the Woods opposite Anjelica Huston.

A natural at portraying complex villains, anti-heroes, and charming heavies, Ian McShane is the classically trained, award-winning actor who has grabbed attention and acclaim from audiences and critics around the world with his unforgettable gallery of scoundrels, kings, mobsters and thugs.

And, now, a god as well!

McShane just completed his third season (as star and executive producer) on the hit Starz series, "American Gods," the TV adaptation of Neil Gaiman's 2001 novel. As Mr. Wednesday, a shifty, silver-tongued conman, he masks his true identity - that of the Norse god of war, Odin, who's assembling a team of elders to bring down the new false idols. A series McShane calls "like nothing else I've seen on television."

It's a comment that also befits McShane's critically-acclaimed role of the charismatic, menacing and lawless 19th century brothel-and-bar keep, Al Swearengen, in the profound and profane HBO western series "Deadwood," which ran for just 36 episodes over three seasons from 2004-06. For his work on the series' second season, McShane won the 2005 Golden Globe Award for Best Actor in a Television Drama (in addition to Emmy and Screen Actors Guild nominations as Outstanding Lead Dramatic Actor). He also received the Television Critics Association Award for Individual Achievement in Drama for his work in the show's debut season (with a second nomination in 2005).

It is a role and performance the New York Times dubbed "one of the most interesting villains on television." And, a recent online poll called Swearengen a more compelling onscreen gangster over the likes of Tony Soprano and Michael Corleone. After a twelve-year hiatus from portraying maybe his most iconic character ("it was the most satisfyingly creative three years of my professional career" he says), McShane recently reprised the unforgettable rogue when HBO resurrected the 1870s western in a two-hour telefilm, "Deadwood: The Movie," nominated for the Outstanding Television Movie Emmy.

At an age when many successful thespians turn to cameo appearances and character parts, McShane's busy career (which dates back to 1962) also includes three very different starring roles on the big screen. He was seen alongside David Harbour in Neil Marshall's reimagined comic book epic, "Hellboy." McShane also co-starred with Gary Carr in the Dan Pritzker drama, "Bolden," the biopic of musician Buddy Bolden, the father of jazz and a key figure in the development of ragtime music (McShane portrays Bolden's nemesis, Judge Perry). And, he reprised his role (reuniting with Keanu Reeves) as Winston, the suave and charming owner of the assassins-only Tribeca hotel in the latest installment of director Chad Stahelski's action trilogy, "John Wick: Chapter 3 - Parabellum," which opened to enormous box office success.

Years before his triumphant role in "Deadwood," McShane had compiled a long and diverse career on both British and American television. He produced and starred in the acclaimed series "Lovejoy" for the BBC (and A&E in the U.S.), directing several episodes during the show's lengthy run. The popular Sunday night drama (which attracted 18 million viewers weekly during its run from 1990-94) saw McShane in the title role of an irresistible, roguish Suffolk antiques dealer. He would reunite with the BBC by producing and starring in the darker and more serious drama, Madson.

He collected a second Golden Globe nomination for Best Actor in a Miniseries for his portrayal of the scheming Waleran Bigod in Starz's Emmy-nominated "Pillars of the Earth." The production, which originated on the U.K.'s Channel 4, was based on Ken Follett's bestselling historic novel about the building of a 12th-century cathedral during the time known as "the Anarchy" after King Henry I had lost his only son in the White Ship disaster of 1120. It's a character McShane says "would fit into the Vatican."

He is also well-known to TV audiences for his roles in FX's "American Horror Story," Showtime's "Ray Donovan" and, more recently, Amazon's "Dr. Thorne" and HBO's juggernaut, "Game of Thrones" ("I loved the character and did it because my three grandkids, big fans of the show, wouldn't have forgiven me if I hadn't"). And, he first worked with "American Gods" producer Michael Green on the short-lived NBC drama, "Kings," a show (inspired by The Book Of Samuel) he calls "far too revolutionary for network television."

Other notable small screen roles include his appearance in David Wolper's landmark miniseries "Roots" (as the British cockfighting aficionado), "Whose Life Is it Anyway?," Heathcliff in the 1967 miniseries "Wuthering Heights" and Harold Pinter's Emmy-winning "The Caretaker." McShane has also played a variety of real-life subjects like Sejanus in the miniseries "A.D.," the title role of Masterpiece Theater's "Disraeli: Portrait of A Romantic" and Judas in NBC's "Jesus of Nazareth" (directed by Franco Zeffirelli).

McShane, who shows no signs of slowing down in a career now entrenched in its sixth decade ("acting is the only business where the older you get, the parts and the pay get better"), began his career during Britain's New Wave Cinema of the early 1960s. He landed his first lead role in the 1962 English feature "The Wild and the Willing," which also starred another acting upstart and fellow Brit - McShane's lifelong friend, the late John Hurt. McShane later revealed that he had ditched class at the Royal Academy of Dramatic Art to audition for the role.

Since that 1962 motion picture debut, McShane has enjoyed a fabulous run of character roles such as the sinister Cockney mobster, Teddy Bass, opposite Ray Winstone and Ben Kingsley in "Sexy Beast"; the infamous pirate, Blackbeard, alongside Johnny Depp and Penelope Cruz in "Pirates of the Caribbean: On Stranger Tides"; and Richard Burton's bi-sexual partner, Wolfie, in the 1971 heist film, "Villain." He gave Hayley Mills her first onscreen kiss as a smoldering gypsy in 1965's "Sky West and Crooked," was part of the stellar ensemble cast (James Mason, James Coburn, Dyan Cannon) in the Stephen Sondheim-Anthony Perkins scripted big screen mystery, "The Last of Sheila," and played a retired sheriff with a violent past opposite Patrick Wilson in the gritty drama, "The Hollow Point."

Other film credits include Guy Hamilton's all-star WWII epic, "The Battle of Britain," the romantic comedy "If It's Tuesday, This Must Be Belgium," "Pottersville," "Hercules," "Snow White and the Huntsman" and "Jawbone" (reuniting with fellow Brit Ray Winstone in both), "Jack the Giant Slayer," Woody Allen's "Scoop," Rodrigo Garcia's indie drama "Nine Lives" (Gotham Award nominee for Best Ensemble Performance) and the darkly perverse crime drama, "44 Inch Chest," a film in which McShane not only starred, but also produced.

