Dr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate a... Read allDr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.Dr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.
- Doctor Seward
- (as Alberto Dalbes)
- Doctor Frankenstein
- (as Denis Price)
- Madame Orloff
- (as Britt Nichols)
- Tanner
- (as Daniel Gerome)
- Abigail
- (as Doris Tom)
- Morpho
- (as J. Franco)
- Dr. Frankenstein
- (Spanish version)
- (voice)
- (uncredited)
- Asistente de Vera Frankenstein
- (uncredited)
Storyline
Did you know
- TriviaFilm debut of Lina Romay.
- GoofsVera asks Dr. Seward if her father could have been killed by mountain lions. An odd question to ask, given there are no mountain lions in Europe.
- Quotes
Melisa: Melisa speaks to you on behalf of her great master Cagliostro. Cagliostro created me and half of me is a bird. He meant for me to be his own daughter, but I am blind and therefore unworthy. Cagliostro now transmits the words he wishes you to hear through the fabulous creature that I am. Listen to the master speak these words to you: "I have accorded you the privilege of rising from your graves. But I cannot prevent your flesh from rotting. Originally, I started creating with nature's materials, but I was mistaken. I brought corpses back to life, only their bodies kept on rotting. To create the creature through whom I talk, I contrived to impregnate an egg with human semen. It was the beginning of my research. Now I use only living ingredients. Different elements of various women served to engender this composite woman and through her a new master race will arise. You are now going to witness the melding of this creature with the monster of Frankenstein. The monster has entered the crypt. He will perform Cagliostro's commands. Witness the miracle, the holy covenant between these two: the creature of Cagliostro and... the monster of Frankenstein. Cagliostro's magnetic power steals into their bodies. It is taking hold. Now they are about to procreate. Their procreation is perfection. They are fabulous creatures. They are divinities. Their most marvelous bodies will mate and remain united."
Cagliostro: The time has arrived. The monster will begin his work. Enjoy it, Melisa. I want you to enjoy it most particularly.
- Alternate versionsTwo (if not more) versions of this film exist La Maldicion de Frankenstein and The Curse of Frankenstein. The main difference between the two is that Curse is the 'hot' version containing male and female full frontal nudity, Maldicion is the 'cool' version with the same scenes but with the actors clothed. Maldicion is the version released in Spain in the General Franco era hence the lack of nudity although several topless scenes briefly remain. There are however many other differences between Maldicion and Curse, neither can be called definite since both contain footage the other doesn't. Both contain different beginning and end credits, Maldicion has nominal black and white titles, Curse opens it's credits to footage in Frankenstein's lab not found in Maldicion and ends with the credits set against a blue painting of the sea with more lyrical credits 'Robert De Nesle has presented'. Maldicion adds another character Esmeralda the Gypsy (played by Lina Romay) completely alien to Curse who appears throughout the film in a trance under the influence of Cagliostro, while impressive scenes of Cagliostro's zombies dressed in white robes walking though a misty forest can't be found in Curse. However Maldicion is lacking several scenes important to the narrative that curse can boast, noticeably Cagliostro and Melissa the bird women's first meeting in the film.
- ConnectionsEdited into Dr. Wong's Virtual Hell (1999)
But these films seem important to me. The reason is that today's most exiting cinema comes from the Spanish tradition of layered realisms. While the main source is Latin literature, I fancy that it can be traced back to Franco and buddies as well.
About half of these that I encounter make me yell "This! This must be the ultimate Franco!" I had that experience when gliding through this.
Yes, of course it is cheap, with bad acting and so on. But nearly _every_ movie is for me. Its just a matter of degree and earnestness. Overlook that, dear viewer.
The story alone should be enough to attract you. I won't recount it here, but it is complex and ambiguous, borrowing from several genres and reinventing them capriciously. One character is the evil genius's erotic soothsayer. She is blind but sees, a vampire but humanly erotic, our surrogate on screen.
That evil genius wraps us up in capturing Frankenstein's monster to mate for a purpose I didn't understand. This eventually involves Frankenstein's beautiful scientist daughter who temporarily reanimates her now carrion dad and ends up getting nudely whipped... well it hardly matters.
The real thing is in how he creates a gauzy, abstract world that floats above the normal world of movies. It is a movie like other movies, but not. It engages us in a conspiracy to weave a new world. Who cares about what that world contains, it is how it is woven that matters.
Ted's Evaluation -- 3 of 3: Worth watching.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- The Rites of Frankenstein
- Filming locations
- Av. Rei Humberto II de Itália Parque Marechal Camona, 2750-319 Cascais, Portugal(Cagliostro's castle)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 34 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1