Structure and Form PPT 2
Structure and Form PPT 2
Areas of Study
AoS 01: Rhythm and Metre
AoS 02: Harmony and Tonality
Binary
Two sections of roughly equal length
First section (A) is then answered by the second
section (B)
Each section is usually repeated
There is usually a modulation (Key Change) in
Section A which is continued into Section B,
where there is another modulation changing the
key signature back to the beginning one.
A
Each Section Usually Repeats
Track 01
Ternary
Built up in three sections: A, B, A
Section B contains a contrast in some way to
Section A
The repeat of Section A can be exactly the
same as the first time or it may have added
detail to make it more interesting
A1
A2
Track 02
Schubert
Piano
Sonata No.
13 in A
major, D.
664 (Op.
120) I
Track 03
Ternary Example 02
Twinkle, Twinkle Little Star
Arch-Shape
This form is completely symmetrical
The plan of the music resembles an arch;
A, B, C, B, A
A
B
B
C
C
Bartk The 4th and 5th string
quartets by Bartk are examples of
Arch-Shape being used.
B
B
Rondo Form
A main theme (A) keeps on returning between
contrasting sections
A, B, A, C, A, D, A and so on
The contrasting sections are called episodes
(B,C,D etc.)
Remember the Main Section (A) may change
slightly each time e.g. may be made shorter
A1
(Main
Theme)
B1
(First
Episode)
A2
C
(Repeat of (Second
Main
episode)
Theme)
A3
D
(Repeat of (Third
Main
Episode)
Theme)
A4
(Repeat of
Main
Theme)
A1 A2 A1 A2
A1 A2 B A2
A 1 A2 A3 B
A1 A2 B C
AABAA
ABACA
ABCAA
AABA
AABC
ABAB
Track 04
Example 02
AABBA
Track 05
Example 03
Track 06
AABB
A1 A2 A1 A2
A1 A2 B A2
A 1 A2 A3 B
A1 A2 B C
AABAA
ABACA
ABCAA
AABA
AABC
ABAB
Track 04
Example 02
AABBA
Track 05
Example 03
Track 06
AABB
http://www.youtube.com/watch?v=NO-ecxHEPqI
Ground Bass
A melody in the bass (the lowest part) that is
repeated throughout the music
Harmony and Melody may keep changing
above the ground bass
This is a characteristic common of the
Baroque Period
Pedal
A sustained (held) or repeated note, usually
in the bass. The harmony on top of a pedal
note must change while the pedal note stays
the same or it is not a pedal note.
It may be a Tonic pedal or a Dominant pedal
note.
Oh Happy Day
This is a typical example of Call and Response.
Listen to the interaction between the soloist and the group.
Sung by an African-American Gospel Group.
A2
Minuet 1
Trio
Minuet 1
Cyclic Form
Constant repetition of a fixed number of beats or
melodic pattern
During each cycle these patterns can be repeated
and developed through;
improvisation
changes in texture
dynamics
Common in;
African Drumming music, Indian Classical Music
(Think of the Tabla), and Asian Gamelan music
World Music
Intro
Outro
Fills Common to use drums or guitar to connect sections
Middle 8s 8 Bars in the middle of the song that is
sometimes a contrast to the rest of the song.
CHORD I
CHORD I
CHORD I
CHORD IV
CHORD IV
CHORD I
CHORD I
CHORD V
CHORD IV
CHORD I
CHORD I
Sonata Form
Large scale musical form in 3 parts:
1)Exposition: Characters are introduced