Revised Studio Handbook Lettering
Revised Studio Handbook Lettering
Revised Studio Handbook Lettering
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LETTER nqfyMZZ?
04tf7 ISO PAGES
LETTERING
FREDERICK J. DRAKE
{.CO.
Ml)
/
COPVRIOHT
i960
FREDERICK j DRRKE Ca
CHICAGO
in
PRinTED
U.S.A.
FOREWORD
lessingsonthe heads of the
^^
Phoenecians
or whoever gave
us our alphabet.<^*> Greater praise be to those who have not only made it useful but also ornamental.
design will always remain an art; so tnis bookpicks up the refrain and carries it on. To professionals and amateurs, here is music for a^ battle <^w> ^^> <-^>
many
TA&LE OF CONTENTS
C
CONTENTS
V^
DAG^S 9*v23
24^-26
27
>-
WHYS ^WHATSON
LETTERING
OCCASIONAL
A NE
J- e
LETTECLINGI
-32
FIFTY J'TYLEwT
CT ON
33N..58
59 -v-73
74 -^-82
83 % 95
COMMANDS
LAYOUTS
IN
CODY-BOX "COB-NECLS"
TWENTY-NINE STYLES
s, .
95
DAGE RULES"
THIRTY-FIVE STYLES
97
-v
.95
BOR.DER. SUGGESTIONS*
99-V104
USE
ORNAMENT DESMON
05^106
07*^108
R.IBBON/
DINGBATS*THEATRICAL MA/K/
09^113
-^114
15^116
TYPE
CHAR.ACTER.S
SIZES*
-^117
1Q
PUBLICATION
l-v1
PAGES 119^126
127^,129
130^134
135^140
I41X20&
REVI/EO/ECTION* IN LETTERING
209X243
244X247
248V25I
TRADEMARKS
MONOGRAM/
QUESTION MARKS
252X256 X257
AMPER/AND/ NUMERALS
HELPFUL HINT/**
\258
259X264
...
265X267
26S-2S2
Ability
%e ability to draw Q*
JbeoL\JLtivLlly is J an accomplishment
to draw plain,simple letters is an accomplishalso, ^ >* But of little use without the skill
The ability
ment
to compose them
effectively;
vy
lettoiiv^
Is more than a mere side line
of drauring, it is
an
art worthy
onqe in awhile
but 'lettering is now in steady
-demand*.
~~
\>?
Jfie
Massing
Improvised Letter
formation for body copy paragraph or
page arrangement
Use full round ovals condense the vertical elements - - and a slightly broken alig*
nmentadds
duction ^
12
to the
<&>
Good Choice
of LETTERING
To a de/igfh which
requires lettering Hand Lettering
beauty that is as
attractive as the
design
itself.
xy
&
Careful lu *y choose a letter to conform with the design &> & &* ^
13
Its the
It is
truth/
This
makes
the designers
e tier met
O^en
style
Atfill
tkat
are not
kence
\?anet>0
Express jyour
thougkts anpl ideas
letters
tkrou^Ja
\Pider ckdnnels
and
obtain Variety*
IS
Every
Individual
letter must have care in the making
for it has as to do with the looks
much
of a finished word
as features have
to a face.
Hand- craft
Lettering
j$
does nob deport ct on mechanical perfection as its basic principle
Criticism consisting of individual letter analysis according to type or the standard alphabets ^ ^ would obliterate UandfctteK craft as an applied art
real value
istic
would he
an art-
'/A
LETTERING
/#
Jitle page is an
underta\ing only
for the
have balance to
please the eye
lh
V
18
no.
