Sequential Circuits Multitrak Owners Manual
Sequential Circuits Multitrak Owners Manual
Sequential Circuits Multitrak Owners Manual
lEOUEflwiAL
MULTI-TRAK
SYNTHESIZER/SEQUENCER
OPERATION MANUAL
By Stanley Jungleib
and Chet Wood
Sequential
PO Box 16
Sequential
36*0 AA Mijdrecht
Netherlands
408/946-5240
TELEX: 364412 INTR 706
02979-6211
U.S. A.
MULTI-TRAK
MODEL 615
OPERATION MANUAL
by Stanley Jungleib and Chet Wood
Factory Programs: John Bo wen
PCB Design:
Jeff Oglevee
> 1985 by
SEQUENTIAL
All rights reserved.
Table of Contents
CM615A
Preface
MULTI-TRAK Block Diagram
vii
SET-UP INSTRUCTIONS
Set-Up Diagram
1-1
1-1
1/85
3-14
3-16
*
ARPEGGIATE
4-1 INTRODUCTION
4-2 UP/DOWN
4-1
4-3 ASSIGN
4-2
STACKS/SPLITS
5-1
6
6-1
6-2
6-3
6-4
6-1
6-2
6-2
6-2
7
SYNTHESIZER PARAMETERS
7-1 INTRODUCTION
Figure 7-1
General Voice Diagram
7-2 OSCILLATOR FREQUENCY
Figure 7-2
Voice Block Diagram
7-3 OSCILLATOR WAVESHAPE
7-4
7-5
7-6
7-7
MODIFIERS
LFO
OSCILLATOR ENVELOPE
FILTER
7-8
7-9
FILTER ENVELOPE
VELOCITY SENSITIVITY
7-10 UNISON
7-12 CHORUS
6-4
6-4
7-1
7-1
7-2
7-3
7-4
7_5
7-6
7-7
7_9
7-10
7-H
7_13
7-13
7_14
8
8-1
8-2
8-3
CASSETTE INTERFACE
INTRODUCTION
RECORDER AND TAPE SELECTION
PRECAUTIONS
8-3
8-5
TROUBLE?
9_1
10
FACTORY PROGRAMS
10-1
11
YOUR PROGRAMS
H_l
CM615A
1/85
iv
8-1
8-1
8_2
Preface
of
The block diagram (page vii) shows the main sub-sections: keyboard,
sequencer, sound memory, voices, and MIDI. Using this as a basis for
discussion, we trace backwards from the audio output, to see how the
sub-sections work together. There are two types of audio outputs, the
Mix outputs and the Track outputs. The Mix outputs, A and B, provide
a pseudo-stereo effect from the chorus. Stereo headphones can be
plugged into either Mix output. The Track outputs are useful in studio
situations, where each voice can be run through its own channel of
the main mixer board. If a Track output is used, its voice is removed
from the MULTI-TRAKfs Mix outputs.
have a different sound (multi-timbre). Each voice has a multiwaveform oscillator (or noise) as the principal sound source. The
oscillator drives a resonant low-pass filter which contours the timbre,
and an amplifier which contours the dynamics. There are three
frequency,
one
for
frequency,
for
frequency
modulation
(FM).
Frequency
glide
("portamento") and voice volume are programmable. A Pitch wheel is
provided for bending notes. Non-programmable master volume and
tuning controls are provided. The TUNE switch has been eliminated
by
fully-automatic
oscillator tuning, although a manual tune
command is still available.
CM615A
1/85
A voice has two types of inputs. First are the sound parameters from
the sound memory. These operate on the synthesizer voices to define
the trackfs timbrein other words, the instrumental sound. The
synthesizer program memory stores 100 sound programs, each
consisting of 40 voice parameters. 100 instrumental sounds and
sequences, or to play six voices live with either one sound (polyphonic
or unison), or multiple timbres (in Stack or Split modes). The velocity
with which a key is played can affect the loudness or brightness of
the note, or the amount of LFO modulation applied. Other keyboard
When playing the MULTI-TRAK keyboard "live," each key played has
the same sound (homophonic mode), except in Split mode, where the
keyboard can be divided into two parts, each with its own timbre.
When playing live, more complex multi-timbres are not possible
because the MULTI-TRAK cannot know which keystrokes you intend
for which timbres.
But the sequencer can record whatever you play on the keyboard as a
separate track using its own voice. So each track can be overdubbed
with a different sound. The sequencer allows overdubbing and editing
without re-recording, splicing, or accumulating noise and distortion
CM615A
1/85
VI
1/85
CM615A
VII
The MULTI-TRAK can send live notes, recorded notes, or sounds out
to MIDI. For example, Sequential^ Model 2*2 MIDI Interface
Cartridge for the Commodore 6*, and associated 900- series
Finally, if you use a MIDI rhythm unit (such as the Sequential Model
400
Drumtraks),
it
sends
MIDI
clock
to
the
MULTI-TRAK
In order to get the most from the wealth of features found in your
new MULTI-TRAK, we hope you will study this manual and the
MIDIGUIDE thoroughly, and keep the reference card on hand while
performing. You will find the MULTI-TRAK to be a most versatile
music tool, both in itself and with its powers of MIDI expandability.
CM615A
1/85
Vlll
SET-UP INSTRUCTIONS
equipment
in
use
before
SET-UP DIAGRAM
Cissilti Rtcirtfir
TtSTEBEOirllSTBUIENTAlP
AUOIO OUTPUTS
Mi
AUOIO OUTPUTS
Trick
Truslirr
ddddddddO O
ddddddddO
DD
dd
ddooddddod d O O O
For studio use, the MULTI-TRAK has Track outputs for each
voice. When these outputs are used, the corresponding voice(s)
disappear from the Mix outputs. The Track outputs are not
affected by the Master Volume.
CM615A
1/85
1-1
WARNING! Be sure you are using the correct transformer for your
location. For the USA and Japan, use only Sequential Model E-170
(110 volts). For Europe, use only Sequential Model E-175 (220
volts). Transformers not supplied by Sequential could damage your
MULTI-TRAK.
Connect
the
transformer
cable
to
the
MULTI-TRAK.
(Later, when you are done playing, to prevent a "pop" switch off
One of the Seq LEDs is also lit. This means that the multi-track
sequencer is ready. CHORUS On/Off may also be lit.
CM615A
1/85
1-2
CM615A
1/85
1-3
BASIC OPERATION
TWO
DIGITS
USING
THE
The
MULTI-TRAK
is "ready-to-play,"
with
100 factoryprogrammed sounds in memory. These present a wide range of
instruments and effects.
When
Parameter
Edit
is
off,
pressing
any
PROGRAM/PARAMETER switches selects a new program.
two
The new program takes effect when the second digit is entered.
If the sequencer and arpeggiator are off, pressing the footswitch
selects the next higher program number within the current group
of ten programs. (It wraps around from, for instance, 28, 29, to
20.)
CM615A
1/85
2-1
When you hit a key with more force, the note will be louder,
brighter, or have a stronger vibrato, than the same key played
with less force. This is due to the velocity response of the
MULTI-TRAK. This feature is very useful for giving more
expression to your music.
USE THE WHEELS TO ADD EXPRESSION TO YOUR PLAYINGThe Pitch wheel is normally left in its center-detent position,
from which it is possible to "bend" oscillator pitch up or down by
about a third.
CM615A
1/85
2-2
pitch
changes
to
the
lowest
key
still
held,
but
without
^triggering.
between notes.
oscillator steps
is advanced, it
This introduces
subtle or quite
extreme.
CM615A
1/85
2-3
SEQUENCER
3-1 INTRODUCTION
the total length of that sequence. The basic track will therefore
the previous tracks are not erased, new tracks can be recorded, and
notes can be added to or erased from previously recorded tracks.
Other features of the sequencer include:
CM615A
1/85
3-1
1. TO START
PRESS Start.
a.
The
arpeggiator
and
stack
mode
must
be
off,
and
the
c.
Use
the
wheels.
They
only
affect
live
playing,
not
the
sequence.
CM615A
1/85
3-2
If a track has not been recorded, when you press its switch, the
normally,
by
selecting
sequence,
then
indicating standby.
e.
To continue
playback,
press the
footswitch.
The sequence
blinks,
while
IS
PLAYING,
remains steady.
At the end of the current sequence, its LED goes out, the new
sequence starts playing, and its LED lights steadily. The speed of
the new sequence is determined by the speed of the first
sequence.
at the end of
"manually.")
CM615A
1/85
the
current
loop
3-3
(rather
playback
you
can adjust
the "mixture" of
the track
lit) and turn down Track Volume. The volume of the lead line
drops until you can not hear the track and it is said to be
"muted." Now stop Sequence A and start it again. Track 6 is lit,
but you do not hear the lead line. Keep this in mind as a
reminder to check the track volume when a track appears to be
off. Now raise the volume of Track 6 by holding its switch and
turning up Track Volume.
9.
TO
CHANGE
TRACK'S
PROGRAM:
HOLD
Track(s),
AND
b. Press and hold the Track switch(es) for the track (or tracks)
you want to change.
c. Enter the two digits for the desired program (even if the
program number is already displayed). While holding the Track
switch, you can try several program selections.
d.
Release
the Track
switch.
The
track
now
has
the
new
program.
CM615A
1/85
3-4
(When you erase the last track of a sequence, the speed is not
erased.)
CM615A
1/85
3-5
_J
c. You may erase the tracks you were recording when you ran
out of memory, and record them over, or you can place tlje
sequencer in OVERDUB and take up where they stopped.
ERASE
CURRENT
d. Press Start. The Record LED blinks, Track 1 LED blinks, and
the metronome begins to click.
e. If you are not ready to start recording now, hit Stop. The
sequence is now erased, and RECORD BASIC TRACK can be
started again by first pressing Record, then Start.
CM615A
1/85
3-6
than one voice for the basic track, switch on additional Track
Play
the
notes
for
the
basic
track(s).
Recording starts
2. Press Stop. The tracks do not play back. (If desired, press
Start to start playback.)
NOTE:
The ending
of
the
sequence
is
autocorrected
to the
CM615A
1/85
3-7
d. Select the program desired for this overdub. (You can try
various programs by playing live on the keyboard.)
e. Switch on desired overdub tracks. After selection, the Track
LEDs blink. Anything played now is recorded.
f. When recording is done, go back to step "a", and repeat until
all desired tracks have been recorded. The entire sequence can
be built up, track by track, without the sequence ever stopping.
information
on
CM615A
1/85
3-8
hold Record. It
blinks
c. Within one quarter note before the desired ending, press Stop.
that
that
was
was
Enter
overdub
mode
as
described
in
previous
instruction
CM615A
1/85
3-9
already selected.)
CM615A
1/85
3-10
MEANING
16
SIXTEENTH
NOTE
correction.
Autocorrected
notes play either on the clicks, or at one of three
16.
96
"HI-RES"
(high
resolution)
correction.
This
is
CM615A
1/85
3-11
1. Turn the sequencer Speed knob all the way to the left
note.)
15.
USE
SYNC-TO-TAPE
TO
SYNCHRONIZE
WITH
TAPE
RECORDER:
d. Place the tape recorder in record and play the sequence, while
recording the sync track.
f. Now, play the first sequence and record it on tape while the
sync track plays back, synchronizing the sequencer. Start the
sequencer slightly before the beginning of the sync track. It
waits for the first clock pulse from tape, then synchronizes
exactly.
CM615A
1/85
3-12
tape, use the drum box procedure (1*. c. 2-5), substituting the
sync track for the drumbox. (The recorder's playback and record
heads must be in linei.e., "sel-sync")
h. To start a new sequence at the beginning of a taped sequence
1.
Set
up
RECORD
BASIC
TRACK,
external
clock,
as
before.
