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Famed actor, composer, artist, author and director. His talents extended to the authoring of the novel "Mr. Cartonwine: A Moral Tale" as well as his autobiography. In 1944, he joined ASCAP, and composed "Russian Dances", "Partita", "Ballet Viennois", "The Woodman and the Elves", "Behind the Horizon", "Fugue Fantasia", "In Memorium", "Hallowe'en", "Preludium & Fugue", "Elegie for Oboe, Orch.", "Farewell Symphony (1-act opera)", "Elegie (piano pieces)", "Rondo for Piano" and "Scherzo Grotesque".

Scatman Crothers was born Benjamin Sherman Crothers on May 23, 1910 in Terre Haute, Indiana. Songwriter ("Dearest One"), actor, composer, singer, comedian, and guitarist who, after high school, appeared in nightclubs, hotels, and films, and on television. He made many records, including his own compositions. He joined ASCAP in 1959, and his popular-song compositions also include "The Gal Looks Good", "Nobody Knows Why", "I Was There", "A Man's Gotta Eat", and "When, Oh When". Scatman Crothers died at age 76 of pneumonia and lung cancer at his home in Van Nuys, California on November 22, 1986.

Julie Gregg was born on 24 January 1937 in Niagara Falls, New York, USA. She was an actress, known for The Godfather (1972), Man of La Mancha (1972) and Mission: Impossible (1966). She died on 7 November 2016 in Van Nuys, California, USA.

Endearing, bushy-whiskered Welsh character actor whose screen repertoire seemed to consist for the better part of variations on a similar theme, namely stereotypical stiff-upper-lip or bumbling British gents. The son of an actress and an actor-manager and on stage from early childhood, Fox began his career in repertory theatre. During the last two years of World War II he served on a minesweeper in the Royal Navy. In 1952, he joined the ensemble of Brian Rix's Whitehall Farces as one of the 'Reluctant Heroes' and the 'Simple Spymen'. Buoyed by popular success, he probably developed his stock-in-trade character around this time. Following a stint on the London stage, Fox then landed several small roles in British films and co-starred for the BBC in the short-lived comedy series Three Live Wires (1961). The show's American producer promised him a shot at Hollywood and the actor and his wife promptly moved to Los Angeles. In 1962, Fox made his American stage debut at the Civic Playhouse in the three-act mystery play "Write Me a Murder" by Frederick Knott. The following year he appeared as a blundering waiter in The Danny Thomas Show (1953).

During the 1960's he became a familiar face on television, staking his particular claim to comedy relief fame as the cranky warlock physician Dr. Bombay in Bewitched (1964) (a character he declared was based on a naval officer with whom he served during the war) and as the buffoonish Colonel Rodney Crittenden in Hogan's Heroes (1965) (who was hopefully not based on anyone). He was also a Dr. Watson to Stewart Granger's Sherlock Holmes in The Hound of the Baskervilles (1972), striding a kind of middle ground between the Watson of Nigel Bruce and that of Edward Hardwicke. His many guest roles as assorted 'visiting' English officers included, among others, 12 O'Clock High (1964), The Man from U.N.C.L.E. (1964), Columbo (1971) and M*A*S*H (1972). More recently, he appeared as Archibald Gracie IV, survivor (albeit briefly) of the sinking of the Titanic (1997) and as the unflappable aviator Winston Havelock going off to his last 'tally-ho' in The Mummy (1999). His ongoing commitment to theatrical work led to engagements in Canada with Stage West, in Las Vegas, Los Angeles and starring on Broadway in a 1978 production of "3 Rue de L'Amour" with Louis Jourdan and Kathleen Freeman.

In private life, Fox was renowned as an expert theatre historian. He was reputedly a keen gardener, a painter of landscapes and a devotee of performing magic.

Rose Marie was a legend of show business, with a career stretching 90 years, since her debut as her self in a Vitaphone musical short that appeared on the bill with The Jazz Singer (1927) at its premiere in 1927. According to Rose Marie, when she approached Al Jolson at the Winter Garden Theater in New York on the night of the premiere that made movie history and told him, "You were wonderful, Mr. Jolson!", his reply was, "Get away, you little brat!"

"He didn't like kids," Rose Marie explained. Her first credited appearance was in another musical short, Baby Rose Marie the Child Wonder (1929) in 1929.

The legendary performer was born Rose Marie Mazetta on August 15, 1923 in New York City, the daughter of an Italian-American father, Frank Mazetta (known as Frank Curley), and Polish-American mother, Stella (Gluszcak). Blessed with a remarkable singing voice for a child that allowed her to belt out jazz songs in the "coon shouter" style of the 1920s (as exemplified by Sophie Tucker), she began performing when she was three years old as "Baby Rose Marie." By the time she was five, she had her own radio show on NBC, appearing after 'Amos and Andy' (1949)_, the most popular show in the country. Many people could not believe the voice they were hearing actually belonged to a child.

