Drawing Complete Guide For Sketching, Landscapes, Portraits and Everything Else
Drawing Complete Guide For Sketching, Landscapes, Portraits and Everything Else
Drawing Complete Guide For Sketching, Landscapes, Portraits and Everything Else
Table of Contents
Introduction
Conclusion
Introduction
I want to thank you and congratulate you for downloading the book, Drawing: Best
Techniques for Sketching, Landscapes, Portraits and Everything Else Drawing.
This book contains proven steps and strategies on how to get better when it comes to
drawing landscapes, portraits and just about any kind of subject you can think of. Get
familiar with the basics and different techniques and apply what you've learned. You'll
surely see a significant change in your drawings the next time you give it a try.
Thanks again for downloading this book, I hope you enjoy it!
into adding these details will make a significant difference in the final result.
Be aware of lighting. This would make sure that your drawing has depth and
wouldn't come out looking flat and one dimensional. This can be tricky for
beginners but once you become more familiar with the process, it gets much
easier.
Always plan out what you want to draw before you even get started. Also, don't
expect it to come out looking fantastic, especially if it's your first time. Sketching
is a process of trial and error. Just remember that with every mistake that you
make, you are also learning something new which you can apply to the next
drawing.
Image shows great composition. Fine detail in foreground with larger objects at the
back of the image, thus showing perspective.
If you're looking to add a bit more depth to your drawings, hatching is a great technique
to learn about. This is done by drawing small lines close together, adjusting the
darkness according to your needs as you go. It is a style that's also typically used when
it comes to shading certain areas of your drawing. Now, what you need to remember
when hatching is to make sure that all of your lines go towards one direction. This
would make it appear less messy and make it appear more defined. Crosshatching, on
the other hand, are lines that crisscross each other. To make this appear neater, try and
bring your lines tighter to each other. This would also make it appear more realistic for
it minimizes the appearance of pencil strokes.
CROSS HATCHING
Circular Technique
Drawing circles as well as scribbles add contrasting texture to your drawing, especially
of objects that are similar when it comes to value. In order to recreate this, begin by
drawing small circles, smoothly moving your pencil in a swirling motion over the area
you're working on. In order to keep it from looking like a mess of scribbles, try and
keep the circles as tight as possible. This is also great if you're using the technique in
order to blend your shading properly. You can also opt to create different grades of
darkness by adjusting the pressure you place on your pencil. This would create
variation, texture and depth once you have everything blended together properly.
This particular technique can also be used when it comes to creating skin texture for
portraits. The tighter your circles are, the more realistic it would be when it comes to
adding a bit more contrast to the skin. The only thing is that it can be a bit tricky to
master so do try and practice it a lot. In time, you'll learn what works and what doesn't
for your style.
Smooth Shading
Shading is, of course, an important technique to learn when it comes to drawing. This is
one of the things that brings a sketch to life and gives it a realistic touch. The thing with
shading is that it needs to be quite smooth, otherwise it might actually take the appeal of
your drawing away. One way of achieving this is by using the side of your pencil as
opposed to its tip. Start with the hardest pencil that you have and create light lines
before moving to darker shades as you go on. You can alternate with the both hard and
soft pencils in order to create variety and more depth. Lastly, keep your lines as tight as
possible to keep things looking nice and smooth.
Another method that you can use for creating a smoother shading would be using the
hatching technique then following up with a shading tool. You can also use a q-tip or
even a piece of tissue in lieu of the tool; anything that would help you smudge the pencil
strokes cleanly would work just fine. Make sure that you smooth out any of the
individual hatch marks in order to create a continuous looking surface without any harsh
lines.
SMOOTH SHADING
Look at shading behind the back area and to give the body its contours. This is a very
effective way to add three dimension to your art.
around your highlights before you start fading it. Tones flow into each other; dark
into a mid-tone and into light. Keep everything flowing into gradients. The effect
might be subtle but it will lend some realism to your drawing. Broad pencil
strokes are recommended.