^e%rmwhich they
altainedti unequal-
edlo dale
<~
19
~ ~ <~ %
~ Be Original-
treatment and
technic-alters
the appearance
if everything
Individuality
predominates
21
theimportanceof the
reo
produced
'
by' com-
binations of'type Hedges all he can in THEDESIGN AND FITTING BUT HE CANNOT MATERIALLYALTERTHE SHAPE
OP AN IRREGULAR
CHARACTER " *
'
22
HARVEY
A^o
H' DUNN
WJBT
Bertfch <& Cooper
tW/-
GEO.F.TRENHOLM
GFT
Studio
Needs
TOF>
2T
Lettering
can epfrress ihe
/ottowinp Ideas
\jQmininity
JJjtfiqtttttj,
NOUCLTy
GomMa/uf/
Style,
Craftsman;
Conservatism
PERMANENCE
Syi\copdiiof{
RUGGEDNESS __w
LETTERING meanina
and
lis
SINCERITY
DIGNITY
</
"c^R,R ICE
COMMERCIALGOTHIC
BOLDNESS
^tterlag
^Various
(Occasions/
at a Toss
timety tetterinq
such as
QnfxouncGrnQnts
QrQQtinqs ~
^loUo/tlos
(
<Jit/es <
fotlocuing shou)
fifty
^anityjair
'urn
^Wouldn't
you
like
MBiie^/ a
Roady Jox'EmorgQn
be
vnormer
28
b^iftfijivenueJVew 6
the
CostunieFJculleur
c ?or/iQm
Sterling Silver
/Jiamono
(jrecU
c/Li'iyfc
varveii/
trirst
irrizt
Jcmama
aaides
{-jooa taste,
Who Is Letter-lirfect In
ParOaJMhfaccepia
La lemme Uu rlon
(
xFnmk. c}Mterfiou4er
\Kq
daintiness
a. of
(Zt ^hirfy'-o^i/ikSireet
30
_ ^Jt
HOLEPROOF C
Isiiltocpirajilhs
Stephens Motor
J rnai'-tr Ecorvortvy
^ans
Importations 15
por pVcrvvoKcrc
Where
31
to Live
WellRallyRoundT
vy
GRENOVILLES
Wedding gifts-iiius*
attractive
HAVE DECIDED VP
CRESCENT ROUTE
UNDERWOOD A
32
LETTERING
MEAN MOfcE
D
EMAN
LETTERING
AND DESIGN
34
LETTER
am
m
OMMANDING
EFFECTS OBTAINED BY THE USE OF
MM
DESIGN 35
INTERESTED
IN
MODERN
DESIGN
SEE PAGES THAT
36]
FOLLOW
THE PRGKRGE
MAKE
AT
SET UP'
LOW COST
FOLDING'DISPLAY
DIE-CUT
CARTONS
OH COVtfc
FOLDlNG"DISPUY CARTONS
DIE-CUT
STICK-UP
OISPLAY
BACK
WITH FOLD
OVER ENDS
AND
CUT-AWAY
*&OHT
DIE-CUT
WITH
SELF-EASELED
COUNTER. DISPLAYS
FIAT
DISPLAY SET*
Ai
MADE
Imut ITEM ?
S'LLF-LASIL
ISPLAXS
DESIGN
ON
THE PACKAGE
DlSPLAYON WHAT THE
SWAHS
PACKAGE
CONTAINS
OISIGHS 5HOWIHG
PRODUCT OISPLAY
45
OP
C
ILLUSTRATION
$
I
THE
ARRANGEMENT
OF HAND LETTERING
IN
IS
THE STUDY OF
DESIGN
AN
TYPESETT E RS
CAN NOT OBTAIN 50
ART
THAT
Direct ~
fi
rom the
Tea Pot
51
Dealers
SUPERSERVICE
53
'LETTER'STRENGTH
This
Shows Judgment
'through
THE PRUDENTIAL
Continuous Monthly Income Policy
TRADE - MARKED
PRODUCTS
LUMBER
qMw
Include thflour
Jfiwt Useful
Xcursions
Cclliforniat
andthe ZNationalParl^
2o* Century
Limited
The accepted way of making
the overnight
journey between
Chicago and
New "\brk
5?
BARTLElf PEARS
CALIFORNIA
rom
o o o o
ii TH/VT
mm
Ihis
.
(\
SroallerTootk
HL
**''
/l/Hf/
Brushy
better/ I
/, .Dishpan/
m;-m
lkeJt
*>
c
yfm
you, Jetting
youjjsJdri grow
m&?
VK
New Models
^hV^iSlcomnKj
*7
S3
010
hour!
^Jn noxunGxnq
Speab!
63
Zer0/{
ruined
M*^
yon
cars,
tajtef
YWhere
QUITTER"! Q^everyougo*
the
Radios
V!