Baby Rose Marie made many appearances in films in the 1930s, most famously in International House (1933), a movie about television, the medium in which Rose Marie would win her everlasting fame. In addition to her film performances, Baby Rose Marie also appeared on records and performed in vaudeville as a headliner. One of the acts she appeared with was Edgar Bergen before his Charlie McCarthy ventriloquism act, when he was still a small-timer. A half century later, when she appeared on Murphy Brown (1988), she told star Candice Bergen, "I worked with your father in vaudeville when he was doing a doctor sketch."

When Bergen replied that she couldn't have played the nurse in the act as she was too young, Rose Marie told her that she was the headliner and he was her opening act. "She didn't care for that too much," Rose Marie remembered.

She also appeared in vaudeville with Dick Powell, Rudy Vallee and Jimmy Durante, who mentored her. She also entertained at the White House three separate times at the request of three presidents. They were Calvin Coolidge, Herbert Hoover and Franklin D. Roosevelt.

She transitioned to becoming a nightclub chanteuse as a teenager, playing all the big night clubs and hotels in New York, Chicago, Atlantic City, Las Vegas and Miami, Florida, usually in Mob-controlled venues. (Prominent mobsters, who called her "The Kid", liked her and protected her.) A young Milton Berle, whom she had known since she was a child, wrote some of her material, as did Morey Amsterdam, her future "Dick Van Dyke" co-star whom she knew since she was nine years old.

After the war she married trumpeter Bobby Guy of the Kay Kyser Orchestra, in 1946. She made her Broadway debut in 1951, co-starring with Phil Silvers in the hit show Top Banana (1954) (she also appeared in the 1954 film adaptation). Rose Marie also appeared on radio on "The Phil Harris - Alice Faye Show", playing the sister of Sheldon Leonard, who would later hire her for The Dick Van Dyke Show (1961) in his capacity as executive producer.

Rose Marie had a career resurgence as an actress in the 1960s, starring in three sitcoms during the decade: First, My Sister Eileen (1960) in the 1960-1961 season. Second: as comedy writer "Sally Rogers" on The Dick Van Dyke Show (1961) from 1961 to 1966, and on The Doris Day Show (1968) from 1969 to 1971. She also appeared frequently on The Hollywood Squares (Daytime) (1965). She was the center square at least once, and had a recurring role on Murphy Brown (1988) and Wings (1990). She appeared in a Remington Steele episode "Steele in the Spotlight (1986).

She also kept her singing career going, touring as part of the musical revue "4 Girls 4" from 1977 to 1981 with Rosemary Clooney, Helen O'Connell and Margaret Whiting. In her latter years, she continued to make occasional appearances.

She died on December 28, 2017 in Van Nuys, California, at 94 years old.

Beautiful Anita Page was one of the most famous and popular leading ladies during the last years of the silent screen and the first years of the talkie era. She was best known for starring in The Broadway Melody (1929), the first sound film to win the Academy Award for Best Picture. Her leading men included John Gilbert, Clark Gable, Buster Keaton, and Robert Montgomery.

Only in her late teens when stardom beckoned, Anita had a huge following that earned her record amounts of fan mail, but she was seldom given lead roles, most often playing second lead, perhaps due to her youthful inexperience as an actress. She was a charming, much-loved screen personality, but by 1932 MGM seemed to lose interest in her career despite impressive work in such films as Night Court (1932) and Skyscraper Souls (1932), and before the year was out her contract was not renewed. She slipped off into "B" stardom in films at Columbia, Universal, and even more minor studios. She retired from the screen in 1936, making a return 25 years later in The Runaway (1961) with Cesar Romero, and she lived quietly out of the limelight for over half a century. In the 1990s, the now widowed star was rediscovered by the media, which enjoyed her light-humored journeys down memory lane about her career, MGM, the silent and early talkie eras, and the stars she knew, earning the actress a devoted cult of young fans and a few brief appearances in ultra-low-budget films of the 1990s.

Martha Ellen Scott was born in Jamesport, Missouri, to Letha (McKinley) and Walter Alva Scott, an engineer and garage owner. She entered films in the early 1940s, following an initial appearance in stock. Her first film appearance was Our Town (1940), playing the same character as she played on the stage. She won an Academy Award nomination for her superb performance in the film. Martha Scott is remembered as a highly talented actress, however her work is often forgotten today as she was never seen as a truly bankable star by the major studios.

A recent memorable performance for Martha was as Sister Beatrice in the camp disaster movie Airport 1975 (1974). She played a dominant experienced nun with Helen Reddy, in a cast of major stars facing disaster on the stricken Boeing 747 jetliner.

She continued to work consistently throughout the 1970s and 1980s, often appearing in television movies and on the stage. She died at the age of 90 in May 2003 and is buried with her husband Mel Powell.

Noreen Corcoran was born on 20 October 1943 in Quincy, Massachusetts, USA. She was an actress, known for I Love Melvin (1953), General Electric Theater (1953) and The Girls on the Beach (1965). She died on 15 January 2016 in Van Nuys, Los Angeles, California, USA.

