PRESENTED

TO

THE LIBRARY
OF THE

SCHOOL OF ARCHITECTURE
UNIVERSITY OF

TORONTO

BY

JOHN
D. Arch.,
F.R.I.

A.

PEARSON

B.A., F.R.A.I.C., R.C.A.

1936

LIRR/RY
UNIVERSITY OF TORONTO

Being a

Series} of (SranmlesS of OEnrichetr aetat'ls

antr ^ccej50orte0 of the Architecture of

(great Britain*

v.l,

iBKaaaaw

ii.

ifollntg,

^rcftttcrt.

LONDON:
PUBLISHED FOR THE PROPRIETORS, BY GEORGE BELL,
186,

FLEET STREET.

NA

a
V-

7376//

IN the announcement of

this

Work

it

was stated that the main feature would be, to present

" " such a number of examples of foliage and other ornamental details of the different styles of English Architecture, " as clearly to elucidate the characteristic features peculiar to each
period,

and drawn

sufficiently large in scale to

be practically useful in facilitating the labours

of the architect and artist."*

This object has been kept in view from the commencement, and

it

will

be

strictly

adhered to throughout.

In selecting examples, the rule endeavoured to be followed, has

and, at the same

been, to give those remarkable for their variety, simplicity, and beauty
time, such as were likely to prove of the greatest utility.

Examples merely curious, or only

remarkable for antiquarian

carefully avoided.

interest,

but not possessed of

much

intrinsic beauty,

have been

Much

approbation has been expressed of the plates devoted to coloured decorations,

this volume.

which form so prominent a feature in

As many have been given

entail,
it is

as

was

originally intended, yet, notwithstanding the cost

and trouble they

the author's

intention, in the concluding volume,

sufficiently

to increase their

number, provided he can procure

His motive for so doing
is,

valuable subjects from

existing

specimens.

to

preserve in his pages these specimens of by-gone taste, which are fast decaying, and unlikely
ever to be restored.

It

may be

as well to state the fact, that the

number

of stones and printings, required

to perfect the

coloured subjects, would produce more than double the

number

of those

plates that are not coloured.

The author has experienced the

has greatest pleasure in carrying out his work, and

often paused in his labours to gaze, with

wonder and admiration,

at the never

ending variety

and glorious genius displayed by our forefathers in the various portions of

It
is,

their works.

indeed, surprising to observe the care and attention that has been bestowed
;

upon
was

even the most minute details

yet,

it

appears more surprising

still,

that so

much

that

* Vide Prospectus.

exquisitely beautiful

was unheeded,

unfelt,

and

insufficient to arrest the

hands of those

fanatic spoilers, who, in their blind zeal, so uniformly

and perseveringly carried on their

parts.

work of mutilation against the most beautiful and prominent

How
modern
of
its

great

is

the regret which arises in the mind,

when

it

is

observed, that in our

ecclesiastical structures,
left to

ornament

is

too often either altogether banished, on account

expense, or

the untutored hands of a

common workman.

Of

late,

however, a better

spirit

has arisen, and there are edifices erecting in different

parts of the country which would do credit to our

masons of

old.

Should the present work

spirit,

be found to conduce ever so slightly to the general promotion of this

artist in his progress,

and

assist the

the labours of the author will be amply repaid, and his utmost object

realized.

Upon completing

the
it

first

volume, he cannot but express the satisfaction he has ex-

perienced during the time

has been journeying onwards, from the cheering approval and

support received from a great number of professional and other gentlemen, both clergy and
laity,

who have taken an

interest in the work.

Indulging a hope that the same support

will attend the progress of the

it

second and

concluding volume, the author begs to assure his subscribers that

study to
elucidated.

will

be his unremitting
to

render

it

deserving

their

approval,

and worthy the subject intended

be

To those gentlemen who have

tenders his grateful

assisted
;

him by

several very valuable suggestions,

he

acknowledgments

and more especially to

EWAN CHRISTIAN

and

RAPHAEL BKANDON,

Esquires, whose unvarying kindness and judicious advice have been of

the greatest use in directing his attention to subjects that otherwise might have escaped
unnoticed.
J.

