A basketball player's father must try to convince him to go to a college so he can get a shorter sentence.A basketball player's father must try to convince him to go to a college so he can get a shorter sentence.A basketball player's father must try to convince him to go to a college so he can get a shorter sentence.
- Awards
- 10 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSpike Lee originally wanted Kobe Bryant to play the part of Jesus Shuttlesworth. While Bryant liked the script, and the idea of working with Lee, he had just finished his rookie year in the NBA (the 1996-97 season), and had shot several air balls in a brutal playoff loss by the Lakers to the Utah Jazz. For this reason, Bryant planned a workout program that would help him maintain his strength through the longer NBA seasons (a major adjustment, as Kobe went straight from high school to the pros). After Bryant consequently turned the movie role down, noting that the summer of 1997 was too important to spend time making the film, Lee promptly sought out Ray Allen, who quickly accepted the lead role.
- Quotes
Jesus Shuttlesworth: Basketball is like poetry in motion, cross the guy to the left, take him back to the right, he's fallin' back, then just J right in his face. Then you look at him and say, "What?"
- SoundtracksJohn Henry
Performed by London Symphony Orchestra
Aaron Copland, Conductor
Written by Aaron Copland
The Aaron Copland Fund for Music, Inc., Copyright Owner
Boosey & Hawkes, Inc., Solo Publisher
Courtesy of Sony Classical
Featured review
Spike Lee's He Got Game is a beautifully shot and well-executed exploration of the role that the sport of basketball plays in the relationship between a father and his estranged son. At the outset, having not seen very many other Spike Lee movies, I didn't really know what to expect or what to compare this film to. However, I was pleasantly surprised at the overall quality of the plot and the cinematography that composed this film. Furthermore, I really liked the definitive sense of Spike's style that was quite apparent throughout.
Told through flashbacks that reveal the plot throughout the course of the movie, He Got Game is about Jake Shuttlesworth (Denzel Washington) and his basketball-star son, Jesus (Ray Allen). Jake is in jail under mysterious circumstances, yet can get out of jail if he is able to convince Jesus to choose to play basketball at a specific school, namely the state governor's alma mater. Released for a week in order to complete the daunting task, he hounded by probation officers, and does a lot of things that he couldn't do in jail, such as have a light dalliance with Milla Jovovich's slightly-unnecessary prostitute character, Dakota Burns. Denzel, as usual, excellently handles his role as the intense father, and is utterly believable in both his emotion-laden and his violent, angry scenes.
Ray Allen's portrayal of Jesus is also an interesting and well-played usage of the strong dichotomy of masculinity in the sport of basketball. He very clearly shows the purer and more tender side of his character through his love for his younger sister, whom he lives with and takes care of. Yet he is torn between that and the glittering, vice-infested world that his ability at basketball brings him ever closer to. At times he does even succumb to the cloying ploys of others, and there is a particularly raunchy scene as evidence of this. Allen carefully and quietly allows the audience to see the conflicts between sensitivity and machoism that exist in his life, as a result of basketball.
Probably one of the more interesting ways in which this film is set up is through the use of comparative shots that allow the similarities of Jake and Jesus's actions to show. Jesus tries so hard to distance himself from his father, yet the shots and the camera framing show just how alike they both really are. I also particularly enjoyed the use of color and contrasts that appeared throughout. For instance when Jesus and his errant girlfriend LaLa (Rosario Dawson) are talking at the end of the film, both their faces vividly reflect a shade of jealous green from the amusement park lights.
Overall this film is a very good spin on the basketball sports movie, yet with no huge stadiums or big games to win the championship, like what usually constitutes a basketball movie. Instead, the two main characters go through much self-analysis and introspective maturing, something that is quite rare for sports-playing men in film to do. I liked the strong use of color and the well-framed shots, and especially enjoyed Denzel Washington's brooding performance. A classic, must-see movie for anyone interested in cinematography or film.
Told through flashbacks that reveal the plot throughout the course of the movie, He Got Game is about Jake Shuttlesworth (Denzel Washington) and his basketball-star son, Jesus (Ray Allen). Jake is in jail under mysterious circumstances, yet can get out of jail if he is able to convince Jesus to choose to play basketball at a specific school, namely the state governor's alma mater. Released for a week in order to complete the daunting task, he hounded by probation officers, and does a lot of things that he couldn't do in jail, such as have a light dalliance with Milla Jovovich's slightly-unnecessary prostitute character, Dakota Burns. Denzel, as usual, excellently handles his role as the intense father, and is utterly believable in both his emotion-laden and his violent, angry scenes.
Ray Allen's portrayal of Jesus is also an interesting and well-played usage of the strong dichotomy of masculinity in the sport of basketball. He very clearly shows the purer and more tender side of his character through his love for his younger sister, whom he lives with and takes care of. Yet he is torn between that and the glittering, vice-infested world that his ability at basketball brings him ever closer to. At times he does even succumb to the cloying ploys of others, and there is a particularly raunchy scene as evidence of this. Allen carefully and quietly allows the audience to see the conflicts between sensitivity and machoism that exist in his life, as a result of basketball.
Probably one of the more interesting ways in which this film is set up is through the use of comparative shots that allow the similarities of Jake and Jesus's actions to show. Jesus tries so hard to distance himself from his father, yet the shots and the camera framing show just how alike they both really are. I also particularly enjoyed the use of color and contrasts that appeared throughout. For instance when Jesus and his errant girlfriend LaLa (Rosario Dawson) are talking at the end of the film, both their faces vividly reflect a shade of jealous green from the amusement park lights.
Overall this film is a very good spin on the basketball sports movie, yet with no huge stadiums or big games to win the championship, like what usually constitutes a basketball movie. Instead, the two main characters go through much self-analysis and introspective maturing, something that is quite rare for sports-playing men in film to do. I liked the strong use of color and the well-framed shots, and especially enjoyed Denzel Washington's brooding performance. A classic, must-see movie for anyone interested in cinematography or film.
- jhendrickson08
- Dec 9, 2004
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- No perdonarás
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $21,567,853
- Opening weekend US & Canada
- $7,610,663
- May 3, 1998
- Gross worldwide
- $21,567,853
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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