A wily Roman slave schemes to earn his freedom by romantically uniting his master with a courtesan. But matters get complicated and he ends up dragging in his neighbors around him, leading t... Read allA wily Roman slave schemes to earn his freedom by romantically uniting his master with a courtesan. But matters get complicated and he ends up dragging in his neighbors around him, leading to chaos.A wily Roman slave schemes to earn his freedom by romantically uniting his master with a courtesan. But matters get complicated and he ends up dragging in his neighbors around him, leading to chaos.
- Won 1 Oscar
- 1 win & 1 nomination total
Storyline
Did you know
- TriviaWhile Buster Keaton often used a stunt double due to his illness, he improvised running into a tree branch and falling backwards onto the ground, much to the horror of director Richard Lester and crew.
- GoofsLycus disguised himself as a woman in a yellow gown, but the gown changes to white during the chase scene and remains white for the remainder of the film.
- Quotes
Miles Gloriosus: Oh, her bridal bower becomes a burial bier of bitter bereavement!
Pseudolus: Very good! Can you say "Titus the tailor told ten tall tales to Titania the titmouse"?
- Crazy creditsOne fresco in the closing titles depicts a Roman orgy, but one character raises the MPAA (Motion Picture Association of America) seal in protest. The MPAA was in charge of deciding whether the content of a feature was too obscene.
- ConnectionsFeatured in Hollywood: The Gift of Laughter (1982)
Good:
-For starters, you couldn't have asked for a better cast. I don't just mean Zero Mostel and Jack Gilford (though both are incredible) but casting Buster Keaton was inspired.
-Very accurate portrayal of ancient Rome (up to a point, of course). The only reason I bring it up is because when I took Latin in high school, we studied ancient Rome and I like the research that went into that for the film.
-The chase scene at the end. That's what I remember laughing at the most as a child.
Bad:
-Cutting so many songs, specifically "Free" and Hysterium's number (I must say, Jack Gilford was highly underused in this film).
-The direction of most remaining musical numbers and some scenes.
-Changing the character of Dominia. I don't mind it too much (she does get some good lines in there) but I liked having another strong female character aside from Philia.
Now I have nothing against Richard Lester. In fact, I enjoyed his work in A Hard Day's Night and Help! and I think when it comes to those types of films, he does well. I'm just not completely sure if he was right for this film. He treated the songs like music videos, kind of forgetting that in this case, the songs are being used to tell a story, not just for entertainment. We recently watched parts of the film in my Musical Theater History class, and that was one of the point brought up. He tended toward the fast pace/quick edit direction, which I think worked for "Comedy Tonight", but not much else (especially not "Everybody Ought to Have a Maid"). While I disliked some of his direction on "Lovely", I did like that he repeated (more or less) the same direction in the reprise of the song.
I will say, though, when he's good in the film, he's really good. I can't deny there are parts in the film that are incredibly funny, most notably the chariot chase. I am a bit torn about the film. In the long run, I will probably always love the film and watch it when I get the chance, despite its shortcomings. Still, I wouldn't mind a remake of it. And I think we can safely say this isn't the worst film version of a Sondheim show (A Little Night Music anyone?).
- BroadwayBookworm
- Apr 14, 2006
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Toll trieben es die alten Römer
- Filming locations
- Samuel Bronston Studios, Madrid, Spain(as Bronston Studios, Madrid)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Runtime1 hour 39 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1