To the

services rendered

by these gentlemen may be added those of the

late

ARTHUR BRANDON,
;

Esq., whose premature removal from

amongst us has been deeply

refrain

lamented

and by no one more than the author, who cannot

and respect to
his

from offering his sin-

cere feelings of regret

memory.

JUNE

IST, 1848.

INDEX TO THE FIRST VOLUME

DESCRIPTION OP THE PLATES.

PLATE.
1.

20.
21.

STONE CAPITALS FKOM THE TRIFORIUM OF THE CHOIR, ELY CATHEDRAL. DITTO FKOM THE SOUTH AISLE OF CHOIR, LINCOLN CATHEDRAL.

26. 28. 31.

ORNAMENTS IN HOLLOWS BETWEEN SHAFTS, FROM DITTO. LABEL TERMINATIONS FROM DITTO.
FOLIATED CUSPS FROM DITTO.
BOSSES FROM DITTO.
The
until
it

foliage of these bosses consists of one branch, springing from the wall, and twisting spirally, terminates in the centre of the boss, the whole of the interior being hollowed out.

32. 44.
,,

CAPITALS FROM THE LADY CHAPEL,

ST.

PATRICK'S CATHEDRAL, DUBLIN.

45.

BOSS FROM THE PASSAGE LEADING TO THE CHAPTER HOUSE, WESTMINSTER ABBEY. ORNAMENTS IN HOLLOWS, FROM ELY CATHEDRAL, WESTMINSTER ABBEY, AND BINHAM PRIORY, NORFOLK.

49.
50.

,,

BRACKET FROM
DITTO

ST.

ALBAN's ABBEY CHURCH, HERTS.

DITTO.

55.
56.
57.

CORBEL FROM DITTO.

ORNAMENTS BETWEEN SHAFTS FROM DITTO.

SPANDRIL FROM THE CHAPEL OF
ST.

JOHN THE BAPTIST, WESTMINSTER ABBEY.

its

58*. PAINTING

FROM WEST WALTON CHURCH, NORFOLK.

being arranged like a net,
to

The part containing the fish may have been intended, from be symbolical of the miraculous draft of fishes.
59. 60.
61.

STONE CAPITALS FROM THE CHANCEL OF WEST WALTON CHURCH, NORFOLK. LABEL TERMINATIONS FROM DITTO DITTO. ,,
CAPITAL FROM WINDOW IN THE SOUTH AISLE, DITTO. FROM THE INTERIOR OF THE CLERESTORY, DITTO.
DITTO DITTO
DITTO.

62.* DIAPER PAINTING

63.*

This painting, from its early character and simplicity, is, without doubt, of the same date as It was completely covered up with white-wash, until recently disthe Church the 13th Century. It is covered, and carefully preserved by the indefatigable Rector, the Rev. E. E. BLENCOWE. painted upon plastering, the outline of the design being scratched on the surface, and the colour filled The plain surfaces of the walling have been jointed with red colour, in imitation of stone work, in. as shewn in Plate 58. The church being dedicated to St Mary the Virgin, the conventional form of the emblem of purity, is several times repeated. The doves also are the lily, her especial emblem emblematical of purity.

The

Asterisks placed against the marginal numbers point out the plates enriched by Gold and Colour.

PLATE.
73.

STONE ORNAMENT FROM TIIE WESTERN DOORWAY, ELY CATHEDRAL. 79.* PAINTING PROM THE GROINING OF TIIE PASSAGE LEADING TO TIIE CHAPTER SALISBURY CATHEDRAL.

HOUSE,

The plain surfaces of the groining are formed with plaster, ami jointed with brown colour, in imiThe ribs are of stone. The groining of the Chapter House is decorated in tation of stone work. The Choir and other parts of the Cathedral luive also been decorated by painting, a similar manner. but are now covered up with a yellow wash.
89. 90.
91.

STONE CAPITAL FROM HOMSEY CHURCH, HANTS.

ORNAMENTS TO BASES OP PIERS, PROM DITTO.

DITTO OF
DITTO.