The forehead area. The first thing you need to do is identify where the lightest
spots of the sketch of would be. Once you have these plotted out, lightly outline
their positions. Typically, highlights are found right on the tip of the nose, the
forehead, cheeks, chin and the bottom lip. The rest of the face needs to be darker
than these highlighted areas, of course. Lots of blending would be required for
this step of your sketch, just make sure that you do it carefully too so you don't
end up with something messy. Another area you should pay extra attention to
would be the hairline. There will always be darker shading around the hairline,
an effect produced by the hair casting shadows onto it.
Moving onto drawing the eyes. Eyes can be quite tricky to work on so do take
your time when drawing it up. You will need a blending stump to get the shading
just right but if you're more comfortable with using something else, such as a Qtip, you could go with that as well. Keep in mind that there will be brilliant
highlights in the eyes, this is what gives it that appearance of being life-like.
Place emphasis on these areas but making them slightly bigger than their actual
size. This can always be adjusted later on after you've finished shading
everything else. Do avoid making the whites of the eye exactly that color. It
would be too much in contrast to the eye itself and make it seem unrealistic.
Instead, shade this area lightly and pay close attention to the tones available to
you in the reference photo.
Cheeks. Again, locate your lightest tone once more. Shade this area softly using a
H graphite and blend it well with a Q-tip or a tissue paper. To add more depth
and contrast, add some B graphite around your lights and blend it out once more.
Create a gradient that will become darker as you approach the outer area of the
face. Take your time when doing this and pay attention to the subtleties.
Working on the nose. This can be a bit of a struggle, especially for beginners. A
tip here is to keep in mind that it's all about making use of different tones to build
up depth and contour. Begin by taking an H graphite and working on shading the
bridge of the nose. Mind that there are subtle highlights at the very tip so always
leave space for that while you're working. To bring your shading to life, take a B
pencil and shade around the bridge. Make it a tone or two darker than the bridge
area. Remember that the separation between the two needs to be bridged with a
gradient so that there are no harsh lines. Blend it from the edges of the nose and
fade it out onto the cheek. Working your gradient smoothly and seamlessly is key.
Again, take your time when doing this as the simple process of shading can
become tedious when you're trying to blend everything properly to create a
seamless flow between the elements.
Jawline area. Take your 3B pencil and pretty much follow the outline of the
jawline. Again, be careful when drawing outlines and try to keep it as light as
possible but still clear enough for you to see. If the photograph you're copying
from features a person who's smiling, copy the small nuances as well such as the
folds of the skin. There are shadows in these folds so don't forget to detail those
as well. Next, move onto the upper lip. For this, some B graphite would be great.
Depending on where the light source in the photograph is coming from, just
follow where the light and shadows fall. Take the time to study these details and
just copy them straight off of the photo and make minor adjustments as you go.
Chin area. This is what will complete the entire face so take your time with it.
Outline your lightest areas and start with some H graphite for subtle shading.
Blend it out as you go. Next, add some B graphite around the highlights to create
shadows and add emphasis to your lights. Remember to leave some space for
adjustments later on. It's always better to have something too light than have it
too dark for the latter is much harder to edit once you've realized the mistake.
Neck. The same idea applies when it comes to drawing the neck. Just follow the
shadows and highlights that are being shown in the photograph. As a base,
however, do start with an even layer of 3B graphite in the area with the most
shadows. To make sure that you're not going too dark, just compare it with the
tones that you've done in the face area and match it up. Remember that the
shadows would get darker as you near the edge on either side. As for the hair,
simply fade it out as you get to the very bottom. This should give you a cleaner
and more realistic look. When you get to the chest area, just make sure your
gradients and tones are seamless. Check if your highlights and shadows are
matched in color as well.
Note: Keep in mind that you don't have to finish every element of the picture in one go.
You can set aside certain areas aside as you work on something else. Plan this out
before you even begin and you'll be able to prevent unnecessary smudges which may
come about as you move your drawing while you work.
attribution: Artfulcraner
Very good detail on facial features showing shading and pencil detail to accentuate
areas of the face and hair.
Conclusion
Thank you again for downloading Drawing: Best Techniques for Sketching,
Landscapes, Portraits and Everything Else Drawing!
I hope this book was able to help you to learn more techniques when it comes to
drawing different subjects such as portraits and landscapes. There are many different
styles to learn and plenty of room to develop your own as well. May this book help you
achieve just that!