Doyle, New York, 08.04.2013

DOYLE NEW YORK
street art
STREET ART
monday , april 8, 2013
april 8, 2013
DOYLE NEW YORK
Auctioneers & Appraisers
175 East 87th St
NY, NY 10128
212-427-2730
DoyleNewYork.com
Street Art
AUCtION
Monday April 8 at 10am
eXHIBItION
thursday Friday Saturday Sunday April April April April 4 5 6 7 10am5pm 10am5pm 10am5pm Noon5pm
LOCAtION
Doyle New York Auctioneers & Appraisers 175 east 87th Street New York, NY 10128 212-427-2730
CONteNtS Street Art

Glossary Conditions of Sale terms of Guarantee Sales & Use tax Buying at Doyle Selling at Doyle Company Directory Auction Schedule Subscription Form Absentee Bid Form
Lots 0195 I II IV V VI VIII IX XI XII XIII
CAtALOGUe: $15
www.DoyleNewYork.com/BidLive
Lot 39
ContaCts
artist index
alben asvp Banksy Blade (steven ogburn) Blek le rat James Cauty Ces Cope2 (Carlo Fernando) Cost Crash dalek dBK Jane dickson & Charlie ahearn enx Faile shepard Fairey Futura 2000 (lenny McGurr) Camille rose Garcia Ghost richard Hambleton & la ii Herakut indie 184 invader ivory Chris Johanson KaWs and Westone Keo (Blake lethem) Margaret Kilgallen la ii (angel ortiz) Michael lawrence anthony lister Mare 139 Barry McGee antony Micallef Miss Bugs Mr. Brainwash aiko nakagawa neckface raymond pettibon phetus ricky powell stephen powers (espo) pure evil Quik (lin Felton) retna revolt seen skewville stay High 149 Jack stewart swoon ed templeton tracy 168 trike one dondi White Zephyr 43 75, 76 34 85, 86 35, 36 42 02 06 45 26, 27 65, 66 44 95 46 73, 74 54- 64 28- 31 79 32 87 77 07 39 33 17- 20 71 90 08- 10 88, 89 94 78 84 11- 14 40 37, 38 81- 83 68 72 16 47 93 70 41 48- 50 67 51, 52 21- 24 80 53 91, 92 69 15 04, 05 25 01 03
speCialist
angelo Madrigale 212-427-4141, ext 249 [email protected]
Client serviCes
Janice Youngren 212-427-4141, ext 207 [email protected]
Client aCCoUnts
steven Kuzio 212-427-4141, ext 202 [email protected]
BiddinG serviCes
Jill Bowers 212-427-4141, ext 242 Bid Fax: 212-427-7526 [email protected]
absentee & telephone Bids must be received by 5pm on april 7 online absentee Bids may be submitted until 8am on april 8
Lot 55
preview the exhibitioN aND meet some of the artists whose work is offereD iN the auCtioN
meet the artists
aNgelo maDrigale, street art speCialist, iNvites you to a reCeptioN with
iNDie 184, Cope2, phetus, trike 1, Ces & more

