Speaking at the American Film Market about his second feature film as writer-director, “Lost and Found in Paris,” Rupert Everett says: “Sex is quite an important feature [of the movie], but I’m not a big fan of full on sex in films. And so, even though there’s a lot of sexual content in this movie, I want it to be glimpsed at rather than seen full on.”
Everett gives an example, involving the central character, adventurous teenager Rupert, a sex worker called Danny who he falls in love with, and Delphine, a transsexual sex worker who works out of a truck in the Bois de Boulogne in Paris. “The first big love scene between Rupert and Danny is really only seen through a rearview mirror of Delphine’s truck: Odd snatches of bodies intertwining, clumsy embraces. The sex is inferred rather than seen.”
Everett sketches an outline of the semi-autobiographical story:...
Everett gives an example, involving the central character, adventurous teenager Rupert, a sex worker called Danny who he falls in love with, and Delphine, a transsexual sex worker who works out of a truck in the Bois de Boulogne in Paris. “The first big love scene between Rupert and Danny is really only seen through a rearview mirror of Delphine’s truck: Odd snatches of bodies intertwining, clumsy embraces. The sex is inferred rather than seen.”
Everett sketches an outline of the semi-autobiographical story:...
- 11/3/2021
- by Leo Barraclough
- Variety Film + TV
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