IMDb RATING
7.0/10
6.8K
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Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.
Photos
Fenriz
- Self - Darkthrone
- (as Gylve 'Fenris' Nagell)
Varg Vikernes
- Self - Burzum
- (as Varg 'Count Grishnackh' Vikernes)
Euronymous
- Self - Mayhem
- (archive footage)
- (as Øystein 'Euronymous' Aarseth)
Hellhammer
- Self - Mayhem
- (as Jan Axel 'Hellhammer' Blomberg)
Per Ohlin
- Self - Mayhem
- (archive footage)
- (as Per 'Dead' Ohlin)
Abbath
- Self - Immortal
- (as Olve 'Abbath' Eikemo)
Demonaz
- Self - Immortal
- (as Harald 'Demonaz' Nævdal)
Bård Eithun
- Self - Emperor
- (as Bård 'Faust' Eithun)
Kristoffer Rygg
- Self - Ulver
- (as Kristoffer 'Garm' Rygg)
Frost
- Self - Satyricon
- (as Kjetil 'Frost' Haraldstad)
Storyline
Did you know
- Crazy creditsAfter the credits roll, there is a clip of Fenriz mockingly saying "Satan!"
- SoundtracksBallad of the Broken Birdie Records
Performed by Múm
Written by Gunnar Tynes, Kristín Anna Valtýsdóttir, Gyda Valtysdóttir, Oevrar Smarason
Composed by Gunnar Tynes, Kristín Anna Valtýsdóttir, Gyda Valtysdóttir, Oevrar Smarason
Courtesy of Morr Music
Published by Warner/Chappell Music Publishing Ltd.
Featured review
Although I'm not what you'd call a big fan of the music scene at the core of this film - I don't own a single one of the records - I've been aware of bits & pieces of the story over the years and had enough of a casual interest to catch a screening of the documentary at an AFI screening.
I was happily surprised by a few general aspects of the film - the general good film quality, the unlabored presentation of the characters, and also the unexpected soundtrack. As another reviewer says: "the music for this movie was very appropriate ... a mix of black metal and ambient music, making the movie very easy to watch while still putting you within the dark atmosphere." I'll add that this ambient music helped make the metal segments seem all the more heavy-hitting and abrasive. A wise choice.
It's refreshing, as in case of Until the Light Takes Us, when a documentary doesn't judge it's subjects, especially when the urge to justify their approach (aka cover their ass) must have been present. The viewer benefits most from this in the interesting present-day clips of Fenriz and Varg Vikernes (Burzum) and the unforced comparison of the two and the time they are given the time to reveal themselves, both good and bad (and very bad) through their own words and ideas.
Although this doc is unmistakably about a metal scene, it's also got a wealth of insight to the power of the entertainment news media to re-define the reality in ways they're irresponsibly probably not even aware of.
I was happily surprised by a few general aspects of the film - the general good film quality, the unlabored presentation of the characters, and also the unexpected soundtrack. As another reviewer says: "the music for this movie was very appropriate ... a mix of black metal and ambient music, making the movie very easy to watch while still putting you within the dark atmosphere." I'll add that this ambient music helped make the metal segments seem all the more heavy-hitting and abrasive. A wise choice.
It's refreshing, as in case of Until the Light Takes Us, when a documentary doesn't judge it's subjects, especially when the urge to justify their approach (aka cover their ass) must have been present. The viewer benefits most from this in the interesting present-day clips of Fenriz and Varg Vikernes (Burzum) and the unforced comparison of the two and the time they are given the time to reveal themselves, both good and bad (and very bad) through their own words and ideas.
Although this doc is unmistakably about a metal scene, it's also got a wealth of insight to the power of the entertainment news media to re-define the reality in ways they're irresponsibly probably not even aware of.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Поки світло не забере нас
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $130,441
- Opening weekend US & Canada
- $7,246
- Dec 6, 2009
- Gross worldwide
- $130,441
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.85 : 1
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By what name was Until the Light Takes Us (2008) officially released in India in English?
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