thursDay, april 4, 5:30pm 7:30pm Doyle New york, 175 east 87th st, NyC
rsvp by april 2, 212-427-4141, ext 600 or [email protected]
Lot 8
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Ces
American, b. 1970 Speed Racer, 2012 Acrylic on canvas 48 1/8 x 72 1/4 inches Unframed Beginning in the early 80s, Ces has been a major fixture of the next generation of contemporary Wild Style graffiti. His recent work has included cartoon and comic book characters such as the Pink Panther and Wonder Woman, reconstructed to include his classic Ces tag. C $4,000-6,000 See Inside Back Cover
Zephyr
American, b. 1961 Spite, circa 1988 Inscribed To Siobhan - I Love You! From Andy (lr) Marker on paper 9 3/4 x 15 3/4 inches Unframed Zephyr, aka Andrew Witten, is both a graffiti pioneer as well as a gifted author and documentarian. He has co-authored a seminal biography on friend and graffiti legend Dondi White, and has been featured in the graffiti documentaries Wild Style and Bomb It. Featured here is a private work created for a then-girlfriend during the late 1980s. Its use of bubble letters and primary colors is both typical of Zephyrs work, and also speaks to the undeniable influence graffiti was to 1980s graphic design and commercial illustration. C $1,000-1,500
Dondi White
American, 1961-1998 Rain Proof Parade, 1992 Signed Dondi White, dated 1992 and inscribed as titled (ll) Pencil and collage on paper 14 3/4 x 18 3/4 inches Considered to be one of the most important graffiti artists, Dondi White was an influential trendsetter in the world of graffiti. One of the stars of the documentary Style Wars, Dondi exhibited at the seminal Fun Gallery, which also staged early shows by Jean-Michel Basquiat, Keith Haring and Kenny Scharf. Created after his passing, the Dondi White Foundation raises funds for AIDS charities and educational programs on HIV/AIDS awareness. The rare work featured here is from a period where Dondi used blueprints as collage elements, and shows his development of abstracted Wild Style lettering, as well as his fascination with architectural design. C $5,000-7,000
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10 DOYLE NEW YORK APrIL 8, 2013 view the fully illustrated catalogue and bid online at doylenewyork.com 11
Cope2 (Carlo Fernando)
American, b. 1968 Untitled (Subway Sign), 2013 Signed with artists mark and dated 2013 on the reverse Mixed media on metal New York City subway sign 13 5/8 x 78 inches Beginning in the late 70s, Cope2 (aka Carlo Fernando) is considered one of the masters of the throw up, or throwie, which gained its name for being a graffiti tag quickly thrown onto a wall or subway car. Cope2 has evolved as an artist over the decades, taking cues from Jackson Pollock, showing that Action Painting is prevalent in both graffiti and Abstract Expressionism. His signature style has been showcased in countless galleries as well as magazines such as Time and Business Week. C $3,500-4,500
Tracy 168
American, b. 1958 Untitled Signed Tracy 168 on the reverse Spray paint on canvas 36 x 48 inches Unframed One of the original kings of graffiti, Tracy 168 was one of the first to create pieces - murals covering whole train cars, top to bottom, and whole trains. Growing bored of bombing the subways by the mid 1970s, Tracy turned to doing legal murals, which allowed him to complete massive pieces relatively undisturbed. Still working today, Tracy 168 is considered by many to be the inventor of Wild Style. C $3,000-4,000 5
Puerto Rican/American, 20th Century Be Fierce, 2013 Signed with artists mark (ll) and again (ur) Enamel and collage on canvas 24 x 24 inches Unframed Drawing influence from classic graffiti artists including her husband Cope2, Indie 184 has further expanded her style to include Abstract Expressionism and collage, embracing vivid colors and positivity in her work. She recently completed a major solo exhibition at the MathGoth Gallery in Paris. C $800-1,200
Indie 184
Tracy 168
American, b. 1958 Untitled Signed with artists mark throughout Spray paint on canvas 28 x 22 inches Unframed C $1,000-1,500 5
12 DOYLE NEW YORK APrIL 8, 2013
view the fully illustrated catalogue and bid online at doylenewyork.com 13
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Margaret Kilgallen
American, 1967-2001 Untitled (Kingpin) Acrylic on wood 6 x 18 inches Provenance: Deitch Projects, NY Private collection, NJ Private collection, CA Exhibited: New York, The Drawing Center, Three Sheets to the Wind, Sep. 13th - Nov. 1st, 1997 C $5,000-7,000
American, 1967-2001 Untitled (Brasil) Acrylic on wood 6 x 13 inches Provenance: Deitch Projects, NY Private collection, NJ Private collection, CA Exhibited: San Francisco, Gallery 16, Nellie Was There, Jan. 8th - Feb. 8th, 1997 New York, The Drawing Center, Three Sheets to the Wind, Sep. 13th - Nov. 1st, 1997 Literature: Eungie Joo, Margaret Kilgallen: In The Sweet Bye and Bye, Los Angeles: CalArts, 2005, pp. 131, 134 color illus. C $5,000-7,000
Margaret Kilgallen
Margaret Kilgallen
American, 1967-2001 Untitled Acrylic on wood 9 x 9 inches 8
Embracing Folk Art, Southwestern art, freight train graffiti and hobo symbology, Margaret Kilgallen brought an outsider, rural perspective to the very urban world of Street Art. Married to the artist Barry McGee, the two were constant collaborators who influenced each others work immensely. Tragically passing away from cancer in 2001, her work has since been celebrated at the Whitney Biennial, the Hammer Museum, and the Museum of Contemporary Art in Los Angeles. C $10,000-15,000
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Barry McGee
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American, b. 1966 Untitled, circa 1993-96 Etching, acrylic and graphite on hand-stitched paper sheets stretched to wooden panel 96 1/8 x 10 inches Provenance: Private Collection, California C $8,000-10,000
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Barry McGee
American, b. 1966 Untitled (Tree Stump), 2003 Acrylic on panel 23 x 19 1/2 inches Unframed Provenance: Roberts and Tilton, Los Angeles, CA San Franciscan artist Barry McGee created graffiti under the name Twist throughout the 80s and 90s. He is best known for his mixed media installations which include paintings on found objects such as bottles and wrecked automobiles. He has shown at the Berkeley Art Museum in San Francisco, the Watari-um Museum in Tokyo, and was featured in the 2001 Venice Biennale. C $12,000-18,000
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Barry McGee
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American, b. 1966 Untitled Painted wooden kinetic relief with spring and wire mounted to panel 16 x 11 x 1 inches C $4,000-6,000
Ed Templeton
American, b. 1972 La Favorita, 1998-2000 Signed Templeton twice and dated 1998 and 2000 (lr) Acrylic on canvas 36 x 36 inches Unframed Pro skater, photographer, and owner of the skateboard company Toy Machine, Ed Templetons artwork is informed by more than skateboard culture, drawing on influences from Egon Schiele, David Hockney and the Lowbrow movement. Along with Barry McGee, Margaret Kilgallen and others, Templeton was part of the Beautiful Losers project which comprised a touring exhibit, feature film and book. C $2,000-4,000
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Barry McGee
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American, b. 1966 Untitled (5 Men), 2003 Color screenprint with hand painted elements, 2003, numbered 33/100 in pencil, unframed. 20 x 16 inches Provenance: Roberts and Tilton Gallery, Los Angeles, CA C $2,500-3,500
American, b. 1957 Untitled (Apply it to the study of mirrors...) Color screenprint, 2005, signed and numbered 58/200 in pencil. 20 x 16 inches Considered responsible for the look of 80s West Coast Hardcore Punk, Raymond Pettibon created seminal artwork for bands like Black Flag and the Minutemen before crossing over into the Contemporary Art world. His artwork is included in the collections of countless museums worldwide, including the Philadelphia Museum of Art, the Centre Pompidou in Paris, and Tate Modern in London. C $800-1,200
Raymond Pettibon
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Chris Johanson
American, b. 1968 Untitled (Drinker...) Acrylic on paper laid to a second sheet of paper 14 1/4 x 10 inches Unframed Part of the Mission School movement which also includes fellow artists Barry McGee, Margaret Kilgallen, Clare Rojas and others, Chris Johanson often employs found materials and embraces the concept of decay in his work, addressing issues surrounding pyschotherapy and 12-step programs. Johanson has shown at Deitch Projects, Roberts and Tilton, and was part of the 2002 Whitney Biennial. C $2,000-3,000
Chris Johanson
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American, b. 1968 Untitled (Double Sided Man) Acrylic on wood 23 1/2 x 3 1/8 inches C $800-1,200
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Chris Johanson
American, b. 1968 Untitled (Burst) Acrylic on wood 12 1/4 x 14 1/8 inches Unframed C $1,500-2,500
Chris Johanson
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American, b. 1968 Untitled, Set of eight Offset lithographs, 2000, each signed and numbered 59/80 in pencil, unframed. Each 8 1/2 x 11 inches C $800-1,200
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Seen
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American, b. 1961 Spraycan Monsters of Seenworld Signed with artists mark (cr) Acrylic on canvas 43 7/8 x 94 1/2 inches Unframed One of the true originators of graffiti, Seen (Richard Mirando) was a Bronx raised kid who spent his teens creating some of the most important subway art in New York City. Star of PBSs seminal 1983 documentary Style Wars, Seen took his combination of crisp lettering and love of comic book characters to Paris, where he now lives and creates his art. He has been featured in exhibitions at the Grand Pompidou in Paris, the Andy Warhol Museum, and major galleries worldwide. C $20,000-30,000
American, b. 1961 Untitled (Mad Transit Artist), 2007 Signed with artists mark and dated 2007 on the reverse Acrylic on canvas 50 x 34 inches Unframed C $4,500-5,500
Seen
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Seen
American, b. 1961 Untitled, 2003 Acrylic on canvas 24 x 17 7/8 inches Exhibited: New York, Soma NYC Gallery, Apr. 3 - Jun. 3, 2003 C $4,000-6,000
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Seen
American, b. 1961 Untitled, 2007 Signed with artists mark (lr) Acrylic on MTA subway map 32 x 22 1/2 inches C $1,000-1,500 25
Trike One
Turkish/American, b. 1960 Untitled (Thrush Bird), 2012 Signed with artists mark (lc) Acrylic on canvas 48 x 60 inches Unframed Also known as Turk One and LP 136, Trike One began writing graffiti in the 70s with the GND (Graffiti Never Dies) crew. Notorious and feared for his size and fighting skills, Trike One and his crew controlled Sheepshead Bay and were responsible for bombing the Coney Island trainyard, the biggest yard in Brooklyn. Returning to New York after college in the 80s, Trike joined RTW (Rolling Thunder Writers), alongside some of the best artists of the era, like Zephyr, Quik and Revolt. Trike One is still painting today, showing his artwork worldwide. C $1,800-2,200
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Crash
American, b. 1961 (i) Wolverine, (ii) Magneto, (iii) Storm, (iv) Cyclops Set of four color screenprints, 2000, each signed and numbered 125/250 in pencil. each 18 x 24 inches One of the pioneers of the graffiti movement, Crash (aka John Matos) began creating his murals at age 13. By age 19, Crash had curated one of the first major exhibitions of graffiti, the landmark 1980 show Graffiti Art Success for America at the seminal Fashion MODA space; featuring Futura 2000, Lee Quinones, Zephyr and others. Today, Crashs art can be found in the permanent collections of major museums worldwide including the MoMA and the Brooklyn Museum. C $2,000-3,000 27
Crash
American, b. 1961 Paris Review Color screenprint, 1990, signed and numbered 98/150 in pencil. 30 x 22 inches C $600-800 25
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Futura 2000 (Lenny McGurr)
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American, b. 1955 Chicago 5 No. 1, 2001 Signed Futura and inscribed as titled on the reverse Acrylic on canvas 48 1/4 x 48 inches Unframed As a teen in the 1970s Lenny McGurr (better known as Futura 2000), was frantically coating the subways in his signature graffiti style. By the early 80s he was taken under the wings of Keith Haring and Jean-Michel Basquiat. As Futura continued forward, his style informed graffiti culture exponentially, even crossing over into design and fashion for brands like Nike, Levis and Supreme. One of the first Street Artists to begin referencing Abstract art, Futuras classic Pointman character still retains its original inspiration from Japanese Manga (ie: animation and comics like Robotech and Gatchaman), even as his style of painting has evolved dramatically. C $12,000-18,000
American, b. 1955 Untitled, 2003 Signed Futura on the reverse Vinyl decal and acrylic on untreated aluminum 17 1/4 x 23 inches Provenance: Bape Gallery, Tokyo C $4,000-6,000
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American, b. 1964 Untitled Acrylic on canvas 36 x 72 inches Unframed Part of the famed RIS crew along with several other gifted artists including Ket and Reas, Ghost was heavily influenced by the Wild Style lettering of earlier writers Comet and Zephyr. Ghost has become known for his vividly colorful pieces and his very unique, amoebic take on graffiti lettering. C $4,000-6,000 33 31
Ghost
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American, b. 1955 Fornax Alpha Color screenprint, 2008, signed and numbered 65/100 in pencil. 40 1/2 x 36 inches C $1,500-2,500

