IMDb RATING
6.4/10
7.1K
YOUR RATING
The Monkees frolic their way through a series of musical set pieces and vignettes containing surreal humor and anti-establishment social commentary.The Monkees frolic their way through a series of musical set pieces and vignettes containing surreal humor and anti-establishment social commentary.The Monkees frolic their way through a series of musical set pieces and vignettes containing surreal humor and anti-establishment social commentary.
Davy Jones
- Davy
- (as David Jones)
Storyline
Did you know
- TriviaCo-writer Jack Nicholson actually compiled the film's soundtrack in its final form, with snippets of the film's dialogue between songs, and is so credited on its LP album cover (when he saw Michael Nesmith at work in the studio and asked if he could help, Nesmith let him take over, because he said "I just want to go home."). Nicholson had unwavering enthusiasm for the film, joining in a stickering campaign to promote its premiere and declaring later that "I saw it, like, 158,000,000 times, man. I loved it!"
- GoofsAnnette Funicello's character is called Theresa by Davy Jones before the boxing sequence, but is listed as Minnie in the end credits.
- Quotes
Davy Jones, Micky Dolenz, Mike Nesmith, Peter Tork: [chanting in unison] Hey, hey, we are The Monkees, to that we all agree. A manufactured image with no philosophies.
- Crazy creditsThere are no credits at the beginning at the film, which was extremely rare for a 1960s film. They all appear at the end of the film.
- Alternate versionsWhen the film was previewed in August 1968, its original cut ran about 110 mins. It was trimmed down to 86 mins. for the premiere.
- ConnectionsEdited from The Sign of the Cross (1932)
Featured review
I grew up watching the Monkees, and the first time I watched this movie as a kid, I thought it was the coolest thing I'd ever seen. Then I watched it again a few years later and dismissed it as pretentious crap. I decided to watch it again right after Peter Tork died, and to my surprise, I enjoyed it a lot more than I thought I would.
If you haven't seen it, you should definitely watch it. Not to say it's good - because it most certainly isn't, but it should definitely be seen, if only as a fascinating window into the time.
It has some great cameos, including Frank Zappa with a talking cow, Annette Funicello, a gigantic Victor Mature, and this time I even caught a very brief glimpse of the writer of the movie, Jack Nicholson (yes, THE Jack Nicholson).
It also has some genuinely good music.
There's a certain irony to this movie. On the one hand, it was the Monkees' attempt to break away from their teenybopper image and "legitimize" themselves, but on the other, it's hard to think of a more extreme example of Hollywood's move at the time to make a buck by bringing counter culture mainstream - albeit a badly failed attempt in this case. People who were trying to "stick it to The Man" discovered that for the right price, The Man was more than happy to stick it to Himself, or at least pretend to.
That said, the movie had more of a "wink" than I remembered, so I don't think it took itself all that seriously. For example, when Frank Zappa refers to Davie Jones' dance number as "pretty white", Jones responds "I'm a pretty white guy.". At another point, Peter Tork can be clearly heard whistling Strawberry Fields, as if to say imitation is the sincerest form of flattery.
One thing I'd completely forgotten was how much Vietnam footage there is in the movie, interspersed with shots of the band performing. That was a pretty standard sort of "statement" at the time, but I was surprised how graphic some of the footage was, given the film's G rating. It even included that infamous clip of the soldier getting shot in the head.
If you haven't seen it, you should definitely watch it. Not to say it's good - because it most certainly isn't, but it should definitely be seen, if only as a fascinating window into the time.
It has some great cameos, including Frank Zappa with a talking cow, Annette Funicello, a gigantic Victor Mature, and this time I even caught a very brief glimpse of the writer of the movie, Jack Nicholson (yes, THE Jack Nicholson).
It also has some genuinely good music.
There's a certain irony to this movie. On the one hand, it was the Monkees' attempt to break away from their teenybopper image and "legitimize" themselves, but on the other, it's hard to think of a more extreme example of Hollywood's move at the time to make a buck by bringing counter culture mainstream - albeit a badly failed attempt in this case. People who were trying to "stick it to The Man" discovered that for the right price, The Man was more than happy to stick it to Himself, or at least pretend to.
That said, the movie had more of a "wink" than I remembered, so I don't think it took itself all that seriously. For example, when Frank Zappa refers to Davie Jones' dance number as "pretty white", Jones responds "I'm a pretty white guy.". At another point, Peter Tork can be clearly heard whistling Strawberry Fields, as if to say imitation is the sincerest form of flattery.
One thing I'd completely forgotten was how much Vietnam footage there is in the movie, interspersed with shots of the band performing. That was a pretty standard sort of "statement" at the time, but I was surprised how graphic some of the footage was, given the film's G rating. It even included that infamous clip of the soldier getting shot in the head.
- ejonconrad
- Mar 3, 2019
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Changes
- Filming locations
- Hyperion Water Reclamation Plant - 12000 Vista del Mar, Playa del Rey, Los Angeles, California, USA(upstairs downstairs, conveyor belt)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $750,000 (estimated)
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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