CM615A
1/85
3-13
operation
with
the
42
07
Res-bass I
Heavy Leslie
Track
Track
Track
Track
07
07
65
17
Heavy Leslie
Heavy Leslie
Pleiades
Brass II
3
k
5
6
(48+45). Track 5 has 30. This makes 123 total noteswell under
the limit.
CM615A
1/85
6. SELECT PROGRAM
42,
SWITCHES.
This bass program is used for recording the basic track on track
1.
Now
you
can
11.
IF
THE
BASIC
TRACK
IS
CORRECT,
CM615A
1/85
3-15
SELECT
PROGRAM
MAXIMUM
n
BLUES
By Stanley Jungleib
F7*9
Bb13
F7#9
('Track/Program Number)
pg
'
Bb13
Bb7
CM615A
CM
1/85
3-17
You can play the keyboard now, using voices (tracks) 3-6,
without anything being recorded.
If this point is unclear now, with a little more practice you will
learn how to best apply your own keyboard technique.
CM615A
1/85
3-18
20. WAIT UNTIL THE END OF A LOOP, THEN PLAY PARTS 3 AND
f THROUGH TO THE END.
You can record track 6, too. Possibilities for this track might
include percussion, an alternate bass line, an alternate melody,
Record your own harmonies and melodies over the bass line.
CM615A
1/85
3-19
ARPEGGIATE
INTRODUCTION
basic modes: Up/Down and Assign. In either mode you can "latch" the
*-2 Up/Down
keys according to their position, from low to high and back down. For
example, if you were holding the notes C, E, G, and B, all in the same
octave, the sequence would be: C E G B G E G*E G...
If only one key is held, the note re-triggers at the rate set by the
Speed knob.
The Pitch and Mod wheels do not affect the arpeggiated voice,
You can then remove your hand(s) and the notes will continue to
arpeggiate.
CM615A
1/85
HOLD
Record OR THE
The distance of the key you hit from C2 (the C under the
Program Record switch) determines the interval of transposition.
For instance, if you play E2 (the E above C2), the arpeggiated
notes transpose up a major third.
4-3 Assign
3.
TO
TRANSPOSE,
WHILE
LATCHED,
CM615A
1/85
4-2
STACKS/SPLITS
to the right. And each side of the split can be programmed to either
play polyphonically or as a monophonic stack.
To
change
to
different
PROGRAM/PARAMETER switches.
preset,
press
one
of
the
CM615A
1/S5
5-1
-or-
the
the
and
and
the
programs:
CM615A
1/85
5-2
6-1 INTRODUCTION
Basic operation with the factory programs has already been covered.
You can use the MULTI-TRAK solely with the factory programs.
However, as good as they are, the musician is bound to feel that some
are more useful than others in specific musical contexts. This is why
you want to be able to create your own custom programs.
There are several aspects to programming custom sounds: knowing
the MULTI-TRAK's modes of operation and accompanying switch
functions, knowing what the synthesizer parameters do in a
functional sense, and knowing how to use the parameters for musical
purposes.
The modes and switch functions are explained in this section. The
parameters are explained in the next section. The usethe artis
your part. To exploit the MULTI-TRAK's sonic possibilities fully,
how these programs are constructed makes it easier for you to begin
to create your own programs. At first, practice synthesizing by
editing the factory programs. For many, this is, the best way to learn
exactly how the parameters on the MULTI-TRAK operate. Then try
CM615A
1/85
6-1
If any of these are on, the Parameter Edit switch will not light.
current parameter.
CANCEL
ALL
EDITS
AND
RESTORE
THE
ORIGINAL
change
oscillator
waveforms
from
sawtooth
to
pulse, change
the
CM615A
1/Z1
6-2
A. Switching Waveforms
Observe
the
Value/Program
display.
If
the
sawtooth
is
3.
TO
SWITCH
OFF
THE
SAWTOOTH,
Parameter Value KNOB COUNTERCLOCKWISE.
TURN
THE
PULSE
THE
C. Editing Brightness
Parameter Value
PARAMETER. CO1 IS
KNOB
FOR
DESIRED
CM615A 1/85
6-3
hold
it,
or
you
may
CM615A
1/85
SYNTHESIZER PARAMETERS
7-1 INTRODUCTION
This
section
describes
the
MULTI-TRAK's
programmable
voice
parameters.
OSCILLATOR
FILTER
AMPLIFIER
LFO
ENVELOPE
ENVELOPE
ENVELOPE
GEN.
GEN.
GEN.
Figure 7-1
MULTI-TRAK GENERAL VOICE DIAGRAM
The
MULTI-TRAK
actually
contains
six
synthesizers,
termed
Basically,
controllers
provide
the
control
voltages
(CVs)
which
the
keyboard
to
the
oscillator
(audio
source)
is
increased,
the
There are three audio sources? the oscillator, the noise source, and
the filter, if it is adjusted for self-resonance.
CM615A
1/85
7-1
COARSE FREQUENCY
Value Range: 00-48
FINE FREQUENCY
Value Range: 00-31
0= no offset
31= almost one semitone above
CM615A
1/85
7-2
OUTPUTS
001O0
CUTOFF RESONANCE
LF0
B****** S. A
MIX
10000
".
ATTACK
CCCAr
SUSTAIN
REUAS
nnDnnnnnnnnnnn
TRACK
nn
DDDDDDDDDDHDDDDD
n
n
nn
GATE DDDD
Figure 7-2
CM615A
1/S5
7-3
SAWTOOTH
TRIANGLE
PULSE
CM615A
1/85
7-4 MODIFIERS
PULSE WIDTH
Value Range: 00-63
01= 1%
15= 25%
32= square wave
47= 75%
63= 99%
Adjusts the harmonic content of the pulse wave by varying its duty
cycle from approximately 1 to 99%. At the extreme parameter values
(00-02 and 60-63) the pulses may be barely audible, A 50% duty-cycle
pulse (having only odd harmonics), also called a square wave, can be
selected (approximately value 32).
This parameter is only effective if PULSE is on. This parameter has
no effect on the sawtooth or triangle waves.
PWMOD
GLIDE
Value Range: 00-15
0= no glide
15= maximum
seconds)
glide
(five octaves
in
approximately
fifteen
When set to 0, the keyboard CV, which controls the oscillator pitch,
instantly steps between notes. As GLIDE is raised, the CV does not
step between the notes, but begins to slide. This introduces
"portamento" between notes. Usually used with UNISON on, because
interesting effects.
NOISE MIX
Value Range: 00-31
Adjusts the ratio of the oscillator and noise source input to the filter.
CM615A
1/85
7-5
7-5 LFO
FREQUENCY
Value Range: 00-15
AMOUNT
Value Range: 00-31
TRIANGLE WAVE
SQUARE WAVE
Value Range: 00/01
00=Off
01=On
CM615A
1/85
7-6
The envelope voltage rises to its full value, then falls (decays) to the
level set by the sustain parameter, where it remains until the key is
released.
envelope
is released,
to zero at
parameter.
ENVELOPE AMOUNT
Value Range: 00-15
This parameter controls the depth of oscillator envelope modulation.
INVERT
ATTACK
Value Range: 00-31
15= Vi second
31= 15 seconds
Adjusts the length of time for the envelope to go from zero level
CM615A
1/85
7-7
DECAY
Value Range: 00-31
15= Yi second
31= 15 seconds
SUSTAIN
Value Range: 00-15
Adjusts the sustain level from zero to maximum. This is a level
control, not a time control. Sustain time is the period between the
end of the decay period and the beginning of the release period. (The
length of time the key is held after attack and decay.)
RELEASE
Value Range: 00-31
15= Yi second
31= 15 seconds
Adjusts the length of time for the envelope to go from sustain level
to zero. If the key is released before the attack or decay periods have
elapsed, release controls the time taken for the envelope to drop to
zero from whatever its level was when the key was released. If the
attack and decay periods have elapsed and sustain is set to 0, then
the release value is irrelevant, because the level is already minimum.
CM615A
1/85
7-8
7-7 FILTER
CUTOFF
Value Range: 00-127
RESONANCE
Value Range: 00-63
the cutoff
frequency will
LFO MOD
CM615A
1/85
7-9
to
the
filter,
which
OSCMOD
Value Range: 00-63
whether
OSCILLATOR
The filter cutoff may be varied over time by the filter envelope
generator. For more information on the following six parameters, see
Section 7-6, OSCILLATOR FILTER ENVELOPE.
ENVELOPE AMOUNT
Value Range: 00-15
INVERT
When normal, the envelope will drive the filter cutoff positively. If
ATTACK
DECAY
SUSTAIN
Value Range: 00-15
RELEASE
Value Range: 00-31
CM615A
1/85
7-10
KYBD TRACK
Value Range: 00-02
00= Off
01= Half
02= Full
When Full, the KYBD TRACK control voltage (CV) is applied to the
filter's cutoff frequency just as it is normally applied to the
oscillator. With the filter thus "tracking" the keyboard, cutoff
frequency is maintained at a constant point relative to the notes
being played. This results in a consistency of timbre over the whole
keyboard range. When KYBD TRACK is off, notes played higher on
the keyboard will have have a duller timbre. Obviously, the 1/2 value
selects the midrange between these two effects.
If FILTER RESONANCE is set for self-oscillation, setting KYBD
TRACK on Full will allow the filter to be played from the keyboard,
However, since the filters in resonance are not precisely tuned, there
to voice).
If the KYBD TRACK parameter is changed while holding keys down,
the effect will not be heard until the key is restruck.
(AMP PEAK and FILTER PEAK), can be varied from zero to the
current
whatever value it would have had, had velocity been disabled (its
current value). In other words, velocity is subtractive: Soft
keystrokes subtract from the modulated parameter, while forceful
ones leave it the same.
CM615A
1/85
7-11
H ;
AMP PEAK
Value Range: 00-15
FILTER PEAK
Value Range: 00-15
LFO AMOUNT
Value Range: 00-15
CM615A
1/85
7-12
7-10 UNISON
UNISON
When off, the keyboard plays polyphonically with six voices. When on,
all voices are assigned to the last note played. The keyboard operates
in
multiple-trigger
mode:
every
new
keystroke
triggers
an
VOICE VOLUME
Value Range: 00-15
15= maximum signal-to-noise ratio
ATTACK
DECAY
Value Range: 00-31
SUSTAIN
RELEASE
Value Range: 00-31
CM615A
1/85
7-13
7-12 CHORUS
CHORUS On/Of
Value Range: 00/01
00= Off
01= On
CM615A
1/85
7-14
CASSETTE INTERFACE
INTRODUCTION
any
recorder
you
may
already own
voice
announcements
and
locating files.
Built-in microphonehandy for voice-announcing files.
CM615A
1/85
8-1
8-3 PRECAUTIONS
Assume that it is always possible for a computer error to occur. You
Make sure there is no tape sticking out of the cassette when inserting
Don't copy tapes between recorders. Instead load the master into and
off.
CM615A
1/85
8-2
3.
To
save
sequences,
press
SEQUENCER
Record,
or
to
save
*. If the correct record level has already been set, skip to step 8.
Otherwise, to set the record level, press the To Tape switch.
6. After setting the record level, wait for the Value/Program display
leader to pass.
9.
Press
Cassette Save.
CM615A
1/85
8-3
15., As soon as a steady sync tone appears, press the From Tape
switch. The Value/Program display continues to show a "CH." The
timing of this operation is important, since the MULTI-TRAK needs 2
or 3 seconds of sync tone before the data begins, and the total sync
tone is only about twelve seconds long. But pressing the From Tape
switch too soon, while the sync tone is garbled or not present, can
also cause problems.
19. If the tape will still not verify, try different record and playback
levels or try a new cassette.
CM615A
1/85
number
4,
To
load
sequences,
press
SEQUENCER
Record,
or
to
load
5. Place recorder into play mode and wait a few seconds for the sync
tone.
