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Heartbreak comes frequently for Friday the 13th fans. The franchise has had a rough ride over the last couple decades, getting bogged down in legal issues and creative false stars. We get a video game, then the rug is pulled out from under it when it’s just getting started. A movie almost happens, then gets scrapped just weeks before filming was scheduled to begin. The Crystal Lake TV show was just a couple months from filming, then the showrunner gets fired. But worse than all of that is the fact that we’re in a time when actors from our beloved films are passing away very often. Just last month, we lost Erich Anderson, who was in the cast of Friday the 13th: The Final Chapter. Now Jason Lives: Friday the 13th Part VI director Tom McLoughlin has broken the news that Whitney Rydbeck, who played the ill-fated paintball player Roy in his film,...
- 7/19/2024
- by Cody Hamman
- JoBlo.com
Julie Adams, the beautiful, leggy brunette with the cascading curls best remembered as the ‘Girl in the White One-Piece’ in the 1954 horror classic Creature From The Black Lagoon (1954), has died. She was 92.
Julie will always be best known as Kay Lawrence, the beauty that the Gillman falls in love with the moment he spies her swimming above him in Creature From The Black Lagoon (1954). Mimicking her movements in the water, the Creature performs a lustful underwater mating dance – he’s directly beneath her but she’s unaware of his amorous overtures in the murky depths of the river. It’s a desire most men (and monster kids) could relate to and Julie Adams is the actress who will always be fondly remembered as the ‘girl in the white one-piece’.
Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress.
Julie will always be best known as Kay Lawrence, the beauty that the Gillman falls in love with the moment he spies her swimming above him in Creature From The Black Lagoon (1954). Mimicking her movements in the water, the Creature performs a lustful underwater mating dance – he’s directly beneath her but she’s unaware of his amorous overtures in the murky depths of the river. It’s a desire most men (and monster kids) could relate to and Julie Adams is the actress who will always be fondly remembered as the ‘girl in the white one-piece’.
Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress.
- 2/4/2019
- by Tom Stockman
- WeAreMovieGeeks.com
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Creature From the Black Lagoon star Julie Adams, an actress who, like Fay Wray and Evelyn Ankers before her won the hearts of classic Hollywood monsters and then generations of devoted fans, died Sunday in Los Angeles. She was 92.
Adams’ death was confirmed on her official website.
Where Wray perched atop the Empire State Building with King Kong and Ankers ran through fog-shrouded forests pursued by The Wolf Man, Adams secured her place in horror iconography underwater, notably an indelible scene in the 1954 Creature during which the actress, in a one-piece white bathing suit, swims atop the lagoon water as the creature known as the Gil-Man mimics her moves some feet below. The imagery would be echoed in countless films thereafter, memorably in both Jaws and 2017’s The Shape of Water.
“I mourn Julie Adams passing,” tweeted del Toro today. “It hurts in a place deep in me, where monsters swim.
Adams’ death was confirmed on her official website.
Where Wray perched atop the Empire State Building with King Kong and Ankers ran through fog-shrouded forests pursued by The Wolf Man, Adams secured her place in horror iconography underwater, notably an indelible scene in the 1954 Creature during which the actress, in a one-piece white bathing suit, swims atop the lagoon water as the creature known as the Gil-Man mimics her moves some feet below. The imagery would be echoed in countless films thereafter, memorably in both Jaws and 2017’s The Shape of Water.
“I mourn Julie Adams passing,” tweeted del Toro today. “It hurts in a place deep in me, where monsters swim.
- 2/4/2019
- by Greg Evans
- Deadline Film + TV
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Julie Adams, an actress best known for playing the damsel in distress in the 1954 monster movie “Creature From the Black Lagoon,” died Sunday at age 92, according to her official website.
Guillermo del Toro, whose 2017 Oscar winner “The Shape of Water” was inspired by the Universal cult classic, paid tribute to Adams online. “I mourn Julie Adams passing. It hurts in a place deep in me, where monsters swim.”
During her long career in Hollywood, Adams starred opposite Rock Hudson in 1953’s “Lawless Breed,” Van Helfin in 1953’s “Wings of the Hawk” and Elvis Presley in “Tickle Me” and Dennis Hopper in 1971’s “The Last Movie.”
Her most recent film credit was a voiceover in Roman Polanski’s 2011 drama “Carnage.”
The Iowa native also had a long career in television, notably playing the...
Guillermo del Toro, whose 2017 Oscar winner “The Shape of Water” was inspired by the Universal cult classic, paid tribute to Adams online. “I mourn Julie Adams passing. It hurts in a place deep in me, where monsters swim.”