65
TlGWSouthwesl,
TallGain/
event
efficiency
3flH0l
t<v I -winter
for you!
fyheO&w Vogue
6
in Shirts
Classmates
*\
mommy
your
J
rm
Pineapple Pie
THRILL YOU SO
Punctures repaired
ulere
is
tnmness
l_
/Costs jbuless*
^?=a
r^eldy
RealBqys
this^D#7
sss is
/&/
'Tree/
69
send
ybr this,
_ , _ _
^"'ValieidVantage
Qveryweek
because
70
and One-half
& J0HND.MOKPHT
atisfaction*
JIuto rr/
JifterVantty
w
i\
oMatched
71
Nifty
WOK cTor
Jdfte GUARANTEED
Unbeatable!
Two Great
Sensational*
ton^Tdttfldtions
Specials?
73
GENERAL LAW OF CENTER MARGIN- ISTO HAVE THE THE OPTICAL CENTER IS ABOVE WIDEST AT THE BOTTOM THE CENTER. LAW 15 THE REASON TOPNEXT-THE SIDES ALIKE
HEADING OP A PAGE
1
ON THE OPTICAL CENTER. THE HE ADIMG 5 WHAT IS A SPOT FOR SOLIO BLACK THEY WANT SEEN (FIR.ST) OR A LITTLE TOUCH OF COLOR SOWEMAKE IT (BLACKER)
W
74
INGOOO BALANCE
POORLY BALANCED
PAGE" O F LETTERING FAILS PRIMARILY IN ITS OBJECT BECAUSE. IT DISTRESSES THE NERVE THROUGH THE SIGHT. * * * * r *
A BADLY BALANCED
TOTHE EYE
VERY GOODBALANCE PICTURE BALANCE PUTS THE EYE OF THE HUMAN BEING OUT OF LINE WITH THE LAW OF GRAVITATION ' ' ' THE APPLICATION OF THE LAW OF GRAVITATION
IT
15
CALLED BALANCE.
75
Vhe HOOVER
paign,. %Drdwino:*s for /Advertised
pen technique an assent lotAe earnproducts suc/t as thz Tioover Electric Charters. TdkeonNewlik beadiest of Resourcefulness of Artist?.
75ig Advertisers find
7e
listening
-to the melodies
of the masters
THfc ABOVfc
DRAWING WAS MADE DRAWN FROM AN t L L VA T ON lHl*k FORt IT COMPLLS THt PUBliC TO STOP AND LOO*
7///S
-
77
Uhc purpose
2/tQ
of t/iis'LAYOUT' is to
contair^Qr
and coupon.
/end to
W
78
HOLLEY
oPlvo
of Me advertisement
79
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CoU
Dm*||
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tW.n*^>ywr wJJT)
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more/
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Casals
JHESE LAYOUTS
A
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ft
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yOUR. INITIAL7
/// / //
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82
WHERE a
to
use
panel:
t
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83
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mead that
^o accomplish this the Designer must he a student ofcomposition, and good balance.
Ihis layout must and hola the public catch
eye.
and
XJ
S>^
64
Largest
Ship
intheWond
4
is
an
American
Ship
THE PANEL HAS BEEN OF GREAT VALUE TO OBTAIN BALAHCE AND COA!POS/r/ON
IN THE ABOVE LAYOUT-THE BlRDTAKES THE EYE OUT OF THE PAMEL
85
Whole
PoiyeLr
Paivel^
Layouty
w
86
PANELS
'
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Pauvols
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as
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Parcels
<**
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PANELS
90
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92
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114
"The
Printers Rule
He measures
g
12
Ems
Picas
"
w
co2.
"
. 14 Agate lines" iwcA one A$ate equals 5/6 points He finds the number of lines
of type to the inch, by dividing* 72 trg the type s/;?x? in points. "Example? ( 8 point typo used) (72) divided by (8) equals (9) lines Type siz$s run from 3> points to 72 points high.
is
picas or (2) inches wide, Magazine columns are more "ExampleGopii space 4 columns wide -140 lines deep,~ equals aspaee 8xio inches, When type size is not mentioned ^ ~~ ^
115
Point Faces
1
POINT
2 POINTS
POINTS
POINTS
6 POINTS
8
1
POINTS
1
12
POINTS
14 POINTS
18
POINTS
24 POINTS
Most used Tijpe Characters THESC ARE A8 POINT TYPE FACE i i^ jfr
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117
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1IB
ROMAN
LETTER
he letters themselves are a development from theArabic and Qreeh. and later, theRoman. The letter we call
Rpman is the most beautiful in existence.and forms the basis for nearly all civilized alphabets. It reacheda very high development in inscriptions on tombs andmonumentsin ancient
and mediaeval Rome and Italy. It\ has been adapted and modified by
nearly every type founder orletterer. The Roman letter used in the English speaking nations has come 'down to zts through the Italians
and through the Qermans it has grown into the modem QermanQothic, a letter which is very strong and heavy and solid, hut lacking
brought
develop*
modern
120
German.