6. As soon as a steady sync tone appears, press the From Tape switch.
The Value/Program display shows a "CL." The timing of this
operation is important, since the MULTI-TRAK needs two or three
seconds of sync tone before the data begins, and the total sync tone
is only about twelve seconds long. But pressing the From Tape switch
too soon, while the sync tone is garbled or not present, can also cause
problems.
7. When tape loading is completed, the
MULTI-TRAK
returns
to
CM615A
1/85
8-5
TROUBLE?
Power
Audio
to the output. Try other programs or the "Basic Patch" (page 6-*).
Try substituting the audio output cable with one known to be good.
Check your amplifier by trying a high-level audio input such as
another synthesizer or tape deck.
Memory
power off, then, after a few moments, back on. (If the sequencer
controls are still working, stop the sequence before turning power
off.)
Sequencer
If the sequencer does not work, check that the external (MIDI) clock
has not accidentally been enabled (try turning Speed clockwise).
If sequences play back
Autocorrect setting.
If
sequences have
been
with
erroneous
note
timing,
check
the
is not functioning
making an
CM615A
1/85
9-1
00 - Organ I
01 - OrganFlutes
02 - OrganVelocity Leslie I
03 - OrganVelocity Leslie II
0*
05
06
07
08
Organ II
OrganBright
Organ 4f Stop
Heavy Leslie
Organ III
09 - Organ 81 Stop
10 - Brass I
11 -Brass II
12 - Pop Brass
13 - Cornet
1* - Bach Trumpet
15 - Mock Horn
16 - Digi Horn
17-Brass III
18-Brass IV
19-Low Brass
20 - String I
21 - String II
22 - High String I
23 - String III
2* - String IV
25 - High String II
26 - String V
27
28
29
30
31
32
33
3*
35
36
Strings-Slow Swell
High String II
High String III
Synthy
Clav I
Harpsichord
E. Piano with Chorus
Synthy Chorus
Synth/Clav
Electric Piano II
39 - Fluty-Clav
40
41
42
43
44
45
46
47
48
49
Taur I
String Bass
Bass-Res I
Clavtron
Jaco Bass
Bass II
Backwards Bass
Bass with Release Tick
Heavy Bass
Taur II
CM615B
1/85
50 - Syn-Tom I
51 - Bass Drum
52 - Syn Tom II
53
54
55
56
57
58
59
60
61
62
Synth. Cowbell
African Log
Space Drum
Noise Burst I
Scratch
Noise Burst II
Agogo Bell
Synth chords
Sci-Fi
Res I
63 - Echo
64 - Miridium
65 - Pleiades
66 - Res II
67 - High synth
68 - Artemeides
69 - Flute
70 - Chloe
71 - Kari
72 - 5*hfs Release
73 - Glide/Res
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95 - Lazar
96 - Almost Bomb
97 - Discovery
98 - Polychords
99 - Alien
10-3
Coarse
Fine
Osc. Waveshape
LFOMod
/\
Chorua: OFF
Chorus:
Osc. Waveshape
V\.
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
I~L
Pulse Width
PWMod
Glide
Sustain
Release
Frequency
Amount
/\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain
Release
Attack
Decay
Sustain
Release
Noise M
t I20I i
Oscillator Envelope
Frequency
Amount
/\
f~L
Env Amount
Invert
Attack
Oecay
11 I
Cutolf
Resonance
LFOM00
invert
17 I
Attack
Amp Peak
Filter Peak
Sustain I Release
115 I 9
Velocity Sensitivity
Kybd Track
Oecay
23
I 1
Cutoff
Resonance
Kybd Track
Amp Peak
at I
LFOMod
119 I
LFOAmt
8 I 7 I
Unison
Voice Volume
Attack
I 15 I
Oecay
Sustain
Release
115 I 27
Filter Peak
LFOAmt
2 I 7 1 8 I
Unison
Voice Volume
I 15 I
I 17 I 9 I II
PROGRAM/PARAMETER
PROGRAM/PARAMETER
Chorua: OM
STlN6 HL
Program Number
I 10 I 17 I 9
Amplifier Envelope
Chorua: ON
Osc Waveshape
Osc. Frequency
fl_
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
l~l
Pulse Width
PWMod
Glide
Noise Mix
/\
f~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain
Voice Volume
Attack
Decay
Sustain
43 I 1
Frequency
Amount
S\
Cutoff
Resonance
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
Invert
Attack
Decay
Sustain I
Rdoasr?
Cutoff
Resonance
fL
Filter Envelope
81 I
LFOMod
I 2 I
I 3 I 21 I II
21
Amplifier Envelope
Kybd Track
Amp Peak
2 I 6 I
Filter Peak
LFOAmt
Unison
Voice Volume
Attack
Decay
Sustain
Release
I 12 I II I 28 I 13 I 17
LFOMod
2.71
Kybd Track
Amp Peak
Filter Peak
2 I 10 I 10 I
LFOAmt
Unison
I 15 I
PROGRAM/PARAMETER
I 15 I
Release
Chorus: OFF
Chorus:
Osc. Frequency
Osc Waveshapi
Coarse
Fine
LFOMod
/\
f~L
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
I~L
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
n.
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Decay
Sustain
Release
111
Cutoff
Resonance
45
33
LFOMod
Invert
Attack
Amp Peak
1 I
Sustain
27
Velocity Sensiti\
Kybd Track
Decay
Filter Peak
Release;
lb
ZU,
Unison
Voice volume
I 13 I 8 I
Attack
Decay
115 I
Sustain
LFOMod
54
Amplifier Envelope
LFOAmt
I 1 I
22
Release
Kybd Track
|2fc| 9 I 2
Amp Peak
Filter Peak
123
Attack
to
Velocity Sensitivity
15
Amplifier Envelope
LFOAmt
Unison
PROGRAM/PARAMETER
Voice Volume
Attack
115 I
Decay
Sustain
liTl
Release
h5
PROGRAM PARAMETER
Program Number0)Name
Chorus:
Osc. Frequency
Its!
Chorua: OKI
Osc Waveshape
Coarse
Fine
LFOMod
/\
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
Q.
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
R.
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
TL
Env Amount
Invert
Attack
Decay
Sustain
Release
Resonance
LFOMod
Invert
Attack
Decay
Sustain I Release
Cutoff
Resonance
LFOMod
Invert
Attack
Decay
Sustain I Release
Cutoff
18
51
38
13
29
Tl I 281'
velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
I 2. I
LFOAmt
Unison
Voice Volume
13
PROGRAM/PARAMETER
Attack
Decay
24
Sustain
Release
27
Kybd Track
2 I
Amp Peak
Filter Peak
13
Amplifier Envelope
Velocity Sensitivity
LFOAmt
I 151
Unison
Voice Volume
Attack
I 151
PROGRAM/PARAMETER
Decay
Sustain
Release
Chorus:
Mm m IffApil
Chorus:
Osc Waveshape
Coarse
Fine
LFOMod
/\
I~L
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
S\
\\
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Coarse
Fine
LFOMod
S\
fl
Pulse Width
PWMod
Glide
Noise Mix
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain | Release
Voice Volume
Attack
Decay
Sustain
Filter Envelope
LFOMod
Decay
Sustain
37
Cutoff
13
Velocity Sensitiv
Kybd Track
Amp Peak
Filter Peak
Resonance
LFOMod
' 56 I /
LFOAmt
Unison
Voice Volume
Attack
Decay
8 I 10 I 9 I I I 15 I
Sustain
Release
I \) Ii5|28
Kybd Track
Amp Peak
Filter Peak
LFOAmt
2 I/O 114 I 6 I
PROGRAM/PARAMETER
|/5 I
Release
\lS
PROGRAM/PARAMETER
Program
-VELOCITY LESLIE I
Chorus:
Osc. Frequency
Unison
ci.oru.:
Osc. Waveshape
Coarse
Fine
LFOMod
S\
fl
Pulse Width
PW Mod
Glide
NotseMi
Frequency
Amount
/\
R.
Env Amount
Invert
Attack
Decay
Sustain
Release
CutoM
Resonance
Invert
Attack
Decay
Sustain | Release
Coarse
Fine
Frequency
Amount
12 I
LFOMod
/\
/\
IT.
Pulse Width
PWMod
Glide
Noise Mix
Decay
Sustain
Release
I I I 29
Env Amount
Invert
Attack
Invert
Attack
Decay
Sustain
Voice Volume
Attack
Decay
Sustain
Filter Envelope
2.7|
Velocity Sensil
Kybd Track
Amp Peak
Filter Peak
"
Cutoff
Resonance
73
27
Kybd Track
Amp Peak
Velocity Sensit
Amplifier Envelope
LFOAmt
Unison
Voice Volume
I
PROGRAM/PARAMETER
Attack
Decay
Sustain
LFOMod
Release
I 15 I 13
2 I
Filter Peak
LFOAmt
I 15 I
Unison
I 15 I
PROGRAM/PARAMETER
Release
I 14 I I
Chorus: ON
T5L
Coarse
Rne
LFOMod
/\
Pulse Width
PWMod
Glide
Frequency
Amount
S\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Cutotl
Resonance
Invert
Attack
Noise Mi
Release
Coarse
Fine
Frequency
Amount
LFOMod
Chorus:
/\
PL
Pulse Width
PWMod
Glide
Noise Mix
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Filter Envelope
94 I
LFOMod
I 2 I
Amp Peak
Filter Peak
Sustain
I 6 I 27 I II
Velocity Sensitivity
KyodTracK
Filter Envelope
Decay
Release
20
Cutoff
Resonance
2.7
30
LFOMod
15
2 I 3 I 2 I
Unison
Voice Volume
Attack
Decay
Sustain
Amplifier Envelope
LFOAmt
Decay
25
iplifier Envelope
Sustain
Release
I 12 I 13 I 28 I 13
Kybd Track
Amp Peak
Filter Peak
15
LFOAmt
Unison
Voice Volume
Attack
Decay
15
PROGRAM/PARAMETER
Sustain
Release
15
24
PROGRAM/PARAMETER
Program Number It
It Name
Chorus:
OFF
Chorus: OFF
Osc Waveshape
Coarse
Fine
LFOMod
S\
IT
Pulse Width
111
Frequency
Amount
12L I
/\
I~L
PWMod
Noise Mix
Coarse
Fine
LFOMod
/\
IT
Sustain .
Release
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain "
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I Release
Glide
Pulse Width
Oscillator Envelope
Env Amount
Invert
Attack
Invert
Attack
Decay
PWMod.
Glide
Noise Mix
Oscillator Envelope
Release
I 1
Filter Envelope
Cutoff
Resonance
3fc
29
LFOMod
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
Z I 5 I 11 I
Decay
63 I
| fc3| 14 |
LFOAmt
Unison
Voice Volume
I I I IS I
PROGRAM/PARAMETER
Attack
Decay
Sustain
| 7 I 13
plifier Envelope
Amplifier Envelope
Release
I IS I 5 I 4
2 I & I
LFOAmt
Unison
Voice Volume
I *!
Attack
PROGRAM/PARAMETER
Decay
123 I
Sustain
Release
I 2|
s-a*.
Chorus:
Osc. Frequency
Coarse
Fine
Chorus: OK
Osc Waveshape
LFOMod
S\
Q.
Pulse Width
PWMod
51
1 ML
Frequency
Amount
/\
f~L
Cutofl
Resonance
LFOMod
Ife 1 27 1 1 |
Glide
Noise Mix
Coarse
Fine
LFOMod
/I
/\
R.