While also making his professional theatre debut in 1962 ("Infanticide in the House of Fred August," Arts Theatre, London), McShane appeared onstage in the original 1965 production of Joe Orton's "Loot." Two years later, he starred alongside Ian McKellen and Judi Dench in the hit stage play, "The Promise," a production which transferred to Broadway in 1967 (with Eileen Atkins replacing Dench). He would return to Broadway one more time forty years later (2008), starring in the 40th anniversary staging of Harold Pinter's "The Homecoming," for which he shared a Drama Desk Award as Best Cast Ensemble.

McShane also returned to the West End boards in 2000, charming audiences as the seductive, sex-obsessed Darryl Van Horne while making his musical stage debut in Cameron Mackintosh's "The Witches of Eastwick," an adaptation of the 1987 film. At the esteemed Matrix Theatre in Los Angeles, he appeared in Harold Pinter's "Betrayal," and John Osborne's "Inadmissible Evidence," earning a pair of Los Angeles Drama Critics' Awards for Lead Performance in the process. He also starred in the world premiere of Larry Atlas' "Yield of the Long Bond."

In addition to his work in front of the camera, McShane is also well-known for his voiceover work, with his low, distinctive baritone on display in a variety of projects. He voiced the eccentric magician, Mr. Bobinsky, in Henry Selick's award nominated "Coraline" (scripted by "American Gods" author Neil Gaiman), lent a sinister air to Tai Lung, the snow leopard adept at martial arts, in "Kung Fu Panda" (Annie Award nominee), and created the notorious Captain Hook in "Shrek the Third." He also narrated Grace Jones' 1985 album, Slave to the Rhythm, succumbing to producer Trevor Horn's request to take the job because, per Horn," Orson Welles was dead, and I needed a voice." The album sold over a million copies worldwide. In the virtual reality domain, he recently lent his voice to the award- winning VR animated short "Age of Sail" in the role of the elderly sailor, William Avery, adrift alone in the North Atlantic.

After almost sixty years entertaining audiences across the performance spectrum, McShane admits he did not set out for a career in the footlights while growing up in Manchester, England (he was actually born in Blackburn). It was by unexpected circumstances after McShane broke his leg playing soccer that he ended up performing in the school play production of Cyrano De Bergerac where he met his life-long friend and teacher, Leslie Ryder. Before he knew it, he auditioned for the Royal Academy of Arts where he was accepted and then left a term early to appear in the film, "The Wild and The Willing".

McShane never looked back.

Erika Maya Eleniak was born on September 29, 1969 in the Los Angeles suburb of Glendale, California. She is the eldest daughter in a family of four girls and one boy. Erika began her acting career at the age of 10, starring in numerous productions for television, film, commercials and theater. Her first film role was in the science fiction blockbuster E.T. the Extra-Terrestrial (1982), by Steven Spielberg. Her film credit given was "Pretty Girl". Erika was spotted by a talent scout working for Steven Spielberg in a performer's audition showcase. Erika's mother was very determined for Erika to have a normal childhood and finish school, so Erika worked a couple of jobs a year throughout childhood and adolescence, until after graduating from high school.

It was directly after this, that Erika joined the original cast of the television series Baywatch (1989) and stayed there for the first two years. Erika decided to leave the series after it changed direction. She wanted to venture out into other avenues and so began a successful film career. Erika starred in such films as Under Siege (1992), The Beverly Hillbillies (1993), Chasers (1994), A Pyromaniac's Love Story (1995), Bordello of Blood (1996), among many others. Erika has also done many independent films and cable movies. Her credits include writing, hosting and producing, as well.

Erika's television work also includes a guest-starring role on CSI: Miami (2002) and a guest-starring role, rumored to be reoccurring, on Desperate Housewives (2004).

Sasha Bianca Lane is an American actress. She made her film debut in American Honey (2016) directed by Andrea Arnold.

Lane was born in Houston, Texas and grew up in Dallas, Texas. Her father is African-American, and her mother, who is from New Zealand, is of European and Maori descent. After her parents divorced when she was young, Lane went to live with her mother, moving several times near Dallas before settling in Frisco, Texas. Prior to becoming an actress, Lane worked as a waitress at a restaurant in Frisco, Texas and was also a stand-out athlete on basketball, track, and field teams. She attended Texas State University in San Marcos, Texas, but left.

Lane made her film debut in the critically acclaimed and award-winning American Honey (2016), a film about magazine crews, written and directed by Andrea Arnold, starring opposite Shia LaBeouf and Riley Keough. Arnold spotted Lane sunbathing on a beach while on spring break. Lane said in an interview that she "felt Arnold's vibe and decided to trust Arnold for an audition."

The film had its world premiere on May 15, 2016 at the Cannes Film Festival, where it won the Prix du Jury. The film was released in a limited release on September 30, 2016, by A24. In 2017, Lane starred in Born in the Maelstrom, a short film directed by Meryam Joobeur, In 2018, Lane starred in Hearts Beat Loud, opposite Nick Offerman and Kiersey Clemons, directed by Brett Haley, and The Miseducation of Cameron Post directed by Desiree Akhavan.

In 2019, Lane will appear in Hellboy, directed by Neil Marshall, and Daniel Isn't Real directed by Adam Eygpt Mortimer.

While promoting her 2018 film The Miseducation of Cameron Post during the Sundance Film Festival press junket, Lane stated she is gay. She had previously called herself bisexual. She lives in Los Angeles.

Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning an honorary doctorate from Boston Conservatory.

Kahn's best-known work came in the Mel Brooks films, but she was a standout in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).

On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.

Anaïs Demoustier was born on 29 September 1987 in Lille, Nord, France. She is an actress, known for Sweet Evil (2010), The Snows of Kilimanjaro (2011) and All About Them (2015). She was previously married to Sébastien Pouderoux.

Halsey was born Ashley Nicolette Frangipane on September 29, 1994 in Edison, New Jersey to Nicolette "Nicole" Frangipane (née Jacobs), an emergency medical technician & Christopher Michael "Chris" Frangipane, a car dealer. She is of Italian, Hungarian, and Irish descent on her mother's side and African-American on her father's side. Growing up, Halsey played the violin, viola, and cello until moving onto the acoustic guitar when she was 14. In one of her first interviews, Halsey stated she was diagnosed with bipolar disorder around the age of 16 or 17. When she was 18, Halsey encountered financial trouble and music became a way to pay her rent. She played numerous acoustic shows in different cities under various stage names. She chose "Halsey" as her moniker because it is an anagram of her real name as well as a street in Brooklyn where she spent a lot of time as a teenager. Halsey originally planned on going to college to major in fine arts, but after realizing she could not afford it, she instead enrolled in a community college as a creative writing major.