Jean Willes is best known for her roles in a number of B-movies in the 1950s and 1960s, as well as on the small screen. Lovely and curvaceous, she usually played hard-boiled gold-diggers, party girls, gun molls, and saloon girls. She came off as a wily, smarter version of Barbara Nichols or Iris Adrian, and although she was versatile, she never rose to the first tier of stardom; in retrospect, she seems to have been capable of much more than she was given during her three-decade-plus career.

Born in Los Angeles on April 15, 1923, she was raised in Utah and in Seattle. Interested in an acting career, she returned to the town of her birth and in 1942 started showing up in comedy film shorts for Columbia under her birth name. She was a smart and sexy foil to, among others, such enjoyable comics as Harry Langdon, Andy Clyde, Eddie Foy Jr., Joe DeRita, Sterling Holloway, and Hugh Herbert. After bit parts in such feature-length films as So Proudly We Hail! (1943), Here Come the Waves (1944), and Salty O'Rourke (1945), she began earning co-star status in such post-war feature-length programs as Revenue Agent (1950) opposite Douglas Kennedy, in A Yank in Indo-China (1952), and in one of Johnny Weissmuller's "Jungle Jim" outings.

Willes became a cheesecake fixture in Hollywood, and film and TV work was steady. But when she was lucky enough to score a role in an "A" film, she was barely glimpsed, as in the Bob Hope comedy Son of Paleface (1952) and the "Best Picture" war epic From Here to Eternity (1953). She had the most screen time in an "A" film as Dr. Miles Bennell (Kevin McCarthy)'s beautiful nurse and, reading between the lines, former paramour, in the sci-fi cult classic, Invasion of the Body Snatchers (1956). (SPOILER: She succumbs to the aliens, like everyone else aside from Bennell, in the fictional California town of Santa Mira.) She was one of the four women vying for an aging Clark Gable's attentions in The King and Four Queens (1956), one of his lesser efforts. Guest spots on TV gave her greater visibility, and she frequently was seen in westerns (The Life and Legend of Wyatt Earp (1955), Maverick (1957)) and crime dramas (Perry Mason (1957)), usually playing unsympathetic women although occasionally playing more agreeable or respectable characters. Her last feature films roles were in McHale's Navy (1964), The Cheyenne Social Club (1970), and Bite the Bullet (1975). After a few more TV roles, she retired in 1976.

Willes died of liver cancer on January 3, 1989 at the age of 65. Her second husband, NFL football player Gerard Cowhig, died at their Van Nuys, California, home in 1995. They had one son, Gerry.

Francine York was born in the small mining town of Aurora, Minnesota to her parents, Frank and Sophie Yerich. When Francine was five, her family (including her younger sister, Deanne) moved to Cleveland, where she began to write short stories and take an interest in acting. At age nine, Francine made her theatrical debut in the Hodge Grammar School production of Cinderella, playing Griselda. Initially quite upset that she did not get the starring role, Francine ended up stealing the show with her performance as the evil stepsister. Right after the show, Francine ran into the audience and told her mother that she wanted to be an actress.

When Francine was age 12, the family moved back to Aurora, where she continued to perform in class plays, as well as writing, producing, directing and starring in a three-act play called "Keen Teens or Campus Quarantine". Francine, displaying an entrepreneurial spirit at a young age, charged five cents admission to the show, and the whole town turned out for the production.

While studying journalism and drama at Aurora High School, Francine worked as the feature editor of the school newspaper, Aurora Borealis, and she won all of the school's declamation contests with her dramatic readings. Additionally, she was the baton-twirling majorette for the school band, and active in the 4-H club, where she won several blue ribbons for cooking in both county and state fairs. This proved to be valuable experience for Francine later on, when she would not only host, but do all of the gourmet cooking for dinner parties for some of Hollywood's biggest names.

At age 17, Francine won the Miss Eveleth contest (Eveleth being a nearby town), and became a runner-up in the Miss Minnesota contest, which was hosted by former Miss America BeBe Shopp. For the talent portion of the Miss Minnesota pageant, Francine, who was not afraid to be less than glamorous during a performance, donned some old clothes, removed her makeup, grayed her hair, and performed a reading of a monologue called "The Day That Was That Day" by Amy Lowell, in which she played a dual role of two elderly Southern women. BeBe Shopp encouraged Francine in her theatrical ambitions, and predicted that she would end up in Hollywood very soon. At this point, however, Hollywood was still a dream for Francine, who wanted desperately to leave Minnesota and make her mark in show business.