Pulse Width
PWMod
Glide
Noise Mix
/\
I"L
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain
Release
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
Invert
Attack
Decay
Sustain I
Release
Cutoff
Resonance
1 15 |
|Z4 1 3 126
LFOMod
I 10 I IT I 9*3
Amplifier Envelope
LFOAmt
2 I 10 I 8 I 15 I
Unison
Voice Volume
I 15 I
Attack
Decay
Sustain
Release
I 15 I 27
Kybd Track
Amp Peak
Fitter Peak
LFOAmt
2L I 7 I 8 I
Unison
voice Volume
Attack
I 5|
Decay
Sustain
Release
I 17 I 9 I \\
PROGRAM'PARAMETER
Chorus: OFF
Chorus:
Osc Waveshape
Osc Frequency
Osc Waveshape
Coarse
Fine
LFOMod
/\
fl_
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
C"L
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
ft
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
S\
IT
Env Amount
Invert
Attack
Decay
Sustain
Release
Resonance
LFOMoo
invert
Attack
Decay
Sustain I
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I Release
24
26,
Cutofl
"75
15
Unison
Voice Volume
1 11 I 9
23
39
34>
15
Amp Peak
Filter Peak
LFOAmt
Unison
Velocity Sensitivity
Kybd Track
Z I
Amp Peak
Filter Peak
LFOAmt
I 10 I 16 I 1 I 15 I
PROGRAM/PARAMETER
Attack
Decay
Sustain
Release
In I 15 I 28
Kybd Track
Voice Volume
Attack
L I 4 H |io| I lul
PROGRAM/PARAMETER
Decay
Sustain
Release
I 15 I 31
Program Number20Name
Chorus:
Osc. Frequency
Coarse
Fine
Osc Waveshape
LFOMod
/\
Chorus: OK
IT.
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
Osc Waveshape
LFOMod
/\
PL
I I I I I I
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
I~L
Env Amount
I2| I I I I
Cutoff
Resonance
LFOMod
Attack
Decay
Sustain
Release
Cutoff
voice Volume
Attack
Decay
Sustain
Release
90 LLLill
2.7
Kybd Track
Amp Peak
Filter Peak
2 I 10 I 10 I
LFOAmt
Unison
115 I
I 15
Kybd Track
Resonance
Amp Peak
LFOMod
Filter Peak
Fine
LFOMod
Chorua:
/\
I~L
Attack
Decay
Sustain
Release
Sustain
Release
I 6 '
Invert
Attack
Decay
Unison
\Z\ 9 |
Voice Volume
Attack
Decay
Sustain
Release
| 15 | 8 I I2.| I2|24
PROGRAM/PARAMETER
Noise Mix
8 |171 6
LFOAmt
PROGRAM PARAMETER
Glide
Oscillator Envelope
Invert
PWMod
I 36
|I4I
Invert
Pulse Width
Pulse Width
PWMod
Glide
QM
Noise Mix
Fine
LFOMod
Chorus:
/\
I~L
Pulse Width
PWMod
Glide
Noise M
I 1 I I I 51
Frequency
Amount
Cutoff
Resonance
94 I
/\
PL
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain I Release
| 2 |
Release
| 20 | 27 I II I 20
Frequency
Amount
Cutoff
Resonance
45 I 30 I
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
2 I 3 I Z
/\
IT
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain I Release
|5fc|i5 I
I 13 I 24, I 3
Velocity Sensitivity
LFOAmt
Unison
Voice volume
Attack
Decay
\Z | 18 | 28
PROGRAM/PARAMETER
Sustain
Release
Kybd Track
Amp Peak
Filter Peak
Release
27
Amplifier Envelope
LFOAmt
Z I 8 I 10 I 1O I
Unison
Voice Volume
Attack
I 15 I 7 I
PROGRAM/PARAMETER
Decay
Sustain
Release
h5 I 1<\
Chorus:
Chorua: ON
Osc. Frequency
Coarse
F,ne
Frequency
Amount
Cutoff
LFOMod
/\
r\
Env Amount
72 | 7 |
1 I 8 |fc |
ho|
LFOAmt
Pulse Width
PWMod
Invert
Attack
Decay
Invert
Attack^Decay
| t | 15 I
Glide"
Sustain
Release
SustajT I Release
| 21 I Z
Attack
Noise Mix
20
It! I 21
Coarse
Fine
LFOMod
/N
fl.
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain
Release
42
63
Kybd Track
Amp Peak
Voice Volume
Attack
Decay
Sustain
Release
LFOMod
Filter Peak
2 I 12 I
15
LFOAmt
Unison
I 15 I
I I? I
I 12
PROGRAM PARAMETER
Program
Osc. Frequency
rse
Fine
Ch.ru.:
Chorua: OKI
Osc Waveshape
LFOMod
S\
f~L
Pulse Width
PWMod
Glide
Noise M
Coarse
Fine
LFOMod
/\
f~L
Pulse Width
PWMod
Glide
Noise Mix
/\
CL
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain
Release
Attack
Decay
Sustain
Release
241
Frequency
Cutoff
Amount
S\
Resonance
LFOMoa
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
invert
Attack
Decay
Sustain I
Release
Cutoff
Resonance
f~L
2(o\
54,
12
43 I
LFOMod
I 481 15 |
| t| 2.1 | 7 I 9
Velocity Sensitivity
KyDdTfacK
AmpPeaK
I I fc
Finer Peak
4 I
LFOAmt
Unison
Voice Volume
I IS I
PROGRAM/PARAMETE R
Attack
Decay
I 25 I
Sustain
Release
I 10
Kybd Track
Amp Peak
Filter Peak
I I 2.1 7 I
LFOAmt
Unison
Voice Volume
I \5\
PROGRAMPARAMETER
I 8 I 8 | S
Osc Frequency
Osc Waveshape
Coarse
Fine
LFOMod
S\
PL
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
Frequency
Amouni
/\
FL
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
CutoH
Resonance
LFOMod
Osc.Mod EnvAmount
Invert
Attack
Decay
Sustain I
Release
Cutoff
Resonance
LFOMod
92
18
63
27
Chorus: O ^
Chorus:
12
LFOMod.
U1
2.7 U31
S\
I"L
Pulse Width
PWMod
Glide
Noise Mix
IT
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain I Release
1I
151
21
Velocity Sensitivity
LFOAmt
Unison
Voice Volume
Attack
I I 4 I 9 I IO\ I I I5|
Decay
Sustain
I 15
Release
Kybd Track
Amp Peak
Filter Peak
LFOAmt
2. I 1O| tol
PROGRAM/PARAMETER
Fine
Osc. Waveshape
LFOMod
\\o\
Decay
Sustain
Release
I IS I 23
Pulse Width
PWMod
Glide
Noise M
Chorus:
Osc Waveshape
Osc. Frequency
/\
Attack
Chorus:
Osc. Frequency
Voice Volume
PROGRAM/PARAMETER
Unison
Coarse
Fine
LFOMod
/\
I~L
Pulse Width
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Osc.Mod
Env Amount
Invert
Attack
PWMod
l I so I i I
Glide
Noise Mix
Oscillator Envelope
Frequency
Amount
/\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
4 I
Filter Envelope
Cutolt
Resonance
LFOMod
Invert
Attack
Decay
Sustain
Release
2.7
Amp Pea*
Filler Peak
LFOAmi
2 I It I 10 I || |
Umson
Voice Volume
| tSl
PROGRAM/PARAMETER
Attack
Decay
Sustain
Resonance
36 I 12 I
Release
I f5 113
Kybd Track
Amp Peak
Sustain
- Release
Sustain
Release
Filter Envelope
LFOMod
111 I
Velocity Sensitivity
Amplifier Envelope
Kybd Track
CutoH
II
Decay
Filter Peak
2 I <o I 7 I
LFOAmt
Unison
Voice Volume
Decay
I 21 I 8
Amplifier Envelope
Attack
115 I
PROGRAM/PARAMETER
Decay
Sustain
5
Release
|14 I 15 1 2.
Chorus:
OFF
Osc. Frequency
Coarse
Fine
Osc. Frequency
LFOMod
Frequency
Amount
/\
Cutoil
Resonance
LFOMod
\\
/\
("L
Pulse Width
1 k
Glide
Noise Mix
Coarse
Fine
Oscillator Envelope
n.
241
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
Invert
Attack
Decay
Sustain |
Release
Cutoff
Resonance
k3l 1 I 1 I
LFOAmt
unison
Voice Volume
Attack
115
Decay
15
Sustain
24
LFOMod
S\
n.
Pulse Width
PWMod
Glide
Noise Mix
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain I Release
I 1 I 1 I
Env Amount
velocity Sensitivity
PWMod
I to I
LFOMod
I 1 |2t I 1
I 25 I 7 I
Velocity Sensitivity
Release
hi
Kybd Track
Amp Peak
Ch0rU8:
Osc Waveshape
Filter Peak
LFOAmt
*|7|4|
Unison
PROGRAM/PARAMETER
1/3 I 8
Amplifier Envelope
Voice Volume
Attack
Decay
115 I
Sustain
I 241
Release
III
PROGRAM/PARAMETER
Chorus: ON
Program Number
jS Name
Chorus: OFF
Osc Waveshape
Osc. Frequency
Coarse
Fine
LFOMod
/\
I~L
Pulse Width
PWMod
Glide
Frequency
Amount
/\
IT
Env Amount
Invert
Attack
Decay
Sustain
Cuiol!
Resonance
LFOMod
Invert
Attack
12
Noise Mi
Release
Coarse
Fine
Frequency
Amount
Cutoff
Resonance
12 I
LFOMod
/\
/\
IT.
n.
Pulse Width
PWMod
I 1 15OI 1
Glide
Noise Mix
Release
Oscillator Envelope
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain I Release
Filter Envelope
Kybd Track
Amp Peak
17
Filter Peak
2 I 6 I 8 I
LFOAmt
Umson
Decay
9
Voice Volume
|15 I
PROGRAM/PARAMETER
Attack
Decay
I 21 I
Sustain
24 I 221
8
Sustain
Release
I 13
|44 I 11 I
z I e I 3 I
LFOAmt
Unison
Voice Volume
111 I'd I 1
Amplifier Envelope
Attack
115 I
PROGRAM/PARAMETER
Decay
Sustain
Release
114 1151 1
Coarse
Fine
Osc Waveshape
LFOMod
S\
I i I 1
Chorua: OFF"
r~L
f~L
Pulse Width
I I 21 I
PWMod
Oscillator Envelope
Frequency
Amount
n\
CutoM
/\
r~L
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
r~L
Pulse Width
PWMod
Glide
Noise Mix
Release
Frequency
Amount
/\
IT.
