Dr. Strangelove is a black comedy directed, produced and co-written by the North American film maker Stanley Kubrick. In this 1964 movie Kubrick plays with or focus his satire on the theory of mutual assured destruction. In the film the theory of fear that concerns the mutual assured destruction is exemplified by the doomsday Machine.
Dr. Strangelove is a black comedy directed, produced and co-written by the North American film maker Stanley Kubrick. In this 1964 movie Kubrick plays with or focus his satire on the theory of mutual assured destruction. In the film the theory of fear that concerns the mutual assured destruction is exemplified by the doomsday Machine.
Dr. Strangelove is a black comedy directed, produced and co-written by the North American film maker Stanley Kubrick. In this 1964 movie Kubrick plays with or focus his satire on the theory of mutual assured destruction. In the film the theory of fear that concerns the mutual assured destruction is exemplified by the doomsday Machine.
Dr. Strangelove is a black comedy directed, produced and co-written by the North American film maker Stanley Kubrick. In this 1964 movie Kubrick plays with or focus his satire on the theory of mutual assured destruction. In the film the theory of fear that concerns the mutual assured destruction is exemplified by the doomsday Machine.
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Black Humor & Satire in Dr.
Strangelove or: How I Learned to Stop Worrying and
Love the Bomb Dr. Strangelove is a black comedy directed, produced and co-written by the North American film maker Stanley Kubrick, an extrovert character that dedicated most of his life to produce war, crime, and horror movies all of them with a pinch of black humor and science fiction. Dr. Strangelove is not the exception; in this 1964 movie Kubrick satirizes the nuclear scare of the time. Kubrick not only treats important issues regarding the Cold War like the missile gap or the fear of an imminent attack coming from the Soviet Union upon the United States of America, but he plays with or focus his satire on the theory of mutual assured destruction in which each part (involved in the conflict) is discouraged to initiate a war guided by the fear of a nuclear catastrophe that could destroy both parts regardless who wins the war. In the film the theory of fear that concerns the mutual assured destruction is exemplified by the Doomsday Machine. In 1960 the North American futurist Herman Kahn talked about this issue in his book called Thermonuclear War, in which he said that both parts, the United States and the Soviet Union already had half of a doomsday machine each of them, since their nuclear arsenal together had the capacity to exterminate most living beings on Earth. Kubrick portrayed the nuclear fear in a very humoristic way, something as serious as the eradication of the human race was treated through the comic decision of a Russian President (Dmitry) that was totally drunk. If the United States sends bombardiers to attack Russia the Soviet Union would then release the unstoppable Doomsday Machine, whose power is able to undo Planet Earth in just one go. Kubrick also played with the possibility of a total extermination of human beings, when Dr. Strangelove (the character) talks about the regeneration of the human race after a catastrophe like that produced by a nuclear war, he says that a good method to save and reproduce the inhabitants of the world would be to build underground shelters and put into them the most important people (intelligently, genetically and academically speaking) and to save ten women per each man, so the rapid reproduction would be guaranteed. This idea was already proposed by Nelson Rockefeller, Edward Teller, and Herman Kahn in 1961 when they devised a plan to build a nationwide network of fallout shelters to protect million of people from a nuclear attack. Normally, in films whose dramas are about nuclear war the themes of war are treated with certain significance and seriousness, creating expectation over the efforts to evade a nuclear war, however in the film Dr. Strangelove all these themes are treated for the sake of laughing and entertaining instead of warning the audience about the consequences of such a disaster. For example, in the film, Kubrick also played with the fail-safe procedures designed to prevent a nuclear war which in fact are the procedures that precisely ensure that the war will happen. Kubrick continued playing with other elements in the movie related to the Cold War paranoia, in this time he used the names of some of the main characters to satirize not only the army of the United States, but also the symbolism that soldiers had in the real battle field as well as in the movie itself. The movie begins with an introduction to the polemic Air Force general Jack D. Ripper, the one who orders the nuclear attack on Russia. His name undoubtedly alludes to the infernal nineteenth century assassin Jack the Ripper, very well known for killing lots of people regardless their age, sex, or social condition. It is curious to see how Kubrick named a general of the USA Air Force in that way, probably to mean that most of them are just that, serial killers and not heroes as many people consider them. Another name with dual meaning is that which refers to the airplane B-52, the one that is used to drop the nuclear bombs upon Russia. In the film this plane is called The Leper Colony, a name that means incompetence or absurdity, making reference, of course, to the absurd of the crew task, that is, to follow the directions of a crazy man whose actions and orders could and actually did exterminate life in the world. The commander of the airplane was not the exception, Major King Kongs name also alludes to the 19 th century beast (gorilla) character that was characterized by his incredible strength and brutally (destruction capacity), and by his animal instinct. Major Kong is depicted just like that in the movie, like a Southern American whos capable of doing whatever for his nation without questioning the authority. Other characters such as Merkin Muffley are satirized. His last name, derived from the word muff, which makes reference to a slang used to designate the female genitals. The taunt is even worst when we come to decipher Buck Turgidsons name, which is a Freudian allusion to an erect dick, turgid=erection. Now we come to understand the type of relation between the USA President and Turgidson. In the minute 29:00 (in the movie) we listen to a phone conversation between Turgidson and his girlfriend in which she alludes to the physical relationship between Muffley and Buck, Kubrick played with the honor and masculinity of the army officers of the time suggesting that some of them, even the President, might be homosexuals, that those great men have a very feminine side, hidden, but real. All these names are just part of a great absurd that Kubrick so well presented to us. They are not, as we certainly know, real names; notwithstanding, each character plays his role with dignity and seriousness. Even the airplane crew does its best to accomplish the orders of a madman. Kubrick shows how satirical and ironic reality can be, even though the crew managed to drop the bombs (with Major Kong riding on them) they are not presented as responsible of that massacre, but as other victims of an irony that not even they could understand.
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