\7.
(j/Z^R^Tnan Letter
most difficult compose into words
the
~o
artisticallyspacing of the teller ptays a great share un the resuits, <& Even color In tetterlug
obtained by kpeping as vear the same area of white between each letter -y ~cy' as possible, -o
is
Letters
maybe widened
OLD
Cohmm
af
ROMAN
Pome, dated (im A.D.)
Tag letters on this plate >tfcre dra^tv from a photograph of a portion of* tile inscription, at tkebase of t(\e "Trajan
ABCDE FGILM
NOPFLS
TQVX
122
^7
"
ROMAN'"
Trvis alpkabet of Capitals founded on tnc letters of tke inscription on tfie base of Trajan's CblumTvRome.cracted between 106 and no a.d. Tke characters not given in tke inscriptionare supplied, together witR tke^,CE,Qnd&. T^is alpkabet, tkoug(\ following tr\e Trajan letters closely, fyas many points of ^ariance.T^ereismore difference itvtfve proportion of }Re tkick and thin strokes tfvan in (Ke origirvgl.
ABCDEF
MNQPR STUVW
123
GHIJJKL
XY^CEG
W
ROMAN
13kcs<z, Capitals are based on tKc inscription, on fke monument
bt^Tino di Camamo, a pvipilof GoOanniRsono, dated 1315 /Many oftfie letters of this inscription. are superior form to those of
smoothly rounded/
ABCDEF
MMNOP
R STUV-
GHIJJKL
124
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for ff\is toKcsc Capitals special alphabet careful parallel studies of tfe types ofjoqnr\es Spirt] and Nicolas Tenson from t\e editions ofPliny, printed at Venice, 'Cfai top Spirq in, 1469, JensorCs in. 147^ And froiuCiceros Kpistles, prmtedby Jenson in 1470. T/ve le Liars as tfvey qppeqr qre f(\e best of the assays, and arc, different in detail from any
e^istinq type.
ROMAN made
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6c CE
125
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find tfvis capital a Valuable one designing of monograms ond ciphers; for title, motto. or inscription. t5fv& general proporKonof tf\e Letter is tfyat of many of tKe illuminated, initials found in n\anuscripts of t(\e fifteenth century, IS^ve base of tfvis alpKobat comas from tfve ChampReuryof Geofroij Tory, printed at Pans h\ 1529.
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Iff til $$ i
abcdefgr
hijklmpci
a
smvwxy,
161
^^
rofpx.
GOTHIC
CopHHaoult/ called Spurred Gothic
WXYZ
abcdefgh ijkmnopq
abcdefghi jklmnoprt
qsuvoigx
At
aBoy~
jklmnopr stuvy-.
164
vwxyz
abcdefghijldm oparstu
UVWXY
PLAIN
GOTHIC
ABCDEFGHIJ
KLMNOPRST U VXYZ W
HEAVY THIN166
ABCDEFG
HIJJKLMK
12345676
abcdefghij klmpQrstts W
167
VWXYZ &
OPQRSTU
ABCDEF
GHIJKLN
MQPRS TUYWY
166
abcdefgh ijklmnfi
z
BoldAolic
ABODE* FTGHIJ
KLZTNC)
PRSTU
Tvvun?
v?
160
lowercase
aabecle
mnopq
tO%,ywz>
170
Caps far the two lowercases that follow-by altering the serif
TUW
abcde
fghijk
lmno* prstu
vwyz
172
\8 r
abcde
fghijk
lmnop
qrstuv
WXTJX
mCDE
FGHIJK
LMNOP QRSTU
VWXY.
w
ahcdef
mnopq
rstuvA
wXyz^
hijkmno
pqrstuv*
e rfwkst
Strong'
MNQPR STUWY
abcdcfgh ijklmnop
ABCDEF GHIJKL
grstuvw
T77
money is~
one
tiling
that talks
ABCDEF
mHQPR
it's-cheap-
GHIJIiL
question is
But the
~Aie you
making any
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IJHIAf
^
ijklmoii]>
MODGRN
Mill
ALPHABETS
DECORATIVE
UPPERCASE
l^zzEEtf
-
-S\ W-.vtEiAl
*-S ts:\
t
L
...