Moving to Minneapolis, she got a job modeling sweaters for New York-based Jane Richards Sportswear and began traveling throughout the United States, ending up in San Francisco. After leaving Jane Richards, Francine began a modeling course at the House of Charm agency, which started her off on a very successful modeling career for all of the major department stores, including Macy's. Her modeling work got the attention of the producers of the Miss San Francisco beauty pageant, which she subsequently entered and was voted runner-up, but ended up taking over the title after the winner became too sick to participate. Soon after, Francine got a job as a showgirl at Bimbo's, a well-known San Francisco nightclub, which was highly disapproved of by Francine's modeling agency, but this turned out to be the right choice for Francine when she met Bimbo's headliner, singer Mary Meade French, who brought Francine to Hollywood and, later, got her signed with her first agent.

Arriving in Los Angeles, Francine once again found herself working as a showgirl at Frank Sennes' Moulin Rouge, a popular nightclub on Sunset Boulevard in Hollywood, where she performed in three shows a night, seven nights a week for six months. Tired of sharing a stage with elephants, pigeons and horses, she moved on to pursue her acting career and began study with famed actor/teacher Jeff Corey. While performing in Corey's class, Francine was spotted by a theatrical producer, who cast her in a play called "Whisper in God's Ear" at the Circle Theatre. During this time, the same producer gave Francine her very first movie role, starring in Secret File: Hollywood (1962), a film about the day-to-day operations of a sleazy Hollywood tabloid. The movie premiered in Francine's hometown of Aurora, which gave her the biggest thrill of her life as the whole town, the press, her family, friends, and even the high school band turned out at the airport to greet her with banners proclaiming, "Welcome Home, Francine!"

Francine's first big break came when Jerry Lewis cast her in his film It's Only Money (1962), in which she played a tantalizing sexpot, a role which brought her a tremendous amount of publicity. This led to Lewis hiring her for five more of his films, including The Nutty Professor (1963), The Patsy (1964), The Disorderly Orderly (1964), The Family Jewels (1965) and Cracking Up (1983), in which she played a fifteenth century marquise. Other notable film appearances include Bedtime Story (1964) (with Marlon Brando and David Niven), Tickle Me (1965) (with Elvis Presley), Cannon for Cordoba (1970) (with George Peppard), and science fiction cult films Curse of the Swamp Creature (1968), Mutiny in Outer Space (1964) and Space Probe Taurus (1965). Francine's most popular film was the cult classic The Doll Squad (1973), where she played Sabrina Kincaid, leader of an elite team of gorgeous female assassins who attempt to stop a diabolical madman from destroying the world with a deadly plague virus. Francine also delivered a stunning performance as Marilyn Monroe in an otherwise lackluster film, Marilyn Alive and Behind Bars (1992). (Film critic Tom Weaver has been quoted as saying that Francine's performances often rise above the low-budget films she has been cast in.) More recently, Francine played Nicolas Cage's mother-in-law in The Family Man (2000).

Francine has also had tremendous success in television, with appearances on Route 66 (1960), Hawaiian Eye (1959), 77 Sunset Strip (1958), My Favorite Martian (1963), Burke's Law (1963), Perry Mason (1957), Batman (1966), Gomer Pyle: USMC (1964), Lost in Space (1965), It Takes a Thief (1968), Green Acres (1965), The Wild Wild West (1965), Ironside (1967), I Dream of Jeannie (1965), Love, American Style (1969), Mannix (1967), Bewitched (1964), Adam-12 (1968), Mission: Impossible (1966), Kojak (1973), Columbo (1971), Matlock (1986), The King of Queens (1998) and Las Vegas (2003), among many others. Francine's personal favorites among her television roles include her portrayal of nineteenth century British actress Lily Langtry in the Death Valley Days (1952) episode "Picture of a Lady", and her role as the princess opposite Shirley Temple (one of Francine's childhood idols) in NBC's presentation of Hans Christian Andersen's "The Little Mermaid". One of Francine's other favorite roles was that of high-class prostitute and blackmailer Lorraine Temple on Days of Our Lives (1965).

While Francine was enjoying great success as a film and television actress, she was also making a name for herself as a fitness/nutrition expert and gourmet cook. She made many appearances on television demonstrating her culinary skills, and many of her recipes, as well as her exercise programs, were published in national health magazines. Francine also became known as one of Hollywood's leading hostesses, cooking for such celebrities as Clint Eastwood, Rex Harrison, Vincent Price, Regis Philbin, Jean Stapleton, Neil Sedaka, James Arness, Glenn Ford and Peter Ustinov.

Francine continued to act in films and on television. Two recent television appearances include Hot in Cleveland (2010) (as British matriarch Lady Natalie), and Bucket and Skinner's Epic Adventures (2011) (as Aunt Bitsy). She was also quite busy working on her autobiography, something her fans are looking forward to with great interest. In 1996, she met director Vincent Sherman (Mr. Skeffington, The Adventures of Don Juan, The Young Philadelphians), and was his companion until his death in 2006. Francine never married - she once said, "Like Cinderella, I always wanted to marry the handsome prince...but they don't make glass slippers in size ten!" On January 6, 2017, Francine York died of cancer at age 80 in Van Nuys, California.

