movieman_bg

Sudbata kato pluh or "Fate as a rat" is a schizophrenic excuse for a work of art. While one of the most talented bulgarian actors(Ivailo Hristov) tries to do something in this picture, the rest of the cast is totally lost. Our tradition of creating complex, symbollic movies has once again proven to be inefficient. "Fate as a rat" is the most idiotic picture of the year in Bulgaria. It once again stands to show that cinema in our country is experiencing its most dramatic downfall. Somebody has to do something, but who? Definately not the people who produced this mess.

P.S.: There is no point in trying to give the movie's plot- there is no such. The picture is a confused hodge-podge of trifle ideas about our existence and our pains. Enough said.

"Letter to America" was a thoroughly discussed picture in the year 2000 in Bulgaria. The fact that this movie was our representative at the 2000 Oscar awards, made the discussion even more ardent. Naturally, we didn't even get a nominee for Best Foreign Movie.Why? Because this production is not fit for the international(not to mention the American) audience. The movie is strictly Bulgarian, filled with our culture and made for our people. The journey of one person deep into the mountains in search for remedy, perhaps even for his roots, is pictured very well, but delivered poorly. Bottom of the line- our cinema industry is doing as bad as ever. But perhaps we took a step in the right direction...

The Great Depression has been discussed in one too many movies and "Two Bits" makes almost no exception of the general rule for such a movie: a poor family(usually immigrants), a small child realizing the poverty around him, an older person to guide the child, a sudden understanding of the really important things in life, a little drama, a touching ending, nothing new, nothing bad, unfortunately nothing too good. The exception in the "nothing too good rule" is the usual amazing performance that Al Pacino gives in almost all of his roles. His character, Gitano Sabatoni, touches the viewer deeply, and might even bring a few twinkles in the eyes at the very end. However, one man does not make a team, and Al Pacino could do little to save this movie from mediocrity.

James Foley("Twin Peaks", "Fear") tries to create a deep and touching stroy line, perhaps reaching to the roots of many movie fans. He is not successful, though. The metaphor with the "La Paloma" theater is not that strong and the end could've been made deeper if it had been for a few more words. Anyway, that's not Foley's main problem. The total lack of action in this movie makes it a bit too boring. "Two Bits" is simply too slow to leave a lasting impression. The somewhat strong scenes of grandfather-grandson bonding are immediately followed with aimless roaming around the streets of Philly. Perhaps one of the deepest scenes in the movie(the dancing people on the street) is somewhat lost because the viewer did not expect such a strong message at that time. Simple ideas can be misunderstood when not given in a right time to the viewer. Perhaps the same message "Two Bits" holds(even though much less complicated) is expressed in a brilliant way in "Citizen Kane". In the latter movie however, the viewer is "glued" to the seat at almost every time, whereas in "Two Bits" some people might slip out of their seats.

Anyway, "Two Bits" is worth seeing even if only for Al Pacino's impact. The movie might not be that good as a whole, but it touches a soft spot in many dedicated viewers' hearts. James Foley succeeds in showing the "holyness" of a movie theater to a small kid(or even to an adult). The way "La Paloma" is described, it leaves an impression of something majestic, something sacred, something pure and beautiful. It's a shame that Foley went only so far as to evoke this one picture, for as beautiful as it is, it can't support a whole movie.