American, b. 1955 Helix Object Color screenprint, 2008, signed and numbered 65/100 in pencil. 40 1/2 x 36 inches C $1,500-2,500
American, b. 1974 Cadillac Emblem Series, 2012 Signed with artists mark, dated 11/12 and inscribed as titled on the reverse Acrylic on canvas 40 1/4 x 40 inches Unframed A pioneering graffiti artist who began at age 14, Ivory made a name with his stylized, brightly colored pieces. His more recent work references his passion for classic Cadillacs, while still embracing his graffiti roots. C $3,000-5,000
Ivory
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Blek le Rat
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French, b. 1951 Total Respect (Yuri Gagarin), 2003 Signed Blek (lr) Acrylic on canvas 24 1/2 x 19 3/4 inches Unframed Considered the father of stencil graffiti, Blek le Rat (aka Xavier Prou) is one of Frances first and most important graffiti artists. An essential influence on much of the Street Art world, Banksy himself was quoted as stating every time I think Ive painted something slightly original, I find out that Blek le Rat has done it as well, only twenty years earlier. C $3,000-5,000
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Banksy
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British, b. circa 1974 Gold Flag Color screenprint, 2007, signed and numbered in pen 72/112, with POW stamp. 19 1/2 x 27 1/2 inches This lot includes a certificate of authenticity from Pest Control Provenance: Santas Ghetto, Dec. 3, 2007 - Jan. 1, 2008, Bethlehem, Israel Like a 21st Century Duchamp, Banksy is the ultimate art prankster. From illegally hanging one of his own paintings in Londons Tate Britain, to breaking into the penguin exhibit at the London Zoo and stenciling Were Bored of Fish, Banksy has continually created irreverent, brilliantly snide, and culturally significant images both in galleries and museums, as well as in public spaces. His 2010 Academy Award nominated film Exit through the Gift Shop, proved both a wry commentary on the Contemporary art world, as well as one of the best documents to date on the Street Art movement. C $7,000-9,000
Blek le Rat
French, b. 1951 Total Respect (Che Guevara), 2003 Signed Blek (lr) Acrylic on canvas 18 x 15 inches Unframed C $3,000-5,000
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Miss Bugs
British, 20th Century The Super Arts Alter Ego, 2009 Signed Miss Bugs and dated 09 on the reverse Mixed media on wood Tondo, diameter 31 1/2 inches Exhibited: Brooklyn, NY, Brooklynite Gallery, Joe Black/Miss Bugs: 2 Many Artists, Apr. 4 - May 2, 2009 A male/female UK duo, Miss Bugs references the work of Klimt, Hirst, Warhol, and others, sampling stylistic elements and juxtaposing them against pop imagery. Taking swipes at religion, celebrity and social issues, they claim one of their main intentions is to question the ownership of ideas as well as the nature of the art world. C $4,000-6,000 37 39
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Miss Bugs
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British, 20th Century The Wonderful Repeating Pattern in Art, 2009 Signed Miss Bugs and dated 09 on the reverse Mixed media on wood Tondo, diameter 31 1/2 inches Exhibited Brooklyn, NY, Brooklynite Gallery, Joe Black/Miss Bugs: 2 Many Artists, Apr. 4 - May 2, 2009 C $4,000-6,000
Invader
French, b. 1969 I Invade Roma, 2010 Glass tile mounted to plaster Triptych, total size 17 3/8 x 58 3/8 inches This work is accompanied by a Certificate of Authenticity from the artist Inspired by the classic arcade game Space Invaders, Frances Invader creates mosaics of the games characters from tile. These mosaics are then glued onto surfaces in public places, which are documented by the artist as Invasions, with maps made of their locations so that fans may spot the works. This rare work was one of the highlights of Invaders 2010 attack on Rome, which included a solo exhibition at the gallery Wunderkammern. C $10,000-15,000 See Inside Front Cover
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British, b. 1975 Girl in a Red Dress with Nike Trainers Color screenprint, 2006, signed and numbered 10/25 in pencil. 32 x 27 1/2 inches Often working in oils and charcoal, Antony Micallefs expressionist paintings show a reverence to Francis Bacon. His dark, moody work has had major exhibitions at the Tate Britain and ICA London. Micallef is currently part of the Lazarides Gallery stable, alongside other important young artists like Banksy, Faile, and Bast. C $2,000-4,000
Antony Micallef
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James Cauty
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British, b. 1956 Operation Magic Kingdom: The Gift of Life Color inkjet print, 2007, signed and numbered 5/9 in pencil with artists stamps. 26 1/2 x 23 1/2 inches A notorious figure in the UK, both as a musician and an artist, James Cauty has used his various mediums to make caustic anti-war and eco-positive political statements. Best known for his ongoing series of postage stamp artwork, he has lampooned Disney, George W. Bush, Queen Victoria and countless others, using the pseudonym The Cautese National Postal Disservice. C $400-600 43
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British, b. 1968 Untitled (Run! The Old World is Behind You!) Signed Pure Evil (cl) Acrylic, glitter and etching on metal 25 x 29 inches Welsh artist Charles Uzzell-Edwards, aka Pure Evil, claims to be the direct descendent of Sir Thomas More, the Lord Chancellor who was beheaded by Henry VIII. Not unlike his supposed relation, Pure Evils clever, cynical work questions authority and our modern society. C $1,500-2,500
Pure Evil
French, b. 1973 Mao Coke Olympic, 2012 Stamped with artists mark on underside of bust Mixed media in resin 11 3/4 x 9 3/4 x 5 1/2 inches With an intentional reverence to Arman, French artist Alben works with resin and found objects, filtering 70s pop culture through Street Art, playing on social and political themes. C $1,500-2,500 44
Alben
DBK
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British, 20th Century Halloween Rush, 2008 Signed DBK, dated 2008 and inscribed as titled on the stretcher Acrylic on canvas 47 3/4 x 62 3/4 inches Unframed C $600-800
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ENX
American, 20th Century Untitled, 2012 Signed ENX, Enxing and dated March 2012 Mixed media on found cardboard 26 1/8 x 38 1/2 Unframed Employing collage, stencil, wheatpaste and other media, ENX creates work which often addresses animal rights issues. Currently the sole collaborator with legendary artist Cost, the duos work can be seen coating public spaces throughout Manhattan, Queens and Brooklyn. C $600-800 46
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American, 20th Century Showpaper Box, 2010 Signed repeatedly with artists device Mixed media on newspaper box 48 x 16 1/4 x 19 1/4 inches Provenance: The artist Exhibited: Showpaper Newspaper Box Show, Nov. 14, 2010, New York Los Angeles Museum of Contemporary Art, Art in the Streets, Apr. 17- Aug. 8 2011, Los Angeles Considered one of the lynchpins in the progression of graffiti and transition to Street Art, Cost spent parts of the 80s and 90s blanketing New York in wheatpasted posters, stickers, and giant paint roller blockbuster pieces, often with his co-conspirator Revs. This work was commissioned by Showpaper for a 2010 exhibition of 12 similar examples by various artists. Afterward the exhibition, the newspaper boxes were placed on sidewalks throughout New York. This box was surreptitiously removed within 3 days and immediately listed for sale online. The artist and several others intervened, and the box was returned to Cost. The box was later shown in the 2011 Art in the Streets exhibition at the Los Angeles Museum of Contemporary Art. C $10,000-15,000 See Back Cover
Cost
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Phetus
American, 20th Century Untitled, 2012 Signed Phetus and dated 2012 on the reverse Acrylic on canvas 48 x 36 inches Unframed Legendary graffiti artist Phetus has a deep connection with the world of hip-hop, culminating in his creation of custom clocks worn by Public Enemys Flavor Flav, as well as custom apparel and special projects for Ludacris, Redman, LL Cool J and countless others. While visiting with Banksy in London, Phetus was briefly taken into custody after attempting to spray paint his classic Phat Phace logo onto the legendary Big Ben. C $3,000-4,000
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Revolt
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American, 20th Century Untitled, 1996 Signed Dr. Revolt and dated 96 on the reverse Acrylic on canvas 18 x 28 inches Unframed Beginning in the late 70s as a member of the infamous RTW (Rolling Thunder Writers) crew, Revolt is an important early figure in graffiti history. Also known as Doctor Revolt, he is the creator of the classic logo for the show Yo! MTV Raps, as well as a key part of the graffiti documentary Style Wars. C $1,500-2,500 51 52
Revolt
American, 20th Century Dancer 1, 2010 Signed with artists mark and dated 2010 (lr) Mixed media on MTA subway map 32 1/4 x 22 7/8 inches C $1,500-2,500 53
Stay High 149