I::E5s::
182
STUWXY 1HBB1
J
Italian.
Renaissance
ABCDE
MNPQR
FGHIJKL
STW
ROMAN
CLASSIC -
ABCDEFG HJRLMNQ
RSTWXYZ
1&4
ABCDEF
lllllllllllllllllllllllllllllllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllllllllllllll
QTVXWZ
tffiC3)G
GHIJKLM NOPKSUY
JCM6P
185
LNCPQR STUVWX
^ZPl<ik<i
186
DO YOU
KE THIS STYLE
LI
HOW-TO
ABCDEFGHIJ
RLMNOPQRS TUVWXYZ
1
abgd: FGHIJK
LMNM
KOPQR
WWXY
ida
ABODE
FGHIdK
LMNOP QRSTU
169
WMN XYZ3>f
ABCDE
FGHJKL
MNQP
Id Cooper OswoL
RSTUV wx-yz
MMRX
190
QHIJKL
ABCDE
FGHIJK
RSTUV WXYZ&
Stylo offinish shoyon, here adds to Variety
192
FROM
..
ABCDE
FGti UK
WMWX
YRNKZ
194
LMNQP RSTUV
w
mniiiii
@EFGl njjKL
PTIORS
ABCD
iiiiiiiin
.mum
ninimi
iinufin
iiimiii
inimiii
mminil
WZ3.5
Questions,
'95
TUWY
ABCD
EFGHI
JKLM
NDPR.
STUW
V/
197
ABCD
EFGHj
KLMN
STUY
ROMAN CARS
196
/ /
^G^
/ / /
ABODE-
FGHIJH-
usuwy
llll
I
W II1 M IIIIB
190
ABCDEF
GHJKLtti
nOPRSU) TUVXYZ&&bcde^
f hi kiwo p
rsTUDSy?
200 A
POSTER
A BOLD POSTER
A HEAVY ONE
Ihf.eil One
^tMff
abcdel^
hijldmpr
204
r
<D
lifixUiinj)
205
ABCDE
FGHIJK
LMNDP QRSTU
206
AB<5D
HJKIA
PR
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XYZ W
NO vw
AlBCBEfG
1HIJ1KILMNOIIP
ABCDEFGHIJ K.LMNQPR.5
REVISED
209
Ike
fOLLOWING
PACS GIV
72&>"T-HOUG-HT
IN
MOD-ERN
I
D S
210
C N
O A
SPOTS
in
-EXflfTlPL-t
211
215
214
i
215
216
217
216
for color
1
-IF
*\
219
y &,1
220
221
X X X X
22a
n
uu
flLWJRBtTS
fl
Rt
4J R
223
T-H-ES
N\V
AftCD-E fQ-HljK
LMNOP Q^STU
VWXY
A
PRICES
124
AftCDE FOHIJK
LMNOP
QftSTU
VWXY
225
FOR SALE
lie
VUJXV
227
mnopR
STUUJ
tuvu;y
^aa
flBCDE FGHJRL
abcdefgh i jklmno p
iLBCDE
rstavwy
229
QPRS
VUiXY
231
ABCDE
F GHIJK
LMXDP QRSTU
VUJXY
2*5
flBCD
j
KLm nopQ
RSTU
234
VUJKV
ABCDE
FfiHIJK
LMHOF QRSTU
YWXY
235
2LSCDE FGHIJK
Lin nop
STU
YWXVZ
.236
abcdefg hjklmno
ABGD
J3HJ.K.
LMNO RSTU
238
WXY
ABCOE
FGtilJK
LMNOP
ClfcSTU
239
vww
raw*
LMNOP QZST6
VWM
CALL THIS CHKVSCtt
*o.