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain I
Release
Decay
Sustain
Release
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain
I i
Resonance
LFOMod
50
Kybd Track
24
Amp Peak
Filter Peak
a | 8 | 1 |
LFOAmt
Unison
Voice Volume
Attack
115 |
Decay
| 24 |
8
Sustain
Cutoff
Resonance
Kybd Track
Amp Peak
LFOMod
7 I
17
Release.
| 12
Filter Peak
ItS I
LFOAmt
PROGRAM/PARAMETER
Frequency
Amount
Resonance
LFOMod
S\
S\
IT
Env Amount
PL
Pulse Width
14
Invert
Attack
LFOMod
Invert
PWMod
Glide
Amp Peak
123
Chorus:
Noise Mix
Coarse
Fine
LFOMod
/\
Attack
Filter Peak
Decay
Frequency
Sustain
Decay
Sustain
1 I (o I 4 I
Release
Cutoff
Unison
Pulse Width
Amount
/\
fL
Env Amount
Resonance
LFOMod
Invert
Attack
I
Invert
Voice Volume
I 15 I
PROGRAM/PARAMETER
Attack
PWMod
Glide
Noise Mix
Decay
Sustain
Release
Filter Envelope
Attack
21
Decay
I 25 I
Sustain
Release
I 13
Decay
Sustain
!O
Velocity Sensitivity
Amplifier Envelope
LFOAmt
FL
l|lli|i|8
8
Velocity Sensitivity
Kybd Track
I IS I
Osc Waveshape
Ul
Cutotf
Attack
Osc. Frequency
Fine
Voice Volume
12L3
PROGRAM^PARAMETER
Unison
Kybd Track
Amp Peak
Filter Peak
a I s 113 I
Amplifier Envelope
LFOAmt
Unison
Voice Volume
Attack
1121
PROGRAM/PARAMETER
Decay
Sustain
\n I is I
Release
Chorus:
Chorua: OFF
Osc Waveshape
Osc. Frequency
Coarse
Fine
LFOMod
S\
PL
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
PL
Pulse Width
PWMod
Glide
Frequency
Amount
/\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
PL
Env Amount
Invert
Attack
Decay
Sustain
Cutoff
Resonance
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I
Release
83
29
Kybd Track
Amp Peak
Voice Volume
Attack
Decay
Sustain
Release
Voice Volume
Attack
Decay
Sustain
Release
14
LFOMod
Filter Peak
IFOAmt
Unison
15
LFOMod
Filter Peak
2 I (o | Q> I
LFOAmt
PROGRAM/PARAMETER
Chorus: OFF
Fine
LFOMod
Frequency
Amount
S\
Cutoff
Resonance
LFOMod
Kybd Track
Amp Peak
50| IT|
Filter Peak
i Is It |
/\
I~L
Pulse Width
PWMod
45
PL
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain I Release
Decay
Sustain
LFOAmt
Unison
I 17I 9 I |O
Chorus:
Osc. Frequency
I 12 I
| \f? I
Osc. Waveshape
Osc. Frequency
PROGRAM/PARAMETER
Unison
Noise Mi
Voice Volume
lis I
PROGRAM/PARAMETER
Glide
lit |7
Attack
Noise Mix
Release
I is I 7
Coarse
Fine
LFOMod
/\
PL
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
S\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I Release
Kybd Track
Amp Peak
Decay
Sustain
5O I 31 I
LFOMod
Filter Peak
Iti I
LFOAmt
2 I 7 I 8 I 7 I
Unison
Voice Volume
Attack
|U I
PROGRAM/PARAMETER
I \(c I 8 \Ho
Release
hi |t5 I 11
Coarse
Fine
Chorus: OFF
Chorus: OFF
Osc. Waveshape
LFOMod
/\
Osc Waveshape
I~L
Pulse Width
PWMod
Glide
Noise Mix
1 I 58
Coarse
Fine
LFOMod
n_
Pulse Width
Amount
/\
2 I
f~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
(~L
Env Amount
I I I
Invert
I 15 I
Attack
48
Mo
Kybd Track
Amp Peak
LFOMod
Invert
Attack
1 I
Decay
Sustain
Release
18
18
Decay
Sustain
Release
Cutofl
Resonance
LFOMod
Invert
Attack
Unison
Voice Volume
Attack
I 15 I
I 2 I 10 I 2
(6 | 10
Kybd Track
Amp Peak
Filter Peak
LFOAmt
2 I 91 3 I
Frequency
Amount
Osc Waveshape
/\
Osc. Frequency
R.
Pulse Width
PWMod
Glide
No.se Mi
Coarse
Fine
f~L
Env Amount
Invert
Voice Volume
Attack
I 15 I
Release
15
Decay
Sustain
Release
I I3| 7 life
Attack
Decay
Sustain
Release
Frequency
Choru9:
Osc Waveshape
LFOMod
/N
n.
Amount
/\
PL
Env Amount
Invert
Attack
Resonance
LFOMod
Invert
Attack
1 I 34 I 1
/\
Unison
Chorus:
Osc Frequency
Sustain
PROGRAM/PARAMETER
Program Number^Name
LFOMod
Release
Amplifier Envelope
LFOAmt
I IS I
Fine
Decay
12
31
PROGRAM PARAMETER
Coarse
Sustain
Filter Envelope
Velocity Sensitivity
Filter Peak
Decay
I 18 I 16 I
Filter Envelope
Resonance
Noise Mix
18
32
II I
Cutotl
Glide
Oscillator Envelope
Oscillator Envelope
Frequency
PWMod
' i I i I i I
Pulse Width
PWMod
Glide
Noise Mix
Decay
Sustain
Release
Decay
Sustain |
Release
\^^\l
Oscillator Envelope
I
Cutoll
Resonance
i 7 I
LFOMod
I 10 I
Velocity Sensitivity
Kybd Track
Amp Peak
F.iterPeak
10 1,0 I
LFOAmt
Unison
Invert
Attack
Decay
Sustain I
I 3 ho I II
Voice Volume
I 15 I
PROGRAM/PARAMETER
Attack
Decay
Sustain
Release
Release
I15 I 12
Cutoff
0.8 I 15 I
I 8 I 1 I 14 I
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
1 I 3 I * I
LFOAmt
I 15
Amplifier Envelope
Unison
Voice Volume
I 1 115 I
Attack
Decay
Sustain
Release
ho I 9
Chorus: OFF
Program NumberTQ
Chorus: OFF
Program Number^^Name
Osc Waveshape
Coarse
Fine
LFOMod
/\
Fi
Pulse Width
PWMod
1 I i I 32 I
Frequency
Amount
CutoM
Resonance
'
S\
LFOMod
PL
invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain
||
25 |U |I
LFOAmt
Unison
Noise Mi
Env Amount
Release
I
I 4 I 19 |tA
I 25
velocity Sensitivity
Glide
voice Volume
Attack
l||||
Decay
Sustain
Release
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
S\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain | Release
Kybd Track
Amp Peak
90 I fel I
LFOMod
I 34 I 2.
Amplifier Envelope
Filter Peak
LFOAmt
+ I 3 I
Attack
Decay
Sustain
Release
I (5 \<o I I
Program NumbarS
S I Name
Chorus:
Chorus:
Osc Waveshape
Frequency
Amount
/\
Cutoff
Resonance
LFOMod
Kyoa Track
Amp Peak
2 I 8 I
Voice Volume
PROGRAM PARAMETER
Program Numbor50Name
70 j 29 I
Unison
PROGRAM-PARAMETER
Osc. Frequency
I 7
Filter Peak
Fine
Release
Frequency
Amount
Sustain I
Release
Cutoff
Resonance
Sustain
Release
Kybd Track
Amp Peak
FL
Pulse Width
PWMod
Glide
Env Amount
Inven
Attack
Decay
Sustain
Invert
Attack
Decay
IT
Coarse
/\
|2|
LFOAmt
I I5|
Umson
Voice Volume
Attack
I 15 |
PROGRAM/PARAMETER
Decay
I 3
Noise M
I I4| I
24 I
LFOMod
/\
/\
I~L
Env Amount
I I I 2 I
70l2*li
Fitter Peak
2|6||
LFOAmt
Unison
Pulse Width
PWMod
Invert
Attack
Invert
Voice Volume
n.
Glide
Noise Mix
Decay
Sustain
Release
Attack
Decay
Sustain | Release
Attack
Decay
Sustain
I 3 I
Release
|/5|/2 | 2/ I J |J3
PROGRAM PARAMETER
Program Numbo^Name
Osc. Frequency
Coarse
Fine
Osc Waveshape
LFOMod
/\
Osc. Frequency
f"L
Pulse Width
PWMod
Glide
Noise Mi
Coarse-
Fine"
Chorus:
Hi
iFOMod
Osc. Waveshape
* a
vi
PulseWidth
< /\
I I 2b I 1
1^
Frequency
Amount
/\
I~L
EnvAmount
Invert
Attack
.Decay
Invert
Attack
... Decay .
Sustarrf
v Release
10 I |0 I I
PWMod *~
Glide-
Noise Mix
Sustain-
Release
Sustain
Release
Filter Envelope
Cutoff
W\
Resonance
LFOMod
I 2 I
I 20 I 27 I II
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
Sustain I
Release
20
Cut6ff.
1.0
2!
Amplifier Envelope
LFOAmt
Unison
Voice Volume
Attack
Decay ;
'5
20
14
Release
13:
KyodTracK
ArjnpPeak
I T
Filter Peak
LFOAmt^
Unison
Voice Volume
Attack
.Decay
I 4 I
PROGRAM/PARAMETER
Fine
Sustain
Release
I 15 I 8 I 12 I 12 I 24
: OFF
Chorus:
Chorus: OFF
Osc Waveshape
Osc. Frequency
Coarse
21
PROGRAM/PARAMETER
FJ-UT&
Program
Decay*;
Velocity Sensitivity
.Sustain
12 Z4 28
Attack
LFO Mod
/\
f~L
Pulse Width
I
Frequency
Amount
/S
II
IT
PW Mod
Glide
32
Coarse
40
Oscillator Envelope
Env Amount
Invert
Attack
Decay V,Vi
Sustain # Release
Frequency
^Fine
/X
-LFOMod
II i I
Invert
j 11 \s i
PulseWidth
PWMoA
Glide
Noise Mix
^Sustain
. Release
32
132-1
,. Invert
H-
:l
. Env Amount
Amount^ r/S - W
n.;
.Attack
.. ADecay
^Attack
^,Decay.. .
123"
Filter Envelope
Cutoff
Resonance
LFOMod
72 I 9 I I I 3 I I I
Invert
2 I
Amp Peak
Filter Peak
14 |
LFOAmt
Decay-
Sustain:
I 12.1 f'.f;
Velocity Sensitivity
Kybd Track
Attack
Amplifier Envelope
Unison
Voice Volume
Attack
Decay
SusfaW--^ Release
I 15 I S| 5 I 11 T?f
60 "I 5fc'l I I 17
Velocity Sensitivity
2 hoi
LFOAmt
hi
Attack
|.5h
PROGRAM/PARAMETER
Decays.*
I 9 I
Sustain | Release
Sustain.
Release
113'
Chorus:
OFF
Coarse
Fine
LFOMod
S\
I~L
Pulse Width
PWMod
Frequency
Amount
/\
f"L
Env Amount
Invert
Attack
Decay
Cutoff
Resonance
invert
Attack
DcaySustain. I. Release
61
Glide .
NoiseMix
2 I
l5|
LFOAmt
Unison VbiceVbfume
I I I 15 I
Attack
Decay
Coarse
Rne
II2t I
'Sustain
Release
Tlf
LFOMod
Cutoff
Resonance
371 IS|
14
LFOMod
I o| 10 I
OscMod EnvAmount
I > I
LFOAmt
Unison
Invert
^Attack
Oecay,;
Sustain
Release
Attack
Decay.
Sustain I
Release
Attack
uecoy
Decay
dUSiain
I felilliz 8
VbteeVolume
I 15
Sustain
Release
ncnea?a
71 9 I 4
PROGRAM PARAMETER
Program Number58N.me
Coarse
Fine
LFOMod
1
Frequency
Amount
S\
23
Cutoff
Resonance
50 I H
KytxJ Track
AmpPeak
LFOMod
R.
/\
FL
PulseWidth
HI
EnvAmount
Osc.Mod EnvAmount
Invert
45
LsItI
LFOAmt
Unison
Glide:
NoiseMix
Fine
LFOMod
n.
PulseWidth
Oecay
Sustan
. Release
Attack
Decay
Sustain
Release
Frequency
Cutoff
Amount ;
IT ^EnvAmount
Invert
Attack
, Resonance
Invert
Attack
:/V
lilul
Attack
/\
51 in
t3
VbcevWume
PWMod
Glide
NoiseMix
Decay.
Sustain
Release
Decay
Sustain I Release
Attack
i5
Fitter Peak
PWMod
Decay
Sustain
Release
115 |1 7
I 10 ho I
LFOAmt-
Unison
l
Vbice Volume
3i
Attack
I 1 ItS I I
Decay
Sustain
It5 1
Release
ChrU<>r
Coarse
Fine
LFOMod
/\
R.