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American, 1951-2012 Untitled Signed with artists mark throughout and signed W. Roberts (lr) Acrylic and marker on masonite 11 3/4 x 34 5/8 inches 50 Featured prominently in Norman Mailers The Faith of Graffiti, Stay High 149 is one of the original graffiti pioneers. Adapting the stick figure logo from the television show The Saint, Stay High 149 worked tirelessly through the early 70s, with the legends claiming he could tag 300 trains in one day. Stay High 149, aka Wayne Roberts, passed away in 2012, leaving behind legions of dedicated fans and the utmost repsect of the graffiti community. C $800-1,200 52
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Quik (Lin Felton)
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American, b. 1958 Nothing is Important, 2012 Acrylic and collage on canvas Signed with artists mark (lr), signed with artists mark, dated 2012 and inscribed titled on the reverse 30 x 11 7/8 inches Unframed An important early writer and protege of Seen and Blade, Quik tackles issues of race and filters them through his love of Pop Art. His work is in the permanent collections of multiple museums throughout Europe, as well as the Museum of the City of New York, and the Museum of Harlem. C $1,500-2,500
Quik (Lin Felton)
American, b. 1958 Graffiti Never Dies!, 2012 Signed with artists mark, inscribed NYC and dated 2012 (lr) Acrylic and marker on MTA subway map 29 x 23 inches C $600-800
Quik (Lin Felton)
American, b. 1958 Untitled (The Realness...), 2012 Signed with artists mark (ll) Acrylic on MTA subway map mounted to board 26 5/8 x 21 1/4 inches C $600-800
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Shepard Fairey
American, b. 1970 Darby Crash, 2012 Signed Shepard Fairey and dated 2012 (lr) Acrylic and collage on paper 42 1/2 x 30 inches RISD graduate Fairey was a beloved figure in the skateboard and punk rock communities throughout the 90s for his legendary Andre the Giant Has a Posse stickers, and the subsequent silkscreen prints made for his company Obey. His work has used concepts of guerrilla marketing and phenomenology to address anti-war movements and other grassroots social concerns. For Barack Obamas 2008 election campaign, Fairey created the Hope poster, which became one of the most recognizable and iconic political images of modern times. That image, after gracing the cover of Time Magazine, now hangs in the National Portrait Gallery, helping Fairey cross over from seminal Street Artist to international recognition as a truly gifted fine artist. His work is a part of the collections of the Smithsonian, the MoMA, the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.
Shepard Fairey
The subject of this portrait, Darby Crash was one of the most legendary figures on the late 70s LA punk scene. Lead singer of The Germs, Crash was a highly gifted teen, often quoting Hesse and Nietzsche, and famous for wildly injuring himself onstage during The Germs insane live shows. Confused and brilliant, Crash was channeling a childhood filled with abuse and mental illness into some of the most raw and intense music of his (or any) time. Wrestling with drug abuse and terrified of revealing his homosexuality, Darby Crash intentionally overdosed on heroin, committing suicide in 1980. He was 22 years old. Released in 2007, the biographical film What We Do Is Secret had a major theatrical release and celebrated The Germs place in music history and Darby Crashs enduring legend. C $15,000-20,000 See Front Cover
American, b. 1970 Guns and Roses, 2006 Signed Shepard Fairey and dated 06 (ll), numbered 1/2 (lr), signed Shepard Fairey and dated 06 on the reverse Silkscreen on wood, edition of 2 24 x 18 inches Provenance: White Walls Gallery, San Francisco, CA C $6,000-8,000
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Shepard Fairey
American, b. 1970 Stalin Lenin Banner Color screenprint, 1998, signed and numbered 75/100 in pencil, unframed. 24 x 18 inches C $1,000-1,500 58
Shepard Fairey
American, b. 1970 Parlor Pattern Set (Red/Black Edition) Set of two color screenprints, 2010, each signed and numbered 80/85 in pencil, unframed. Each 24 x 18 inches C $1,000-2,000
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American, b. 1970 Love is the Drug, 2012 Signed Shepard Fairey and dated 12 (lr), inscribed 1/6 HPM (ll), signed Shepard Fairey, dated 12 and inscribed 1/6 HPM on the reverse Hand painted multiple screenprint with collage on wood, edition of 6 24 x 18 inches C $6,000-8,000
Shepard Fairey
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Shepard Fairey
American, b. 1970 Love Unites Color screenprint, 2008, signed and numbered 39/450 in pencil, unframed. 36 x 24 inches C $800-1,200 60
American, b. 1970 Basquiat Color screeprint, 2010, signed and numbered 257/450 in pencil, unframed. 24 x 18 inches C $600-800
Shepard Fairey
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Shepard Fairey
American, b. 1970 War by Numbers (Red Edition) Color screenprint, 2008, signed and numbered 440/750 in pencil, unframed. 36 x 24 inches C $600-800 61
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Shepard Fairey
American, b. 1970 Tyrant Boot Color screenprint, 2008, signed and numbered 306/450 in pencil, unframed. 24 x 18 inches C $600-800
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American, b. 1970 (i) Sunset and Vine Billboard, (ii) SF Fire Escape Pair of color screenprints, each 2011, each signed and numbered AP in pencil, unframed. Each 24 x 18 inches C $400-600 64
Shepard Fairey
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American, b. 1970 Rose Shackle Color screenprint, 2006, signed and numbered 66/300 in pencil, unframed. 24 x 18 inches C $400-600 64
Shepard Fairey
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American, 20th Century (i) Untitled, 2004 Signed with artists mark and dated MMIV (lr) Watercolor and acrylic marker on paper 13 3/4 x 17 1/8 inches (ii) Untitled, 2004 Signed with artists mark and dated MMIV (lr) Watercolor and acrylic marker on paper 14 x 18 1/4 inches (iii) Untitled, 2004 Signed with artists mark and dated MMIV (lr) Watercolor and acrylic marker on paper 14 3/8 x 18 3/8 inches Provenance: Subject Matter, Costa Mesa, CA Part of a movement within graffiti embracing Futurism, Retna has expanded on the form of graffiti lettering to include influences of Egyptian hieroglyphics, as well as Asian and Hebrew calligraphy. Retnas work was part of the landmark Art in the Streets 2011 exhibit at the Los Angeles Museum of Contemporary Art. C $3,000-5,000
Retna
65
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65
Dalek
66
American, b. 1968 Untitled (Space Monkey), 2001 Numbered 17 and 48 on the reverse Acrylic on wood 10 1/2 x 8 inches Exhibited: Washington DC, Museum of Contemporary Art, Playerhaters, Oct. 19 - Nov. 30, 2001 Growing up with a healthy diet of skateboarding, graffiti and punk rock, Dalek (aka James Marshall) began a new chapter as an artist after working as an assistant to Takashi Murakami. The result was a street art informed version of Murakamis hyper-pop Superflat style, which showed Daleks incredible draftsmanship and eye for color. Daleks beloved Space Monkeys were the subject of the bulk of his early work, though he has now largely moved onto less figurative (but no less graphically stunning) paintings. C $1,500-2,500
American, b. 1968 Untitled (Space Monkey), circa 2002 Acrylic on card 7 x 5 inches Unframed C $600-800
Dalek
68
Aiko Nakagawa
Japanese/American, b. 1975 Untitled, 2011 Signed Aiko and dated 2011 on underside of can Mixed media on aerosol spray can 6 34 x 2 5/8 x 2 5/8 inches Exhibited: New York, Up Close and Personal presented by Vandalog and MANY, May 12 - May 15, 2011 Also known as Lady Aiko, Aiko Nakagawa has worked as an assistant to Takashi Murakami, a collaborator with Banksy during his unauthorized museum installations, as well as a former member of the group Faile. She has more recently worked as a solo artist, showing at major galleries worldwide. In 2012, Aiko was invited to re-paint The Bowery Wall in New York, where Keith Harings seminal mural had appeared years ago. C $400-600 68
71
KAWS and WestOne
69
American, b. 1977 Ice Queen Screenprint with hand painted elements, 2011, signed and numbered 10/10 in pencil, unframed. 35 x 24 inches Swoon, aka Caledonia Curry, employs woodblock and linocut prints, creating massive installations comprising German Expressionist influenced portraits of friends and family. Part of the 2009 Venice Biennale, Swoon debuted the Swimming Cities of Serenissima, which were floating installations that sailed from Slovenia into the Venice lagoon, all constructed from New York City recyclables and garbage. Swoon also oversees and coordinates charitable programs such as the Konbit Shelter, which builds housing and community shelters in Haiti, and Transformazium, a project devoted to the re-use of derelict buildings located in Braddock, PA. C $1,500-2,500
Swoon
American, b. 1974 and American, 20th Century, respectively Untitled Color screenprint, 2003, signed and numbered 10/14, in pencil. 18 x 18 inches Jersey Citys KAWS (Brian Donnelly) gained early notoriety in the 90s for his ad disruptions, which featured his anthropomorphic characters like the Chum and the Companion. Showcasing his crisp designs intertwined with the ads found on the sides of bus shelters - this early form of his work was somewhat akin to Harings subway tar paper drawings, in that they were an illegal manipulation of public advertisements. Those same characters would later grace the covers of albums by Kanye West, as well as footwear for Nike and Vans. KAWS has had major exhibitions at the Cincinnati Contemporary Art Center and the High Museum of Art in Atlanta, GA. Part of the final generation of New York City graffiti artists to bomb the trains, WestOne made a fundamental change to his work after discovering Abstract Expressionism. Influenced by the work of Franz Kline and Robert Motherwell, WestOne abandoned the precision draftsmanship crucial to the crisp lettering prevalent in graffiti, in favor of a looser, freer style. His work has been exhibited at the Magda Danyz Gallery in France, the Factory in Tokyo, and the Joshua Liner Gallery in New York. C $1,200-1,800
71
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Stephen Powers (ESPO)
72
American, b. 1968 Baby Im Counting On You, 2003 Signed Stephen Powers, inscribed OH BABY WHYD YOU LET ME DOWN, and a study of an umbrella on the reverse Enamel on aluminum 19 3/4 x 18 3/4 inches Provenance: Deitch Projects, New York Philadelphia born Stephen Powers formerly created graffiti under the moniker ESPO, but has subsequently matured into a Fulbright Scholar winning fine artist, with his work appearing at Biennales in Venice and Liverpool, as well as galleries such as Deitch Projects and the Joshua Liner Gallery. The New York Times and Wall Street Journal are a few of many to cover his stunning Love Letter To You project, in which he worked with the city of Philadelphia as well as the Pew Center for Arts and Heritage to create a series of 50 murals gracing walls alongside the elevated train on Market Street in Philadelphia. More recently, again working closely with city officials, covered the entire parking garage at the venerable Macys Department store in downtown Brooklyn with his signature style: part muralist, part sign maker. C $3,000-5,000
American, b. 1984 Untitled (Rollerblades) Acrylic and ink on paper 14 1/2 x 19 3/4 inches Misanthropic skate punk Neckface creates artwork featuring weird demons, anthropomorphic cigarettes, dirty jokes and tons of slasher movie gore. His work has been shown at the V1 Gallery in Copenhagen, Denmark, New Image Art in Hollywood, CA, and other galleries throughout the US, Europe and Australia. C $1,500-2,500
Neckface
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70
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American, 21st Century Faile Dog Vinyl plastic 7 x 7 x 3 1/2 inches Edition of 20 AdFunture logo stamp on reverse C $600-800 75
Faile