In an interview, Halsey allegedly used the term "tri-bi" (biracial, bisexual, and bipolar) to identify herself, although she has since distanced herself from it, claiming she was misquoted.

Luke Goss started his acting career playing 'Danny Zuko' in the smash hit musical Grease, on London's West End, and later toured with the production throughout the United Kingdom. He established himself as a screen actor in 2002 with performances in two very different features: David Goyer's independent drama ZigZag, with John Leguizamo, Oliver Platt, Natasha Lyonne and Wesley Snipes; and Guillermo Del Toro's supernatural action feature Blade II, with Snipes and Ron Perlman. The following year, he starred in the title role of the critically acclaimed British gangster film Charlie, and in the role of the monster in the Emmy Award-winning Hallmark miniseries Frankenstein, with Donald Sutherland and William Hurt. In 2005, Goss traveled to India to play the role of King Xerxes in the Biblical epic One Night With The King, opposite Omar Sharif and Peter O'Toole, firmly establishing him as a versatile actor. He then went on to star in The Man, with Samuel L. Jackson and Eugene Levy; Mercenary, with Steven Seagal; Bone Dry, with Lance Henriksen; Unearthed, with Emmanuelle Vaugier; Deep Winter, with Michael Madsen; and Shanghai Baby, with Bai Ling. 2008 reunited Goss with Guillermo Del Toro in Universals Hellboy II: The Golden Army, the sequel that opened in the number one spot at the U.S. box office. The role earned Goss 2 MTV Movie Award nominations. He had the starring role in Tekken, a sci-fi feature thriller based on the popular video and arcade game. He has completed filming his first role for Network Television in JJ Abrams "Fringe". Luke has also played leading roles in Across The Line, Blood Out, and has taken over Universals Death Race franchise, firmly establishing him as a leading man.

He was born in Lewisham, London, to Carol (Read) and Alan Goss.

Mackenzie Crook, one of British comedy's best-known faces, who collected Star Wars figurines as a child, is now immortalized in plastic as a six-inch-high pirate action figure. He was born Paul Mackenzie Crook on September 29, 1971, in Maidstone, Kent, England, UK. His father worked for British Airways. His mother was a hospital manager. He went to grammar school in Dartford, and did his first plays there. In the summers, he spent time with his uncle in Zimbabwe.

Young Mackenzie Crook expressed his creativity through painting and even copied a pre-Raphaelite's painting on to the back of his biker's jacket. He also joined a local youth theater. At the age of 18, he failed to secure a place at art college and turned to writing comedy sketches. Crook ended up working at Pizza Hut, and at hospitals. However, the principal of the youth theater believed in his potential and became his manager, guiding Crook to a career as a stand-up comedian. In 1996, he made his film debut in The Man Who Fell in Love with a Traffic Cone! (1996). In 1997, Crook was scouted by Bob Mortimer at the Edinburgh Festival. Soon he made his debut on television as a stand-up comedian on The 11 O'Clock Show (1998), then worked on other TV shows playing grotesques and exaggerated characters.

He shot to fame as Gareth Keenan, a quirky geek with a funny haircut in a TV hit comedy, The Office (2001), and earned himself a British Comedy Award nomination. He also was a member of the main cast of the BBC show "TV to Go" (2001)_. After that, Crook shared the screen with Al Pacino in The Merchant of Venice (2004), with Heath Ledger in The Brothers Grimm (2005), and with Johnny Depp in Finding Neverland (2004). Depp bonded with Crook during the making of 'Neverland' and it was Depp who recommended him for the part of Ragetti, his best-known role, in Pirates of the Caribbean: The Curse of the Black Pearl (2003) and the sequel Pirates of the Caribbean: Dead Man's Chest (2006). Crook is also billed as Ragetti in the third installment of the 'Pirates' franchise, Pirates of the Caribbean: At World's End (2007).

After having spent about a decade on a stand-up comedian circuit, Crook made a perfect tool out of that character-actor face and added experience to his effortless style. It is in the 'Pirates' trilogy that Mackenzie Crook had showed his funniest and widest variety of emotions, effortlessly shifting his facial expression from a deep philosophical pensiveness to a grotesque excitement, and from a comically exaggerated fear to such a gleeful exuberance while removing his wooden eyeball. For that particular scene he was wearing two contact lenses sandwiched on top of each other.

In 2004, Crook appeared as Billy Bibbit opposite Christian Slater in the West End stage production of "One Flew Over The Cuckoo's Nest," which initially opened at Gielgud Theatre and then was shown at the Edinburgh Theatre Festival. At the same time, Crook has been writing a script for his own future project; he describes it as a period production that is set in London around the same period as the 'Pirates' movies.

Mackenzie Crook has been enjoying a happy family life with his wife, Lindsay, a former advertising executive and club owner, and their son Jude (born in 2003). He is fond of gardening and is also focused on maintaining an organic way of life. He resides with his family in Peter Sellers' old art-deco house in Muswell Hill, North London, England.

Best known as "Lacey Underall" in Caddyshack (1980), and "Yori" in Tron (1982), Cindy Morgan was born Cynthia Ann Cichorski on September 29, 1954 in Chicago, Illinois, not far from Wrigley Field. The daughter of a Polish factory worker and a German mother, Cindy attended 12 years of Catholic school and was the first in her family to attend college.

While studying communications at Northern Illinois University, Cindy spun records on the radio. A commercial station in town wanted her to report the news for them as well, so a slight deception was needed. She used the name Cindy Morgan, taken from a story she read about Morgan le Fay when she was 12 years old.

After graduation, Cindy gave all the latest meteorological news on a TV station in Rockford, Ill. She also kept her hand in radio by working the graveyard shift at a local rock station. Then she returned to Chicago and deejayed on WSDM (now WLUP). During a labor dispute at the station, she literally quit on the air and walked out with a record still spinning on the turntable.

Cindy found employment at auto shows for Fiat, which took her to both coasts. She moved to Los Angeles in 1978 and became the Irish Spring girl. While she did TV commercials, she studied acting, and was rewarded with her first screen role in "Caddyshack", playing the role of "Lacey Underall", an over-amorous ingénue.

David Del Rio is a Latinx actor, director, producer, and writer. He has appeared in and developed several well-known film, television, and theatre productions. David can be seen as a series regular 'Billy,' a charismatic young associate a few years out of law school and assigned to work on one of the firms biggest cases, alongside Kathy Bates in the new CBS drama, "Matlock".

