In this true story, two formidable women deliver impactful performances at the forefront. The narrative, if fabricated, would seem implausively exaggerated. It's unsettling to realize that the seemingly benign yet cunning woman who poisoned about 15 people over years in Bremen actually existed. I viewed this film in a German city close to Bremen, where locals are familiar with this historical incident.
In the movie, the murderess is depicted as jealous of the talents and status of her adversary, the young legal assistant Cato Böhmer. While there are some plausible theories about the murderer's motives and mindset, her actions largely remain an enigma, leaving viewers with lingering questions. What drove her to commit numerous murders while maintaining a facade of benevolence?
The film's dialogue stands out for its clarity, a refreshing change from modern movies that often feature mumbled lines or overpowering background sounds.
The score, created by a 40-member orchestra, beautifully enhances the film's mood.
The plot weaves in the technological and economic progress of the 1830s, educating viewers on railway development in Northern Germany against a backdrop of historical scenery. An intriguing aspect is the depiction of an early mechanical copier, a device I was unfamiliar with.
This movie is a must-see, transcending appeal beyond historical dialogue enthusiasts. I eagerly anticipate Udo Flohr's next creation and hope he continues to cast such compelling actors.