Tony Giorgio was born in Herkimer, NY on September 27, 1923. He grew up in Schenectady, NY during The Great Depression and began his career in show business as a professional "amateur", performing magic in talent shows for pay. At the age of twelve, he ran away from home to join a circus and performed magic in the side show. His first appearance in films was as a card dealer in "Big Hand for the Little Lady." He subsequently appeared in over 100 movies and TV shows; won an Emmy for "Ziggy's Gift" and appeared on stage as Big Julie in "Guys and Dolls" starring Milton Berle. His most iconic film appearances were as Bruno Tattaglia in "The Godfather", Frank Palancio in "Magnum Force", and Don Scagnelli in "American Me".

Richard Webb was born on 9 September 1915 in Bloomington, Illinois, USA. He was an actor, known for Out of the Past (1947), Sullivan's Travels (1941) and Captain Midnight (1954). He was married to Florence Pauline Mendelsohn and Elizabeth Regina Sterns. He died on 10 June 1993 in Van Nuys, Los Angeles, California, USA.

Sandy Baron was born Sanford Beresofsky in Brooklyn, New York on May 5, 1936. Raised in Brooklyn's Brownsville neighborhood, the young Sandy attended public schools and participated in accelerated classes. A graduate of Brooklyn College, he spent his early years working summers in the Catskill Mountain resorts that were the breeding grounds of many Jewish comedians. Baron made his Broadway debut in "Tchin-Tchin" on Oct 25, 1962. His next play, Bertolt Brecht's "Arturo Ui" with Christopher Plummer in the title role, was a flop, lasting but eight performances in November 1963. His next appearance on the Great White Way, in the comedy "Generation," was more successful, playing for over half a year in the 1965-1966 season.

In 1964, Sandy -- already a seasoned Catskill comic and nightclub performer -- released a 13-track album on Roulette Records, "The Race! Race!" The album jacket pronounced it a "rollicking comedy album about hate, prejudice, bigotry and other such nonsense." He established a national reputation that year on the television comedy series That Was the Week That Was (1963), the American version of the hit British TV show, both of which starred David Frost. He followed it up with a lead role in the TV series Hey, Landlord (1966), playing a stand-up comedian.

In the 1970s, he made regular appearances on the The Mike Douglas Show (1961) and the The Merv Griffin Show (1962). Baron played Lenny Bruce in the show "Lenny" at Hollywood's Aquarius Theater in 1972, and eventually replaced Cliff Gorman in New York in what would prove to be his last Broadway appearance.

Baron appeared as himself in Woody Allen's Broadway Danny Rose (1984), the director's homage to borscht-belt comedy. In the 1990s, he appeared as Jack Klompus, the nemesis of Jerry Seinfeld's father on the hit TV series Seinfeld (1989). He replaced Al Lewis as Grandpa Munster in the TV movie The Munsters' Scary Little Christmas (1996). His last movie appearance was in Stephen Frears' The Hi-Lo Country (1998).

Sandy Baron died of emphysema on January 21, 2001 in a nursing home in Van Nuys, California. A memorial celebration was held on July 22, 2001 at Hollywood's Ivar Theater.

Dick Anthony Williams was born on 9 August 1934 in Chicago, Illinois, USA. He was an actor, known for Edward Scissorhands (1990), The Jerk (1979) and Dog Day Afternoon (1975). He was married to Gloria Edwards. He died on 16 February 2012 in Van Nuys, California, USA.

One of five children, Christine Cecilia McIntyre was born in Nogales, Arizona, on April 26, 1911, to John and Edna (nee Barnaby) McIntyre. In the early 1930s, Christine received a Bachelor of Music degree at Chicago Musical College, where she honed her operatic soprano voice (which can be heard in a handful of her movies); she also began her radio career in Chicago. By 1936, she was acting on the professional stage in L.A., starring in plays such as "The Bird of Paradise" with actors like Pierce Lyden. She broke into movies with a small role in Swing Fever (1937), signing for feature films with RKO. This led to a series of B westerns with stars like Buck Jones, Johnny Mack Brown, and Ray Corrigan. Then, in 1944, with her hair newly dyed blonde, she was discovered by producer Hugh McCollum at Columbia Pictures and signed a ten-year contract to do shorts for the studio. Over the next decade, she worked with comedians such as Andy Clyde, Hugh Herbert, and Shemp Howard (solo), not to mention both Joe Besser and Joe DeRita. However, she will forever be remembered for her prolific work with The Three Stooges. A favorite concert piece of hers, Johann Strauss' "Voice of Spring," was the basis for the 1945 Stooges short Micro-Phonies (1945), considered by many Stooge fans as the trio's finest effort and which also provides the best example of Christine's beautifully pure operatic soprano voice as she sings the above-mentioned aria (which Curly Howard, as "Senorita Cucaracha," hilariously lip-synchs to). Always focused, always a presence onscreen, Christine developed into a first-rate comedic actress--her timing was impeccable and she wasn't afraid to get "down and dirty" with slapstick experts such as the Stooges (she even beat up poor Shemp Howard in the classic Brideless Groom (1947), then knocked him through a door), and it was merely through unfortunate twists of fate that she never segued over into television at the same time that funnywomen Lucille Ball and Imogene Coca were making their small-screen marks. Though Christine's career at Columbia consisted mostly of comedy shorts, she did show up in occasional features, often westerns. In 1953, near the end of her Columbia contract, she married radio producer/writer/actor J. Donald Wilson (not to be confused with Jack Benny's announcer Don Wilson), and soon after retired from show business. Christine and J. Donald spent the next 30 years developing joint careers in real estate. The former actress passed away in Van Nuys, California, on July 8, 1984, six months after her husband.