American, 20th Century Donkey Head Color screenprint, 2012, signed and numbered 2/2 in pencil. 30 x 22 1/4 inches The anonymous duo behind ASVP create striking images which look equally compelling hanging in a gallery or wheatpasted on a public wall. Their work, containing references to classic American ad design and Chinese propaganda imagery, can be seen in many major cities worldwide. C $800-1,200 76
ASVP
American, 20th Century Yours Truly Color screenprint, 2012, signed and numbered 4/5 in pencil. 30 x 22 inches C $800-1,200
ASVP
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73
73
Faile
American, 20th Century London Test #2, 2006 Signed faile, dated 2006 and inscribed as titled on the reverse Acrylic on canvas 48 x 36 inches Unframed Patrick McNeil and Patrick Miller comprise the artist duo Faile; a collective embracing appropriation and collage. Taking their cues from artists like Mimmo Rotello and Jacques Villegl and combining it with the immediacy and brashness of graffiti, Faile has become one of the most noted names in Street Art today. Their work has been exhibited at Perry Rubenstein Gallery, Tate Modern in London, the Shanghai Sculpture Space in China, and was recently featured in conjunction with the New York City Ballet at Lincoln Center. C $25,000-30,000
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Herakut
German, 20th Century Piglet I (She was going for Filth), 2010 Signed Herakut (lr) and inscribed as titled (ll), Signed Herakut, dated March 2010 and inscribed as titled on the reverse Mixed media on canvas 39 3/4 x 39 inches Unframed A male/female duo from Germany, Herakut combines realism alongside intentionally looser techniques, as well as a variety of mediums, resulting in an intentionally schizophrenic nature to their work. Their work has been shown in the US at LeBasse Projects in Los Angeles. C $5,000-6,000
Australian, b. 1980 Cat Woman, 2008 Signed Lister, dated 2008 and inscribed as titled on the reverse Mixed media on canvas 78 1/2 x 74 inches Unframed, unstretched Australian fine artist Anthony Lister creates wildly abstracted paintings which may seem more as descendents of de Kooning or Bacon than part of the Street Art scene. However, Listers work has an undeniable rebellious streak borne from graffiti culture, and he actively creates murals, both legal and illegal. C $6,000-9,000
Anthony Lister
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Camille Rose Garcia
American, b. 1970 Untitled Signed CRG (lr) Watercolor, ink, pencil and collage on paper 16 x 10 inches One of the foremost artists of the Lowbrow scene, Camille Rose Garcia is an important figure in the new generation of Californian artists. Her mixed media work combines imagery from fairy tales, as well as influences of early animation and Surrealism. Her illustrated Alices Adventures in Wonderland was a New York Times bestseller. C $3,000-5,000
81 79 81
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Mr. Brainwash
French/American, b. 1966 Dont Be Cruel (Blue Background/Red Gun Edition), 2008 Color screenprint, signed and numbered 3/15 in pencil, unframed. 50 x 38 inches Provenance: The artist Private collection, acquired directly from the artist 80
American, 20th Century Brooklyn Beef, 2010 Signed Skewville Approved, dated 2010 and inscribed Original Window... from Willoughby Windows Project/ Ran over 2 years on Willoughby Street on the reverse Screenprint on found object 29 1/4 x 25 1/4 inches The duo that make up Skewville work in a variety of mediums, employing stencils, wheatpastes, screenprinting and more to create their impressive installations. Skewvilles fun, humorous work is reminiscent of Claes Oldenburg, with its playful Pop connotations that are designed to interact with the street. As one half of the duo commented, for us, its about... playing with real city materials to blend into the landscape. C $600-800
Skewville
The unintentional star of Banksys classic film Exit Through The Gift Shop, Mr. Brainwash (Thierry Guetta) has created legions of obsessed fans and infuriated Street Art purists. While his work may be reminiscent of other Street Art legends, Brainwash has taken Warhols brand conscious concepts of pop culture and accelerated them for the internet age. C $3,000-5,000 82
Mr. Brainwash
French/American, b. 1966 Love = mc squared (Silver Edition) Color screenprint, 2012, signed and numbered 12/15 in pencil, with date and thumbprint on the reverse, unframed. 30 x 22 inches C $2,000-3,000 83
Mr. Brainwash
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French/American, b. 1966 Obama Superman (Gold Edition) Color screenprint, 2008, signed and numbered 72/300 in pencil, unframed. 41 x 29 inches C $600-800
83
Richard Hambleton & LA II
87
American, b. 1954 and American, b. 1967, respectively Untitled (Shadow Head #5), circa 1990 Signed Hambleton (lr) and LA (ll) Acrylic on paper 19 5/8 x 14 7/8 inches A protege of Keith Haring and Jean Michel Basquiat, Richard Hambleton had an interest in public art early in his career. His Shadowman paintings could be found splashed across hundreds of buildings throughout New York in the 1980s. His work is part of the MoMAs permanent collection, and has been shown at two Venice Biennales, as well as a major retrospective presented by Giorgio Armani. LAII (aka Angel Ortiz) was discovered as a teen by Keith Haring, who later claimed the young artist was a major influence. Haring collaborated extensively with LAII, and the pair showed together at Tony Shafrazi, Robert Fraser and Jeffrey Deitch. LAII is still working today, showing at major galleries and museums worldwide. C $800-1,200 84
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Mare 139
American, b. 1965 Untitled (Polished Style Writer), 2011 Signed with artists mark Stainless steel 12 1/4 x 19 x 17 1/2 inches An important subway writer in the late 70s and early 80s, Mare (aka Carlos Rodriguez) left the streets to reinterpret the kinetic lettering of graffiti as three-dimensional sculpture. By combining influences of Constructivism and Futurism, Mare brought new life to the concept of style writing. In 2012, Mare was selected as a US State Cultural Ambassador, emboldened to bring graffiti culture to a global audience. C $1,500-2,500 85 85
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Blade (Steven Ogburn)
American, b. 1957 The Blade Wave, 2012 Acrylic and marker on MTA subway map 23 x 32 1/4 inches Beginning his assault on trains in the early 70s, Blade pioneered the Three-Dimensional Blockbuster style, an early component of graffiti Wild Style lettering. His work was shown at the seminal 1980 PS1 exhibit New York/New Wave, alongside Seen, Jean-Michel Basquiat, Dondi White and others. Blade still produces new work today, showing in galleries worldwide. C $600-800 86
LA II (Angel Ortiz)
American, b. 1967 Untitled Signed with artists mark (cr) Acrylic on canvas 55 3/4 x 40 1/4 inches Unframed C $2,000-4,000
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Blade (Steven Ogburn)
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American, b. 1957 Untitled, 2012 Acrylic and marker on MTA subway map 23 x 32 1/2 inches C $600-800
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American, b. 1967 Gold Swirls LA II Tag, 2011 Signed LA II, dated March 2011 and inscribed as titled on the reverse Mixed media on canvas 17 7/8 x 23 7/8 inches Unframed C $1,000-1,500 90
LA II (Angel Ortiz)
American, 20th Century (i) Untitled Mixed media on paper 24 x 18 inches (ii) Untitled Mixed media on paper 24 x 18 inches
KEO (Blake Lethem)
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In addition to being a legendary graffiti writer, KEO is many things: the creator of underground rapper MF Dooms iconic metal mask, brother to best-selling author Jonathan Lethem (Motherless Brooklyn), and, as legend has it, one of the first white rappers in the history of hip-hop. KEO is currently creating art today, and still a crucial member of the graffiti scene. C $1,000-2,000
Jack Stewart
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American, 1926-2005 Mickey Mouse by Lee Estate archival C-print, 2010, signed and numbered AP4 in pencil, unframed. 13 3/4 x 24 inches One of the few photographers documenting the NYC graffiti movement in the early 70s, Jack Stewart captured some of the most crucial moments in the history of the scene. Stewart studied at Yale with Willem de Kooning and Josef Albers, and went on to serve as the Chairman of the Arts Department at Cooper Union and Vice President of the Rhode Island School of Design. He is credited with having one of the most exhaustive and important photo collections of the graffiti era. Jack Stewarts book, Graffiti Kings: New York City Mass Transit Art of the 1970s, collects these photos, as well as his writing, and is one of the most essential books on the subject. C $1,500-2,500
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Jack Stewart
American, 1926-2005 Beetle Bailey by Cliff 159, 1975 Estate archival C-print, 2010, signed and numbered AP2 in pencil, unframed. 13 3/4 x 24 inches C $1,500-2,500
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Ricky Powell
American, b. 1961 (i) Ad Rock - The Palladium NYC 1986 Giclee print, signed and inscribed as titled in black marker. 19 3/8 x 12 3/8 inches (ii) Paloma Picasso NYC 1986 Giclee print, signed and inscribed as titled in black marker. 15 3/8 x 20 1/4 inches (iii) Gangster Bitch 1985 11th st + 6th ave Signed and inscribed as titled in black marker. 14 3/8 x 20 3/8 inches (iv) Rock Steady Anniversary Summer 2000 Giclee print, signed and inscribed as titled in black marker. 14 7/8 x 20 3/8 inches (v)Bill Stelling & Patti Astor (Owners of the Fun Gallery) ...NYC 1985 Giclee print, signed and inscribed as titled on mat board in pencil. 11 1/2 x 15 1/2 inches Ricky Powell is best known for documenting the 80s hip-hop scene in New York, being the photographer of choice for the Beastie Boys and Run DMC. Additionally his photos of cultural icons like Andy Warhol, Martha Graham, Francis Ford Coppola and Jean-Michel Basquiat capture the energy and excitement of a crucial moment in New York City history. His photography has been seen in Time, Newsweek, Rolling Stone and countless other publications worldwide. C $800-1,200 94
93 part
American, 20th Century (i) Untitled (Cliff 159) Probably offset lithograph on photo paper 5 7/8 x 8 7/8 inches (ii) Untitled (Snake 1 and Stitch 1) Probably offset lithograph on photo paper 11 x 15 inches C $600-800
Michael Lawrence
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95
Jane Dickson and Charlie Ahearn
American, b. 1952 and American, b. 1951, respectively Times Square Show Color screenprint, 1980, signed in pencil. 22 3/8 x 28 1/2 inches Organized by Collaborative Projects, a non-profit group including brothers Charlie and John Ahearn and Tom Otterness, the Times Square Show was held in a former massage parlor. Considered one of the first exhibitions of graffiti, the Times Square Show featured the work of roughly 100 exhibitors, many of whom were on their way to becoming the next generation of great New York artists. Artists included Jean-Michel Basquiat, Keith Haring, Kiki Smith, Jenny Holzer, Kenny Scharf and many others. The show received rave reviews from the Village Voice, Artforum and countless others, as it was hailed as a major turning point in New York City art and culture. Filmmaker, photographer, writer and radio show host Charlie Ahearn debuted his film The Deadly Art of Survival at the Times Square Show. His second film was the landmark Wild Style, which starred graffiti icons Fab 5 Freddy, Lee Quinones and Lady Pink. Wild Style is considered the definitive hip-hop film, and along with the documentary Style Wars, is seen as one of the most important documents of graffiti culture. Creating realistic paintings of dark streets, peepshows and casinos, Jane Dicksons Edward Hopper-influenced work depicts the often seedy underbelly of urban living. Her work is in the permanent collections of the MoMA, the Brooklyn Museum, the Metropolitan Museum of Art and the Whitney Museum of American Art. C $600-800
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end of sale
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Gracious Four-Acre Gated Estate in Connecticut on the Stamford/Greenwich Border