Del Rio's professional career began after graduating from the New York Conservatory for Dramatic Arts when he landed the part of 'Felix Garcia' on Nickelodeon's "The Troop." In between seasons, he made his Broadway debut in Lin Manuel Miranda's hit musical "In the Heights." His acting career continued from there when hit films such as Universal's "Pitch Perfect," Blumhouse's "The Belko Experiment," and Netflix's "A California Christmas" and "A California Christmas: City Lights." Critically-acclaimed television events such as Fox's "Grease Live!", and starring in ABC's rom-com "The Baker and The Beauty" also graced his resume. David's most recent television work was in Hulu's "Maggie" as co-lead 'Ben' with Rebecca Rittenhouse.

When not in front of the camera, Del Rio digs deep behind the camera, directing feature films. His films, "Sick for Toys" and "Road Head" are currently available on Amazon Prime. He's co-founder of production company Theatre Row Productions along with his producing partner and wife, Katherine Del Rio. The production company's first feature film, "The Big Feed," is currently in post-production.

Del Rio has a passion for helping the younger generation. He is currently part of the mentoring program, ICouldBe, where they provide high school students with an online community of professional mentors, empowering teens to thrive in school and plan for future careers. In his spare time he also directs demo reels for students at his alma mater. He has a newly discovered passion for travel, road tripping across United States with his wife and backpacking across Europe. When he's not busy working, David gives all his time and energy to fatherhood.

A Colombian-Cuban of Miami, Florida., Del Rio now lives in Austin, Texas. with dreams of spending time again in New York City.

Diana Dale Dickey is an American actress who has worked in theater, film, and television. Dickey won the Independent Spirit Award for Best Supporting Female for her performance as Merab in the 2010 independent drama film Winter's Bone. She is also known for her character roles in a number of mainstream and independent films as of the early 2000s, and for recurring performances in television shows such as My Name Is Earl, Breaking Bad, True Blood, and Justified. She also appeared on the television series Vice Principals on HBO.

Ben Miles trained at the Guildhall School of Music and Drama, following next a memorable course of solid performances on both stage and screen, such as in the Old Vic's production of William Shakespeare's "Richard II" (as Bolingbroke) in 2005 alongside his father-in-law Gary Raymond and in Harold Pinter's "Betrayal" at The Harold Pinter Theatre in London's West End (known as Comedy Theatre at the time) with Kristin Scott Thomas and Douglas Henshall in 2011, directed by Ian Rickson. In 2014 Miles played Thomas Cromwell in the RSC (Royal Shakespeare Company) version of Hilary Mantel's novels "Wolf Hall" and "Bring Up the Bodies" in Stratford and at the Aldwych Theatre in London. In 2015 the RSC brought the plays to New York City, where his interpretation was nominated for Best Performance by a Leading Actor at the Tony Awards. Among others, his notable stage work in prolific plays also includes an acclaimed production of Alexi Kaye Campbell's "Sunset at the Villa Thalia" premiered in London at the National Theatre of Great Britain in May 2016, directed by Simon Godwin together with Elizabeth McGovern, Sam Crane, Pippa Nixon, Christos Callow, Glykeria Dimou and Eve Polycarpou in the brilliant cast.

Christine Michelle Metz is an American actress and singer. She played Kate Pearson in the television series This Is Us (2016-2022), which earned her nominations for a Primetime Emmy Award and two Golden Globe Awards. She has also appeared in films such as Sierra Burgess Is a Loser (2018) and Breakthrough (2019).

Wamiqa Gabbi is an Indian actress who works in Punjabi, Hindi, Tamil, Malayalam, and Telugu films.

Gabbi was born into a Punjabi family. Her father is a notable Hindi and Punjabi novelist. She studied at St. Xavier's School and completed her graduation from D.A.V College in Chandigarh.

Gabbi made her debut with the Hindi film Jab We Met (2007), in which she played one of Geet's (Kareena Kapoor) cousins. She then went on to feature in the Punjabi movie Tu Mera 22 Main Tera 22 (2013) with co-stars Yo Yo Honey Singh and Amrinder Gill. She received a nomination for the best supporting actress for her role at the PTC Punjabi Film Awards.

Over the years, she continued to feature in other Punjabi movies like Ishq Brandy (2014), Nikka Zaildar 2 (2017), Parahuna (2018), Dil Diyan Gallan (2019), and Nikka Zaildar 3 (2019).

Gabbi got her first lead role as Tanisha in Sixteen (2013) and then another in the Telugu film Bhale Manchi Roju (2015). From then on, she played the lead in various South Indian films, including the Tamil film Maalai Nerathu Mayakkam (2016) and the Malayalam film Godha (2017) with Tovino Thomas. She won the best debut actress award for her performance in Godha at the Flowers Indian Film Awards in 2018.

She bagged another Tamil film, Iravaakaalam, in March 2017, which was directed by Ashwin Saravanan, and starring Sshivada and S.J. Suryah. She also featured as the lead with Prithviraj Sukumaran and Mamta Mohandas in 9 (2019).

In 2021, she appeared in a small role in the movie '83 (2021), in which she played Annu Lal, Madan Lal's wife. In 2023, she did the Punjabi movie Kali Jotta (2023). She also did a short film titled Fursat (2023) with Ishaan Khatter, directed by Vishal Bhardwaj.

Besides films, Gabbi has appeared in web series like Eclipse (2021) on Hotstar, Mai (2022) on Netflix, and Modern Love Mumbai (2022) on Amazon Prime Video.

She has also appeared in several music videos like Ishq Haazir Hai (2015), Angreji wali Madam (2017), Akhil: Teri Khaamiyan (2018), 100 Percent Love Aata (2018), Kade Haan Kade Naa (2021), and Afsana Khan: Tere Laare (2021).

Writer, director, and producer Nicolas Winding Refn was born in Copenhagen, Denmark, in 1970 to Anders Refn, a film director, and editor, and Vibeke Winding (née Tuxen), a cinematographer. At the age of 8, NWR moved to New York with his parents, where he would stay for the rest of his youth. The grandeur and grit of 1980s Manhattan left a deep impression on the young NWR, who then only spoke Danish. Calling the city home ever since, he would devote his career to exploring the filmic legacy of this iconic cityscape, developing a distinctive, neo-noir cinematic style.