White-haired London-born character actor, a familiar face in Hollywood for more than five decades. He was born George William Crisp, the youngest of ten siblings, to working class parents James Crisp and his wife Elizabeth (nee Christy). Despite his humble beginnings, Donald was educated at Oxford University. He saw action with the 10th Hussars of the British Army at Kimberley and Ladysmith during the Boer War and subsequently moved to the United States to begin a new life as an actor.

Arriving in New York in 1906 he began as a singer in Grand Opera with the company of impresario John C. Fisher. By 1910, he had climbed his way up the ladder to become stage manager for George M. Cohan. He was a member of D.W. Griffith's original stock company in the early days of the film industry, beginning with Biograph in New Jersey and featured in The Birth of a Nation (1915) (as General Ulysses S. Grant), Intolerance (1916) and Broken Blossoms (1919). He later joined Famous Players Lasky (subsequently Paramount) and turned with some success to directing in the 1920s, on occasion also appearing in his films (as for example in Don Q Son of Zorro (1925), as Don Sebastian). By the early 30s, Crisp concentrated exclusively on acting and became one of the more prolific Hollywood character players on the scene. Though he was actually a cockney, he -- for unknown reasons -- invented a Scottish ancestry for himself early on, claiming that he was born in Aberfeldy and affected a Scottish accent throughout his career. Crisp's particular stock-in-trade types were crusty or benevolent patriarchs, stern military officers, doctors and judges. He had lengthy stints under contract at Warner Brothers (1935-42) and MGM (1943-51) with an impressive list of A-grade output to his credit: Burkitt in Mutiny on the Bounty (1935), Colonel Campbell in The Charge of the Light Brigade (1936), Maitre Labori in The Life of Emile Zola (1937), Phipps in The Dawn Patrol (1938), General Bazaine in Juarez (1939), Francis Bacon in The Private Lives of Elizabeth and Essex (1939) and Sir John Burleson in The Sea Hawk (1940). He is perhaps most fondly remembered as the famous canine's original owner in Lassie Come Home (1943), Elizabeth Taylor's dad Mr. Brown in National Velvet (1944), and, above all, as the head of a Welsh mining family in How Green Was My Valley (1941) (the role which won him an Oscar for Best Supporting Actor). In a less sympathetic vein, Crisp gave a sterling performance as a ruthless tobacco planter in the underrated Gary Cooper drama Bright Leaf (1950).

Donald Crisp died in May 1974 in Van Nuys, California, at the age of 91. He is commemorated by a star on the Hollywood Walk of Fame on Vine Street.

Vinton Hayworth was born on 4 June 1906 in Washington, District of Columbia, USA. He was an actor, known for Broadway Television Theatre (1952), Hazel (1961) and China Passage (1937). He was married to Jean Hayworth and Florence Alvina McEnany. He died on 21 May 1970 in Van Nuys, California, USA.

Larri Thomas was born on 23 January 1932 in Wayne, Pennsylvania, USA. She was an actress, known for Earth Girls Are Easy (1988), South Pacific (1958) and Curucu, Beast of the Amazon (1956). She was married to Bruce Hoy and John Bromfield. She died on 20 October 2013 in Van Nuys, California, USA.

Smoulderingly beautiful and a fetching, exotic-eyed vision on the American screen during the 1950s and early 1960s, dark-maned Lisa Montell impressed more, especially to male film-goers, as a lovely diversion midst all the rugged terrain and tropical South Sea hazards than as a formidable actress. Similar in beauty and allure to the stunning Debra Paget and France Nuyen, the "Starlet of Many Faces" had a strong knack for ethnic accents and managed to play a variety of foreign types over her relatively brief time before the camera (Peruvian, Mexican, French, Italian, Burmese, Polynesian). Her film resume, which would include such cult-oriented classics as Daughter of the Sun God (1962), World Without End (1956) and the Roger Corman cheapies Naked Paradise (1957) and She Gods of Shark Reef (1958) were nearly all "B" and "C" grade (or worse) in scope and she eventually tired of the lack of challenge. She abandoned her career at the height of her beauty (around 1962) but found immense personal rewards in later decades as a spiritual exponent of the Bahá'í faith.