97*. SPECIMENS
101*. DITTO
It

ENRICHED
DITTO,

TILE

PAVING

FROM

TIIE

CHAPTER

HOUSE,

SALISBURY

CATHEDRAL.

FROM THE PRESBYTERY, WINCHESTER CATHEDRAL.

may be observed, that in the ancient arrangement of enriched tiles, there was always a sufficient division made in the general design by grey or neutral coloured tiles, to prevent the paving from
having a confused
effect.

5*. SPECIMENS OP

DIAPER ENAMELLED UPON COPPER, GILT, PROM TIIE TOM]! OF WILLIAM DE VALENCE, EARL OF PEMBROKE, WHO DIED IN 129G, PROM ST. EDMUND'S CHAPEL, WESTMINSTER ABBEY.

6.
7.

STONE CAPITALS PROM THE CLOISTERS, LINCOLN CATHEDRAL. DITTO. DITTO DITTO ,,

9*. SHIELD

AND

BELTS,
ST.

VALENCE,
10. 11.
1,3.

ENAMELLED UPON COPPER, GILT, FROM THE TOMB OF WILLIAM DE EDMUND'S CHAPEL, WESTMINSTER ABBEY.

STONE CAPITALS FROM A DOORWAY IN THE CLOISTERS, WESTMINSTER ABBEY. FOLIATED CUSPS, PROM THE LADY CHAPEL, ELY CATHEDRAL. ,,
,,

ORNAMENTS AT THE SPRINGING OF ARCHES OF ARCADE, PROM THE CHAPTER HOUSE, SOUTHWELL MINSTER, NOTTS.
The whole
and
date
is

of the carving in the Chapter House,

It is

delicate description.

remarkable for

its

variety

and passage leading thereto, is of the most chaste and striking fidelity to natural foliage. The

about 1290.

11.

15.

,,

PORTION OP CANOPY OP ARCADE FROM SOUTHWELL MINSTER, NOTTS. SPANDRILS PROM DITTO DITTO.
CAPITALS PROM DOORWAY OF DITTO
DITTO. DITTO.

22.
23. 24.

,,

,,

DETAILS OF DOORWAY OF DITTO

STONE MAPLE-LEAF ORNAMENT,

The
fine effect of this

DITTO.

ornament

is

leaves, but from the extraordinary

way

variety and freedom in the design,

entirely different.

not gained from any elaborate undulations of the surface of the in which the foliage is relieved from behind, and from the the arrangement of the foliage in every stone of the arch being

25.

,,

VINE-LEAF ORNAMENT PROM THE LABEL OP DITTO

The whole

DITTO.

29.

KNOTS OF FOLIAGE PROM THE LADY CHAPEL, ELY CATHEDRAL.

of the foliage from the Lady Chapel, at Ely, possesses great It has a fine, beauty. appearance, but is of a totally different character from the foregoing specimens from Southwell; mainly depending for effect upon its various undulations of surface. It may be considered late
rich, full

in the style.

30.

SPANDRLLS PROM THE ARCADE IN THE CHAPTER HOUSE, SOUTHWELL MINSTER, NOTTS.
BOSSES PROM DITTO
DITTO.

33.

I'LATE.

34.

STONE DIAPER WORK, FROM LINCOLN CATHEDRAL

This is from a dilapidated monument near the altar. It contains leaves of the maple, oak, and thorn the faces of the leaves being sometimes sunk, while others are raised, with stems. The sunken leaves represent the upper side, and the raised stem the under side of the leaf. This is a common feature in decorated foliage.
;

35.

43.
46.
51. 67.

STONE FINIALS AND CROCKETS FROM MONUMENTS IN LINCOLN CATHEDRAL. KNOTS OF FOLIAGE FROM THE LADY CHAPEL, ELY CATHEDRAL. ORNAMENTS BETWEEN SHAFTS, FROM ST. ALBAN*S ABBEY CHURCH, HERTS. BOSSES FROM ST. CUTHBEBT'S SCREEN, DITTO.

68.
69.
71.

WOODEN SCREEN WORK FROM ST. MARGARET'S CHURCH, LYNN, NORFOLK. DITTO AND DETAILS FROM DITTO. CROCKETS FROM DITTO DITTO. ,, SUBSELLA FROM DITTO DITTO.
,.,

72.
74.