During her long career in Hollywood, Adams starred opposite Rock Hudson in 1953’s “Lawless Breed,” Van Helfin in 1953’s “Wings of the Hawk” and Elvis Presley in “Tickle Me” and Dennis Hopper in 1971’s “The Last Movie.”
Her most recent film credit was a voiceover in Roman Polanski’s 2011 drama “Carnage.”
The Iowa native also had a long career in television, notably playing the...
- 2/4/2019
- by Thom Geier
- The Wrap
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Over the past couple weeks, I’ve dedicated a lot of time to covering the World 3-D Film Expo, which took place at the Egyptian Theater in Hollywood and knocked my socks off. One of the headlining films, the most exciting one for us certainly, was Creature From The Black Lagoon, the legendary monster flick from Jack Arnold that starred Richard Carlson, Richard Denning, Nestor Paiva, and one Julie Adams, who may very well be the most famous scream queen of all-time thanks to her iconic role as Kay.
Julie and her son, Mitchell Danton, were in attendance for the Expo (for two screenings, Wings Of The Hawk also played) for a book signing and Q&A after the screening. I was lucky enough to get a chance to talk with the delightful pair, catching them after a late breakfast (as Mitch says, “a day can never start too late,...
Julie and her son, Mitchell Danton, were in attendance for the Expo (for two screenings, Wings Of The Hawk also played) for a book signing and Q&A after the screening. I was lucky enough to get a chance to talk with the delightful pair, catching them after a late breakfast (as Mitch says, “a day can never start too late,...
- 9/24/2013
- by Andy Greene
- FamousMonsters of Filmland
She.ll always be best known as Kay Lawrence, the beauty that the Gillman falls in love with the moment he spies her swimming above him in Creature From The Black Lagoon (1954). Mimicking her movements in the water, the Creature performs a lustful underwater mating dance . he.s directly beneath her but she’s unaware of his amorous overtures in the murky depths of the river. It.s a desire most men (and monster kids) could relate to and Julie Adams is the actress who will always be fondly remembered as the .girl in the white one-piece..
Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress. She worked as a secretary to support herself and spent her free time taking speech lessons and making the rounds at the various movie studio casting departments.
Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress. She worked as a secretary to support herself and spent her free time taking speech lessons and making the rounds at the various movie studio casting departments.
- 3/20/2012
- by Tom Stockman
- WeAreMovieGeeks.com
Director and comedy writer known for his Elvis films and the hit TV series Julia
The director and writer Hal Kanter, who has died aged 92, was one of the great wits of Hollywood. He made his reputation as one of Bob Hope's principal writers, and for many years scripted the annual Oscar ceremonies (he shared Emmy awards in 1991 and 1992 for his work on the shows). He was also a huge influence on writers who followed him. He ended his 1999 autobiography, So Far, So Funny, with this: "If any of my work over the past 60 years has inspired, encouraged or motivated any young person to write comedy for radio, motion pictures or television, I apologise."
He wrote or co-wrote films including Once Upon a Horse ... (1958) for Rowan and Martin; The Road to Bali (1952) for Hope and Bing Crosby; Move Over, Darling (1963), starring Doris Day; and Frank Capra's Pocketful of Miracles...
The director and writer Hal Kanter, who has died aged 92, was one of the great wits of Hollywood. He made his reputation as one of Bob Hope's principal writers, and for many years scripted the annual Oscar ceremonies (he shared Emmy awards in 1991 and 1992 for his work on the shows). He was also a huge influence on writers who followed him. He ended his 1999 autobiography, So Far, So Funny, with this: "If any of my work over the past 60 years has inspired, encouraged or motivated any young person to write comedy for radio, motion pictures or television, I apologise."
He wrote or co-wrote films including Once Upon a Horse ... (1958) for Rowan and Martin; The Road to Bali (1952) for Hope and Bing Crosby; Move Over, Darling (1963), starring Doris Day; and Frank Capra's Pocketful of Miracles...
- 11/11/2011
- by Michael Freedland
- The Guardian - Film News
Hal Kanter (see photo), creator of the groundbreaking television series Julia, starring Diahann Carroll (photo) as a nurse, died Sunday, Nov. 6, of complications from pneumonia at Encino Hospital in the Los Angeles suburb of Encino. Kanter was 92. Julia (1968-71) marked the first time a black actress had an important role in an American television series playing something other than a maid (e.g., Ethel Waters and Louise Beavers in the 1950s series Beulah). As quoted in the Los Angeles Times obit, Kanter said he didn't want to make profound political statements with each Julia episode. But political statements were made all the same, as Kanter explained: There is a fallout of social comment. Every week we see a black child playing with a white child with complete acceptance and without incident. One of the recurring themes in the thousands of letters we get is from people who thank us for...
- 11/8/2011
- by Andre Soares
- Alt Film Guide
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