Pulse WkHh
PWMod
Glide
Noise Mix
Frequency
Amount
/\
R.
Env Amount
Invert
Attack
Decay
Sustain
Cutofi
Resonance
LFOMod
Invert
Attack
Decay
Sustain I Release
Kybd Track
Amp Peak
Chorue: OFF
Coarse
Fine
LFOMod
S\
IT.
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
fT
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Voice Volume
Attack
Filter Envelope
3 I 2 I
Filter Peak
2 I 2 I
LFOAmt
Unison
I8l
Voice Volume
Attack
Il3l
13
Decay
Sustain
Release
Il4l I
Kybd Track
LJ
Amp Peak
LFOMod
Filter Peak
21 71
LFOAmt
Unison
hi I
PROGRAM/PARAMETER
Fine
LFOMod
/\
PL
Pulse Width
PWMod
Glide
NotseMix
Coarse
Fine
LFOMod
Frequency
Amount
/\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
U I
11
LFOMod
93 I 8 I
I 3 I
Invert
Attack
Velocity Sensitivity
2 I 10
Release
Noise Mi
h$
S\
f"L
Pulse Width
PWMod
Glide
Env Amount
Invert
Attack
Decay
Sustain
Filter Peak
Decay
Invert
Attack
Filter Envelope
Cutoff
Sustain
I 1 I 7
1O I 9 I
Unison
Voice Volume
I 15 I
PROGRAM/PARAMETER
Attack
Decay
Sustain
Resonance
LFOMod
0.9
Release
I 15 I 22
lhol
Filter Peak
Unison
Voice Volume
Decay
Sustain
4
Amplifier Envelope
Velocity Sensitivity
Amplifier Envelope
LFOAmt
Release
It
Filter Envelope
Amp Peak
Sustain
Osc Waveshape
Osc. Frequency
Kybd Track
Decay
Chorus:
Coarse
Resonance
Sustain
PROGRAM/PARAMETER
Cutofi
Decay
LFOAmt
Its I
Attack
PROGRAM/PARAMETER
Decay
Sustain
Release
I is hi
Proflr.m Numb.r^N.m.
^
Coarse
Fine
LFOMod
/\
(~L
Pulse Width
PWMod
Glide
Frequency
Amount
S\
Env Amount
Invert
Attack
Decay
Sustain
Cutofi
Resonance
Invert
Attack
Decay
Sustain
47
LFOMod
Coarse
Fine
LFOMod
S\
FL
Pulse Width
PWMod
Glide
Noise Mix
Release
Frequency
Amount
/\
rL
Env Amount
Invert
Attack
Decay
Sustain
Release
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain
Noise M
21
C7 I 7 I
LFOMod
1 I 23 1 1 I 1
111
| 20 I 2 |2O
Amplifier Envelope
Kybd Track
Amp Peak
I I
Filter Peak
LFOAmt
Unison
Voice Volume
I to la I
Attack
113 I
Decay
Sustain
Release
Is I is I is
Kybd Track
Amp Peak
Filter Peak
LFOAmt
1 I 8 I 10 |
Unison
Voice Volume
Attack
115 I
Decay
Sustain
Release
| n | 21
PROGRAM-PARAMETER
Chorus: OFF
Osc. Frequency
Chorus: ON
Osc Waveshape
Osc. Waveshape
Coarse
Fine
LFOMod
/\
fl
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
Frequency
Amount
/\
f~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Froquencv
Amount
Cutoit
Resonance
Invert
Attack
Decay
Sustain | Release
Cuto'l
Resonance
12 I
LFOMod
/\
I~L
Pulse Width
PWMod
Glide
Noise Mix
Release
I I I 60 I I I 5 I
Oscillator Envelope
831 32 I
I 3 I
Velocity Sensitivity
Kybd Track
Amp Peak
2 I 5 I
Filter Peak
13
41
LFOMod
ft
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain I Release
Voice Volume
Attack
Decay
Sustain
20
Amplifier Envelope
LFOAmt
/\
Unison
Voice Volume
Attack
I IS I
PROGRAM'PARAMETER
Decay
Sustain
Release
I 14-1 1
A^pPean
Filter Peak
LFOAmt
2 I 9 I 6 I 8 I
Unison
I'5 I
PROGRAM/PARAMETER
Release
I15 I 26
Chorua:
Program Number
Osc. Frequency
Coarse
Fine
LFOMod
Frequency
Amount
/\
Cutolt
Resonance
LFOMod
Choru8:
Osc. Frequency
/\
f"L
Env Amount
Invert
AttacK
Invert
Attack
L I
TRtLL
Nm.
Osc Waveshape
n.
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Decay
Sustain
Release
Frequency
Decay
Sustain I
Release
I 1 I 50 I i I 3 |
. Fine
LFOMod
/\
f"L
Pulse Width
PWMod
Glide
Amount
/\ .
n.
Env Amount
Invert
Attack
Decay
Sustain
Resonance
LFOMod
Invert
Attack
Decay
Sustain
Noise Mi
Oscillator Envelope
77 LjLLJ
Filter Peak
1 I 8 | 4 I
LFOAmt
1 9 1
Unison
Voice Volume
Attack
I 1 | 11 I
Decay
Sustain
Cutoff
44 |45| / I 9 I 7 I
I 7 1/9 I
Release
12/
Amplifier Envelope
Release
I 7 I IS [24
Kybd Track
Amp Peak
2 I
Filter Peak
LFOAmt
I// I
Unison
Voice Volume
PROGRAM-PARAMETER
Attack
Decay
Sustain
Release
1/3 I 7 |S/
PROGRAM/PARAMETER
Chorua: O\4
Chorus: Of F
Program Number
Coarse
Fine
LFOMod
/\
I"L
Pulse Width
PWMod
Glide
Noise Mi
Coarse
Fine
LFOMod
/\
I~L
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amouni
/\
IT
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoll
Resonance
Invert
Attack
Decay
Sustain |
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain | Release
Decay
Sustain
77 I 19 I
KybdTracK
Amp Pea*
2 I 6 I
LFOMod
Filter Peak
I 3 I 3 I
LFOAmt
I 8 I
Unison
Voice Volume
I 15
PROGRAM/PARAMETER
Attack
Decay
Sustain
Release
14-1 I
Kybd Track
Amp Peak
Filter Peak
1l
LFOAmt
Unison
2- I 2. I 10 I 3|
Voice Volume
8
Attack
I 15 I j I
PROGRAM/PARAMETER
I'll I
Release
msi
Program NumberTE
TE Name
Chorus: OH .
Fine
Osc. Frequency
Osc. Waveshape
Osc. Frequency
Coarse
LFOMod
/I
/\
f~L
Pulse Width
PWMod
21
Glide
Noise Mix
Coarse
48|
Fine
Choru8:
Osc. Waveshape
. LFOMod
I 1 I
/\
I 1.1
f~L
Pulse Width
|32 I
PWMod
Glide
Noise Mix
Sustain
Release
Sustain
Release
I 3 I
Oscillator Envelope
Frequency
Amount
/\
10
13
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Resonance
LFOMod
Invert
Attack
Decay
Sustain
20
27
II
0.3
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
3 1 I
Release
Cutoff
20
50
Unison
l \
Voice Volume
Attack
Decay
PL
Env Amount
Invert
Attack
Invert
Attack
I
LFO Mod
Release
Kybd Track
Amp Peak
Filter Peak
LFOAmt
PROGRAM/PARAMETER
Chorus:
Fine
OFF
LFOMod
/\
Attack
Decay
113 I
Sustain
Release
111 115
Pulse Width
PWMod
21
Env Amount
Invert
Attack
Decay
Glide
Noise Mi
Coarse
Fine
Sustain
Reicnsi
Frequency
Amount
191
Chorus:
Osc. Waveshape
Osc. Frequency
fT
Voice Volume
Osc Waveshape
Osc. Frequency
Unison
PROGRAM/PARAMETER
Program Number7^
7^ Name
Coarse
8
Amplifier Envelope
* I 7 I 8 I 7 I
I 12 I 9 I 28 I 14
Decay
t1
14
Velocity Sensitivity
Sustain
Decay
Filter Envelope
Resonance
Amplifier Envelope
LFOAmt
/\
Filter Envelope
Cutoff
Amount
LFOMod
/\
Q.
Pulse Width
PWMod
I 1 I so
Glide
Noise Mix
Sustain
Release
Oscillator Envelope
Frequency
Amount
/\
R.
7 I
/\
fT
Env Amount
111
Inven
Attack
I Ml 1 I
Resonance
LFOMod
Invert
Attack
48 lit.
Amp Peak
Sustain
22
Filter Peak
I 7 I 2 I
Rolo.isr
19
Cutoff
LFOAmt
Unison
Voice Volume
Attack
Decay
I IS I 1 I 20 I
PROGRAM/PARAMETER
Sustain
Resonance
73 | 2 |
LFOMod
Invert
Attack
Release
hi
KyndTracH
AmpPean
Filter Peak
I I 7 I 12 I
Decay
Sustain
| 3 | 17 I <o
Velocity Sensitivity
Amplifier Envelope
Velocity Sensitivity
Kybd Track
Decay
It5 | 7
Filter Envelope
Filter Envelope
Cutoff
Decay
Release
17
Amplifier Envelope
LFOAmt
Unison
Voice Volume
Attack
I 15 I
PROGRAM/PARAMETER
Decay
Sustain
Release
112 I u|24
Program Number
7<jName )/SOt/&V
Osc. Waveshape
Osc. Frequency
Coarse
Fine
LFOMod
/\
IT
/ I
34,
Frequency
Amount
Cutoff
Resonance
Chorus:
/\
IT
LFOMod
Pulse Width
PW Mod
Glide
Noise Mix
Coarse
Release
Frequency
Amount
/\
Cutoff
Resonance
LFOMod
I5O
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain
5/
Fine
LFOMod
IT
33
/\
IT
l|
Glide
Noise Mix
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay'
Sustain
Release
5/9
27
/*
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
LFOAmt
2 I 7181
Unison
Voice Volume
Attack
Decay
1/5 I
Sustain
Release
/I
1/4 1/5 I
LFOAmt
Unison
Voice Volume
1/5 Id I
Attack
1/5 I
Decay
Sustain
Glide
Release
|2*| ? I 2
PROGRAM/PARAMETER
Chorus: OFF
Osc. Frequenc
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Frequency
Amount
/\
IT
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
IT
Env Amount
Invert
Attack
Decay
/5 I
I / I
|/5 I
Noise Mi
Sustain.
Release
- Sustain I
Release
Sustain
Release
123
Filter Envelope
Cutoff
Resonance
1.5 I 22 I
Invert
I 43 I 9 I L I
Attack
Decay
Sustain I Release
I 20 I 4
Cutoff
23
Amp Peak
1 I 5 I
Filter Peak
LFOAmt
Unison
Voice Volume
Attack
I 1 I 15 I
PROGRAM/PARAMETER
Decay
'Sustain
Release
I 11 I 20
53 I
LFOMod
1.3? 1/5 I
Invert
Attack
Decay
I 3 \tS\ta
Velocity Sensitivity
Amplifier Envelope
Kybd Track
Resonance
Kyb'd Track
Amp Peak
Filter Peak
2 \S \8 I
LFO Ami
Unison
Voice Volume
1/5 I
PROGRAM/PARAMETER
Attack
Decay
12/I
1/5
Chorus:
Osc Waveshape
Osc. Frequency
Coarse..