DITTO

DITTO.

CANOPIED STALLS FROM THE CHOIR OF WINCHESTER CATHEDRAL.

The date of this work may be stated to be about the same as the Chapter House at Southwell Minster the end of the 13th Century. It appears to have been restored and altered about the time of Charles II.; at which time, probably, the pinnacles between the canopies, and those in front of the clustered shafts at E, were added. The original clustered shaft appears to have been as shewn beneath the present plan, the bases of which probably rested upon the stalls. The shaft of the present pinnacle runs through to the ground, and cuts through the carved elbow. It is to be regretted that the work is covered with a varnish, so dark in colour, as to give it almost the appearance of ebony.

75.
76.

,,

CANOPY, AT LARGE, FROM THE STALLS, CHOItl OF WINCHESTER CATHEDRAL. FINIAL FROM DITTO DITTO.

77. 78.

ENRICHED CUSPS FROM DITTO

STALL ELBOWS FROM DITTO
It will

DITTO. DITTO.

be seen that the foliage retains

is

much

of the character peculiar to early English work, with

a mixture of that which

more natural.

80.
81. 83.
84.

ARCADE FROM THE STALLS, WINCHESTER CATHEDRAL.

DETAILS OF DITTO
DITTO.
DITTO. DITTO.

SPANDRILS FROM DITTO

DITTO
DITTO

In these spandrils an effect is gained by very simple means. The oak, out of which the foliage is This produces intense shade, which carved, is very thin, but stands away from the ground behind. throws out the carving in a very striking manner.

85.

,,

86.
92.

FINIAL FROM THE STALLS, WINCHESTER CATHEDRAL. STALL ELBOWS FROM ST. MARGARET'S CHURCH, LYNN, NORFOLK.
of the

STONE CANOPY FROM AN ARCADE IN THE PRESBYTERY, WINCHESTER CATHEDRAL. This work is of excellent character, and the carving finished with great delicacy. Some
crockets have been given before, but not very correctly.

93.
94.

FINIAL FROM DITTO

DITTO

DITTO

of the under leaf, which springs from the neck moulding; its points extending to the corresponding points of the upper leaves. There is a similar arrangement in the finial given in the previous plate.

FINIAL AND CROCKETS FROM PINNACLES OF DITTO. The finial is here represented as seen from below, to show the arrangement

95. 96.

BOSSES FROM DITTO

DITTO.

ORNAMENTS

IN

HOLLOWS FROM DITTO.

PLATE.
2.

3*.

WOODEN POPPY HEADS FROM PASTON CHURCH, NORFOLK. PORTIONS OF PAINTED ROOD SCREEN, FROM LUDHAM CHURCH, NORFOLK.
The whole
of the inscription runs thus
:

$rag

for tie sotole of jjfofw

Salman &

S-sssls

!)86 togfe, Itiat

sabe forte pooi, anfc for

all

older tnfactors,

ma&e

in tje leer of otoer

Hero

(Soo, iHCCfflCEXffffl!."

4.
8.

12.

WOODEN SPANDRILS FROM NORTH WALSHAM CHURCH AND THUNCH CHURCH, NORFOLK. CROCKETS FROM THE STALLS, NORWICH CATHEDRAL FROM THE ROOD SCREEN, ,, LUD1IAM CHURCH, AND KNAPTON CHURCH, NORFOLK. STRAWBEHIIY-LEAF ORNAMENTS, FROM LUDHAM CHURCH, TRUNCH CHURCH, AND
;

16.

KNAPTON CHURCH, NORFOLK. CROCKETS AND FIXIAL FROM SCREEN IN CHOIR, YORK MINSTER; AND TWO SPRINGING CROCKETS FROM ROOD SCREEN, KNAPTON CHURCH, NORFOLK.
PANELLING FROM THE PULPIT, TATTERSHALL CHURCH, LINCOLNSHIRE. PANELLING FROM PAINTED ROOD SCREEN, DICKLEBUHGH CHURCH, NORFOLK.
SPANDRILS AND FOLIATED CUSPS FROM DITTO.

