In February 2017, Journey went to Japan for a special show at Tokyo’s Budokan that featured a complete performance of 1981’s Escape and 1983’s Frontiers at the request of legendary Japanese concert promoter Mr. Udo in honor of his 50th anniversary in the business. “There’s a few songs I don’t even recall playing, like [the Frontiers track] ‘Troubled Child,” Journey guitarist Neal Schon told Rolling Stone at the time. “Digging back into that stuff has been a lot of fun.”
A camera crew was there to capture the entire night and...
A camera crew was there to capture the entire night and...
- 2/14/2019
- by Andy Greene
- Rollingstone.com
A new video essay by Fandor, titled “The Childhood Whimsy of Wes Anderson,” explores how the filmmaker presents children in his films as very mature, serious and smart. “Wes Anderson is that movie man-child who manages to be young and old at the same time. He specializes in child characters who don’t live carefree lives,” says the narrator.
Read More: Wes Anderson Movies Ranked From Worst To Best
One of the examples featured on the video is the scene from “Bottle Rocket” where Grace asks her friend Bernice to excuse her while she talks to her older brother, Anthony. The filmmaker introduces the young characters with the camera at eye level with them, not with the adult. The video also features the scene from “Moonrise Kingdom” where Suzy shows Sam the “Coping with the Very Troubled Child” pamphlet she had discovered her parents are using to deal with her.
Read More: Wes Anderson Movies Ranked From Worst To Best
One of the examples featured on the video is the scene from “Bottle Rocket” where Grace asks her friend Bernice to excuse her while she talks to her older brother, Anthony. The filmmaker introduces the young characters with the camera at eye level with them, not with the adult. The video also features the scene from “Moonrise Kingdom” where Suzy shows Sam the “Coping with the Very Troubled Child” pamphlet she had discovered her parents are using to deal with her.
- 5/5/2017
- by Yoselin Acevedo
- Indiewire
There are many things that make Steven Spielberg's 'E.T. The Extra-Terrestrial' -- thirty years old this year -- a magical masterpiece: a sensitive script, fantastic special effects (it's often easy to forget the title star is a mechanical puppet), John Williams' uplifting score. But one of the most over-looked aspects is the cast.
Eschewing big name stars and established child actors, Spielberg discovered a raft of talent, young and old, that do much to make 'E.T.' such an emotional experience. Here are their 'E.T.' stories and what happened next....
E.T. is 30 years old - hard to believe, but true
Henry Thomas (Elliott Taylor)
That was then: "I used to think 'If I mess this up, what's going to happen?'" recalls Henry Thomas about his days as the lead in 'E.T. The Extra-Terrestrial'. "'Are they going fire me? I'm nine years old.
Eschewing big name stars and established child actors, Spielberg discovered a raft of talent, young and old, that do much to make 'E.T.' such an emotional experience. Here are their 'E.T.' stories and what happened next....
E.T. is 30 years old - hard to believe, but true
Henry Thomas (Elliott Taylor)
That was then: "I used to think 'If I mess this up, what's going to happen?'" recalls Henry Thomas about his days as the lead in 'E.T. The Extra-Terrestrial'. "'Are they going fire me? I'm nine years old.
- 10/20/2012
- by The Huffington Post UK
- Huffington Post
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