Geoffrey Macnab
Geoffrey Macnab covers the UK for Screen.
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- Features
The international Oscar contenders with boldly imagined film worlds
Films competing for this year’s international feature Oscar present some highly vivid conceptions of place.
- Features
How Pioneer Pictures’ Ildiko Kemeny became the face of Hungarian cinema for international productions
Kemeny’s co-producer credits in the last two years alone include Poor Things, Maria, Dune: Prophecy and FBI: International.
- Features
IDFA’s Orwa Nyrabia reflects on polarisation of the doc sector and the dangers of self-censorship
Festival admissions climbed back to pre-Covid levels.
- News
Archive-based ‘Trains’ wins best film at IDFA 2024
The jury acclaimed the “bold and inventive” use of archive.
- News
Sudan-Egyptian doc ‘Dry Sky’ awarded best pitch at IDFA Forum
Best rough cut was awarded to Do You Love Me, an archive-based movie about Beirut.
- News
Mediawan Rights’ Arianna Castoldi on building an auteur-driven documentary slate
Castolid explains why Mediawan has created a doc strand at a tough time for the genre.
- News
There’s a crisis in self-censorship by documentary institutions, says IDFA debate
Risk averse festivals and buyers are proving a major hurdle for political films, hears IDFA’s ’Finding the Compass’ session.
- News
Journeyman Pictures adds ‘Love & Trouble’ to its IDFA slate (exclusive)
Amy Hardie’s feature doc is about a couple who deal with past trauma when their baby’s cries trigger PTSD.
- Features
The hot market titles to look out for at IDFA 2024
Screen profiles a selection of key titles available across IDFA.
- News
Koen Van Bockstal to step down as CEO of Flanders Audiovisual Fund
Van Bockstal cites health reasons for his departure.
- Features
How IDFA’s DocLab is pushing the boundaries of documentary and reality
DocLab’s Caspar Sonnen on why this year’s theme is ‘This Is Not A Simulation’
- Features
Record entries, big budgets and new funders: How the IDFA Forum for creative docs is shaping up
Adriek van Nieuwenhuijzen, IDFA’s head of industry, says she was surprised by the sheer number of entries this year.
- Features
“Documentary film has always been annoying to authorities,” says IDFA’s Orwa Nyrabia
The artistic director is embracing issues from AI to global politics in his final edition that opens today.
- News
Really Local Group calls on more support for UK’s indie cinemas amid Catford Mews closure
The cinema’s landlord, Lewisham Council, closed the cinema citing non-payment of rent by the Really Local Group.
- News
UK exhibitors sound alarm over incoming tax increases and wage rises
Clare Reddington, CEO of the Watershed, is dismayed there are no exemptions for smaller organisations.
- Features
Growth mindset: Calculus Capital’s John Glencross explains what he looks for from UK production companies
Five years after entering the UK screen industries, Glencross reflects on how Calculus’ investments in six indie production companies are performing.
- News
Sola Media’s animated feature ‘A Sloth Story’ scores US deal (exclusive)
Blue Fox is planning a theatrical release early next year.
- News
Sandra Hüller comedy ‘Two To One’ lands UK deal (exclusive)
The film is a true story based on an East German bank heist in 1990.
- News
Animated features ‘Mimi & Harold’, ‘Brave Heart Yakari’ fly for Epsilon (exclusive)
The German sales outfit is attending AFM in Las Vegas this week.
- Features
AFM 2024: The buzz titles from Europe
As AFM attendees settle into their new Las Vegas home,Screen profiles a selection of key titles, at various stages of production, available across the market.