17.

18*.
19.

2/.*

PAINTED NORFOLK.

SPANDRILS

AND

NICHE,

FROM THE ROOF OF KNAPTON CHURCH,

3C*.

PAINTED CORNICE AND CEILING, FROM THE CLOPTON CHANTRY, LONG MELFORD

CHURCH, SUFFOLK.
The
Chantry.
scroll in the cornice, shewn larger in the following plate, is continued the last lines frequently similar as It contains different prayers
"

on

all

four sides of the

JSlytfj
"

tfjis

tooorft tnetce Undi.mij

or,

on oure

Uiu- ;"

rant or toe liege s&rifte josell anil repentance."

were a series of shields, blazoned with the arms of Clopton, namely, bend ennhie between two cottises, dancette, or, impaling the arms of the various parties who intermarried with the family. Below were the names of the families united. The whole of the walls of the Chantry have been nearly covered with scriptural legends and prayers but they are now obliterated by whitewash. The stars upon the ceiling are of lead, gilt.

Between the

feet of tile rafters

sable, a

COMMENCEMENT AND TERMINATION OF SCROLL IN THE CORNICE, FROM THE CLOPTON CHANTRY, LONG MELFORD CHURCH, NORFOLK. 38. WOODEN POPPY HEADS FROM LAVENHAM CHURCH, SUFFOLK. 39. ORNAMENTS FROM SEATING, FROM DITTO. 40*. PAINTED PANEL FROM THE CEILING OF THE EASTERN COMPARTMENT OF THE SOUTH AISLE, ST. MARY'S CHURCH, BURY ST. EDMUND'S, SUFFOLK.
37*.
This compartment formerly was the chapel of John Baret, but the screens which enclosed it are The tomb still remains, wholly gone, and a modern gallery extends along the whole of the aisle. and a piscina. The main panels are all similar to the one given. The green foliage appears to have been stencilled. The stars are of lead, gilt. It is understood, that they formerly contained a small mirror in the centre of each but there are none remaining perfect at present. The legend extending across the panel is " ffiraee me gotjeme." The monogram within the collar of SS, is I. B., for
;

John Baret. 41.

WOODEN BOSSES FROM THE CEILING OE THE SOUTH

ST.

AISLE, ST. MARY'S

CHURCH, BURY

EDMUND'S, SUFFOLK.

42.

STONE

47.

48.

PATERA, IN STRING COURSES, FROM WESTMINSTER ABBEY, AND LAVENHAM CHURCH, SUFFOLK. WOODEN CROCKETS FROM NORWICH CATHEDRAL, AND ST. PETER'S CHURCH, SUDBURY. SUBSELL/E FROM HENRY SEVENTH'S CHAPEL, WESTMINSTER ABBEY.

continue.

PLATE.

52.

STONE ORNAMENTS FKOM PEDESTALS, FROM HENRY SEVENTH'S ABBEY.

DITTO
DITTO
DITTO.
ST.

CHAPEL, WESTMINSTER

53.

54.* PAINTING UPON THE

ALBAN's ABBEY CHURCH, HERTS. The groining is of decorated character, and has been previously painted with foliage, in scrolls, which may still be partially traced through the ground of the present painting. The later decorations,
most probably, were done about the time that the great altar screen was completed, by William de Wallingford, who was abbot from A.D. 1476 to 1484. The joints of the boarding show and run across the painting; upright joints have been added, in white paint, as if to imitate stone groining.

WOOD GROINING OF THE CHOIR,

64.

WOODEN STALL ELBOW FROM

DITTO

ST.

NICHOLAS* CHAPRL, LYNN, NORFOLK.

DITTO.

65.

66*.

PAINTED PANEL FROM THE ROOD SCREEN, EAST HARLING CHURCH, NORFOLK.
The lower part of this beautiful screen only remains. The sacred monogram, given at plate 70, occupies a similar position to the quatrefoil in the present plate.

70*.
82.
,,

PAINTED "I.

II.

C."

FROM DITTO
ST.

DITTO.