Coarse
Fine
LFOMod
A\
V\
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
S\
Env Amount
Invert
AttacK
Decay
Sustain
Release
Frequency
Cutotl
Resonance
Invert
Attack
Decay
Sustain
Release
Cutoff
15
23
LFOMod
Amp Peak
Filter Peak
1 I 4. I
Fine
LFOMod
/\
I"L
Pulse Width
PWMod
Glide
Noise Mix
Amount
/\
Q.
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attacl^^Teca^^Sustair^^Release
Amplifier Envelope
Amplifier Envelope
Velocity Sensitivity
Kybd Track
Chorus: Off
LFOAmt
Unison
Voice Volume
Attack
I 1 l'3|
Decay
Sustain
Release
I 3 I 15 I
LFOAmt
2 I 5 I 3 lei
Unison
Voice Volume
Attack
I 15 I I I
Decay
Sustain
I 12.'
Release
PROGRAM/PARAMETER
PROGRAM/PARAMETER
Chorus:
Qfc
Program NumberQfcNam
ON
Chorus:
Osc. Frequency
Fine
LFOMod
/\
Fl
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
R.
Frequency
Amount
/\
r\
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Cutoii
Resonance
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Coarse
Pulse Width
PWMod
Glide
Noise Mix
Sustain
Release
Sustain
Release
24
Oscillator Envelope
Decay
Filter Envelope
84 I
LFOMod
I 2 I
I 3 I 27 I \\
21
I 161
LFOMod
I 3 I
Decay-
I 7 I 7
Amplifier Envelope
Kyoo Track
Amp Peak
2 I 6 I
Filter Peak
LFOAmt
Unison
Voice Volume
Attack
Decay
Sustain
Release
I 12 I M I 23 I (3 I 17
Kybd Track
Amp Peak
Filter Peak
2 I 7 I 8 I
LFOAmt
Unison
Voice Volume
Attack
I I I 15 I
PROGRAM/PARAMETER
Decay
Sustain
Release
I 12 I 7
Program NumberOTName
LEAP
Osc. Frequency
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Glide
Frequency
Arnounl
/\
fT
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
S\
IT
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I Release
Cutoff
Resonance
LFOMod
Invert
Attack
Decay
Sustain I
Release
71 I I6|
|6|
Amp Peak
Filter Peak
I 14
I 2.1 I
I to I
I 11
21
Amplifier Envelope
Velocity Sensitivity
Kybd Track
Noise Mi
LFOAmt
2 I 5 I 7 I
Unison
Voice Volume
Attack
I I Il6|
Decay
Sustain
Release
Il5| 2
Kybd Track
Amp Peak
Filter Peak
LFOAmt
Voice Volume
Attack
2 I 4 I 5 I 12 I 1 I 15 I
Decay
Sustain
Release
MS I 2?
PROGRAM/PARAMETER
PROGRAM/PARAMETER
Program NumberEfo
Efo Name
Unison
LEAP
Chorus:
Chorua:
Osc Waveshapt
Osc. Frequency
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
/\
n_
Pulse Width
PWMod
Glide
Frequency
Amount
/\
IT
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Amount
/\
IT.
Env Amount
Invert
Attack
Decay
- Sustain T
Cutoff
Resonance
Invert
Attack
Decay
Sustain I Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I
Release
Kybd Track
Amp Peak
Voice Volume
Attack
Decay
Sustain
Attack
Decay
Sustain
Release
s I
LFOMod
Filter Peak
I s I
LFOAmt
Unison
A I 10 I 5 I I I t5 I
PROGRAM/PARAMETER
It It Ut
I
Release
I M \IO
Kybd Track
|7 \
Amp Peak
LFOMod
\I '5 |
Fitter Peak
2.1 6 I (o I
LFOAmt
Unison
Noise M
Release
| 9 1 14-1 7 \\Z
Voice Volume
1151
PROGRAM/PARAMETER
I a
Program Number$QName
Coarse
Fine
LFOMod
Frequency
Amount
Cutoll
Resonance
94 I
Kybd Track
Amp Peak
PWMod
Glide
Noise Mix
Coarse
Fine
LFOMod
Attack
Decay
Sustain
Release
Frequency
Amount
/\
Attack
Decay
Sustain' I Release
Cutoff
Resonance
f~L
Pulse Width
33
Env Amount
Invert
Invert
/\
/\
Q.
I 2 I
Filter Peak
LFOAmt
2 I 5 I 2 I
Unison
I 6 | 27 | II | 18
Amplifier Envelope
Voice Volume
Attack
Decay
143 [
LFOMod
fT.
Pulse Width
PWMod
Glide
Noise Mix
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain I
Release
PL *'
M I
Sustain
I 12 hO I 28 I
Release
Kybd Track
Amp Peak
Filter Peak
I I 4 I
LFO Amt
Frequency
Amount
Cutoff
Resonance
12. I
/\
fl
I 1. I
GO I 5b I
/\
n.
Pulse Width
PWMod
132 |
Glide
Voice Volume
Attack
I 15 I
Amp Peak
101
Release
I 7
OMod
LFOMod
S\
IT
Pulse Width
PWMod
Glide
Release
Frequency
Amount
S\
PL
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
Invert
Attack
Decay
Sustain I
Release
Kybd Track
Amp Peak
Voice Volume
Attack
111
Decay
Sustain
Invert
Attack
Decay
Sustain | Release
Voice Volume
Attack
Chorus:
Fine
Attack
115
4-UI
1 I 1 I
LFOMod
I 161
Noise M
T I 2Z| II I 13
Amplifier Envelope
LFOAmt
Sustain
Coarse
Invert
Filler Peak
Decay
1.9 I
Velocity Sensitivity
Kybd Track
I 5 \t
Noise Mix
Env Amount
143 I 10 I 1 I
Unison
Chorus:
LFOMod
PROGRAM/PARAMETER
Program Number
Fine
'
Amplifier Envelope
PROGRAM/PARAMETER
Coarse
off
/\
Chorus:
Unison
I 15 I
PROGRAM/PARAMETER
Decay
121 I
Sustain
Release
I 15
I I 91
Filter Peak
LFOAmt
Unison
Decay
Sustain
Release
|I5| 3 |I7| 10 I II
PROGRAM/PARAMETER
Chorus:
HIH
Oft
Pro9,.m Numb.r93N.rn.
Coarse
Fine
LFOMod
/\
f""L
Pulse Width
PWMod
Glide'
Noise Mix
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain .
Release
Coarse
Fine
...LFOMod
/I
,/\.
n.
f~L
Env Amount
Invert
Glide
Nlo.se M,,
Sustain
Release
Oscillator Envelope
Attack
Decay
1/5
1B\
31
Filter Envelope
Cutoff
Resonance
LFOMod
Invert
Attack
Decay
85
21
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
Sustain
Release
I\
21
Cutoff
Resonance
22
LFOMod
113
50
Invert
Attack
Decay
Sustain
IS
Release
31
Amplifier Envelope
LFOAmt
Unison
2 I 3 I 2 I
Voice Volume
Attack
Decay
Sustain
Release
I It I 14 I 28 I 13 I 21
|'5|
LFOAmt
1/5 I
Attack
Decay
Sustain
Release
1/5 I 25
PROGRAM/PARAMETER
Coarse
Fine
Chorua: OF P
Osc. Waveshape
LFOMod
24
WAVE 77*'*-*A
XS.
PL
Pulse Width
PWMod
Glide
Env Amount
Invert
Attack
Decay
Sustain
Noise Mix
Coarse
Fine
LFOMod
./I
/\
n.
Pulse Width
PWMod
Frequency
Amount
/\
fl_
Env Amount
Invert
Attack
Invert
Attack
Decay
19
21
Glide
Noise Mix
Sustain
Release
Sustain.
Release
11
Oscillator Envelope
Frequency
to
Cutofi
Amount
/\
IS I
Resonance
44 I 31 I
I~L
. Release
I 1
LFOMod
I H
Invert
Attack
Decay ..
Cutoff
Sustain
I (o I It I ^ I 25
50
I 1 '
Resonance
LFOMod
Filter Envelope
17
14
Velocity Sensitivity
Kybd Track
Amp Peak
Filter Peak
Z I Co I 4 I
Decay
28
Amplifier Envelope
LFOAmt
Unison
Voice Volume
111 I
PROGRAM/PARAMETER
Attack
Decay
Sustain
I 29 I 15 I
Release
115-I & I
LFOAmt
Unison
Voice Volume
Attack
Decay .
Sustain
Release
9&
Program Number 9&N*me
Chorus: Oh)
Coarse
Fine
LFOMod
/\
rL
Pulse Width
PWMod
Glide
Noise Mix
Coarse
Frequency
Amouni
/\
f~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Frequency
Sustain
Release
Cutoff
II I 311 I I
Cutoff
Resonance
55 | 63 |
LFOMod
| i5 I
Osc. Mod Env Amount
| 17 | II
Amp Peak
Filter Peak
2 I 10 I
Fme
LFOMod
/!
Amount
/V
f~L
Resonance
LFOMod
/\v
FL
Pulse Width
PWMod
Glide
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
.Sustain
Voice Volume
Attack
Decay
Sustain
Env Amount
Noise M
I 23
Invert
Attack
Decay
'
31
24
Velocity Sensitivity
Kybd Track
.Chorus:
Osc Waveshape
Osc. Frequency
Amplifier Envelope
LFOAmt
Unison
Voice Volume
Attack
I I I 15 I
Decay
Sustain,
I 21 I
Release
I 3|
Kybd Track
Amp Peak
Filter Peak
2 \\\
\i\to
LFOAmt
Unison
1 /5 1
Release
/5 1/3
PROGRAM/PARAMETER
PROGRAM/PARAMETER
Chorue: ON
Chorus:
Osc Waveshape
Coarse
Fine
Frequency
Amount
Cutoff
Resonance
LFOMod
/\
/\
I"V
I~L
Pulse Width
Env Amount
PWMod
Glide
Noise Mix
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain | Release,
Voice Volume
Attack
Decay
Sustain,
Release
2.7
Kybd Track
Amp Peak
2-1 3 1
Filter Peak
LFOAmt
Unison
I IS I
PROGRAM/PARAMETER
Release
.1.5 I 31
Coarse
7l
Frequency
.Cutoff
Fine
Amount
Resonance
JII
Kybd Track
Amp Peak
LFOMod
/\
I~L
Pulse Width
lal
PWMod
Oscillator Envelope
Glide
Noise Mix
Env Amount
Invert
Attack
Decay
Sustain
Invert
Attack
Decay
Sustain | Release
Voice Volume
Attack
Decay
Filter Peak
0-
/\
LFOAmt
Unison
| I | 15 | 261
PROGRAM/PARAMETER
Sustain
Release
Release
| \b\ 3\
11
YOUR PROGRAMS
These blanks are provided for you to record your own programs. Feel
free to reproduce them for your personal use. (For quantities,
printing at a "quick print" shop will often be more economical and
more readable than xerography.)
CM615A 1/85
11-1
Program Number
Chorus:
Name
Chorua:
Osc Waveshape
Osc. Frequency
Coarse
Fine
LFOMod
/*\
FL
Pulse Width
Frequency
Amount
/\
fL
Env Amount
Invert
Attack
Invert
Attack
VbiceVblume
Attack
PWMod
Glide
Noise Mix
Coarse
Fine
, LFOMod
/\
R.
Pulse Width
PWMod
Glide
Noise Mi
Decay
Sustain
Release
Frequency
Amount
S\
Q.
