Finding herself penniless after her art-dealer husband Stephan is convicted of theft, Marya Zelli accepts the hospitality of a strange couple, H.J. and Lois Heidler, who let her live in thei... Read allFinding herself penniless after her art-dealer husband Stephan is convicted of theft, Marya Zelli accepts the hospitality of a strange couple, H.J. and Lois Heidler, who let her live in their home.Finding herself penniless after her art-dealer husband Stephan is convicted of theft, Marya Zelli accepts the hospitality of a strange couple, H.J. and Lois Heidler, who let her live in their home.
- Nominated for 1 BAFTA Award
- 2 wins & 2 nominations total
Sébastien Floche
- Mr. Hautchamp
- (as Sebastien Floche)
Isabelle Canto da Maya
- Cri-Cri
- (as Isabelle Canto Da Maya)
Annie Noël
- Maid
- (as Annie Noel)
Storyline
Did you know
- TriviaWriter and Director James Ivory initially resisted the casting of Dame Maggie Smith in this movie. Although he did not think her appropriate for the role, despite her talent, she was cast by Producer Ismail Merchant over Ivory's objections. Ivory later conceded, "it was one of the most wonderful things that ever happened to me."
- Quotes
Lois Heidler: If you see only Anglo-Americans in Paris, what's the use of being here at all?
- Alternate versionsFrench dubbed version with French credit roll for French Release version.
- ConnectionsFeatured in Sneak Previews: Rollover, Quartet, My Dinner with Andre, Reds (1981)
- SoundtracksThe 509
Arranged by Luther Henderson
Written by Richard Robbins (uncredited)
Performed by Armelia McQueen (uncredited)
Featured review
While Quartet may be a lesser Merchant-Ivory film and is no Room with a View, Howard's End of Remains of the Day, it still has a lot to recommend it. It's not great and could have been better, but is decent.
Quartet for starters is beautifully made, as always the costumes and sets are amazingly sumptuous, is lit with a luminous atmosphere and shot with the usual exquisite charm. It's hauntingly scored too, and there is some intelligent scripting too that does have some poignancy and explores the contrast between upper class lifestyles and moral corruption suitably subtly. James Ivory directs with an appropriate amount of restraint, and there is some good acting here. Maggie Smith relishes her juicy character and her performance along with the production values is the best thing about the film. Anthony Higgins is sympathetic enough too.
Alan Bates' character could have been much better realised though, Bates succeeds in being charismatic but he is not intimidating or nuanced enough, Heidler is very one-dimensional and a character you feel nothing for from the get go. Isabelle Adjani is attractive but somewhat too cold and immature, which doesn't make the character's fear resonate. The dialogue is good here, but a better job could have been done with the characters, for they felt sketchily developed and their motivations rushed and unclear. Merchant and Ivory productions are always deliberately paced, but in their very best work the characters and their situations are really compelling and drive the story effectively, unfortunately because that was an aspect that Quartet was (for me) lacking in the pacing did feel a bit lagging and dull.
Overall, lesser Merchant-Ivory but a decent watch. 6/10 Bethany Cox
Quartet for starters is beautifully made, as always the costumes and sets are amazingly sumptuous, is lit with a luminous atmosphere and shot with the usual exquisite charm. It's hauntingly scored too, and there is some intelligent scripting too that does have some poignancy and explores the contrast between upper class lifestyles and moral corruption suitably subtly. James Ivory directs with an appropriate amount of restraint, and there is some good acting here. Maggie Smith relishes her juicy character and her performance along with the production values is the best thing about the film. Anthony Higgins is sympathetic enough too.
Alan Bates' character could have been much better realised though, Bates succeeds in being charismatic but he is not intimidating or nuanced enough, Heidler is very one-dimensional and a character you feel nothing for from the get go. Isabelle Adjani is attractive but somewhat too cold and immature, which doesn't make the character's fear resonate. The dialogue is good here, but a better job could have been done with the characters, for they felt sketchily developed and their motivations rushed and unclear. Merchant and Ivory productions are always deliberately paced, but in their very best work the characters and their situations are really compelling and drive the story effectively, unfortunately because that was an aspect that Quartet was (for me) lacking in the pacing did feel a bit lagging and dull.
Overall, lesser Merchant-Ivory but a decent watch. 6/10 Bethany Cox
- TheLittleSongbird
- Aug 10, 2015
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Quartett
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $12,042
- Opening weekend US & Canada
- $5,150
- May 5, 2019
- Gross worldwide
- $12,042
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