This brilliant six-bedroom custom home enjoys beautifully proportioned rooms, high ceilings, French doors and finely detailed millwork and stonework. Superb formal venues are complemented by an array of more casual leisure areas, including two family rooms, exceptional home theater, gym, and terrace level entertainment center. It is well located in a prized Westover enclave of fine homes ... just fifty-minutes from midtown Manhattan, but a special world apart. Offered at $2,495,000 Elayne Jassey 203-329-0136
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GLOSSARY
The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows: Signed Nicolaes Maes In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center Bears signature, Nicolaes Maes In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. Dated In our best judgment, the date indicated on the work is the date the work was executed. Dated (for bronzes) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale. Signature Only manuscript signatures of the artists are indicated. Signatures in the plate are not mentioned since they are considered part of the image. Quality and Condition An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. Measurements As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks. Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.
CONDITIONS OF SALE
1. BINDING TERMS
The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms: York expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent. revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyers premium. Where Estimate on Request appears, please contact the Specialist Department for further information.
3. WITHDRAWAL
2. AS IS
FURNITURE and DECORATIONS

Regency Rosewood Sofa Table First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. Regency Rosewood Sofa Table This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. Regency Style Sofa Table The inclusion of the word style in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.
All lots are sold AS IS and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New
Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.
6. BIDDING
4. RESERVES
If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.
Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.
7. PURCHASERS RESPONSIBILITY
PRINTS
Name of Artist Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being after or attributed to an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. Title If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. References Information from the standard catalogues of the artists works is cited when possible following the title. Medium The mediums are described as fully as possible, although secondary techniques may not be listed. Date The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed. Edition Information regarding the size of the edition is given when possible.
PAINTINGS
Nicolaes Maes In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. Attributed to Nicolaes Maes In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. School of Nicolaes Maes In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist. Circle of Nicolaes Maes In our best judgment, the work is of the period of the named artist and closely related to his style. Manner of Nicolaes Maes or After Nicolaes Maes or Follower of Nicolaes Maes In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.
Title passes upon the fall of the auctioneers hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder thereupon assumes full risk and responsibility therefor (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are notresponsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $50,000 of the hammer price, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. Payment shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.
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5. ESTIMATES
Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to
CONDITIONS OF SALE
Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors.
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10. DOYLE NEW YORK EMPLOYEES
TERMS OF GUARANTEE
Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public. Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.
d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchasers obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashiers checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.
4. SOLE REMEDY
11. WAIVER OF CONDITIONS
1. DEFINITION OF AUTHORSHIP
Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.
12. All measurements and weight are
approximate. Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.
8. REMEDIES AVAILABLE TO DOYLE NEW YORK
13. If any part of these Conditions of Sale is
In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchasers expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser;
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found by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.
14. The rights and obligations of the parties with
respect to these Conditions of Sale and Terms of Guarantee, as well as the purchasers and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.
Authorship is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.
The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyers premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.
5. EXCLUSIONS
This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.
2. COVERAGE UNDER THE GUARANTEE
9. LIMITED LIABILITY
If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.
Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot. The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchasers expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.
3. NON-ASSIGNABILITY
The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.
6. LIMITED WARRANTY
As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.
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information on sales and use Tax RELATED TO PURCHASES AT AUCTION

To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.
BUYING AT DOYLE
Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.
BIDDING AT AUCTION
Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New Yorks specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as lots - in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. Live Bidding The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a drivers license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New Yorks Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that persons behalf. Issuance of a bid paddle is in Doyle New Yorks sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. Absentee Bidding For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as absentee bids, book bids, or order bids.
This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. Internet Bidding Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. Telephone Bidding Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New Yorks discretion and at the callers risk. Calls may also be recorded at Doyle New Yorks discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids. Successful Bids Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.
WHY DOYLE NEW YORK COLLECTS SALES TAX

Virtually all State Sales Tax Laws require a corporation to register with the States Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyers premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.
WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX

Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.
CERTAIN EXEMPTIONS
Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyers responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.
RESTORATION AND OTHER SERVICES

Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.
BEFORE YOU BID

Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at DoyleNewYork.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, DoyleNewYork.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. Provenance In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a sellers request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. Specialists Advice Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New Yorks Client Services Department. You may also request a condition report from the specialist in charge.
WHERE DOYLE NEW YORK COLLECTS SALES TAX

Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%. If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.
LOCAL TAX ADVISORS

As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.
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buying at DOYLE
After The Auction
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Buyers Premium The invoice will include the successful hammer price of the item and the buyers premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $50,000 of the hammer price, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyers premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to Information on Sales and Use Tax Related to Purchases at Auction in the back of the catalogue. All sales are final and subject to the Conditions of Sale. Pick-Ups Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause. Storage Fees Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyers behalf at the purchasers risk and subject to storage charges at the purchasers expense. As transferred property will no longer be in Doyle New Yorks custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New Yorks main reception desk located at 175 East 87th St in Manhattan. Shipping Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. Endangered Species Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.
selling at doyle
At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations. At these events, we accept property for upcoming sales through bothconsignment and outright purchase. Limit three items, photographs areacceptable. For a schedule of upcoming Walk-In Fridays, visit DoyleNewYork.com or call 212-427-2730. Regional Appraisal Days Doyle New Yorks Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase. Payment To Consignors Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.
If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyers premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the sellers agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. Methods of Payment Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), travelers check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New Yorks policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or drivers license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases. To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, bankers drafts and cashiers checks are accepted at Doyle New Yorks discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treated as cash equivalents and subject to the constraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, [email protected]
Estate and APPRAISAL Services

For forty years, Doyle New Yorks Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique Broomclean Service our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises broomclean.
OBTAINING AN APPRAISAL
The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialists best judgement as to what the object will sell for at auction. The figure is based upon the specialists expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers commission rates and other charges, auction timetable, shipping and any other further services you may require. Submitting Photographs We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artists signature or makers mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection. Walk-In Consignment Days At Doyle New York Doyle New York hosts free Walk-In Consignment Days at our gallery on select Fridays from 9:30am until 11:30am. Our team of specialists provide auction estimates for collectors considering selling at auction.
SELLING YOUR PROPERTY

Consigning To Auction In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. The Consignment Contract When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon sellers commission and other related fees. Reserve Price Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. Outright Sale To Doyle Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auct ion and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.
INFORMATION
For more information please call 212-427-4141, ext 260, or email [email protected]. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.
After the auction