Vt/WY
aec/c o win
241
ABC
242
UFA\
VYZ
=l
24}
TRY to find
244
Ik e
...0 Ihe
%%ti>e
145
a#g
246
G^lhejk^kc
Ti'adeMarks
<Some of thebest^ IradeMarks are those
uihichuse combinations of letters or abstract symbols uuithno attempt
to strive for illustrative material. It is gratifying to note the remark-
able
amount of clever
study that goes into* the designing of the trade-marks today - The fact is important that Few designers have let their striving for beauty run aiuay
with the' utz7zVy"thought
248
ROLLS-ROYCE
A^OUPETTE THAT TELLS THE "ROLLS- ROVCt " STOK Y ANO CONSEQUENTLY HAS YlftTUALLY QECOW I A TftAOE *A*K
Dtfe Poth-/?ogce, w^cn U first started bu9ines%.settlzd upon a trade mark the form of Me two Ps uifortwined. Not long ago dbeautiful silver figurettewasptaced on the radiator cap of fAe car, tfre poised figure ofa woman, balanced, on one foot body ftung far forward and ftying draperies indicative of easg, swiff flight. Ji single advertisement appeared in wAicA//9/3 figure wets featured in the pictorial display, /{appealed at once.
PI
ii'sty Fibre
personifies cleanliness
fir
Scpflfs sue
lowels
un exRtfPie of
w
250
Trade Marks
0 @
(DLEETIREERUBBER CO.N.Y.
(4) THE OHIO
Americd.n*irade-marlis* illustrate nicely hoiu for this country has advanced in trademark desigri. w
s
251
MONOORA2VIS
252
RD
m
RE
i
a
Eia
^
255
254
CSHO
$W
255
4
7-6 .26-
(Jhe time is often when the smallest kindofa hunch would do the tricks
2B6
Quo/^ion
Mark
Pi ? %
?
_ 257
~~~"
258
ROMAN
-MCMXXY-
in
in
fyyiw
muxxixnxni
HYiyXHXM
xmxixxx--XXXXLLLXLXX
30
Ao
so
60
70
LXXX XC C
60
00
TOO
CC
XOO
CCC-CD-D
SOO
*00
900
DC
600
IOOO
yy
DCC DCCC
TOO
POO
CMM
90O
NUMERALS
1S9
NUMERALS
12345678
123456789
U345678
1134561*9
1234567$?-
123456789 123456789
!2345fi7fiH
12345678
4Q345076;
261
12345 6 789
196150769
12.3406769*
123^56769
^3456789
12345678/ 123456789
263
123456789
123150789
O34J0789
123456789
264
fmsn
POINT
STAftT
265
2L.
-rv
/
PIGl
ncz
TtGl
f,i.l,i.liil.i.1.i.l,i.l,i,l.i,|.i.i
FIGZ
\
fQfw
f
j
ABOVE AND BELOW SHOW METHOD FOR MAKING OF PERFECT ROLWD CORNERS
J.
o~.
*
I-'
OPERATION
(1)
&
!
OPERATION
(2)
! i
OPERATION
(3)
(all dotted
line* to be in
pencil only)
r
---.
I
!/
if
'
L
h
V
I
\
FINISHED
IN
0PtRATION5(2
J)
i
i
OPERATION INK
W
266
PLAIN EGYPTIAN
ABODE
FGHIJ
KLMN
OPQ
RST
268
PLAIN EGYPTIAN
klmnopq
rstuvwxyz #
269
MODERN GOTHIC
A&CDEFG
HIJKLmn
OfQRST
UVWXYZ6
234
56789
270
MODEM
GASPIPE
RBCD
EF6HI
JKLITI
nOPQ
271
MODEM
GASPIPE
RSTU
VWXY
12345
6783
272
B HO AD WAY
DEFG
HIJK
ABC
LAVN
273
OPQ
BROADWAY
RSTU
vwx
456 739
274
CLASSIC
ROMAN
ABCD
EFGHI
JKLM
NOP
QRS
275
TOW
XYZ
890
276
CLASSIC
ROMAN
1234
567
MODEM
POSTER
aih;i>
E FC
MSSOF IIKST
MILL
277
TWX
MODERN ENGLISH
MBT
15
JO J
278
HUM
KJLItt
ABC
KJLM
TUSCAN ROMAN
WXY
279
NOP STU
GAY NINETIES
ABCD" EFGHI
JKLH NOPQ
RSTUV
WXYZ&
280
ROMAN
ABC
DEF IJ KLM NOP
281
ROMAN
RS TUV WXYZ
789
282
12 345
University of
Connecticut
Libraries
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