IMDb RATING
7.7/10
3.2K
YOUR RATING
The outrageous Baron Munchausen tells of his many adventures, from meeting the Man in the Moon to defeating a Turkish army all by himself.The outrageous Baron Munchausen tells of his many adventures, from meeting the Man in the Moon to defeating a Turkish army all by himself.The outrageous Baron Munchausen tells of his many adventures, from meeting the Man in the Moon to defeating a Turkish army all by himself.
- Awards
- 1 win total
Nadezda Blazícková
- Court Dancer
- (as Nadesda Blazickova)
Storyline
Did you know
- TriviaDirector Terry Gilliam saw this film at the British Film Institute (BFI) while preparing his own adaptation of the same novel, The Adventures of Baron Munchausen (1988), and subsequently referenced some of this film's scenes in his own adaptation.
- Quotes
Cyrano D'Bergarac: I cast my hat out into the universe, let it greet those who are on thier way from earth. From this day forward, the moon is no longer a dream....
- ConnectionsFeatured in The Special Effects of Karel Zeman (1980)
Featured review
By now, nearly everyone should be familiar with the Munchausen story or, at least, some portion of it even if shi didn't grown up on these German drinking boasts which got way out of hand.
This is not the first or last treatment of the braggart Baron, but this version has a charm that many others lack.
The film is shot, predominantly in sepia tone with occasional bits in exaggerated color for artistic emphasis. Those who recall the pink coat in Schindler's List will have some idea of what is happening. But, in this case, the effect is not so much an attempt to indicate a major event that was necessarily slighted in the film. Rather, it helps to emphasize the aspects of the fantastic and the fairy tale romanticism that the director is emphasizing.
The live actors are shot against an animated background and are often blithely unaware of the fantastic things that are sweeping around them while they concern themselves with the essentially silly issues of their lives. This is Czech animation which seems rather exotic to those of us raised on Disney-esque 'realism'. Still, it's stylism adds a charm to the film that helps to reinforce the multiple layers that the director has built into this piece.
You should not attempt to become involved in the film so much as to sit back and marvel at the world that is passing unobserved by those passing through it.
When it has finished,you will want to watch it again and again to catch how all the different visual layers interact in your mind if not on the screen.
If I had to compare this effect to any other film, I suppose I would choose the way that Altman weaves the foreground and background into the midground in "M*A*S*H", though the two films are very different and have completely different statements about the world.
This is a fantasy and it is truly fantastic, but only on an adult level. Children will have many questions that all come down to 'why is it happening that way?' For children, fantasy is a chance to dream dreams and play games. This is a film for adults that has found an adult way to present the wit and contradiction of the original stories while acting out the ingenuousness of the characters' actions.
See this one. It deserves your attention.
This is not the first or last treatment of the braggart Baron, but this version has a charm that many others lack.
The film is shot, predominantly in sepia tone with occasional bits in exaggerated color for artistic emphasis. Those who recall the pink coat in Schindler's List will have some idea of what is happening. But, in this case, the effect is not so much an attempt to indicate a major event that was necessarily slighted in the film. Rather, it helps to emphasize the aspects of the fantastic and the fairy tale romanticism that the director is emphasizing.
The live actors are shot against an animated background and are often blithely unaware of the fantastic things that are sweeping around them while they concern themselves with the essentially silly issues of their lives. This is Czech animation which seems rather exotic to those of us raised on Disney-esque 'realism'. Still, it's stylism adds a charm to the film that helps to reinforce the multiple layers that the director has built into this piece.
You should not attempt to become involved in the film so much as to sit back and marvel at the world that is passing unobserved by those passing through it.
When it has finished,you will want to watch it again and again to catch how all the different visual layers interact in your mind if not on the screen.
If I had to compare this effect to any other film, I suppose I would choose the way that Altman weaves the foreground and background into the midground in "M*A*S*H", though the two films are very different and have completely different statements about the world.
This is a fantasy and it is truly fantastic, but only on an adult level. Children will have many questions that all come down to 'why is it happening that way?' For children, fantasy is a chance to dream dreams and play games. This is a film for adults that has found an adult way to present the wit and contradiction of the original stories while acting out the ingenuousness of the characters' actions.
See this one. It deserves your attention.
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- Also known as
- The Original Fabulous Adventures of Baron Munchausen
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By what name was The Fabulous Baron Munchausen (1962) officially released in India in English?
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