In 1987, NWR returned to Copenhagen to complete his high school education, but upon graduation, he swiftly returned to New York, where he attended the American Academy of Dramatic Arts. NWR's college years were cut short when NWR threw a desk at a classroom wall and was expelled from the Academy. Instead, he applied to the directing program at the distinguished Danish Film School and was immediately accepted. However, this education was also to be short-lived, as NWR dropped out a month before the start of the semester.

During these educational bouts, NWR experimented passionately with the short film format, writing, directing, and starring in his own productions. In 1993, an obscure Danish cable TV channel offered to air his short film Pusher, which led to the offer of a lifetime. NWR was given 3.2 million kroner (roughly USD 306,000) to transform the short into a feature. At 24 years old, NWR used the funding to write and direct the feature film Pusher (1996), a brutal portrayal of the criminal underworld of Copenhagen. Notorious, violent, and uncompromising in its social themes, Pusher won NWR instant national and international critical acclaim and remains a cult title amongst film aficionados. The success of his debut opened doors and spurred him to push the boundaries of filmmaking further, resulting in the similarly gritty Bleeder (1999), which portrayed a network of Copenhagen's working-class denizens living and working at the edge of the law. Highly stylized and focused on introverted emotional reactions to epic situations, this film was a turning point for shaping NWR's future career. Bleeder was selected for the 1999 Venice International Film Festival and won the prestigious FIPRESCI Prize in Sarajevo.

NWR's third feature, the much-anticipated Fear X (2003), was his first foray into English-language movies. Starring the award-winning actor John Turturro, Fear X premiered at the Sundance Film Festival. The film was highly divisive to critics, and its release was a massive financial disaster that left NWR broke and in debt. In dire desperation and needing to pay off his debt, NWR returned to Denmark to revisit his first feature film, the successful Pusher. NWR was reluctant to return to his past success but decided he could make commercially viable and artistically pleasing films in the Pusher franchise. Over the short course of two years, NWR managed to write, direct, and produce the two sequels, Pusher II (2004) and Pusher III (2005). The films' box office performance validated the success of the internationally renowned Pusher trilogy. In 2005, the Toronto Film Festival held a Pusher retrospective showing all three features, cementing its worldwide phenomenon. Around this time, while still looking for financial stability following his Fear X experience, NWR took a quick gig directing an episode of the iconic UK television mystery series Agatha Christie's Marple (2004).

With such critical acclaim from the newly released Pusher II and Pusher III, NWR's reputation as a writer, director, and producer was solidly reaffirmed in the film industry. NWR and his wife, Liv Corfixen, were the subjects of an acclaimed documentary, Gambler (2006), which premiered at the Rotterdam International Film Festival in 2005. In addition, NWR received two lifetime-achievement awards: one from the Taipei International Film Festival in 2006 and the second from the Valencia International Film Festival in 2007. Gambler won the Emerging Master Award from the Philadelphia International Film Festival 2005.

Longtime UK based distributor and friend of NWR, Rupert Preston, urged him to accept an offer to write and direct Bronson (2008), an ultra-violent and stylistically surreal film following the real-life landmarks and self-entrapment of Charles Bronson, Britain's most notorious criminal. Even before the film was released, Bronson made waves inside and outside the film industry. The 2009 Sundance Film Festival selected the film for its World Cinema Dramatic Competition, and Bronson soon became the talk of the festival. With such a prestigious premiere, Bronson was chosen for other major international film festivals and reaped substantial box-office results. But even with such a buzz surrounding the film, no one could predict how the British press would bite at Bronson's bit. The content was close to the knuckle, the subject matter controversial, but NWR's take on this was even more inspired, leading him to be labeled by the British media as the next great auteur of European cinema. The film won Best Film at the 2009 Sydney Film Festival. Tom Hardy also won a Best Actor award at the 2009 British Independent Film Awards for his portrayal of Charles Bronson.

Following the highly successful Bronson, NWR embarked on another English-language, and his first digitally shot, feature film, Valhalla Rising (2009), inspired by a story his mother would read to him at the age of five, about a father and son who embark on a trip to the moon. He creatively embraced not recalling the ending of this story, solidifying his longtime fascination with the unknown. The film, starring frequent collaborator Mads Mikkelsen, premiered at the 2009 Venice Film Festival and led the world media to coin his distinctive filmic style as "Refn-esque."

In 2011, NWR directed the American neo-noir crime drama Drive (2011), starring rising Hollywood star Ryan Gosling. It premiered in competition at the 2011 Cannes Film Festival, where it received a standing ovation, with NWR winning the award for Best Director. The film was praised for its direction, cinematography, actors' performances, visuals, action sequences, and musical score. However, some critics were appalled by its graphic violence, finding it potentially detrimental to the film's box office success. Nonetheless, the film was still a commercial success, grossing $81 million against a production budget of $15 million. Several critics listed Drive as one of the best films of 2011, including the National Board of Review. Its honors include a nomination for Best Sound Editing at the 84th Academy Awards. Shortly after the massive success of Drive, Nicolas signed a two-picture deal, which led to the feature films Only God Forgives (2013) and The Neon Demon (2016).

The incredibly anticipated follow-up to Drive, Only God Forgives (2013), was a crime thriller set in Bangkok starring Ryan Gosling (now a top name in Hollywood) and cinematic veteran Kristin Scott Thomas, premiering in competition at the 2013 Cannes Film Festival. It was shot on location in Thailand and was dedicated to Chilean director Alejandro Jodorowsky, a longtime friend of Nicolas. The film competed for the Palme d'Or at the 2013 Cannes Film Festival. The film won the Grand Prize at the Sydney Film Festival. Nicolas's experience making the Only God Forgives was documented by his wife, Liv Corfixen, in the film My Life Directed By Nicolas Winding Refn (2014). Corfixen's documentary, in turn, premiered at Fantastic Fest in Austin, TX, and at Beyond Fest in Los Angeles, CA, to positive reviews.

In November of 2014, NWR, alongside co-producers Gaumont Film Company and Wild Bunch, announced that his next film would be titled The Neon Demon (2016). The Neon Demon would be filmed in Los Angeles, CA, in early 2015. The film featured a cast of some of Hollywood's greatest names, including Elle Fanning, Karl Glusman, Keanu Reeves, Christina Hendricks, Abbey Lee, Jena Malone, and Bella Heathcote. On April 14, 2016, it was announced that the film would compete for the Palme d'Or at the 2016 Cannes Film Festival, marking it as the third consecutive film directed by NWR that had competed for the Palme d'Or. After The Neon Demon, Nicolas decided to take a turn and explored the path of the long-form narrative streaming series, starting with Too Old to Die Young (2019) and ending with Copenhagen Cowboy (2022).