POPPY HEAD FROM

NICHOLAS' CHAPEL, LYNN, NORFOLK.

87.

,,

SUBSELL/E FROM THE STALLS, CHOIR OF NORWICH CATHEDRAL.

88*.

,,

PAINTED PANEL FROM THE ROOD SCREEN, CARBROOKE CHURCH, NORFOLK.

The
Church.
flowers

upon the diaper

are stencilled,

and similar

to

some upon the screen

at

East Marling

98. 99.

100. 102.

STONE VINE-LEAF ORNAMENT FROM THE LADY CHAPEL, WINCHESTER CATHEDRAL. WOODEN ANGEL, AND EMBLEMS FROM THE ROOF, SWAFFHAM CHURCH, NORFOLK. DITTO. SPANDRILS FROM DITTO POPPY HEAD FROM THE LADY CHAPEL, WINCHESTER CATHEDRAL.
There is a dragon, similar to one of these, in an arm-rest in the choir, which has been taken for an original one of the decorated period and has been pointed out as a curious instance of the artists This is, however, not correct, the arm-rest being of the 15th century copying a design of the 14th.
;

only a

modern

imitation.

103.

PANELLING FROM WINCHESTER CATHEDRAL, ST. CROSS, HANTS, LYNN, AM) ,, THUNCH CHURCH, NORFOLK. 104.* THE ILLUMINATED TITLE PAGE; DESIGNED AND DECORATED IN ACCORDANCE WITH ANCIENT EXAMPLES. THE FOLIAGE IS ARRANGED FROM NATURAL FORJIS.

ERRATA.
Plates 11, 29, and 43.

For

"

Chapter House

" read Lady Chapel.

57
tt

For

St.

Erasmus' Chapel," read Chapel of St. John the Baptist.

scale

67.

For " i inch

" read

U inch scale.

ft!

PERPENDICULAR.

|3ffriura,8'

flf

ifyr'Hcntf)

Saf/rti from .Ludfyam Q^rarit,

IT

SHOWING THE MANNER

IS

ENRICHED BY PAINTING.

1
>

CROCKET FROM TH CANOPY OF OOORWA

Dale upon fte Screen 1493

PORTION OF PRINCIPAL

MULLION

OF SCREEN

J.K. Colling. Del.

by G. Bell, 186 Fleet

S'

July

st

4846.

'

s-*

~tJJ

T->

N
|~!

PERPENDICULAR.

Date aiout 1493

1.2.3.

FROM

THE STALLS. NORWICH CATHfDRAL.

4.
5

ROOD SCREEN. LUDHAM CHURCH, NORFOLK.

KNAPTON CHURCH, NORFOLK.

J.X, Coning, Del.

hr

G-.Bdl. 186 fleet Stfeet.

August 1" 1846.

J.RJottms.Iift.

'

iS

^
.$
-^ tS

~z

15
15

IJ
^s

&
*
:?

f
ir-f

^
I

-=8

PERPENDICULAR

u Sivalbbrait Imrf
l.i'rom
2.
3.

Ludham Church,
Trunch
Knapton
Church,
Church,

Norfoli

full

size.

Date

1493.

D B

D
'/*

full

size.

"--A

Published hy G. Bell. 186 Fleet Street. September 1*1846.

J.R.-Tobbais

UA.

EARLV

DECORATED.

SwttylWll ainrtrt. foto/t. STONE ORNAMENTS AT THE SPRINGING OF ARCHES OF ARCADE

It full size.

IN

THE CHAPTER HOUSE.

J.K.

CcEmg.

dal.

Puilistedly G. Bell, 186 FLwt Street: OctT 1?' 1846.

J.R.JoliloiiB.lith.

EARLY

DECORATED.

PORTION OF CANOPY

FROM

THE AR.CADE
V* full size.

IN

THE

CHAPTER

HOUSE.

J.K

Colling, dal.

r Published ty G.Bell. 186 Fleet Street. Oot 1" 1846.

J.R.Jotbini.lith

hs

a
u

PERPENDICULAR

WOODEN CROCKETS AND

FINIAL

FROM AN
IN THE

ORIGINAL PORTION OF SCREEN

full size
.

