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In this harrowing docuseries, a cruel conman masquerading as a British spy manipulates and steals from his victims, leaving ruined families in his wake.In this harrowing docuseries, a cruel conman masquerading as a British spy manipulates and steals from his victims, leaving ruined families in his wake.In this harrowing docuseries, a cruel conman masquerading as a British spy manipulates and steals from his victims, leaving ruined families in his wake.
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I watched this docu-series on con-man Robert Freegard not long after watching a similar exposé on the playboy fraudster Simon Leviev and of course there are both a factual and dramatic series on Anna Delvey also out there at present. It seems it's TV open-season on large-scale tricksters like these and I certainly find them fascinating. The sad thing about this one is that, as the title implies, the perpetrator here, after being caught and freed once hasn't yet been rediscovered, never mind caught again.
I'll call him Freegard although other pseudonyms are available and a nasty piece of work he seems to be. His M. O. seems to see him claim to be in MI5 and use this phony establishment status to coerce his victims into slavishly doing what he wants as well as extorting every last penny he can from them and their families along the way.
Although principally running two parallel story-lines, one present day, the other back in the early 90's, the narrative also draws in two other victims of this "puppet-master" to further bolster the story.
Story one concerns a young male student based in Ireland, who bumps into a young barman who tells him a fantastical tale about him being a British secret-service recruit against the then active I. R. A. So he convinces his prey, plus his then girlfriend and another young girl companion to go with him on a seemingly never-ending road-trip ostensibly to keep them safe from harm as the IRA apparently has a death-threat against the three of them. They return to England but stay on the run, stopping off at dingy "safe-houses" along the way. Astonishingly, this goes on for nine years with the three young people completely convinced of their imminent danger. But this protection comes at a price and soon he's forcing his hostages to go back to their families and get as much money out of them as they can ostensibly for his expenses, to be paid of course, straight back to Freegard.
The programme fast-forwards some fifteen years or so to a simpler but no less bizarrely compelling tale of a handsome stranger preying on a single mother, effectively cuckooing the woman's two children out of the family home and again making her accompany him on a non-stop tour of Europe. The show then shuttles between both stories showing the strenuous efforts of their respective families to rescue the brainwashed victims, as well as the debilitating psychological effect on them all.
We learn that Freegard (what an ironic name that is!) was once a successful car-salesman but even that seems insufficient to explain how he is so successful at controlling and using people. Two other victims are brought forward and with the police's help, a sting is carried out on Freegard which brings him finally to justice and given a life sentence only to see him get off on a technicality, leaving him free to go after his current victim, where, sad to relate, he apparently is working his black magic again preventing the poor woman from seeing her two distraught children.
The show uses actors to speak for some of the key players which I found a little distracting and I also found the time-switch presentation a bit frustrating at times. Nevertheless this was a remarkable, almost unbelievable story, powerfully told. Yes, we the viewer might wonder at the duplicity of the various victims here but I guess it's true what they say that the devil doesn't always appear with a cloven hoof and pointy tail.
I'll call him Freegard although other pseudonyms are available and a nasty piece of work he seems to be. His M. O. seems to see him claim to be in MI5 and use this phony establishment status to coerce his victims into slavishly doing what he wants as well as extorting every last penny he can from them and their families along the way.
Although principally running two parallel story-lines, one present day, the other back in the early 90's, the narrative also draws in two other victims of this "puppet-master" to further bolster the story.
Story one concerns a young male student based in Ireland, who bumps into a young barman who tells him a fantastical tale about him being a British secret-service recruit against the then active I. R. A. So he convinces his prey, plus his then girlfriend and another young girl companion to go with him on a seemingly never-ending road-trip ostensibly to keep them safe from harm as the IRA apparently has a death-threat against the three of them. They return to England but stay on the run, stopping off at dingy "safe-houses" along the way. Astonishingly, this goes on for nine years with the three young people completely convinced of their imminent danger. But this protection comes at a price and soon he's forcing his hostages to go back to their families and get as much money out of them as they can ostensibly for his expenses, to be paid of course, straight back to Freegard.
The programme fast-forwards some fifteen years or so to a simpler but no less bizarrely compelling tale of a handsome stranger preying on a single mother, effectively cuckooing the woman's two children out of the family home and again making her accompany him on a non-stop tour of Europe. The show then shuttles between both stories showing the strenuous efforts of their respective families to rescue the brainwashed victims, as well as the debilitating psychological effect on them all.
We learn that Freegard (what an ironic name that is!) was once a successful car-salesman but even that seems insufficient to explain how he is so successful at controlling and using people. Two other victims are brought forward and with the police's help, a sting is carried out on Freegard which brings him finally to justice and given a life sentence only to see him get off on a technicality, leaving him free to go after his current victim, where, sad to relate, he apparently is working his black magic again preventing the poor woman from seeing her two distraught children.
The show uses actors to speak for some of the key players which I found a little distracting and I also found the time-switch presentation a bit frustrating at times. Nevertheless this was a remarkable, almost unbelievable story, powerfully told. Yes, we the viewer might wonder at the duplicity of the various victims here but I guess it's true what they say that the devil doesn't always appear with a cloven hoof and pointy tail.
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- أسياد الحيلة: البحث عن المخادع الأكبر
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- Runtime42 minutes
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What was the official certification given to The Puppet Master: Hunting the Ultimate Conman (2022) in Japan?
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