In 2019, Nicolas created his first television series, Too Old to Die Young (2019), which premiered on Amazon Prime 2019. The thirteen-and-a-half-hour, ten-episode streaming neo-noir series was written by NWR and legendary comic book author Ed Brubaker, with NWR directing all ten episodes. The series starred Miles Teller alongside William Baldwin, Jena Malone, John Hawkes, Cristina Rodlo, Augusto Aguilera, Nell Tiger Free, Babs Olusanmokun, and Callie Hernandez, as well as Hart Bochner. The series features NWR's fourth collaboration with composer Cliff Martinez, whose original score for Drive had become an instant classic. Episodes four and five of the series premiered out of competition at the 2019 Cannes Film Festival on May 18. The full series was released on Amazon Prime Video on June 14 of the same year.

NWR followed up Too Old to Die Young with yet another limited streaming series, Copenhagen Cowboy (2022), produced by Netflix. The series follows enigmatic young heroine, Miu (Angela Bundalovic), who after a lifetime of servitude and on the verge of a new beginning, traverses the ominous landscape of Copenhagen's criminal netherworld. Searching for justice and enacting vengeance, she encounters her nemesis, Rakel, (Lola Corfixen) as they embark on an odyssey where the two young women discover they are not alone, they are many. It was shot in NWR's native Copenhagen, where he hadn't filmed since completing his Pusher trilogy. NWR created and directed all six episodes. The six-episode supernatural noir-thriller first premiered at the Venice Film Festival in 2022. The series was released on the Netflix platform on January 5, 2023. A documentary entitled Copenhagen Cowboy: Nightcall with Nicolas Winding Refn (2023) and directed by Nicklas Kold Nagel, was released on Netflix detailing the limited series production.

After Copenhagen Cowboy, NWR was contacted by Prada to create an installation as a backdrop for their SS23 women's collection fashion show in addition to directing a 30-minute short film, Touch of Crude (2022). The short film follows three different women, played by NWR's wife, Liv Corfixen, and daughters, Lola Corfixen and Lizzielou Corfixen, who discover a mysterious entity and unearth its enigmatic secret. The film marked the first collaboration with Prada, which simultaneously premiered at the León Film Festival in 2023.

Jill Whelan was born on 29 September 1966 in Oakland, California, USA. She is an actress and writer, known for The Love Boat (1977), Airplane! (1980) and CBS Schoolbreak Special (1984). She has been married to Jeff Knapple since 30 September 2017. She was previously married to Michael Chaykowsky and Brad St. John.

Roger Bart was born on 29 September 1962 in Norwalk, Connecticut, USA. He is an actor, known for The Producers (2005) and American Gangster (2007).

James Lance was born on 29 September 1975 in Southampton, Hampshire, England, UK. He is an actor and writer, known for Northern Soul (2014), Bronson (2008) and Marie Antoinette (2006). He has been married to Kate Quilton since 2016. They have one child.

Kerstin Anita Marianne Ekberg was born on September 29, 1931 in Malmo, Sweden. Growing up with seven brothers and sisters was not an adventure, but Anita's adventure began when she was elected Miss Sweden in 1950. She did not win the Miss Universe contest but she got a modeling contract in the United States. She quickly got a film contract with Howard Hughes's RKO that did not lead anywhere (but Anita herself has said that Hughes wanted to marry her). Instead, she started making movies with Universal, small roles that more often than not only required her to look beautiful. After five years in Hollywood, she found herself in Rome, where Federico Fellini's La Dolce Vita (1960) meant her breakthrough. She stayed in Italy and made around 20 movies during the next ten years, some roles memorable, some to be forgotten. Her two marriages gave her a great deal of attention from the press. During the 1970s, the roles became less frequent, but she made a marvellous comeback with Fellini's Intervista (1987).

Anita Ekberg retired from acting in 2002 after 50 years in the motion picture industry. In December 2011, she was destitute following three months in a hospital with a broken thigh in Rimini, during which her home was robbed of jewelry and furniture, and her villa was badly damaged in a fire. Ekberg applied for help from the Fellini Foundation, which also found itself in difficult financial straits. She died at age 83 from complications of an enduring illness on January 11, 2015 at the clinic San Raffaele in Rocca di Papa, Italy. Ekberg had a new film project with exclusively female Italian producer "Le Bestevem", in which her character, as movie star, should have been recovered again as an icon of the silver screen, a project that was interrupted by her death.

Her funeral was held on January 14, 2015, at the Lutheran-Evangelical Christuskirche in Rome, after which her body was cremated and her remains were buried at the cemetery of Skanor Church in Sweden.

She was surrounded by Hollywood glamor from the onset as the daughter of film star Natalie Wood and British producer/writer/agent Richard Gregson, who was briefly married to Wood between her two marriages to actor Robert Wagner. Natasha Gregson was born on September 29, 1970, in Los Angeles. Her mother was of Russian heritage and was christened Natalia but affectionately nicknamed Natasha during her childhood -- hence, the name. Her parents separated before Natasha was even a year old and when Natalie remarried Wagner a year later, Natasha was informally adopted by her famous stepdad. It's hardly surprising, therefore, that the young girl expressed an early interest in acting. The tragic Catalina Island drowning of her mother in 1981, when Natasha was only 11, left deep emotional scars that would ultimately carry into the dark-edged roles she would play in Hollywood.

The naturally beautiful dark-eyed and dark-haired actress certainly bears more than a passing resemblance to her famous mom. Unlike Natalie, however, Natasha has downplayed the glamour and displays a quirky, ditsy-like appeal. Refusing to conform to Hollywood standards, she has instead carved out her own individual path, finding herself much more attracted to offbeat and unconventional material. She debuted in a minor part in Buffy the Vampire Slayer (1992) and initially went around playing cute and plucky in such innocuous TV-movie fare as The Shaggy Dog (1994), the remake of the 1950s Disney classic, and the juvenile delinquent 1950s spoof Dragstrip Girl (1994), which easily recalled her mother's own classic Rebel Without a Cause (1955). In 1995 Natasha had a top role in one of the "Hart to Hart" TV mini-movies that served to reunite her onetime stepfather with his former co-star Stefanie Powers.

