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7.0/10
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Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.
Photos
Fenriz
- Self - Darkthrone
- (as Gylve 'Fenris' Nagell)
Varg Vikernes
- Self - Burzum
- (as Varg 'Count Grishnackh' Vikernes)
Euronymous
- Self - Mayhem
- (archive footage)
- (as Øystein 'Euronymous' Aarseth)
Hellhammer
- Self - Mayhem
- (as Jan Axel 'Hellhammer' Blomberg)
Per Ohlin
- Self - Mayhem
- (archive footage)
- (as Per 'Dead' Ohlin)
Abbath
- Self - Immortal
- (as Olve 'Abbath' Eikemo)
Demonaz
- Self - Immortal
- (as Harald 'Demonaz' Nævdal)
Bård Eithun
- Self - Emperor
- (as Bård 'Faust' Eithun)
Kristoffer Rygg
- Self - Ulver
- (as Kristoffer 'Garm' Rygg)
Frost
- Self - Satyricon
- (as Kjetil 'Frost' Haraldstad)
Storyline
Did you know
- Crazy creditsAfter the credits roll, there is a clip of Fenriz mockingly saying "Satan!"
- SoundtracksBallad of the Broken Birdie Records
Performed by Múm
Written by Gunnar Tynes, Kristín Anna Valtýsdóttir, Gyda Valtysdóttir, Oevrar Smarason
Composed by Gunnar Tynes, Kristín Anna Valtýsdóttir, Gyda Valtysdóttir, Oevrar Smarason
Courtesy of Morr Music
Published by Warner/Chappell Music Publishing Ltd.
Featured review
'Until the Light Takes Us' is an exploration of the 1980s and 90s Norwegian black metal movement largely seen through the eyes of two of its important figures - Gylve 'Fenriz' Nagell, one half of the key duo behind the seminal Darkthrone; and Varg 'Count Grishnackh' Vikernes, the man behind one-man project Burzum.
The documentary is mostly comprised of interviews with Nagell and Vikernes as well as several members of other prominent black metal bands. The film also portrays some fly-on-the-wall moments with Nagell as he recounts the events of the early days of the black metal scene, and includes some archival footage, most notably of the infamous church burnings and the ensuing media frenzy. With no narrator and very few inter-titles, the talking head pieces are largely left to drive the film forward. Whilst the insights from Nagell and Vikernes are interesting, it does tend to make 'Until the Light Takes Us' feel a bit like an incomplete picture of the true goings-on of the time. For those already familiar with the events of the Norwegian black metal scene in the 1980s and 90s, there probably isn't too much more you would learn from this film. However, if you are new to the story, there are some interesting tidbits to be gained - albeit from a limited perspective. Other reviewers have noted the lack of insight into some of the more extreme views of Vikernes - likewise, I feel this would have been an interesting area to explore and was a bit of a missed opportunity from the filmmakers.
From a technical perspective, the film is well pieced together. Much like black metal itself, there is no unnecessary ornamentation (such as crazy edits or 'arty' camera angles/effects) and the story is left pretty much to unfold on its own. A quick note also on the soundtrack - not exactly what I was expecting for a documentary on black metal but an interesting choice and effective for the most part.
In summary, an interesting piece of the story behind one of the more infamous movements in modern music but one that should be taken as only part of the complete picture. Worth a view as a companion piece.
The documentary is mostly comprised of interviews with Nagell and Vikernes as well as several members of other prominent black metal bands. The film also portrays some fly-on-the-wall moments with Nagell as he recounts the events of the early days of the black metal scene, and includes some archival footage, most notably of the infamous church burnings and the ensuing media frenzy. With no narrator and very few inter-titles, the talking head pieces are largely left to drive the film forward. Whilst the insights from Nagell and Vikernes are interesting, it does tend to make 'Until the Light Takes Us' feel a bit like an incomplete picture of the true goings-on of the time. For those already familiar with the events of the Norwegian black metal scene in the 1980s and 90s, there probably isn't too much more you would learn from this film. However, if you are new to the story, there are some interesting tidbits to be gained - albeit from a limited perspective. Other reviewers have noted the lack of insight into some of the more extreme views of Vikernes - likewise, I feel this would have been an interesting area to explore and was a bit of a missed opportunity from the filmmakers.
From a technical perspective, the film is well pieced together. Much like black metal itself, there is no unnecessary ornamentation (such as crazy edits or 'arty' camera angles/effects) and the story is left pretty much to unfold on its own. A quick note also on the soundtrack - not exactly what I was expecting for a documentary on black metal but an interesting choice and effective for the most part.
In summary, an interesting piece of the story behind one of the more infamous movements in modern music but one that should be taken as only part of the complete picture. Worth a view as a companion piece.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Поки світло не забере нас
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $130,441
- Opening weekend US & Canada
- $7,246
- Dec 6, 2009
- Gross worldwide
- $130,441
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.85 : 1
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By what name was Until the Light Takes Us (2008) officially released in India in English?
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