Although Lisa was born Irena Ludmilla Vladimiovna Augustinovich in Warsaw, Poland, on July 5, 1933, she was not raised there and did not keep her given name for long. Of Russian-Polish descent, she was born to privilege. She and her family managed to flee safely to the United States just months before the Nazi invasion of Poland on September 1, 1939. Her father, a successful businessman, changed the family name to Montwill and Irena's name was adjusted to Irene. The family moved into a spacious Fifth Avenue apartment in New York City and generously took in Polish refugees (both friends and family) as needed during WWII.

Lisa studied art, voice and dance in Forest Hills and eventually was accepted into the High School of Music and Art in Manhattan. She later transferred to the High School for the Performing Arts where she developed an interest in acting. Following graduation, she attended the University of Miami (Florida) for a semester before her father, whose business involved iron mines in Peru, relocated the family to Lima. While there Lisa again studied drama in American-based acting workshops that were set up there. She received her first professional break in 1953 after being noticed and cast by Hollywood producers searching for local female leads for a film they were shooting in Peru.

The film was called Daughter of the Sun God (1962) and it was set in the Peruvian jungles. Lisa plays a young adventurous blonde explorer on an expedition who is not only threatened by raging waters, desert heat and native ritualistic practices, but by various wildlife as well (crocodiles, pumas and gigantic snakes, to name a few). The film had financial problems and was so poorly made that it was held up nearly a decade before it was finally bought and released to the American market in 1962.

While enjoying a South American jet-set life in Peru, Lisa went on to appear in a handful of other local films before learning of Hollywood's interest in her despite the unsuccessful marketing of her debut film. Following her father's untimely death, Lisa and her mother moved to Los Angeles where the ethnic-looking wannabe found work cast on TV as Eurasian, Latina and Native-American types.

Billed as Irene Montwill, Lisa's first Hollywood film was Warner Bros.' Jump Into Hell (1955), a French Indochina (pre-Vietnam) war picture in which she played a French love interest to European soldier Peter Van Eyck. The studio then put her under a temporary contract and she changed her name to the more exotic moniker of Lisa Montell. Despite more second-lead exposure in the RKO films, Escape to Burma (1955), a tea plantation drama starring Barbara Stanwyck and Robert Ryan, and Pearl of the South Pacific (1955), a tropical South Seas adventure with Virginia Mayo and Dennis Morgan, Lisa was not able to up her status in Hollywood.

After filming the minor western, The Wild Dakotas (1956), she appeared in one of her better-remembered pictures, the cult sci-fi film, World Without End (1956), with Hugh Marlowe and Rod Taylor, which takes place on Earth in the 26th century. She went on to play a small role as a ballet dancer in the Leslie Caron MGM drama, Gaby (1956), and was also one of the Italian Martelli sisters (the others being Anna Maria Alberghetti, Eva Bartok and Lisa Gaye) in the musical comedy, Ten Thousand Bedrooms (1957), starring Dean Martin. On the western front, she appeared, with Chuck Connors, as an Indian maiden in Tomahawk Trail (1957). Things moved in a cult-like direction for Lisa with her tropical female roles in Roger Corman's Naked Paradise (1957) and She Gods of Shark Reef (1958), both filmed in the same spot in Hawaii. If nothing else, she got to show off her great figure and underwater swimming skills. Over the years, scores of adventurous guest roles came Lisa's way on TV, notably westerns, including the popular series as The Gene Autry Show (1950), Broken Arrow (1956), Tales of Wells Fargo (1957), Colt .45 (1957), Have Gun - Will Travel (1957), Sugarfoot (1957), Cheyenne (1955), Bat Masterson (1958) and Maverick (1957). Outside the western genre, came a few varied performances in everything from comedy (The Ann Sothern Show (1958)) to hip action adventure (Surfside 6 (1960)).

Once wed to fellow actor David Janti, Lisa's last film was the minor "B" western, The Firebrand (1962), starring Kent Taylor. She retired soon after and devoted herself, exclusively, to educational pursuits as well as her Bahá'í religion. She was elected to the Bahá'í Local Spiritual Assembly of Los Angeles and served as Chairperson. Often a public speaker, she has been outspoken on such issues as poverty and discrimination. She was also quite active in the early stages of the civil rights movement and has spent active time with youth arts programs. She later wrote a book (as Lisa Janti) about her spiritual sojourn and, more recently, became the program director of the Center for Education at the Desert Rose Bahá'í Institute. In 2008, she was a guest attendee at the Western Legends Film Festival.