Natasha started creating a major buzz shortly thereafter as her characters grew edgier, uninhibited and more risk-taking. In David Lynch's Lost Highway (1997) she turned heads as Balthazar Getty's cheating girlfriend, and played an adulterous wife in Quiet Days in Hollywood (1997). The ball really started rolling with her standout role as the feisty, street-savvy Lou in the improvisation-styled romantic triangle Two Girls and a Guy (1997). With Robert Downey Jr. and Heather Graham, the film truly captured Natasha's gift for gab and off-the-wall magnetism. From there she continued to offer solid work in hit-and-miss showcases. She co-starred with Giovanni Ribisi in the sexy, no-holds-barred First Love, Last Rites (1997) as a white-trash couple who assertively reevaluate their relationship between the sheets. In Dogtown (1997) she played the mentally slow daughter of whacked-out Karen Black, and in Another Day in Paradise (1998) she played a druggie who is taught the ropes of thievery by pros James Woods and Melanie Griffith. Although Natasha has taken a couple of U-turns into the mainstream, notably as a decapitated victim in the slasher horror opus Urban Legend (1998), they have been few and far between.

During the filming of the well-received John Cusack film High Fidelity (2000), Natasha and the film's screenwriter/co-producer D.V. DeVincentis became an item, and the couple married in 2003. She continued her affinity for the weird but compelling with the films Glam (1997), The Medicine Show (2001), Wishing Time (2003) and Wonderland (2003), the last one a sensationalized account of the true-life mass murder committed by Los Angeles dope dealers in which drug-ravaged porn star John Holmes was involved -- Natasha portrayed one of the victims.

Divorced from DeVincentis, in 2012 Natasha gave birth to a daughter, Clover Clementyne (named after Natalie's film Inside Daisy Clover (1965)) by actor Barry Watson before marrying him in 2014. Watson has two sons from a previous marriage. Later millennium credits include A Kiss and a Promise (2011), Anesthesia (2015), Search Engines (2016) and Thirty Nine (2016). Seen more on TV, she appeared as a regular on the crime mystery series Pasadena (2001) and as a recurring character on the sci-fi series The 4400 (2004). She also had guest shots on Medium (2005), Cold Case (2003), ER (1994), CSI: Crime Scene Investigation (2000), House (2004), The Closer (2005) and Date My Dad (2017).

This alluring hazel-eyed 1940s leading lady was born Ardis Ankerson on the Philippine island of Negros, one of two siblings. Her father was Otto Peter Ankerson who held an important position as overseer of a large sugar plantation. Following the premature death of her mother in 1925, Ardis and her sister were packed off to San Antonio to complete their education. Ardis was voted Freshman Class Beauty of 1934 at Texas State College, acted in amateur dramatics and worked hard on diction and improvisation. By then, she was clearly determined to become a professional actress. Following her graduation, she moved to New York where she studied drama under the tuition of actor Richard Gaines (and eventually married him in 1936). Gaines helped her secure acting work in stock companies under the Federal Theatre Project, sponsored by the Works Progress Administration as part of the New Deal. While in New York, Ardis successfully auditioned for Paramount, but studio executives dropped the option to sign her due to what they deemed her excessive salary demands. Warner Brothers viewed the screen test some time later and proved less squeamish about picking her up. With the inevitable name change prompted by the studio, 'Brenda Marshall' went Hollywood. During her tenure in Tinseltown, she made it clear to friends and co-workers alike, that she be addressed not by her studio-fabricated cognomen, but by her given name (with the addition of her married name of Gaines).

Brenda made an almost immediate impact in her fourth outing for Warners as Doña Maria, providing the romantic interest in Errol Flynn's classic swashbuckler The Sea Hawk (1940). This should have established the brunette beauty as a tangible box office attraction. Alas, only routine material followed and Brenda saw out the remainder of her contract as exotic leads in second features like East of the River (1940), South of Suez (1940) and Singapore Woman (1941). There were to be two more A-grade productions, but Brenda ended up playing second fiddle to James Cagney's aviation heroics in Captains of the Clouds (1942) and was overshadowed in the charisma department by Joan Fontaine and Alexis Smith in The Constant Nymph (1943). By 1950, she quit the acting profession and devoted herself to other causes. A year after her divorce from Gaines in 1940, Brenda had wed the actor William Holden in Las Vegas. She was of help to him in setting up the Mt. Kenya Safari Club as a means of protecting African wildlife. The couple seemed content for a while. However, the marriage proved to be increasingly volatile and began to unravel by 1963, ending up in divorce eight years later. Brenda died from throat cancer in Palm Springs in 1992 at the age of 76.

Alexis Cruz (SAG-AFTRA) is a veteran actor, and writer-director-producer. He starred in the title role in HBO's Emmy winning "P.O.W.E.R.: The Eddie Matos Story", in "The Old Man and the Sea" opposite Anthony Quinn, in Larry McMurtry's "The Streets of Laredo" with Sam Shepard and Sissy Spacek, as well as "Stargate" with Kurt Russell and James Spader; later recurring on the hit SyFy show "Stargate SG1" in his original role of, Skaara.

Alexis is a two time ALMA award nominee, and recurred as the angel, Raphael, on CBS' "Touched By An Angel" with Roma Downey and Della Reese before going on to play, Martin Allende, on CBS' "Shark" with James Woods. He has also appeared on "Castle" with Nathan Fillion, in Gregory Nava's "Why Do Fools Fall In Love?" With Larenz Tate, and in Sam Raimi's "Drag Me to Hell".

In addition to his many film and television credits, Alexis Cruz narrated and produced the audio book series "The Catherine Kimbridge Chronicles" for Amazon, and is a creator of the graphic novel series "The Unprofessionals: A Sociopathic Bromance". Alexis lives in NYC, and is a Founding Partner for The Mythmaker Group, an IP development cooperative.

Lizabeth Scott was born Emma Matzo in Scranton, Pennsylvania, the oldest of six children of Mary (Pennock) and John Matzo, who were Slovak immigrants. Scott attended Marywood Seminary and the Alvienne School of the Theatre in New York City, where she adopted the stage name of "Elizabeth Scott." After doing a national tour of Hellzapoppin, she was discovered by Broadway producer Michael Myerberg in 1942. Scott was the understudy for Tallulah Bankhead in the original Broadway production of "The Skin of Our Teeth." Later in 1943, a Warner Brothers producer, Hal B. Wallis, discovered Scott at her 21st birthday party held at the Stork Club in New York. Wallis scheduled an interview with Scott the following day, but Scott canceled it when a telegram asked her to replace Miriam Hopkins at the Boston production of The Skin of Our Teeth.