Results Of Sale You may track realized prices of your consigned property in real time and view all sales results on line at DoyleNewYork.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized.
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directory You may reach us directly by dialing 212-427-4141 plus the extension.
Officers
Kathleen M. Doyle, Chairman/CEO ext 215, [email protected] Rodney Lang Senior Executive Vice President ext 243, [email protected] Joanne Porrino Mournet Executive Vice President ext 227, [email protected] Kenneth McKenna Executive Vice President/CFO ext 254, [email protected] Sebastian Clarke, Senior Vice President ext 269, [email protected] Laura Doyle, Senior Vice President [email protected] Reid Dunavant, Senior Vice President [email protected] David A. Gallager, Senior Vice President ext 271, [email protected] Ann Limer Lange, Senior Vice President ext 221, [email protected] Elaine Banks Stainton, Senior Vice President ext 238, [email protected] Louis LeB. Webre, Senior Vice President ext 232, [email protected] Anne Cohen DePietro, Vice President ext 281, [email protected] Anna K. Hicks, Vice President ext 272, [email protected] Cynthia Klein, Vice President ext 246, [email protected] Malcolm Mac Neil, Vice President ext 218, [email protected] Harold E. Porcher, Vice President ext 235, [email protected] Alison Robinson, Vice President ext 229, [email protected] Gillian M. Ryan, Vice President ext 245, [email protected] Joan S. Stanke, Vice President ext 256, [email protected] Shani Toledano, Vice President ext 236, [email protected] Eileen Weisbaum, Vice President ext 226, [email protected] Janice Youngren, Vice President ext 207, [email protected]
Administration
Absentee and Telephone bids Jill Bowers ext 242, [email protected] Accounting Cathy J. Carollo ext 205, [email protected] Emma I. Ebue ext 214, [email protected] Julie Bacongco ext 223, [email protected] Catalogue Production and Design Eileen Weisbaum, Director ext 226, [email protected] Arielle Fiffer, Senior Graphic Designer ext.276, [email protected] PHOTOGRAPHY Production Reid Gilmore, Photography Production Manager ext 278, [email protected] Melissa Aldrich, Manager of Photographers Photographer ext 270, [email protected] Victoria Martens, Photographer ext 277, [email protected] Dylan Murray, Photographer ext 255, [email protected] Catalogue Subscription Margaret Pitney ext. 203, [email protected] Client Services Janice Youngren, Director ext 207, [email protected] Jill Bowers ext 242, [email protected] Mary Dobbin [email protected] Steven L. Kuzio ext 202, [email protected] Margaret Pitney ext. 203, [email protected] Ryan Won ext 204, [email protected] Media and Communications Department Louis LeB. Webre, Director ext 232, [email protected] Charlotte A. Taylor, Art Director ext 233, [email protected] Kosala Kumara, Advertising ext 258, [email protected]
Inventory Control Jose Otero Restoration Services Charles Mournet, ext 224
Estate AND Appraisal Services

Joanne Porrino Mournet, Executive Director ext 227, [email protected] Joan S. Stanke, Director/Appraisals ext 256, [email protected] Gillian M. Ryan, On-site Estates Coordinator ext 245, [email protected] Appraisal and Consignment Services Alison Robinson, Director/Consignments ext 229, [email protected] Ashley A. Hill ext 231, [email protected] Doris M. Fugazy ext. 261, [email protected] Joan S. Stanke, Director/Appraisals ext 256, [email protected] Katherine Otey ext. 228, [email protected] Sarah McMillan ext. 251, [email protected] Emily Mott ext. 240, [email protected] Nicole Goodwin ext 259, [email protected]
Specialist Departments
American Furniture and Decorative Arts David A. Gallager, Director ext 271, [email protected] Asian Works of ArT Marley Rabstenek, Consultant ext 299, [email protected] Books, Autographs and Photographs Edward Ripley-Duggan, Co-Director ext 234, [email protected] Peter Costanzo, Co-Director ext 248, [email protected] Coins, Stamps and Collectibles Norman Scrivener, Consultant ext 273, [email protected] English and Continental Furniture and Decorations Sebastian Clarke, Director ext 269, [email protected] Furniture and Decorations Rodney Lang ext 243, [email protected] Sebastian Clarke ext 269, [email protected] David A. Gallager ext 271, [email protected] Malcolm Mac Neil ext 218, [email protected] Anna K. Hicks ext 272, [email protected] Alexandra Simko ext 244, [email protected] Emily Shwajlyk ext 243, [email protected]
Jewelry Ann Limer Lange, Director ext 221, [email protected] Kevin Zavian, Appraiser Mallory M. Jones, Administrator ext 210, [email protected] Brittany Terhune, ext 262, [email protected] 19th and 20th Century Decorative Arts Malcolm Mac Neil, Director ext 218, [email protected] 20th Century Design David A. Gallager, Director ext 271, [email protected] Paintings and Drawings Elaine Banks Stainton, Executive Director ext 238, [email protected] Anne Cohen DePietro, Director American Art ext 281, [email protected] Harold E. Porcher, Director Modern And Contemporary Art ext 235, [email protected] Shani Toledano, Associate Director ext 236, [email protected] Matthew Boland, Cataloguer ext 237, [email protected] Angelo Madrigale, Registrar ext 249, [email protected] Ariel Gold, Administrator, Paintings & Prints ext 266, [email protected] Prints and Posters Cynthia Klein, Director ext 246, [email protected] Ariel Gold, Administrator, Paintings & Prints ext 266, [email protected] Rugs, Carpets and Tapestries Mark M. Topalian ext 602, [email protected]
Regional Representatives
Laura Doyle 212-427-4141, ext. 219 [email protected] boston / new england Kathryn Allen 617-999-8254 [email protected] Connecticut Kathy Brackenridge 203-637-6209 [email protected] florida Lorraine Tuohy 212-427-4141, ext. 298 [email protected] new jersey Kathy Brackenridge 212-427-4141, ext. 111 [email protected] north carolina Hilary Pitts 704-582-2258 [email protected] Washington, DC/Mid-Atlantic Reid Dunavant, Director 202-342-6100 [email protected] Samira Farmer 202-342-6100 [email protected] Kristen Rohde 202-342-6100 [email protected] Beijing Winnie Hu [email protected] Hong Kong Jasmin Blunck [email protected]
auctioneers
Rodney Lang, Joanne Porrino Mournet, Janice Youngren, Cynthia Klein, Sebastian Clarke, Peter Costanzo
IX
auction schedule
MARCH
Provident Loan Society: Jewelry, Watches, Silverware & Coins Auction: Tuesday &Wednesday, March 5 & 6 at 10am Exhibition: March 1 4
catalogue subscriptions Form CATALOGUE SUBSCRIPTIONS FORM

May
European Art Auction: Wednesday, May 8 at 11am Exhibition: May 4 7 Modern & Contemporary Art Auction: Wednesday, May 8 at 11am Exhibition: May 4 7 American Art Auction: Wednesday, May 8 at 11am Exhibition: May 4 7 Important English & Continental Furniture / Old Master Paintings Auction: Wednesday, May 22 at 10am Exhibition: May 18 21
july
Provident Loan Society: Jewelry, Watches, Silverware & Coins Auction: Tuesday &Wednesday, July 16-17 at 10am Exhibition: July 10 12 & 15 Doyle At Home Auction: Thursday, July 18 at 10am Exhibition: July 12, 15 17
SM
PLEASE PRINT
Please C H E C K the category then C I R C L E the corresponding price I M P O R TA N T E N G L I S H A N D C O N T I N E N TA L F U R N I T U R E A N D D E C O R AT I O N S

Including
Single Catalogue (Overseas Price) $35 ($40)
One Year Subscription (Overseas Price) $90 ($115)
YOUR NAME
the charlotte moss collection

Auction: Thursday, March 7 at 10am Exhibition: March 2 5
BUSINESS NAME
O L D M A S T E R PA I N T I N G S AND DRAWINGS
(3 Auctions Per Year)
ADDRESS
Asian Works of Art
AUGUST
Doyle At Home END OF SUMMER SALE Auction: Wednesday, AUGUST 14 at 10am Exhibition: August 8, 9 & 12 JEWELRY & Contents of Abandoned Safe Deposit Boxes Auction: Thursday, AUGUST 15 at 10am Exhibition: August 8, 9 & 12
SM
BELLE EPOQUE: 19TH AND 20TH C E N T U R Y D E C O R AT I V E A R T S

$35 ($40)
$90 ($115)
Auction: Monday, March 18 at 10am Exhibition: March 15 17
april
Doyle+Design Auction: Monday, April 8 at 10am Exhibition: April 4 7 street art Auction: Monday, April 8 at 10am Exhibition: April 4 7 Important Estate Jewelry Auction: Monday, April 15 at 10am Exhibition: April 11 14 American Furniture & Decorative Arts Auction: Monday, april 22 at 10am Exhibition: April 19 21 Books, autographs & photographs Auction: Tuesday, April 23 at 10am Exhibition: April 19 21 MODERN & CONTEMPORARY Prints Auction: Monday, April 29 at 10am Exhibition: April 26 28 Coins, Bank Notes & Postage Stamps Auction: Monday, April 29 at 4pm Exhibition: April 26 28
CITY
AMERICAN FURNITURE AND D E C O R AT I V E A R T S