Env Amount
Invert
Attack
Decay
Sustain
Release
Decay
Sustain
Release
CutoH
Invert
Attack
Decay
Sustain
Release
VbiceVblume
Attack
Decay
Sustam
Release
Oscillator Envelope
Cutotl
Amplifier Envelope
Velocity Sensitivity
LFOAmi
unison
Decay
Sustain
Release
LFOAmt
PROGRAM/PARAMETER
Program Number
Filter Envelope
Unison
PROGRAM-PARAMETER
Program Number
Name
Coarse
Fine
LFOMod
/\
f"L
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
I~L
Env Amount
Invert
Attack
Decay
Sustain
Release
Cutoff
Resonance
LFOMod
Invert
Attack
Decay
Sustain I Release
Decay
Sustain
Coarse
Fine
Frequency. Amount
CutoH
Resonance
Chorua:
Name
LFOMod
/\
I~L
Pulse Width
PWMod
/\
fL
Env Amount
Invert
Attack
Decay
Sustain Rclonsi?
Invert
Attack
Decay
Su
LFOMod
Glide
Noise Mix
plifier Envelope
LFOAmt
PROGRAM-PARAMETER
Release
LFOAmt
PROGRAM/PARAMETER
Decay
Sustain
FW;U;asc
Program Number
Chorus:
Name
Osc. Frequency
Program Number
Chorus:
Name
Osc Waveshape
I^^^BBBiMBaUHHMMBMBBBlBMBlB^BaaHBVB*aaHHaMBHHHHI^HBaBBBaBaBaMaaMB^^^^^^MHHH
Coarse
Fine
LFOMod
Frequency
Amount
/\
Cutott
Resonance
LFOMod
II
f~L
/\
IT
Poise Width
PWMod
Glide
Noise Mix
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain I
Release
Velocity Sensitivity
Coarse
Fine
LFOMod
Frequency
Amount
S\
IT
Cutoll
Resonance
LFOMod
fT
Pulse Width
PWMod
Glide
No.se M.x
Env Amount
Invert
Attack
Decay
Sustain
Release
Invert
Attack
Decay
Sustain
Release
Decay
Filter Envelope
Amplifier Envelope
LFOAm,
Decay
Sustain
Release
LFOAn,.
PROGRAM/PARAMETER
Program Number
Chorus:
Name
Osc. Frequency
Program Number
Chorus:
Name
Osc Waveshape
Coarse
Fine
LFOMod
/\
IT
Pulse Width
PWMod
Glide
Noise Mix
Frequency
Amount
/\
IT
Env Amount
Invert
Attack
Decay
Sustam
CuioM
Resonance
LFOMod
Invert
Attack
Decay
Kyod Track
Amp Peak
Voice Volume
Attack
Decay
Coarse
Fine
LFOMod
/\
fT
Pulse Width
PWMod
Glide
Noise Mix
Release
Frequency
Amount
/\
IT
Env Amount
Invert
Attack
Decay
Sustain
RcUmni-
Sustain I
Release
Cutotl
Resonance
Invert
Attack
Sustain
R;ii?.is
Sustain
Release
Kybd Track
Amp Peak
Voice Volume
Attack
Filter Envelope
LFOMod
Velocity Sensitivity
Filter Peak
LFOAmt
Decay
lplmer Envelope
Unison
Filter Peak
LFOAmt
Unison
Decay
Sustain
MIDIGUIDE
SEQUENTIAL
MG615A
Publications Department
February, 1985
MODEL 615
MULTI-TRAK
MIDIGUIDE
Sequential
3051 North First Street
San Jose, California 95134-2093
U.S.A.
408/946-5240
TELEX: 4997150 SEQCIR
Sequential
Postbus 16
3640 A A Mijdrecht
Netherlands
02979-6211
TELEX: 12721 SQNTL NL
MODEL 615
MULTI-TRAK
MIDIGUIDE
1985 by
SEQUENTIAL
All rights reserved. Printed in U.S.A.
MG615A
MULTI-TRAK MIDIGUIDE
Table of Contents
page
INTRODUCTION
MIDI APPLICATIONS
Synchronizing with Drumtraks or other drum machines
Slaving a MAX to the MULTI-TRAK
Slaving another MULTI-TRAK
MIDI Modes
*
5
8
9
10
11
13
13
MG615A
16
21
INTRODUCTION
MIDI APPLICATIONS
The following examples show how to use the MULTI-TRAK with three
Sequential instruments: Drumtraks, MAX, and a second MULTITRAK.
^
MG615A
SYNCHRONIZING
WITH
DRUMTRAKS
OR
OTHER
DRUM
MACHINES
A very attractive feature of the MULTI-TRAK is its ability to
synchronize with drum machines and other clock-generating devices.
Commonly, drum machines are used with several pieces of equipment
typically a sequencer and a synthesizer or twoto coordinate the
timing of sequenced music which the composer may not be able to
play manually.
Before getting into synchronizing with external equipment, it is
recommended that you get familiar with the MULTI-TRAK's
sequencer and arppegiator operations as described in the MULTITRAK Operation Manual, CM615.
sequences to be started, stopped, and kept in sync with MIDIequipped drum machines.
playback.)
MG615A
Sequence Playback
Set Speed to Ext Clk. (Turn Speed all the way counterclockwise.)
Select desired sequence (A, B, C, D).
Press Start on the MULTI-TRAK.
Stopping,
now
starting,
plays
and
and
loops
continuing
in
the
sync
drum
with
the
machine
drum
also
Sequence Record
Clock rate of the drum machine. (Must be the MIDI standard rate
of 24 clocks per quarter note.)
M;
MG615A
7. Wait until the drumbox loops to the start of its pattern, then
start playing on the MULTI-TRAK.
8. At the end, to start the sequence looping, press Record or the
footswitch.
9. If desired, overdub more notes on the basic track.
10. If desired, select more tracks and programs to lay down some
overdubs.
MG615A
Connection,
MG615A
2.
When
sequence
is
selected,
started,
MG615A
or
stopped on
the
MODES
remaining modes.)
On the MULTI-TRAK, modes are selected by holding the MIDI Mode
switch and turning the Parameter Value knob. Whatever mode is set
remains in memory until changed.
The following information explains how the modes affect the MULTlTRAK's behavior, and how they are used for special applications.
the
front
panel.
I (Omni On/ Mono Off) is selected and the Basic Channel number is
set to 3.
MG615A
number. This normally means channels 3-8 (N=3). Note that the
Basic Channel must not be set above 11, to allow room for six voices.
If the Basic Channel is set above 11 when Mode *t is selected, the
Basic Channel is automatically set to 11.
MIDI-
Hold MIDI Channel and turn Parameter Value until the desired
channel (1-16) appears in the Value/Program display.
MIDI data is sent over the selected channel. If in Mode 3 or Mode
4, this also determines the channel through which MIDI data is
accepted.Note that in Mode b, channel 11 is the maximum usable
channel. The Basic Channel number can also be changed
remotely by a Select Double Mode command over MIDI.
Hold MIDI Mode and turn Parameter Value until the desired mode (0,
MG615A
11
Allows
the
MULTI-TRAK
to
be
controlled
instrument's Pitch and Mod wheels over MIDI.
by
another
MG615A
12
Note: All channel commands use running status. The status byte is
"refreshed" when all envelopes have totally died outo In Mode ft, Note
On/Note Off commands do not have running status.
TRANSMITTED DATA
Status
Second
Third
Note On.
9NH
1001 nnnn
K
Okkk kkkk
V
Ovvv vvvv
Fourth
Fifth
Sixth
Note Off.
9NH
00H
01H
0-127 (00-7FH)
1100 nnnn
Oppp pppp
P=0-99 (00H-63H)
Vis
Vms
1110 nnn
ovvv vvvv
ovvv vvvv
LS byte.
MS byte.
MG615A
13
TRANSMITTED DATA
Status
Second
Double Mode.
FOH
01H
11110000 00000001
(Sys Ex
Third
Fourth
Fifth
7BH
0111 1011
ONH
OOOOnnnn
F7H
1111 0111
Basic
EOX)
Sequential Select
ID
Channel
N is the current Basic Channel.
Sixth
Channel
Song Select.
F3H
S
till 0011 Osss ssss
S=0-3.
Timing Clock.
F8H
1111 1000
Sent with Arpegg or Seq
Start.
FAH
1111 1010
Stop.
FCH
1111 1100
Dump 1 Program
FOH
1111 0000
(Sys Ex
01H
0000 0001
SCI ID
09H
0000 1001
615 ID
P
Oppp pppp
D
DATA
F7H
11110111
19
See
Program// DATA
(0-99)
bytes.
EOX)
Table
MG615A
TRANSMITTED DATA
Status
Second
Third
Fourth
Fifth
Sixth
1111 0000
(Sys Ex
01H
09H
mi oooo
oooooooi
oooo 1001
(Sys Ex
Sequential 615 ID
ID
Dump 1 Sequence
FOH
01H
11110000 0000 0001
(Sys Ex
09H
0000 1001
Sequential 615 ID
ID
7EH
01111110
D
DATA
Sequence
(126)
DATA
EOX)
up to 6000 bytes data.
The sequence
currently
F7H
11110111
dumped
selected
is
on
the one
the
front
panel.
09H
7FH
F7H
11110000
0000 1001
0111 1111
DATA
11110111
(Sys Ex
MG615A
0000 0001
Sequential 615 ID
ID
All Seqs
(127)
DATA
EOX)
up to 6000 bytes data.
Status
Second
Third
Note On.
9NH
1001 nnnn
Okkk kkkk
Ovvv vvvv
Fourth
Fifth
Sixth
Note Off.
9NH
00H
Note Off
8NH
1000 nnnn
K
Okkk kkkk
V
Ovvv vvvv
V is ignored.
01H
1011 nnnn
0000 0001
Ovvv vvvv
N is Basic Channel
V=0-127 (00H-7FH)
Local On/Off
BNH
7AH
1011 nnnn
01111010
Ovvv vvvv
V=0, Local Control Off.
MG615A
16
Second
Third
Fourth
Fifth
Sixth
Track Volume
BNH
07H
1011 nnnn
0000 0111
Ovvv vvvv
2W
or
BNH
AU Voices Off
BNH
7BH
00H
lOilnnnn
0111 1011
0000 0000
7CH
00H
1011 nnnn
0111 1100
0000 0000
7DH
00H
1011 nnnn
0111 1101
0000 0000
7EH
0111 1110
M
Ovvv vvvv
M is ignored.
7FH
0111 1111
00H
0000 0000
Program Change.
CNH
1100 nnnn
Ovvv vvvv
MG615A
17
Status
Second
Third
Fourth
Fifth
Sixth
V
Ovvv vvvv
11110000
(Sys Ex
0000 0001
0000 0000
Sequential 0
ID
0110 0100
All Progs
F7H
11110111
EOX)
+ Stacks
(100)
(Sys Ex
Sequential 0
ID
Bank //
(110-119)
F7H
1111 0111
EOX)
FOH
11110000
(Sys Ex
01H
00H
0000 0001 0000 0000
Sequential 0
ID
7EH
01111110
Sequence
(126)
F7H
11110111
EOX)
MG615A
18
Second
Third
Fourth
Fifth
F7H
Sixth
FOH
01H
00H
78H
11110000
0000 0001
0000 0000
01111000
11110111
(Sys Ex
Sequential 0
ID
All Stacks
(120)
EOX)
Double Mode.
FOH
01H
11110000 00000001
(Sys Ex
7BH
01111011
0NH
OOOOnnnn
Sequential Select
Basic
ID
Channel
Channel
F7H
11110111
EOX)
Song Select
F3H
S
1111 0011 Osssssss
S=0-3.
MG615A
19
Status
Second
Third
Fourth
Start.
FAH
1111 1010
Continue.
FBH
1111 1011
Stop.
FCH
1111 1100
MG615A
20
Fifth
Sixth
MG615A
21
FILTER
Cutoff
O
P
Q
6
4
4
Resonance
Velocity Sensitivity
Envelope Amount
R
S
T
5
5
4
Attack
Decay
Sustain
U
V
5
6
Release
Frequency Modulation
VCA
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22