User reviews

The thirteenth and final episode of "Torchwood" is excellent science fiction drama. Leading on from the events in "Captain Jack Harkness", "End of Days" shows the damage caused by the interference with the rift.

There are some great set-pieces in this episode and a few scenes of real tension. The outcome of this episode will keep the viewer on his or her edge-of-the-seat until the very end.

Another excellent performance here from John Barrowman but it's Eve Myles who's the real star of the show. Her warmth and humanity has been impressive in every episode and she has shown a great ability with both serious drama and comedy in this series.

Although "Torchwood" has had its share of less-than-excellent episodes, I have my fingers and toes crossed for another series. While its characters have not always been likable, they are realistic and that is where this series comes into its own.

The Rift is open, and all manner of people and problems are falling into present day, Bilis gives Gwen a chilling vision of the future, opening the rift seems like the only solution.

After the penultimate episode, I had really high hopes, on many levels it delivers and satisfies, in some ways it doesn't, it gets a bit too messy.

I'm glad they had enough faith in The Torchwood team, and simply didn't rely on bringing The Doctor in, they were definitely strong enough to carry the story, and conclude it.

The various beings dropping through time and viruses were such a good idea, they could have perhaps showed a bit more.

I felt that Abaddon was a bit of a disappointment, I'd rather they'd developed Bilis a little more. Bilis seemed like such an intelligent, powerful and manipulative being, Abaddon was just a gian mt monster, although the death aspect was great.

The Rhys storyline was one of the highlights, but it's hard to fully buy into as Gwen treated him like a doormat, poor Rhy.

Is it me, or the passing of time, but do some of those CGI special effects look a little weak now? In fairness I am reviewing this some sixteen years after it went out.

I did enjoy it, I guess I'd just hoped for more.

7/10.

When Owen opened the rift Jack and Toshiko did return but the consequences of that act was horrifying. Mr.Bilis Manger appears again to Gwen, when she comes to prison where the guard Andrew shows her and Jack a killer. It is a roman soldier who speaks in Latin, and he had savagely killed two persons. Jack decides to take him with them and lock him in one of the cells in Torchwood. Gwen tells Jack that Bilis asked her to forgive him, but she did not understand what he meant. In the hospital Owen and Toshiko are faced with another issue. The episode was very intense. As a closure for the first season some really unbelievable things happened. Bilis was an evil character from the start. It was strange to me that the team members one by one started to believe in his lies. Nobody was listening to Jack and I found that unacceptable. I really loved special effects in this one. The ending was a nerve wrecking but it was wort it.

It is a rainy night in Cardiff and WPO Gwen Cooper is at the scene of a stabbing in the city centre. A group of special investigators take control of the scene and Gwen heads up into the flats nearby to watch them at work. When she thinks she sees the victim brought back to life, she investigates further and returns to the crime scene where she finds some form of beast/man that kills a hospital porter in front of her eyes, with only the intervention of the team she saw the night before, saving her from the same fate. Looking deeper into the mystery she discovers the existence of Torchwood – a group dealing with the alien and paranormal threat to earth, led by none other than Captain Jack Harkness, a man not unfamiliar with aliens and strange happenings.

Trailed with a "viewer discretion" warning, featuring bloody murders, tragic deaths and swearing in the first 10 minutes and given a post-watershed slot in the schedules, I fairly assumed that this would be a pretty adult extension of the shadowy organisation that writer Russell Davies had running through his Doctor Who series. Sometimes hype causes the audience to unfairly expect too much from but in this case there was no reason to doubt that this would be an adult sci-fi growing from a thread of Dr Who. So coming into it with that in mind I must confess to being slightly confused and bewildered by the whole thing because it seems to be the material that makes it "adult" (ie swearing, sex, violence) but none of the substance that would make it more of a series for adult viewers (dark themes, character development, genuine conspiracy etc). It is hard to describe but it is like the writers have felt that to make a family sci-fi into a grown up one all they need to do is add scenes of girls kissing, blood and swearing.

Of course if the series proves anything it is that they are wrong because, no matter how many aerial sweeping shots of Cardiff we have, the series doesn't convince as a grown up matter of interest. This isn't to say it is rubbish because it isn't, it just seems to be very mixed and uncertain of its aims or target audience. So in one episode we have a cyberwoman in a sexy outfit and high-heels doing battle with the team's pterodactyl contrasting with the emotional content that you can just about see under the surface. It is maybe the most laughable low point of the series but it is one of the better examples of what a very confused and badly targeted affair it all is. Elements of Russell Davies' scripts have potential but it seems like he doesn't know how to deliver this potential. Drama becomes melodrama, character development is lost in clunky dialogue, excitement means overhead camera shots and depth means everyone talking in hushed tones with dramatic music in the background. On the sort of level of Dr Who adventure this works to the degree that children might appreciate but, as discussed, this is not aimed at children and is certainly not suitable for them. Instead Davies just lets it all get a bit silly with the slightest of nudges and misses obvious opportunities to do things of interest with some of his stories – the most glaring being the lack of commentary about the sexualisation of society in the episode that is a mini-rip off of Species. I could do on to complain about the silly, over-designed vehicle they drive, the fact that they plaster "Torchwood" everywhere, the daft pavement entrance to their silly HQ (a place so impractical that even Adam West would see it as gaudy and unnecessary) and the occasionally lazy writing (stuck for an episode? Then remake Fight Club...but with aliens...).

The cast are trapped with this material but, in fairness none of them were ever going to be able to lift it with their performances. Barrowman was a great addition to Dr Who because his pantomime Captain Jack was camp fun. Unsurprisingly trying to turn him into a dark, hunted man full of mystery and hurt doesn't really work. The script does give him the chance to do it but then conversely it doesn't help to have him striding round like some matinée cross between Indiana Jones and Batman. Barrowman doesn't have the range to do this but he can stand with his hands on his hips staring into the distance with a "determined" look; or look at the floor with a "hurt" look or shout difficult decisions with a "conflicted" look on his face – which is all well and good if you are looking to deliver for a preteen audience but not if your aim to hit deeper. Myles is OK as our way into this world but she is asked to do things that take away from her performance (kissing everyone etc).Gorman is a basic joker who doesn't add much, while David-Lloyd is handed a confused character and just decides to play it eternally glum. Mori is pretty cool and certainly miles better than the last time I saw her (although that was playing an offensive Chinese "Madam" character on "gameshow" "Hot Tub Ranking" so it isn't difficult).

Overall then a very strange series. At times utterly childish but then at others an enjoyable sci-fi. Adult in terms of swearing, violence and sexual content but mostly childish in depth and development. Some episodes are so absurd that they are almost unwatchable but yet some others are good. It is mostly poor and infuriatingly inconsistent stuff though and the makers seem to have no feel of who the target audience actually is. Not as bad as some say it is but not as good as others say, it is a mess albeit a reasonably watchable mess.

I watched this series in a drunk stupor the first time and loved it. Now that I am watching it sober the awfulness of this show is so apparent. If Torchwood existed for real we would all die horribly. A good chunk of the stuff they "save" us from they cause. Gwen of course being the worst of all of a bad crowd.