$35 ($40)
$60 ($75)
june
Belle Epoque: 19th & 20th Century Decorative Arts Auction: Wednesday, June 5 at 10am Exhibition: June 1 4 Doyle At Home Auction: Wednesday, June 19 at 10am Exhibition: June 15 18 Fine Jewelry Auction: Thursday, June 20 at 10am Exhibition: June 15 18
SM
S TAT E
ZIP CODE
D O Y L E AT H O M E : F I N E F U R N I T U R E , D E C O R AT I O N S A N D PA I N T I N G S
(Approximately 9 Auctions Per Year)
SM
$15 (N/A)
$135 (N/A)
COUNTRY
I M P O R TA N T E S TAT E J E W E L R Y
$45 ($5 0) $35 ($4 0) $45 ($55)
$120 ($145) $60 ($75) $90 ($110)
PHONE
FINE J E W E L R Y
A LT E R N AT E P H O N E
AMERICAN ART
And
EUROPEAN ART EMAIL ADDRESS

And
MODERN AND CONTEMPORARY ART CLIENT # OR ID REFERENCE

OLD MASTER, MODERN AND CONTEMPORARY PRINTS

And
$35 ($40)
$60 ($75)
BOOKS, AUTOGRAPHS AND PHOTOGRAPHS
PAY M E N T
All orders must be paid in advance. No cash please.
CHECK OR MONEY ORDER
C O I N S A N D S TA M P S
$25 ($30) $35 ($40) $35 ($40) FREE
$45 ($55) $60 ($75) $60 ($75) FREE
Please make check or money order payable to Doyle New York and drawn on a U.S. bank only.
ASIAN WORKS OF ART

Catalogues
Exhibition Hours
selling at auction
VISA
MASTERCARD
View the catalogues and leave bids online at DoyleNewYork.com, or for printed catalogues please call 212-427-2730 x257 or email [email protected]
DOYLE + DESIGN
Saturdays: 10am 5pm Sundays: Noon 5pm Mondays: 10am 6pm (2pm*) Tuesdays: 10am 2pm *Monday exhibitions close at 2pm if the auction is on Tuesday
We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email [email protected]
CARD #
DOYLE NEW YORK AUCTION PREVIEW SECURITY CODE S U B T O TA L $ + $
E X P I R AT I O N D AT E
S I G N AT U R E S A L E S TA X : NY residents only
DOYLE NEW YORK 175 East 87th St

XI
Auctioneers & Appraisers Fax 212-369-0892 DoyleNewYork.com
T O TA L
New York, NY 10128
TeL 212-427-2730
to: M A mail I L O Ror F Afax X TO : S subscriptions U B S C R I P T I O N S dept DEPT
DOYLE YORK East St D O Y L ENEW NEW Y O R K 175 17 5 E 887th 7TH S T
Ny, 212-996-7159 N Y, NY N Y 10128 1 0 1 2 8 Fax FA X 212-996-7159 XII

XII
ABSENTEE BID
F O R O F F I C E U S E O N LY
or
TELEPHONE BID
Submit in person at the gallery, fax to 212-427-7526, or email to [email protected]
SALE TITLE
13DD01 STREET ART
SALE D AT E
april 8 , 2013 Doyle New York Auctioneers &Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 [email protected] Boston / New England 30 Newbury Street, 3rd Floor Boston, MA 02116 617-999-8254 [email protected] Connecticut 136 East Putnam Avenue Greenwich, CT 06830 203-637-6209 [email protected] New Jersey 212-427-4141, ext 111 [email protected] Washington, DC / Mid-Atlantic 3256 Prospect Street, NW Washington, DC 20007 202-342-6100 [email protected] North carolina 704-582-2258 [email protected] Florida 212-427-4141, ext 298 [email protected]
Check if you are a first time bidder
Check if this is a change of address

P H O N E ( D AY O F S A L E ) If you are using a cell phone for bidding, a SAFETY BID IS REQUIRED in case of a lost connection
Y O U R N A M E PLEASE PRINT
B U S I N E S S N A M E ( DEALERS : Name & address must agree with resale certificate. Invoice cannot be changed once registered.)
PHONE
ADDRESS
FA X
CITY
S TAT E
ZIP
CODE
CLIENT NUMBER
EMAIL ADDRESS
ID REQUIRED (NEW CLIENTS)
B I D D I N G I N C R E M E N T S The auctioneer may vary the increments at his/her discretion LOT NUMBER
In numerical order
$0100 $100500
$10 $25
$5001,000
$50
$2,0005,000
$250
$10,00020,000 $20,00050,000
$1,000 $2,500
$50,000100,000 $100,000+
$5,000 $10,000
$1,0002,000 $100
$5,00010,000 $500
TOP LIMIT OF BID

Excluding Buyers Premium
LOT NUMBER
In numerical order
TOP LIMIT OF BID

LOT NUMBER
In numerical order
TOP LIMIT OF BID

Absentee and telephone bid forms must be submitted in writing by 5pm (Eastern) the evening before the auction. Submit in person at the gallery, fax to 212-427-7526, or email to [email protected]. You will receive confirmation by email. If you do not receive confirmation, please resubmit your bids or call Client Services at 212-427-4141, ext 242 or 207. Absentee bids may be submitted online at DoyleNewYork.com until 8am (Eastern) on the day of sale. 1. Telephone bids will only be accepted on lots with a low estimate of $1,000 and above. You must be prepared to bid at least to the low estimate.
2. Absentee bidding is a service provided with the understanding that Doyle New York shall not be responsible for errors and/or omissions. Changes to bids on the day of sale must be submitted in writing by fax or email. 3. Absentee bids are executed in competition with the audience, on an alternate basis. Due to the uncertainties of bidding patterns, a lot may sell to the audience for the same amount or slightly less than your bid. To avoid this possibility, you may authorize us to increase your bid by one increment by placing a plus sign (+) beside the maximum bid. In the event that identical bids are submitted, the earliest will take precedence. Buyers Premium as stated in the Conditions of Sale will be added to the hammer price.
4. Prices realized are published on DoyleNewYork.com. Successful bidders should make arrangements to have their purchases removed from the premises no later than 4:30pm on the day following the sale. Buyers unknown to Doyle New York are advised to arrange payment or supply credit references in advance of the sale date. Otherwise, purchases cannot leave our premises until checks have cleared. 5. A 25% deposit may be required on certain absentee bids. PLEASE NOTE: Lot descriptions do not include damage, repairs or restoration to items. The absence from the description of any such notes must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. PLEASE NOTE: Terms & Conditions of Sale may be viewed in the catalogue, on our Web site, and in our salesroom.
Consumer Affairs No. 0777006
X
XIII
I understand and agree to the Terms and Conditions of Sale Signature ( REQUIRED )
At DoyleNewYork.com you may leave absentee bids or BidLive! using your mouse as a paddle
D OYLE N EW Y ORK DOYLE NEW YORK A UCTIONEERS & PPRAISERS Auctioneers &A Appraisers 1 75 E AST 8 7 T H St STREE T N EW YO R K 10128 , NY 1012 8 212-427-2730 175 East 87th New York, NY TeL 212-427-2730
4.12
Front Cover Inside Back Cover Back Cover
Lot 54 Lot 2 Lot 45

Doyle, New York, 08.04.2013

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DOYLE NEW YORK

DOYLE NEW YORK

Auctioneers & Appraisers

175 East 87th St

CONteNtS Street Art

Lots 0195 I II IV V VI VIII IX XI XII XIII

meet the artists

aNgelo maDrigale, street art speCialist, iNvites you to a reCeptioN with

iNDie 184, Cope2, phetus, trike 1, Ces & more

rsvp by april 2, 212-427-4141, ext 600 or [email protected]

Cope2 (Carlo Fernando)

view the fully illustrated catalogue and bid online at doylenewyork.com 13

14 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 15

22 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 23

Futura 2000 (Lenny McGurr)

Futura 2000 (Lenny McGurr)

view the fully illustrated catalogue and bid online at doylenewyork.com 27

Futura 2000 (Lenny McGurr)

Futura 2000 (Lenny McGurr)

28 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 29

30 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 31

32 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 33

34 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 35

Stay High 149

Quik (Lin Felton)

Quik (Lin Felton)

Quik (Lin Felton)

view the fully illustrated catalogue and bid online at doylenewyork.com 41

44 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 45

46 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 47

KAWS and WestOne

Stephen Powers (ESPO)

view the fully illustrated catalogue and bid online at doylenewyork.com 49

view the fully illustrated catalogue and bid online at doylenewyork.com 51

52 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 53

Camille Rose Garcia

view the fully illustrated catalogue and bid online at doylenewyork.com 55

Richard Hambleton & LA II

Blade (Steven Ogburn)

Blade (Steven Ogburn)

KEO (Blake Lethem)

58 DOYLE NEW YORK APrIL 8, 2013

view the fully illustrated catalogue and bid online at doylenewyork.com 59

Jane Dickson and Charlie Ahearn

2. Register to bid in a specific auction

Gracious Four-Acre Gated Estate in Connecticut on the Stamford/Greenwich Border

3. On the day of the auction

For further information please visit www.DoyleNewYork.com/BidLive

EXCLUSIVE . EXACTING. EXCEPTIONAL .

FURNITURE and DECORATIONS

11. WAIVER OF CONDITIONS

12. All measurements and weight are

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

13. If any part of these Conditions of Sale is

14. The rights and obligations of the parties with