A German youth eagerly enters World War I, but his enthusiasm wanes as he gets a firsthand view of the horror.A German youth eagerly enters World War I, but his enthusiasm wanes as he gets a firsthand view of the horror.A German youth eagerly enters World War I, but his enthusiasm wanes as he gets a firsthand view of the horror.
- Won 2 Oscars
- 7 wins & 2 nominations total
Ben Alexander
- Kemmerich
- (as Kemmerick)
Walter Rogers
- Behn
- (as Walter Browne Rogers)
Slim Summerville
- Tjaden
- (as 'Slim' Summerville)
G. Pat Collins
- Bertinck
- (as Pat Collins)
Zasu Pitts
- Frau Bäumer - Silent Version Trailer only
- (scenes deleted)
Ernie Adams
- 2nd Medic Orderly
- (uncredited)
Best Picture Winners by Year
Best Picture Winners by Year
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Storyline
Did you know
- TriviaWith the loss of limbs and gory deaths shown rather explicitly, this is undoubtedly the most violent American film of its time. This is because the Production Code was not strictly enforced until 1934 and also because Universal Pictures deemed the subject matter important enough to allow the violence to be seen. The scene where a soldier grabs a strand of barbed wire and then is blown up by an artillery shell, leaving only his hands still grabbing the barbed wire, was told to director Lewis Milestone by a former German soldier working as an extra, who saw that happen during a French attack on his position during the war. Milestone used it in the film.
- GoofsWhen Paul talks to the dead soldier in the pit, the soldier is breathing visibly and at one point his eyes blink.
- Quotes
Paul Bäumer: You still think it's beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it's better not to die at all.
- Crazy creditsLater reissues of the film mentioned that the film was an Academy Award winner in the opening credits.
- Alternate versionsThe Library of Congess also restored a sound version, 133 minutes long, which is the version occasionally shown on American TV.
- ConnectionsEdited into No Greater Glory (1934)
Featured review
I was in high school when I first saw this great war film and I am now a senior, senior, citizen and have seen it a few more times. ALL QUIET remains right at the top of my list of outstanding war pictures. Here was a unique depiction of life in the trenches from an enemy point of view, a novel approach.
Lew Ayres gives a memorable performance as Paul Baumer, the sensitive German soldier, and has a fine supporting cast. The vivid battles in the trenches remain in my thought, and though they lack the technological know how of today, are indelible.
One of the most touching scenes is when Baumer kills the Frenchman in the shell hole and remorse overcomes him. Another tragic part is when his buddy is dying in the hospital and is visited by his comrades. A lighter scene is when the company has an over abundance of food due to its losses and the men become satiated. They are so comfortable that they are inclined to philosophize about the causes of war and its solution.
When Paul loses his friend, his depression grows and his death at the hands of a sniper is a fitting end to it all. The remake, with Ernest Borgnine, was satisfactory, but could not approach the quality of the original which I often find to be true.
Lew Ayres gives a memorable performance as Paul Baumer, the sensitive German soldier, and has a fine supporting cast. The vivid battles in the trenches remain in my thought, and though they lack the technological know how of today, are indelible.
One of the most touching scenes is when Baumer kills the Frenchman in the shell hole and remorse overcomes him. Another tragic part is when his buddy is dying in the hospital and is visited by his comrades. A lighter scene is when the company has an over abundance of food due to its losses and the men become satiated. They are so comfortable that they are inclined to philosophize about the causes of war and its solution.
When Paul loses his friend, his depression grows and his death at the hands of a sniper is a fitting end to it all. The remake, with Ernest Borgnine, was satisfactory, but could not approach the quality of the original which I often find to be true.
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Details
Box office
- Budget
- $1,200,000 (estimated)
- Runtime2 hours 32 minutes
- Color
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