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Jingasa

139 Pins

DEUX COIFFES EN LAQUE, JINGASA, JAPON, EPOQUE EDO, XIXEME SIECLE | Christie's

JAPON, EPOQUE EDO, XIXEME SIECLE

an old fashioned clock with a bell on top

村上藩御貸（おかり）具足

「村上藩御貸（おかり）具足」の画像検索結果

a red mask on a wooden stand with a white wall in the backgroud

陣笠

Tentacular!

apolonisaphrodisia: Bushido - Ceremonial helmet with octopus and Genji cart wheel crest19th century

Hawk Feather

Japanese Crest

Hawk Feathers

Japanese Family Crest

Japanese Warriors

‘Roiro Lacquer Inlaid ‘Jingasa’ (samurai war hat). Meiji Period (about 1860’s), Japan The black lacquer shingen style jingasa of leather decorated with gold karakusa and a crossed hawk feather ‘mon’ (family crest). The interior red lacquered with padded material lining.’

a wooden mask with a black hat on it's head and an open eye

Japanese and Korean Art

an old red helmet is on display on a black stand and it looks like it has been made out of metal

Bonhams : A red-lacquer iron jingasa Edo period (1615-1868), 19th century

Surcoat (Jinbaori) | Japanese | The Metropolitan Museum of Art

a helmet with a dragon painted on the side and tassels attached to it

Bonhams : A lacquer jingasa (war hat) Edo period (1615-1868), 19th century

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View topic - Japanese Armor Photography

The Samurai Archives Citadel // View topic - Japanese Armor Photography

Japanese Aesthetics

‘Roiro Lacquer Inlaid 'Jingasa’ (samurai war hat). Meiji Period (about 1860’s), Japan The black lacquer shingen style jingasa of leather decorated with gold karakusa and a crossed hawk feather 'mon’ (family crest). The interior red lacquered with...

a statue of a person sitting on top of a wooden pole with a red hat

artvalue.com

EDO PERIOD - A Fine Kawari Kabuto [Exotic Helmet]

the helmet is made out of metal and wood

Ashigaru Armor

Kamakura Period Samurai

Muromachi Period

Samurai Historical

32 plate Shiinomi style kabuto, Muromachi period, signed Saotome Iyechika, often confused with the Toppai style, the principle characteristic which differentiates between them is the higher pointed crown of the Shiinomi. In making this bowl Saotome Iyechika abandoned the use of the "s" shaped plate which characterizes much of the work of the Saotome in favor of a flatter plate. At the front of the bowl is a spring hook "tsunomoto" for the attachment of the fore crest "maedate".