CHOIB

J.K Colling, del.

BJblisheA iy G. Bell. 186 fleet

Street. Octoler

I?

1846.

PERPENDICULAR

J K.CoIlipjj,

del.

from a

slcetcli

iy Ewan

Christiail

Eeq

xe
.

Put

ty & BeE, 186

fleet Street. October

st

1846.

T.S.Joliins.lrth.

if

tN DICULAR

tftorfoll

OAK PANELLING FROM THE ROOD SCREEN,

'/<

full size

ishe.l "bj O.BeJl. 186

Meet

Sirefl.

NuvTl"1846.

#-

EARLY DECORATED

DETAILS

OF"

DOORWAY

INTO
.

CHAPTER HOUSE.

* full size

J.K.

Colling, del.

JJuHiahei iy & .Bell, 186

1'ieet S*

r Beo 1 st 1846

J.R.Joblins.Itk.
.

EARLY

DECORATED"

i,

STONE

MAPLE LEAF ORNAMENT FROM THE

.ARCH
.

OF

DOORWAY TO CHAPTER HOUSE.

rt

%
J.I.
Colling, del.

full size.

r Puifiy &.Bell,186 Fleet S December

1846.

JH.Jobbins.lith.

EARLY DECORATED

STONE VINE LEAF ORNAMENT FROM

THE LABEL OF

DOORWAY TO CHAPTER HOUSE.

full size.

3t &. Bell, 186 Fleet S t Iec l 1846

J."R.Tol)bms,litli.

EARLY

ENGLISH

STONE

LABEL TERMINATIONS.Vz full size.

J.K. Catting del

Puddly G

Bell. 186 Fleet

S^eo1

rt

1846.

PERPENDICULAR

This roof is

illustrated and

Note

The

Aiiccl

IK

not,

in

the

further detailed

Mess

1 8

'

Brandon's

here but position shewn

is

work on open

Timber Roofs

fixed

ijjjojL

the

end of

one of the

Hammer beams.

Those

at

the foot of the Niches

are all lost

SPANDRILS AND NICHE AT THE FOOT

'/e

OF ONE OF THE TFU'SSES OF ROOF

full size.

J.I.

Colling, del

Published

"by &. Bell.

186 Fleet Street.

JanT

st

1847

J.R.Jobiins.lith

EARLY ENGLISH.
I

STONE

FOLIATED
Va

CUSPS.

fVD

size.

J.K.Collmg, del.

&.BeH.]86 lleet Street. JanTlf 1847.

J.B.Jobiins.litli.

DECORATED

ZS

KNOTS

OF

FOLIAGE FROM THE CHAPTER HOUSE

72 full size.

K.CoBmg

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Published .by

G.Bdl 186 Hoot

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1" 1847.

Jj( JoiTjma.ht)

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PROFILE

STONE BOSSES.
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full size.

&.Bell.l86 Ileet S

FeHl 8t 1847.

J.RJoiiiiis

lith.

EARLY ENGLISH.

S' |kiwk>'
STONE
CAPITALS

fot&ftoral.

FROM THE
>fuli
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LADY

CHAPEL

mg,

del.

Published ly

G .Bell, 186 Fleet

S* YeV. I

8t

1847.

J.R.Jotbins.lith.

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J.E.Joblius,]itli

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PERPENDICULAR

Jbabfttbara -Churrh. Suffolk,

OAK ORNAMENTS FROM SEATING.
full size.

G. Bell. 186

Heet

S* March.

J.E.JoUum.lith

PERPENDICULAR

40

S* SUi$

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PANEL FROM THE CEILING OF THE EASTERN COMPARTMENT OF THE SOUTH AISLE- FORM ER LY THE CHAPEL OF"jOHN BARET^
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Published by G. Bell 186 Fleet Street. April 1"1847

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5.6.

From Lavenham Church. Suffolk.

A
G. Bell, 186 Fleet

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S? April

I'.

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EARLY

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44

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STONE BOSS FROM THE PASSAGE LEADING

size.

TO

THE CHAPTER HOUSE.

