Be-Reham

Be Reham (merciless) is a good socio-crime thriller which works because the director has given utmost logical treatment to the plot and its characterization aspect which won't appeal to the people who are fond of (or have got habitual of) watching over the top movies. However, I liked it when I saw it on TV because the logical characterization and realistic narrative appealed to me. Besides, the message pertaining to the image of a dutiful cop also seemed exemplary to me because our country has been facing the image-crisis of most of the public figures and barring exceptions, none is kept in high esteem by the common people.

The plot of Be Reham revolves around Sanjeev Kumar, the police commissioner and Shatrughan Sinha, his subordinate inspector who is his devotee and always keep him in high esteem. The dead-honest and dutiful cop Sanjeev opines that policemen are no ordinary civilians and to do their duty perfectly they should be careful with their public image. He gives this lesson to Shatrughan when he finds him enjoying wine, dine and dance with his lady love Reena Roy and others. However Sanjeev himself has to face the dilemma of following the law of the land or maintaining his image (which he feels, represents the image of the whole police department) when accidentally a bad character is killed by him at the house of his ex-flame Mala Sinha who had been led by circumstances to become a prostitute. Mala stops him to call the police and asks him to leave in order to stay away from any type of scandal that may tarnish his image. However after getting herself arrested post his departure, Mala feels that she may not be able to endure the police interrogation and there remains the possibility of herself revealing the name of Sanjeev. To avoid any such likelihood, she commits suicide in the police lock-up. Investigating officer, Shatrughan finds certain clues hinting that a big gun of his own department may be involved in this murder case. However he respects Sanjeev so much that he suspects everybody except him. Another parallel track in the movie is of Sanjeev's college buddy, Kader Khan who is now a big smuggler and involved in other illegal activities also. He tries to bribe Sanjeev but his this act itself brings him into the suspicion of Sanjeev. After getting information about his real activities, Sanjeev goes after him. In the action-packed climax related to the kidnapping of a big Indian scientist by Kader Khan, Sanjeev gets killed but not before sending his letter for confession of the murder at Mala's residence to Shatrughan.

This crime-action-thriller is good to watch because of the logically flowing narrative and logical layout. Nowhere it is over the top and the all the scenes related to the police department have been convincingly executed (which, in my opinion, was very very exceptional in that period). There is nobody larger than life and the villain with his activities and mannerisms is thoroughly reliable and convincing. Yes, we can imagine by seeing Kader Khan and his movements how the real life smugglers and traitors might be looking like. Very few cinematic liberties have been taken in the movie. Other than the song and dance of the romantic pair of Shatru and Reena, the sequence of the performance of a lady Quawwaal (Moushumi Chatterjee) arranged in order to bring out the eye-witness (Keshto Mukherjee) from his hiding is the only big cinematic liberty taken to push the story. Else everything is realistic. Shatrughan's inquiring his seniors regarding their whereabouts on the murder night, is an example of realistic presentation of the things. If you start enjoying the realistic way of telling the story of crime investigation and police action, this movie will prove thoroughly engrossing for you. Just pay attention to the scene of Kader Khan visiting his client, Helen in foreign and you will realise how the people of the crime world talk and behave. No gimmicks, no useless dialogues, nothing overboard; everything natural as expected of flesh and blood individuals.

As was the tradition in that time, the director has kept the character of Sindhi inspector Malpani (I.S. Johar) who provide laughters. However the director is cautious enough not to reduce him to just a laughter-generating character. He does serious things as a part of his duty assigned by his seniors and is sacrificed in the hands of the smugglers while on duty. Thus the reality aspect is not compromised even on his front.

I have always been a Sanjeev Kumar fan. And Be Reham is more or less a movie of Sanjeev Kumar only, one of the greatest actors bollywood has ever presented. He was an acting legend. This movie also has more or less been carried by him on his lone shoulders. Kader Khan, I.S. Johar and Keshto Mukherjee alongwith Moushumi in her cameo, have done well. The disappointing ones are Shatrughan Sinha, Reena Roy and Mala Sinha.

Music is so-so. However the Quawwali picturised on Moushumi is good. Technical aspects and the action scenes in the climax are good. The movie has not been unduly dragged, considering the norms of that period. Dialogues are also OK and perfectly fit in with the naturally advancing storyline.

Many filmmakers of Bollywood advise their audience to leave their brains at their homes before leaving for the theatre, in order to enjoy their so-called entertaining movies. However this movie can be enjoyed by keeping your brains with you. All the lovers of crime-action-police movies will surely like this logically told saga.