Paul Bryar is an American actor. He appeared in nearly 220 films between 1938 and 1983, although most of his roles were small in size. He made his film debut in the Harold Lloyd's comedy Professor Beware (1938). Some B-movies during the 1940s and 1950s like Jungle Siren (1942), Lady from Chungking (1942), Parole, Inc. (1948) and The Bob Mathias Story (1954) gave him the chance to play substantial supporting roles. Bryar appeared in three movies directed by Alfred Hitchcock, including Vertigo (1958), where he had an uncredited role as the friendly Police Captain who accompanies James Stewart to the coroner's inquest. The other Hitchcock films were Notorious (1946) and The Wrong Man (1956). The character actor also played the card player who threatens the Sundance Kid in the opening scene of Butch Cassidy and the Sundance Kid (1969).

From the 1950s until the early 1980s, Bryar appeared in about 150 television shows. His last role was a small part in the film Heart Like a Wheel (1983), two years before his death.

Son of character actor Houseley Stevenson, brother of actor Houseley Stevenson Jr., Onslow Stevens was highly active from mid-1920s at the Pasadena Community Playhouse, where his entire family worked frequently as performers, directors and teachers. he scored a major success on Broadway in "Stage Door" in 1936. He played many leading roles and even more character parts over the years. Although at first a stalwart and reliable figure in films, in later years his career was adversely affected by alcohol. Nevertheless, he was a familiar and respected performer for many years. His final months were spent in a Van Nuys, California, nursing home where, in November 1976, he suffered a broken hip under unclear circumstances. Pneumonia set in and he died in January 1977. A coroner's inquest ruled that the broken hip had occurred "at the hands of another, not an accident."

Matthew Faber was born on 31 January 1973 in Pennsylvania, USA. He was an actor and cinematographer, known for Welcome to the Dollhouse (1995), Palindromes (2004) and Natural Born Killers (1994). He died on 28 March 2020 in Van Nuys, California, USA.

Estelita Rodriguez was born on 2 July 1928 in Guanajay, Cuba. She was an actress, known for Belle of Old Mexico (1950), Rio Bravo (1959) and Susanna Pass (1949). She was married to Dr. Ricardo A. Pego, Ismael Alfonso Halfss, aka Henry Half, Grant Withers and Chu Chu Martinez. She died on 12 March 1966 in Van Nuys, California, USA.

Francis De Sales was born on 23 March 1912 in Philadelphia, Pennsylvania, USA. He was an actor, known for Two Faces West (1960), Mr. & Mrs. North (1952) and The Outer Limits (1963). He was married to Doris Frances Mylott and Eileen Elizabeth Carroll. He died on 25 September 1988 in Van Nuys, Los Angeles, California, USA.

A big, beefy and imposing hulk of a man, Worth was often cast as extremely nasty and intimidating villains. Character actor Nicholas Worth was born on September 4, 1937 in St. Louis, Missouri. After earning a bachelor's in fine arts from the Carnegie Institute of Technology, he served for three years as an Army paratrooper stationed in Kentucky. After leaving the service in 1965, he moved to Los Angeles, studied at the Pasadena Playhouse and appeared in local stage productions. Worth made his film debut in For Pete's Sake! (1966). He then had small parts in such movies as Scream Blacula Scream (1973), The Terminal Man (1974), Coma (1978) and The Glove (1979) making an especially funny appearance in the latter as a gay blank check dropper rugged bounty hunter John Saxon tosses into a pool. Worth gave a wonderfully wild, intense and inspired performance as a deranged, impotent, misogynistic Vietnam veteran porno photographer who brutally strangles lovely young ladies in the splendidly sleazy psycho gem Don't Answer the Phone! (1980). Worth was likewise quite chilling and unforgettable as a vicious homosexual criminal in the outstanding made-for-TV drama The Rape of Richard Beck (1985). Worth's other memorable roles include Louis Jourdan's moronic henchman Bruno in Swamp Thing (1982), Larry Drake's mean flunky Pauly in Darkman (1990), Craig T. Nelson's chauffeur in Action Jackson (1988), an antagonistic bully Clint Eastwood beats up in a jail cell in Heartbreak Ridge (1986), a ruffian enforcer for Ricardo Montalban in The Naked Gun: From the Files of Police Squad! (1988), a mutant humanoid frogman in Hell Comes to Frogtown (1988), a foul sex offender in The Ladies Club (1985), and a transvestite in Armed and Dangerous (1986). Among the TV shows Worth did guest spots on are Star Trek: Voyager (1995) and Star Trek: Deep Space Nine (1993), The X-Files (1993), Night Court (1984), Moonlighting (1985) (in which he sings and dances with Bruce Willis!), Fame (1982), MacGyver (1985), The Greatest American Hero (1981), Knight Rider (1982), Hunter (1984), Simon & Simon (1981), Fantasy Island (1977), Charlie's Angels (1976), The Rockford Files (1974), Quincy, M.E. (1976), Starsky and Hutch (1975), Baretta (1975), and Cannon (1971). On stage Worth performed in everything from Shakespeare to musical comedies. A sweet and gentle man in real life (he's a born-again Christian), Worth was also an avid power-lifter and bodybuilder. More recently Worth lent his distinctive growly voice to several video games. Nicholas Worth died at age 69 from heart failure on May 7, 2007.