J.K. Colling, dal.

d Pui hy G Bell, 186 Fleet Street May

,
,

st

J R. Jobbing. l
1847.

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S?
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size.

J.K. Colling, dsl.

by G.Ben. 186 Fleet

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May

rt

1847.

J.B.JotbinB.Eth.

PERPENDICULAR

47.

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FROM THE STALLS NORWICH CATHEDRAL.

_s:
PETER'S CHURCH, SUDBURY.

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Colling,

id

Pub a t

G.Bdl,186.Heet

Street.

Mayl?*

1847.

I.E. Jotbins,

PERPENDICULAR

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72 full size.

J.K.

Colling, del.

Pub? ty G.Bell,186 Fleet

Street.

May

1''1847

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EARLY ENGLISH.

50.

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J.K. Colling, del.

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J.R. Jotiins lith

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J.K.

Colling, 3el.

iy

G. Bell, 186 Fleet

S* June I 8t 1847.

J.R.Jobbins.littL.

PERPENDICULAR.

ii^ ^Ita^ri, (Cb^tmta^to

STONE ORNAMENTS. AT A.PLATE
72
52,

FROM PEDESTALS

IN

NICHES,

full size.

J.K.Colluxg. del.

Puh d ty

G. Bell, 186 Fleet

S*

June

st

1847.

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J.E.CoHing,dsl.

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G-.BdI.lflfi fleet

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1847.

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full size.

J.E.

Colling

del

~by&. Bell, 186 fleet Street. Sep

J.R.Jobbins.liflio.

1.1847.

PERPENDICULAR.

flt

PAINTED

bailing diwrdt. PANEL r.TOM THE ROOD SCREEN

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tr G.B/Ll 186.T!eet

S'

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1847.

DECORATED

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J.Jt

Collmg.

G.BeH

.186 Fleet S* Oct

J.R.Jolbins.litjL.
1

.1847.

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bv G Jell. 186

l Fleet S

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fROM THE PANELLING OF THE ROOD SCREEN.

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L.
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Published

iy G

Bell 186 Fleet 5l

Nov

1.1847.

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73.

fatbrtwl. ORNAMENT FROM ARCH Of WEST DOORWAY

J.K.Colkng.del.

bf hy G.BaIL,186 Fleet ST NorTl.1847.

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Mi

Pubfiy G.BelL

186 Fleet S

Dec

!.

1847

EARLY DECORATED

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IN

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186 fleet SV Dec

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J.K. .Fobbins

,litli

EARLY DECORATED

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OAK STALL ELBOWS FROM THE CHOIR.

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lh'n.4.

3d

a Pub l 7 G.Bel, 186 Fleet S* Dec

1. 1847.

J.iUoliias.lith.

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PLAN OF SINGLE SHAFT AND MOULDINGS

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PLAN OF TRIPLE SHAFT AND MOULDINGS

AT

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PEHPENDICULAR.

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1848

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88

l Pub* by G.BeE, 186 fleet S .March

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.

1848

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J.X. Coiling, del

G.BeH.186 Heet S*

Apiil 1. 1848.

J.R.Joihiiia.liQi.

DECORATED.

STONE FINIAL, AT

PLATE 92.

^/2

full size.

J.K. Colling, del

PiM iy & .Bell. 186

Fleet S* April 1

1848

J.H.Jobhms.Htli.

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WOODEN ANGEL, EMBLEMS

OF SS. PETER AND PAUL

AND THE CRUCIFIXION FROM THE ROOF

.K.Co]lmg,del

Pui

hy G .Bell 186
,

Rfiet S*

May

1848

J R. JuJabinfc
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PERPENDICULAR.

iOO.

WOODEN SPANDRILS

FROM THE ROOF

Scale 2 in? to the foot

M.

G. Bell, 186 Fleet 8? May 1.1848.

J.R.Joblmis.lith-.

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JJNDING SECT.

DEC 2 1971

PLEASE

DO NOT REMOVE
FROM
THIS

CARDS OR

SLIPS

POCKET

UNIVERSITY

OF TORONTO

LIBRARY

NA
487 07 v.l

Colling, James Kellaway Gothic ornaments