In 1944, Scott was invited to Los Angeles by agent Charles K. Feldman, who saw her photos in "Harpers Bazaar." After failed screen tests at Universal, International, then Warner Brothers, Scott again met Wallis, who said he would hire her if he had the power. Scott mistakenly believed that Wallis was as powerful as Jack L. Warner, and did not believe him. The day Scott left for New York, she read in Variety that Wallis resigned from Warner and formed his own production company, releasing films primarily through Paramount. A few months later, she returned from New York and was finally signed to Paramount. Scott appeared in 21 films between 1945 and 1957, though loaned out for half of her films to United Artists, RKO and Columbia. When Scott was introduced to the public in 1945, Paramount publicity releases, exaggerating her background, claimed Scott was a debutante, that her grocer father was an English-born, New York banker, and that her mother was a White Russian aristocrat.

Scott's first film was You Came Along (1945), with Robert Cummings as the leading man. This Ayn Rand scripted film introduced the 23-year old smoky blonde to the American public. In a role originally intended for Barbara Stanwyck, Scott played a US Treasury PR flack that falls in love with an Army Air Force officer, who tries to hide his terminal leukemia. Despite Scott's difficulties with director John Farrow, who lobbied for Teresa Wright, the film remains one Scott's favorites.

On the strength of her first performance, Wallis starred Scott in The Strange Love of Martha Ivers (1946) over Stanwyck's protests. Scott ended up in third place at the top behind Stanwyck and Van Heflin, with Kirk Douglas, in his film debut, billed below the three stars. The film is actually two in one, with Stanwyck and Scott inhabiting two parallel worlds, both linked by Heflin. The female leads have only one brief scene together. The director, Lewis Milestone, swore never to work with Wallis again, who wanted to re-shoot all of Scott's scenes, which Wallis had to do personally. The film boasts an Oscar nominated screenplay by screenplay by Robert Rossen, music by Miklós Rózsa, art direction by Hans Dreier, and costumes by Edith Head.

In Scott's third film, she is cast with Humphrey Bogart in Dead Reckoning (1946). It is Scott's first crack as the archetypal femme fatale. In Dead Reckoning she lures Bogart into a web of lies, and deceit. As is typical in the noir genre, her power is rooted in her beauty and sexual allure. In a departure from his tough guy roles, Bogart plays a wronged man (a noir hero), who struggles to learn the fate of a missing army buddy. Scott is the ex-girlfriend who knows more than she lets on. To keep Bogart from learning the truth about his lost friend and his mysterious double life, Scott seduces him into believing she loves him.

In her fourth film, Scott appeared in the second noir to be shot in color, Desert Fury (1947), a coming-of-age story scripted again by Robert Rossen, based on the novel "Desert Town" by Ramona Stewart. Mary Astor is Fritzi Haller, a casino and bordello owner who runs the corrupt town of Chuckawalla, Nevada. She controls everyone in town, including the judge and sheriff's office. The only one who dares defy Fritzi is her rebellious daughter Paula (Scott), who returns home after being expelled from another private school. When John Hodiak, a professional gambler, comes to town, Paula falls in love with him and trouble ensues. Then newcomers Burt Lancaster, and Wendell Corey also appear.

In 1947, Scott was again cast with Lancaster and Kirk Douglas in I Walk Alone (1947), a story of betrayal and vengeance. Scott plays a nightclub singer who provides sympathy and support to Lancaster, recently released from prison to collect a debt, but is double-crossed by the Douglas character. Scott rises above it all and is completely convincing in her portrayal. Scott's character provides a degree of romanticism and humanism usually lacking in film noir.

Film number seven was Pitfall (1948). Dick Powell played a middle-level insurance investigator, married to his high school sweetheart, Jane Wyatt. They living out a comfortable but boring existence in a post-war Los Angeles suburb. Powell is restless and unfulfilled ("I feel like a wheel within a wheel within a wheel") when he receives what at first seems like a routine assignment to recover goods that have been bought with stolen money, a claim paid off by Powell's firm. The items are traced to Mona Stevens (Scott), a model living in Marina Del Rey. Powell is attracted to her, and what starts out as innocent flirtation ends up in a passionate love affair. Powell's journey into a daydream turns into a nightmare as he becomes a prisoner in his own home and kills an assailant, who has been set on his trail by a jealous private investigator, played by Raymond Burr. Meanwhile, the Burr character also blackmails Mona into doing private "fashion shows."

In Too Late for Tears (1949), Scott played an avaricious Jane Palmer, a wife who goes to any length to keep $60,000 that is accidentally thrown in the back of her husband's car. She eventually leaves behind a string of bodies in an effort to keep the money. This film is widely regarded by critics and viewers alike as Scott's best performance and film. Don DeFore, Arthur Kennedy, and Kristine Miller also star.

Also of interest is 1949's Easy Living (1949), an intelligent, well-written film about an aging football star, played by Victor Mature, who struggles to adjust to his impending retirement, as well as the pressures brought on by an ambitious and defiant wife (Scott). Lucille Ball is commendable as the sympathetic team secretary and director Jacques Tourneur is first-rate. One of Scott's finest roles, it is a favorite of many of her fans.

By the end of 1949 Scott appeared in nine films, but did not achieve the level of stardom and clout that was needed to maintain her popularity at the box-office. From 1950 on, she and Hal Wallis passed up numerous opportunities to maintain her stardom. Wallis passed up a chance to star Scott in Lillian Hellman's Broadway play "Another Part of the Forest" (1946), later to made into the 1948 film. Scott herself passed up the lead in "The Rose Tattoo (1955), a decision she publicly regretted. She continued to make films such as Dark City (1950), Red Mountain (1951), Two of a Kind (1951), Scared Stiff (1953), and Bad for Each Other (1953). In February 1954, Scott did not renew her contract with Paramount and became a freelancer. She went on to make the western noir Silver Lode (1954) and The Weapon (1956).

In 1957 she retired from the big screen by starring with Elvis Presley in Loving You (1957), Presley's second film. Also starring is newcomer Dolores Hart and veteran Wendell Corey. Since 1957 Scott appeared on a few television shows in the 1960s, during which time she attended the University of Southern California. She eventually became involved in real estate projects. Her legacy lives on, however, in the growing popularity of classic movies sparked by DVDs and movie channels such as AMC (American Movie Classics) and TCM (Turner Classic Movies).